YCLOAK

Los Angeles — In a sleepy summer weekend at the box office, holdovers reigned supreme as newcomers landed without a splash.

“Deadpool & Wolverine” reclaimed first place at the North American box office in its fifth weekend with $18.3 million. Its cumulative international earnings now sit at over $1.2 billion.

The Walt Disney Co., which owns 20th Century Studios, claimed the top two spots on the charts for the second weekend in a row with “Alien: Romulus” following close behind the foul-mouthed superhero movie. The latest installment in the 45-year-old franchise brought in $16.2 million in its second weekend after a promising opening. Disney’s “Inside Out 2” also remained on the charts, raking in $2.1 million domestically in its 11th weekend. Its global earnings are now over $1.6 billion.

“This is an incredible turnaround for Disney, who almost fell off the radar, shockingly enough, last year and over the course of the pandemic,” said Paul Dergarabedian, the senior media analyst for Comscore. “They got a couple of billion-dollar films out so far and ‘Moana 2’ is still up on the way. This is a huge comeback year for Disney – no question about it.”

Romantic drama “It Ends With Us,” another repeat chart-topper, landed in third place for the second consecutive weekend with $11.9 million. The Sony movie starring Blake Lively and Justin Baldoni, who also directed, has made $242.6 million to date globally. It cost only $25 million to produce.

The new releases were victim to the crowded movie marketplace, resulting in what Dergarabedian called “box office deja vu,” with the familiar films dominating and making it harder for the new releases to find their footing. Dergarabedian says the upcoming Labor Day holiday will likely benefit the newer titles as word-of-mouth spreads and more people head to theaters during the long weekend.

“Blink Twice,” directed by Zoe Kravitz and starring her life partner Channing Tatum, saw a modest opening, taking in $7.3 million and claiming fourth place on the charts. The Amazon MGM Studios psychological thriller follows Tatum as tech magnate Slater King, who whisks two women away to his private island.

While it may seem like a picture-perfect vacation at first, much more sinister events unfold as the visitors learn the truth about the island and the billionaire. The film’s budget has been reported at $20 million.

Reviews have been mixed, with audiences giving the film a B- CinemaScore, but the film has been deemed Certified Fresh on Rotten Tomatoes with a 79% score.

Rounding out the top five was “The Forge,” a faith-focused coming-of-age movie about a young man finding his way through Christianity. The film opened with $6.6 million and received an A+ CinemaScore from audiences. It was released by Affirm Films, Sony’s faith-based banner.

Another new release, “The Crow,” was beat out by “Twisters” and “Coraline” in the rankings. “Twisters” entered its sixth week with $6.2 million in domestic earnings and “Coraline,” which was re-released for its 15th anniversary last week, brought in an additional $5.1 million in its second weekend.

Lionsgate’s “The Crow,” an R-rated adaptation of the acclaimed graphic novel and a remake of the 1994 film of the same name, opened with $4.6 million. The studio also floundered in August with the release of “Borderlands,” an adaptation of the video game, which made $15.2 million over three weekends compared to its reported $120 million budget.

To complete the “tale of the holdovers,” as Dergarabedian put it, “Despicable Me 4” and “Inside Out 2” closed out the top 10 films of the weekend, bringing in $4.4 million and $2.1 million, respectively. “Inside Out 2” has been on the charts for 11 consecutive weekends and remains the No. 1 animated film of all time globally.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Deadpool & Wolverine,” $18.3 million.

2. “Alien: Romulus,” $16.2 million.

3. “It Ends With Us,” $11.9 million.

4. “Blink Twice,” $7.3 million.

5. “The Forge,” $6.6 million.

6. “Twisters,” $6.2 million.

7. “Coraline,” $5.1 million.

8. “The Crow,” $4.6 million.

9. “Despicable Me 4,” $4.4 million.

10. “Inside Out 2,” $2.1 million.
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Dubai, United Arab Emirates — U.S. rapper Macklemore has announced he is cancelling an upcoming show in Dubai over the UAE’s involvement in the conflict in Sudan, charges the Gulf state has denied.

The rapper best known for hits like 2012’s “Thrift Shop” made the announcement in a post on social media on Saturday.

“I have decided to cancel my upcoming show in Dubai this October,” he said.

“Over the last several months I’ve had a number of people reach out to me, sharing resources and asking me to cancel the show in solidarity with the people of Sudan,” he said.

“Until the UAE stops arming and funding the RSF I will not perform there,” Macklemore added, referring to the paramilitary Rapid Support Forces that have been battling the Sundanese army.

War has raged since April 2023 between the Sudanese army, under the country’s de facto ruler Abdel Fattah al-Burhan, and the RSF, which is commanded by Burhan’s former deputy Mohamed Hamdan Daglo.

For months, the army has accused the UAE of supporting the RSF.

In June, Sudan’s ambassador to the United Nations Al-Harith Idriss al-Harith Mohamed called Abu Dhabi’s financial and military support for the RSF the “main reason behind this protracted war.”

The UAE has denied allegations of RSF support as “disinformation,” saying that it’s efforts are focused exclusively towards de-escalation and alleviating Sudan’s humanitarian suffering.

Macklemore has released socially aware music in the past, supporting LGBTQ+ rights while also criticizing ills including poverty and consumerism.

In his latest track released in May, Macklemore voices support for Palestinians and also praises students across the United States protesting against Israel’s war in Gaza.

The song, “Hind’s Hall,” is named after a building at Columbia University that students recently occupied and renamed after Hind Rajab, a six-year-old Palestinian girl killed in Gaza. 
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Herat, Afghanistan — Seated in front of a searing furnace, Ghulam Sakhi Saifi teases forth sinews of molten blue glass — the guardian of an Afghan glassblowing trade refusing to break with tradition.

“This is our art, our inheritance. It has fed us for a long time,” he told AFP, resting from the work that has singed his knuckles and calloused his palms.

“We are trying to make sure it is not forgotten. If we do not pass it down, it will disappear from the whole world,” said Saifi, who guesses his age is around 50.

Glassblowing in Afghanistan’s western city of Herat is an ancient craft. Saifi says it has run in his family for about three centuries.

The last two furnaces in the windswept metropolis near the border with Iran are in his family home and a mud-and-straw shed with a holey roof in the shadow of Herat’s citadel.

‘Slow suffocation’

Saifi now lights one of the furnaces only once a month — eking out around $30 from his stock of cups, plates and candleholders after expensive wood for fuel, dyes and other raw materials are accounted for.

He attributes the dramatic downturn to the exodus of already low numbers of foreign customers during the COVID-19 pandemic followed by the 2021 Taliban takeover, which saw many diplomats and aid workers pack up and leave.

Cheaper Chinese-made imports have also dented demand.

“There have been times when we haven’t worked for three months — we sit at home forever,” he said.

“Locals have no use for these products, for the price they would first think to buy two loaves of bread for their children.”

But when the furnace is lit, Saifi is in his element.

With a crude kitchen knife and a blowpipe he pulls glowing globs of glass out of the mud furnace and inflates them into household wares.

Unlike in the past, when they used quartz, the glassblowers now use easier-to-find recycled bottles shattered into shards and superheated back into their liquid state.

The green and blue pieces cool into charmingly imperfect shapes, shot through with air bubbles, and are sold from clattering piles in shops in Herat and the capital Kabul for around $3 each.

Outside the shed it is already 36 degrees Celsius but stepping over the threshold is like being gripped by a sudden fever.

“Sometimes we really feel the heat, I think I am being slowly suffocated,” Saifi said. “But this is our inheritance, we are used to it.

“Today is a bad day, but maybe it will get better in the future. Maybe the day after tomorrow, we hope to God.”

‘Craft needs to endure’

A gaggle of boys and teenagers assists Saifi in his work, but it is growing hard to tempt the younger generation into a trade they view as a dead end.

His eldest son became an expert in the craft only to abandon it for migrant labor over the border in Iran.

Two cousins who learned to blow glass also saw no future and downed their tools.

His middle son, 18-year-old Naqibullah, vows he will continue the trade, though it’s not clear how.

Before the Taliban takeover there was still enough demand for three days of work a week — a distant prospect for the young man who shares shifts with his father on the rare occasion they light the furnaces.

“We hope that there is a future and that day by day things will get better,” Naqibullah said.

“Even if we’re not making much money the craft needs to endure,” he added. “The art of making things by hand needs to be preserved. We can’t let this skill disappear.”
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NEW YORK — It started a couple of years ago when Juliana Pache was doing a crossword puzzle and got stuck.

She was unfamiliar with the reference that the clue made. It made her think about what a crossword puzzle would look like if the clues and answers included more of some subjects that she was familiar with, thanks to her own identity and interests — Black history and Black popular culture.

When she couldn’t find such a thing, Pache decided to do it herself. In January 2023, she created blackcrossword.com, a site that offers a free mini-crossword puzzle every day. And Tuesday marked the release of her first book, Black Crossword: 100 Mini Puzzles Celebrating the African Diaspora.

It’s a good moment for it, nearly 111 years after the first crossword appeared in a New York newspaper. Recent years have seen an increasing amount of conversation around representation in crossword puzzles, from who’s constructing them to what words can be used for answers and how the clues are framed. There’s been a push to expand the idea of the kinds of “common knowledge” players would have to fill them out.

“I had never made a crossword puzzle before,” Pache, 32, said with a laugh. “But I was like, ‘I can figure it out.’”

And she did.

Made ‘with Black people in mind’

Each puzzle on Pache’s site includes at least a few clues and answers connecting to Black culture. The tagline on the site: “If you know, you know.”

The book is brimming with the kinds of puzzles that she estimates about 2,200 people play daily on her site — squares made up of five lines, each with five spaces. She aims for at least three of the clues to be references to aspects of Black cultures from around the world.

Pache, a native of the New York City borough of Queens with family ties to Cuba and the Dominican Republic, had a couple of goals in mind when she started. Primarily, she wanted to create something that Black people would enjoy.

“I’m making it with Black people in mind,” she said. “And then if anyone else enjoys it, they learn things from it, that’s a bonus but it’s not my focus.”

She’s also trying to show the diversity in Black communities and cultures with the clues and words she uses, and to encourage people from different parts of the African diaspora to learn about each other.

“I also want to make it challenging, not just for people who might be interested in Black culture, but people within Black culture who might be interested in other regions,” she said. “Part of my mission with this is to highlight Black people from all over, Black culture from all over. And I think … that keeps us learning about each other.”

What, really, is ‘general knowledge’?

While on the surface if might just seem like a game, the knowledge base required for crosswords does say something about what kind of knowledge is considered “general” and “universal” and what isn’t, said Michelle Pera-McGhee, a data journalist at The Pudding, a site that focuses on data-driven stories.

In 2020, Pera-McGhee undertook a data project analyzing crossword puzzles through the decades from a handful of the most well-known media outlets. The project assessed clues and answers that used the names of real people to determine a breakdown along gender and race categories.

Unsurprisingly, the data indicated that for the most part, men were disproportionately more likely than women to be featured, as well as white people compared to racial and ethnic minorities.

It’s “interesting because it’s supposed to be easy,” Pera-McGhee said. “You want … ideally to reference things that people, everybody knows about because everyone learns about them in school or whatever. … What are the things that we decide we all should know?”

There are efforts to make crosswords more accessible and representative, including the recently started fellowship for puzzle constructors from underrepresented groups at The New York Times, among the most high-profile crossword puzzles around. Puzzle creators have made puzzles aimed at LGBTQ+ communities, at women, using a wider array of references as Pache is doing.

Bottom line, “it is really cool to see our culture reflected in this medium,” Pache said.

And, Pera-McGhee said, it can be cool to learn new things.

“It’s kind of enriching to have things in the puzzle that you don’t know about,” she said. “It’s not that the experience of not knowing is bad. It’s just that it should maybe be spread out along with the experience of knowing. Both are kind of good in the crossword-solving experience.”
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DALLAS, Texas — Nearly a century after Babe Ruth called his shot during the 1932 World Series, the jersey worn by the New York Yankees slugger when he hit the home run to center field could sell at auction for as much as $30 million.

Heritage Auctions is offering up the jersey Saturday night in Dallas.

Ruth’s famed, debated and often imitated “called shot” came as the Yankees and Chicago Cubs faced off in Game 3 of the World Series at Chicago’s Wrigley Field on October 1, 1932. In the fifth inning, Ruth made a pointing gesture while at bat and then hit a home run off Cubs pitcher Charlie Root.

The Yankees won the game 7-5 and swept the Cubs the next day to win the series.

That was Ruth’s last World Series, and the “called shot” was his last home run in a World Series, said Mike Provenzale, the production manager for Heritage’s sports department.

“When you can tie an item like that to an important figure and their most important moment, that’s what collectors are really looking for,” Provenzale said.

Heritage said Ruth gave the road jersey to one of his golfing buddies in Florida around 1940 and it remained in that family for decades. Then, in the early 1990s, that man’s daughter sold it to a collector. It was then sold at auction in 2005 for $940,000, and that buyer consigned it to Heritage this year.

In 2019, one of Ruth’s road jerseys dating to 1928-30 sold for $5.64 million in an auction conducted at Yankee Stadium. That jersey was part of a collection of items that Ruth’s family had put up for sale.
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SINTRA, Portugal — The doorbell to Martinho de Almada Pimentel’s house is hard to find, and he likes it that way. It’s a long rope that, when pulled, rings a literal bell on the roof that lets him know someone is outside the mountainside mansion that his great-grandfather built in 1914 as a monument to privacy.

There’s precious little of that for Pimentel during this summer of “overtourism.”

Travelers idling in standstill traffic outside the sunwashed walls of Casa do Cipreste in Cintra sometimes spot the bell and pull the string “because it’s funny,” he says. With the windows open, he can smell the car exhaust and hear the “tuk-tuk” of outsized scooters named for the sound they make. And he can sense the frustration of 5,000 visitors a day who are forced to queue around the house on the crawl up single-lane switchbacks to Pena Palace, the onetime retreat of King Ferdinand II.

“Now I’m more isolated than during COVID,” the soft-spoken Pimentel, who lives alone, said during an interview this month on the veranda. “Now I try to (not) go out. What I feel is: angry.”

This is a story of what it means to be visited in 2024, the first year in which global tourism is expected to set records since the coronavirus pandemic brought much of life on Earth to a halt. Wandering is surging, rather than leveling off, driven by lingering revenge travel, digital nomad campaigns and so-called golden visas blamed in part for skyrocketing housing prices.

Cue the violins, you might grouse, for people like Pimentel who are well-off enough to live in places worth visiting. But it’s more than a problem for rich people.

“Not to be able to get an ambulance or to not be able to get my groceries is a rich people problem?” said Matthew Bedell, another resident of Sintra, which has no pharmacy or grocery store in the center of the UNESCO-designated district. “Those don’t feel like rich people problems to me.”

Overtourism generally describes the tipping point at which visitors and their cash stop benefiting residents and instead cause harm by degrading historic sites, overwhelming infrastructure and making life markedly more difficult for those who live there.

Look a little deeper and you’ll find knottier issues for locals and their leaders, none more universal than housing prices driven up by short-term rentals like Airbnb, from Spain to South Africa.

The summer of 2023 was defined by the chaos of the journey itself — airports and airlines overwhelmed, passports a nightmare for travelers from the US. Yet by the end of the year, signs abounded that the COVID-19 rush of revenge travel was accelerating.

In January, the United Nations’ tourism agency predicted that worldwide tourism would exceed the records set in 2019 by 2%. By the end of March, the agency reported, more than 285 million tourists had travelled internationally, about 20% more than the first quarter of 2023. The World Travel & Tourism Council projected in April that 142 of 185 countries it analyzed would set records for tourism, set to generate $11.1 trillion globally and account for 330 million jobs.

Aside from the money, there’s been trouble in paradise this year, with Spain playing a starring role in everything from water management problems to skyrocketing housing prices and drunken tourist drama.

Protests erupted across the country as early as March, with thousands of people demonstrating in Spain’s Canary Islands against visitors and construction that was overwhelming water services and jacking up housing prices.

Japan set records for tourist arrivals. In Fujikawaguchiko, a town that offers some of the best views of Mount Fuji, leaders erected a large black screen in a parking lot to deter tourists from overcrowding the site. The tourists apparently struck back by cutting holes in the screen at eye level.

Air travel, meanwhile, only got more miserable, the U.S. government reported in July.

Tourism is surging and shifting so quickly, in fact, that some experts say the very term “overtourism” is outdated.

Michael O’Regan, a lecturer on tourism and events at Glasgow Caledonian University, argues that “overtourism” doesn’t reflect the fact that the experience depends largely on the success or failure of crowd management.

“There’s been backlash against the business models on which modern tourism has been built and the lack of response by politicians,” he said in an interview. Tourism “came back quicker than we expected,” he allows, but tourists aren’t the problem. “So what happens when we get too many tourists? Destinations need to do more research.”

Virpi Makela can describe exactly what happens in her corner of Sintra. Incoming guests at Casa do Valle, her hillside bed-and-breakfast near the village center, call Makela in anguish because they cannot figure out how to find her property amid Sintra’s “disorganized” traffic rules that seem to change without notice.

“There’s a pillar in the middle of the road that goes up and down and you can’t go forward because you ruin your car. So you have to somehow come down but you can’t turn around, so you have to back down the road,” says Makela, a resident of Portugal for 36 years. “And then people get so frustrated they come to our road, which also has a sign that says `authorized vehicles only.’ And they block everything.”

A 40-minute train ride to the west, Sintra’s municipality has invested in more parking lots outside town and youth housing at lower prices near the center, the mayor’s office said.

More than 3 million people every year visit the mountains and castles of Sintra, long one of Portugal’s wealthiest regions for its cool microclimate and scenery. Sintra City Hall also said via email that fewer tickets are now sold to the nearby historic sites. Pena Palace, for example, began this year to permit less than half the 12,000 tickets per day sold there in the past.

It’s not enough, say local residents, who have organized into QSintra, an association that’s challenging City Hall to “put residents first” with better communication, to start. They also want to know the government’s plan for managing guests at a new hotel being constructed to increase the number of overnight stays, and more limits on the number of cars and visitors allowed.

“We’re not against tourists,” reads the group’s manifesto. “We’re against the pandemonium that (local leaders) cannot resolve.”
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Xolo Maridueña is currently starring in the sixth and final season of the hit karate series “Cobra Kai,” which premiered on Netflix in July. But he also made waves last year when he was cast as the first Latino superhero lead in “Blue Beetle.” The actor spoke with Veronica Villafañe about the impact of these roles in his career and the need for Latino representation in Hollywood.
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KATHMANDU, Nepal — Hundreds of LGBTQ+ people and their supporters rallied in Nepal’s capital Tuesday during the annual Pride parade, the first since gay couples were able to register same-sex marriages officially in the Himalayan nation.

The event brought together the sexual minority community and its supporters in Kathmandu during the Gai Jatra festival. A government minister, diplomats and officials participated in the rally, which began at the city’s tourist hub and went around its main streets.

“Gai Jatra festival is a festival that is a long tradition that has been carried for years, and we all are here to help preserve and continue the tradition, and as a sexual minority are doing our part to save the tradition. We also celebrate the day as a Pride parade,” said Bhumika Shrestha, a gay rights activist who was at the parade.

The Gai Jatra festival is celebrated to remember family members who have passed away during the year but has long had colorful parades that brought in sexual minorities.

After years of struggle, gay couples were able to register same-sex marriages for the first time in November 2023 following a Supreme Court order. Rights activists had long sought to amend laws and end provisions that limited marriage to heterosexual couples.

Nepal has undergone a transformation since a court decision in 2007 asked the government to make changes in favor of LGBTQ+ people. People who do not identify as female or male are now able to choose “third gender” on their passports and other government documents. The 2015 constitution also states that there can be no discrimination based on sexual orientation.
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NEW YORK — In 1974, Harlem’s deserted streets and tumbledown tenements told the story of a neighborhood left behind. Decades of disinvestment had culminated in a mass exodus known as urban flight and residents watched as their wealthier, more educated counterparts left the New York City neighborhood in droves.

But the tide turned when Percy Sutton, then the Manhattan borough president and New York City’s highest-ranking Black elected official, launched a campaign to bring back vitality to the historically African American neighborhood that had been known as a global Black mecca of arts, culture and entrepreneurship.

It became known as Harlem Week and would go on to draw back those who had departed. On Sunday, organizers celebrated Harlem Week’s 50th anniversary after 18 days of free programming that showcased all the iconic neighborhood has to offer.

Harlem Week stands as “the constant line through the last 50 years of America’s most historic Black neighborhood,” said the Rev. Al Sharpton, whose National Action Network is headquartered in the neighborhood. “The dream of Percy Sutton and his peers in government, arts, the church and other elements of Harlem lives on, stronger than ever.”

In the 1970s, Harlem demanded more than an ordinary festival, if it wanted a resurrection. Those who remained in Harlem during urban flight — mostly low-income, Black families — would turn on their televisions to constant despair: crime reports, bleak statistics and reporters who called their home a “sinking ship.”

Sutton knew Harlem was due for a revitalizing, uplifting moment.

That summer, Sutton rallied religious, political, civic and artistic leaders that included Tito Puente, Max Roach, Maya Angelou, James Baldwin, Harry Belafonte, Sidney Poitier, Ruby Dee and Lloyd Williams. Together, they devised an event that would pivot the spotlight from Harlem’s troubles to its vibrant legacy: Harlem Day.

Radio disc jockeys Hal Jackson and Frankie Crocker produced a concert at the plaza of the Harlem State Office Building, while actor Ossie Davis cut a ribbon at 138th street and 7th Avenue, announcing the start of the “Second Harlem Renaissance.”

The ribbon-cutting ceremony renamed 7th Avenue to Adam Clayton Powell Jr. Boulevard, named for the first African American elected to Congress from New York, marking the first time a New York City street took the name of a person of color.

“About two or three weeks later, Percy Sutton called us all and said it was such a successful day,” said Lloyd Williams, one of Harlem Day’s co-founders and the current president of the Greater Harlem Chamber of Commerce. “It meant so much to the other cities that were being deserted in Detroit and Baltimore, Washington and Chicago, that they asked if we would do it again on an annual basis.”

They did, and Harlem Day evolved into Harlem Weekend and eventually Harlem Week, which, before the pandemic, expanded to a full month of programming.

“Only in Harlem could a week be more than seven days,” said Williams, whose family has lived in Harlem since 1919.

This year’s celebration featured entertainment, including a headlining set by hip-hop artist Fabolous, a tribute to Harry Belafonte and Broadway performances. Other concerts showcased jazz, reggae, R&B and gospel traditions nurtured in Harlem, alongside hundreds of food and merchandise vendors.

Organizers also included empowerment initiatives, such as financial literacy workshops and health screenings, at Harlem Health Village and the Children’s Festival. Every child who attended received a back-to-school backpack.

Harlem Week always has been a living tribute to Harlem’s history of greats, such as W.E.B. Du Bois, Langston Hughes, Augusta Savage and Aaron Douglas. It recognizes the Harlem Renaissance and Black Arts Movement and honors landmarks like the Apollo Theater and Schomburg Center for Research in Black Culture.

Many historians consider the late 1960s and the 1970s to be Harlem’s darkest years.

The area had been battered by unrest, including a 1964 riot that killed an unarmed Black teenager, Malcolm X’s assassination in 1965 and the turmoil after the Rev. Martin Luther King Jr.’s assassination in 1968. Household incomes fell dramatically and infant mortality rates were high.

“The neighborhood was blighted,” recalled Malik Yoba, an actor born in the Bronx in 1967 who grew up in Harlem and spent days playing in the dirt of vacant lots. Yoba attended school in the Upper East Side with peers who had country homes upstate in the Hamptons.

“I didn’t understand why where we lived looked so dramatically different than where they lived,” he said. “I knew something was wrong.”

But Harlemites are creatives and entrepreneurs, visionaries and leaders. Where others saw decline, they saw opportunity, and the determination to match Harlem with its potential ran high.

Yoba, now 56, built a career as an actor showcasing Harlem to audiences across the nation. His experiences with housing inequality also fueled his passion for real estate.

Yoba combats the effects of redlining through his company Yoba Development, which provides young people of color access to the industry and has active projects in Baltimore and New York City.

“When you grow up in disenfranchised and divested communities, you can’t see the forest through the trees,” Yoba said. “You can grow up believing that walking by burnt-down buildings is your birthright, as opposed to understanding that building is a business.”

Hazel Dukes, 92, a prominent New York civil rights activist and Harlem resident of 30 years, has spent her life fighting discrimination in housing and education. She lived in the same Harlem building as Sutton and organized alongside him, later becoming a national president of the NAACP in 1989.

“I know what it feels to be denied,” said Dukes, who was born and raised in Montgomery, Alabama, and endured Jim Crow segregation. She moved to New York City with her parents in the 1950s.

Today, property in Harlem is coveted, driven by gentrification and its enduring cultural appeal.

“There was a waiting list, because everybody wanted to live in Harlem,” Dukes said. “People want to come to Harlem before they transition from this world.”
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paris — French actor Alain Delon, who melted the hearts of millions of film fans whether playing a murderer, hoodlum or hitman in his postwar heyday, has died, French media reported on Sunday. He was 88.

Delon had been in poor health since suffering a stroke in 2019, rarely leaving his estate in Douchy, in France’s Val de Loire region.

With his striking blue eyes, Delon was sometimes referred to as the “French Frank Sinatra” for his handsome looks, a comparison Delon disliked. Unlike Sinatra, who always denied connections with the Mafia, Delon openly acknowledged his shady pals in the underworld.

In a 1970 interview with The New York Times, Delon was asked about such acquaintances, one of whom was among the last “Godfathers” of the underworld in the Mediterranean port of Marseille.

“Most of them, the gangsters I know … were my friends before I became an actor,” he said. “I don’t worry about what a friend does. Each is responsible for his own act. It doesn’t matter what he does.”

Delon shot to fame in two films by Italian director Luchino Visconti, Rocco and His Brothers in 1960 and The Leopard in 1963.

He starred alongside venerable French elder Jean Gabin in Henri Verneuil’s 1963 film Melodie en Sous-Sol (Any Number Can Win) and was a major hit in Jean-Pierre Melville’s 1967 Le Samourai (The Godson). The role of a philosophical contract killer involved minimal dialogue and frequent solo scenes, and Delon shone.

Delon became a star in France and was idolized by men and women in Japan, but never made it as big in Hollywood despite performing with American cinema giants, including Burt Lancaster when the Frenchman played apprentice-hitman Scorpio in the eponymous 1973 film.

In the 1970 film Borsalino, he starred with fellow French actor Jean-Paul Belmondo, playing gangsters who come to blows in an unforgettable, stylized fight over a woman.

Crowning moments also included 1969 erotic thriller La Piscine (The Swimming Pool), where Delon paired up with real-life lover Romy Schneider, in a sultry French Riviera saga of jealousy and seduction.

Troubled man

Born just outside Paris on November 8, 1935, Delon started life on the back foot: he was put in foster care at age 4 after his parents divorced.

He ran away from home at least once and was expelled several times from boarding schools before joining the marines at 17 and serving in then-French-ruled Indochina. There, too, he got into trouble over a stolen jeep.

Back in France in the mid-50s, he worked as a porter at the Paris wholesale food market Les Halles and spent time in the red-light Pigalle district before migrating to the cafes of the bohemian St. Germain des Pres area.

There he met French actor Jean-Claude Brialy, who took him to the Cannes Film Festival, where he attracted the attention of an American talent scout who arranged a screen test.

He made his film debut in 1957 in Quand la femme s’en mele (Send a Woman When the Devil Fails).

Sulphurous friends

Delon was a businessman as well as an actor, leveraging his looks to sell branded cosmetics and dabbling in racehorses with old underworld friends. He invested in a racehorse stable with Jacky “Le Mat” Imbert, a notorious figure in a thriving Marseille crime scene.

Delon’s more louche friendships exploded to the surface when a former bodyguard-cum-confidant, a young Yugoslav called Stefan Markovic, was found dead in a bag, with a bullet in his head, discarded in a rubbish dump near Paris.

The actor was interrogated and cleared by police but the “Markovic Affair” snowballed into a national scandal.

The man police charged with the Markovic murder — he was later acquitted — was Francois Marcantoni, a Corsican cafe owner and friend of Delon who thrived in the hustle and bustle of the Pigalle district in the aftermath of World War II.

Outspoken

Delon was outspoken offstage and courted controversy when he did so — notably when he said he regretted the abolition of the death penalty and spoke disparagingly of gay marriage, which was legalized in France in 2013.

He publicly defended the far-right National Front and telephoned its founder, Jean-Marie Le Pen, an old friend, to congratulate him when the party did well in local elections in 2014.

Delon’s lovers included Schneider and German model-turned-singer Nico, with whom he had a son. In 1964, he married Nathalie Barthelemy and fathered a second son before ending the marriage and embarking on a 15-year relationship with Mireille Darc. He had two more children with Dutch model Rosalie van Breemen.

In a January 2018 interview, Delon told Paris Match he was fed up with modern life and had a chapel and tomb ready for him on the grounds of his home near Geneva, and for his Belgian shepherd dog, called Loubo.

“If I die before him, I’ll ask the vet to let us go together. He will give the dog an injection so he can die in my arms.”

Delon’s last major public appearance was to receive an honorary Palme d’or at the Cannes film festival in May 2019.

In his last years, Delon was the center of a family feud over his care, which made headlines in French media.

In April 2024 a judge placed Delon under “reinforced curatorship,” meaning he no longer had full freedom to manage his assets. He was already under legal protection over concerns over his health and well-being.
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ULAANBAATAR, Mongolia — With its reindeer sleigh rides, camel racing and stunning landscapes with room to roam, Mongolia is hoping to woo visitors who are truly looking to get away from it all.

Like most countries, its tourism industry was devastated by the COVID-19 pandemic, and it has launched a “Welcome to MonGOlia” campaign to win people back. The government has added flights and streamlined the visa process, offering visa-free visits for many countries.

At least 437,000 foreign tourists visited in the first seven months of this year, up 25% over the same period last year, including increasing numbers from Europe, the U.S. and Japan. Visitors from South Korea nearly doubled, thanks in part to the under-four-hour flight.

Despite the gains, Mongolia’s government is still short of its goal of 1 million visitors per year from 2023-25 to the land of Genghis Khan, which encompassed much of Eurasia in its 13th-century heyday and is now a landlocked nation located between Russia and China.

With a population of 3.3 million people, about half of them living in the capital, Ulaanbaatar, there’s plenty of open space for the adventure tourist to explore, said Egjimaa Battsooj, who works for a tour company. Its customized itineraries include horseback trips and camping excursions with the possibility of staying in gers, the felt-covered dwellings still used by Mongolia’s herders.

There’s little chance of running across private property, so few places are off-limits, she said.

“You don’t need to open a gate, you don’t need to have permission from anyone,” she said, sitting in front of a map of Mongolia with routes marked out with pins and strands of yarn.

“We are kind of like the last truly nomad culture on the whole planet,” she added.

Lonely Planet named Mongolia its top destination in its Best in Travel 2024 report. The pope’s visit to Mongolia last year also helped focus attention on the country. Its breakdancers became stars at last year’s Asian Games. And some local bands have developed a global following, like The Hu, a folk-metal band that incorporates traditional Mongolian instruments and throat singing with modern rock.

Still, many people know little about Mongolia. American tourist Michael John said he knew some of the history about Genghis Khan and had seen a documentary on eagles used by hunters before deciding to stop in Ulaanbaatar as part of a longer vacation.

“It was a great opportunity to learn more,” the 40-year-old said.

Tourism accounted for 7.2% of Mongolia’s gross domestic product and 7.6% of its employment in 2019 before collapsing due to the COVID-19 pandemic, according to the World Bank. But the organization noted “substantial growth potential” for Mongolia to exploit, with “diverse nature and stunning sceneries” and sports and adventure tourism possibilities.

Mongolia tourism ads focus on those themes, with beautiful views of frozen lakes in winter for skating and fishing, the Northern Lights and events like reindeer sledding and riding, camel racing and hiking.

Munkhjargal Dayan offers rides on two-humped Bactrian camels, traditional archery and the opportunity to have eagles trained for hunting perch on a visitor’s arm.

“We want to show tourists coming from other countries that we have such a way of life in Mongolia,” he said, waiting for customers by a giant statue of Genghis Kahn on the outskirts of Ulaanbaatar.

Outside the lively capital, getting around can be difficult in summer as the steppes become waterlogged, and there is limited infrastructure, a shortage of accommodation and a deficit of skilled labor in tourism destinations.

It is also easy for foreigners to get lost, with few signs in English, said Dutch tourist Jasper Koning. Nevertheless, he said he was thoroughly enjoying his trip.

“The weather is super, the scenery is more than super, it’s clean, the people are friendly,” he said.
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LONDON — A fire broke out Saturday at Somerset House, a large arts venue on the River Thames in central London.

Smoke billowed from the building and flames could be seen coming from the roof as firefighters on tall ladders showered it with water.

The cause of the fire was not yet known, the London Fire Brigade said. Fifteen engines and about 100 firefighters were deployed.

Somerset House said all staff and the public were safe and the site was closed. The venue had been scheduled to host a breakdancing event.

The neoclassical building, which is nearly 250 years old, houses the Courtauld Gallery that features works by Van Gogh, Manet and Cezanne.
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los angeles — A prosecutor says five people have been charged in connection with Matthew Perry’s death from a ketamine overdose last year, including the actor’s assistant and two doctors.

U.S. Attorney Martin Estrada announced the charges Thursday, saying the doctors supplied Perry with a large amount of ketamine and even wondered in a text message how much the former “Friends” star would be willing to pay.

“These defendants took advantage of Mr. Perry’s addiction issues to enrich themselves. They knew what they were doing was wrong,” Estrada said.

Perry died in October due to a ketamine overdose and received several injections of the drug on the day he died from his live-in personal assistant. The assistant, Kenneth Iwamasa, is the one who found Perry dead later that day.

The actor went to the two charged doctors in desperation after his regular doctors refused to give him ketamine in the amounts he wanted. DEA Administrator Anne Milgram said in one instance the actor paid $2,000 for a vial of ketamine that cost one of the physicians about $12.

Two of the people, including one of the doctors charged, were arrested Thursday, Estrada said. Two of the defendants, including Iwamasa, have pleaded guilty to charges already, and a third person has agreed to plead guilty.

Multiple messages left seeking comment from lawyers or offices for all the defendants have not yet been returned.

Among those arrested Thursday are Dr. Salvador Plasencia, who is charged with seven counts of distribution of ketamine and also two charges related to allegations he falsified records after Perry’s death.

The other person arrested Thursday is Jasveen Sangha, who prosecutors described as a drug dealer known as the “ketamine queen.”

Ketamine supplied by Sangha caused Perry’s death, authorities said.

Sangha and Plasencia could make their first court appearances later Thursday.

Records show Plascencia’s medical license has been in good standing with no records of complaints, though it is set to expire in October.

A San Diego physician, Dr. Mark Chavez, has agreed to plead guilty to conspiracy to distribute ketamine. Prosecutors allege Chavez funneled ketamine to Plasencia, securing some of the drug from a wholesale distributor through a fraudulent prescription.

The prosecutor said the defendants exchanged messages soon after Perry’s death referencing ketamine as the cause of death. Estrada said they tried to cover up their involvement in supplying Perry ketamine, a powerful anesthetic that is sometimes used to treat chronic pain and depression.

Los Angeles police said in May that they were working with the U.S. Drug Enforcement Administration and the U.S. Postal Inspection Service with a probe into why the 54-year-old had so much of the surgical anesthetic in his system.

Iwamasa found the actor face down in his hot tub on Oct. 28, and paramedics who were called immediately declared him dead.

The assistant received the ketamine from Eric Fleming, who has pleaded guilty to obtaining the drug from Sangha and delivering it to Iwamasa. In all, he delivered 50 vials of ketamine for Perry’s use, including 25 handed over four days before the actor’s death.

Perry’s autopsy, released in December, found that the amount of ketamine in his blood was in the range used for general anesthesia during surgery.

Ketamine has seen a huge surge in use in recent years as a treatment for depression, anxiety and pain. People close to Perry told coroner’s investigators that he was undergoing ketamine infusion therapy.

But the medical examiner said Perry’s last treatment 1½ weeks earlier wouldn’t explain the levels of ketamine in his blood. The drug is typically metabolized in a matter of hours. At least two doctors were treating Perry, a psychiatrist and an anesthesiologist who served as his primary care physician, the medical examiner’s report said. No illicit drugs or paraphernalia were found at his house.

Ketamine was listed as the primary cause of death, which was ruled an accident with no foul play suspected, the report said. Drowning and other medical issues were contributing factors, the coroner said.

Drug-related celebrity deaths have in other cases led authorities to prosecute the people who supplied them.

After rapper Mac Miller died from an overdose of cocaine, alcohol and counterfeit oxycodone that contained fentanyl, two of the men who provided him the fentanyl were convicted of distributing the drug. One was sentenced to more than 17 years in federal prison, the other to 10 years.

And after Michael Jackson died in 2009 from a lethal dose of propofol, a drug intended for use only during surgery and other medical procedures and not for the insomnia the singer sought it for, his doctor, Conrad Murray, was convicted of involuntary manslaughter in 2011. Murray has maintained his innocence.
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WASHINGTON — The ancient ritual meaning of Stonehenge is still a mystery, but researchers are one step closer to understanding how the famous stone circle was created.

The unique stone lying flat at the center of the monument was brought to the site in southern England from near the tip of northeast Scotland, researchers reported Wednesday in the journal Nature. It’s not clear whether the 5-meter (16-foot) stone was carried by boat or over land — a journey of more than 740 kilometers (460 miles).

“It’s a surprise that it’s come from so far away,” said University of Exeter archaeologist Susan Greaney, who was not involved in the study.

For more than a hundred years, scientists believed that Stonehenge’s central sandstone slab — long called the “altar stone” — came from much-closer Wales. But a study last year by some of the same researchers showed that the stone didn’t match the geology of Wales’ sandstone formations. The actual source of the stone remained unknown until now.

For the study, the team was not permitted to chip away rocks at the site, but instead analyzed minerals in bits of rock that had been collected in previous digs, some dating back to the 1840s. They found a match in the sandstone formations of Orcadian Basin in northeast Scotland, a region that includes parts of the tip of the Scottish peninsula as well as the Orkney Islands.

“That geological ‘fingerprint’ isn’t repeated in any other area of sediment in the U.K.,” said Aberystwyth University geologist Nick Pearce, a study co-author.

Greaney said the difficult logistics of moving the stone such a long distance show a high level of coordination and cultural connection between these two regions of ancient Britain.

Stonehenge was constructed around 5,000 years ago, with stones forming different circles brought to the site at different times. The placement of stones allows for the sun to rise through a stone “window” during summer solstice. The ancient purpose of the altar stone — which lies flat at the heart of Stonehenge, now beneath other rocks — remains a mystery.

“Stonehenge isn’t a settlement site, but a place of ceremony or ritual,” said Heather Sebire, senior curator at English Heritage, who was not involved in the study. She said that past archaeological excavations had not uncovered evidence of feasting or daily living at the site.

Previous research has shown cultural connections — such as similarities in pottery styles — between the area around Stonehenge and Scotland’s Orkney Islands. Other stones at Stonehenge came from western Wales.

While Britain is dotted with other Neolithic stone circles, “the thing that’s unique about Stonehenge is the distance from which the stones have been sourced,” said Aberystwyth University’s Richard Bevins, a study co-author.
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london — Street artist Banksy on Monday unveiled a new mural of a rhinoceros that looks like it is climbing on top of a car in London — the eighth animal-themed artwork he has posted in the past week in a collection that includes elephants, a goat, a wolf, pelicans and more.

The elusive graffiti artist, who has never confirmed his full identity, has been posting the new work on his Instagram account every day since last Monday. The latest piece in Charlton, southeast London, features a rhino on a wall and gives the impression the animal is mounting a broken-down car parked in front of the building.

On Sunday, the artist claimed another artwork depicting piranhas that appeared on a police box near the Central Criminal Court, known as the Old Bailey, in London.

A small crowd of people flocked to the fish tank-themed artwork Monday, taking photos and selfies as workmen placed barriers around it. A spokesperson for the City of London Corporation said it was looking at options to preserve it.

Other pieces unveiled last week included pelicans that appeared on the side of a fish shop in Walthamstow, east London, and a silhouette of a howling wolf that was painted on a satellite dish on a garage roof in south London.

The wolf design was seen being taken down by men who carried it off on the same day it was revealed. It was not immediately clear who removed the satellite dish. 

Banksy began his career spray-painting buildings in Bristol, England, and has become one of the world’s best-known artists. His work has sold for millions of dollars at auction, and past murals on outdoor sites have often been stolen or removed by building owners soon after going up. 
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New York — In the Ryan Reynolds-Blake Lively box-office showdown, both husband and wife came out as winners. 

Reynolds’ Marvel Studios smash “Deadpool & Wolverine” remained the top movie in North American theaters for the third straight week with $54.2 million in ticket sales according to studio estimates Sunday. Worldwide, it’s now surpassed $1 billion.

“Deadpool & Wolverine,” though, was closely followed by “It Ends With Us,” the romance drama starring Lively, which surpassed expectations with a stellar $50 million debut. 

Together, the films created a kind of family edition of “Barbenheimer,” in which a pair of very different movies thrived in part due to counterprogramming. Only this time, the opposite movies were fronted by one of Hollywood’s most famous couples. The films’ one-two punch wasn’t entirely unprecedented. In 1990, Bruce Willis’ “Die Hard 2” led the box office while Demi Moore’s “Ghost” came in second. 

The weekend also featured a high-priced flop. “Borderlands,” the long-delayed $120-million videogame adaptation directed by Eli Roth, launched with a paltry $8.8 million for Lionsgate. The film, starring Cate Blanchett, Kevin Hart and Jack Black, was shot all the way back in 2021. After delays and reshoots, it finally landed in theaters effectively dead-on-arrival; it scored just 10% fresh on Rotten Tomatoes and seems likely to contend for one of the worst movies of the year. 

Meanwhile, “Deadpool & Wolverine,” which co-stars Hugh Jackman, continued its march through box-office records. The film, directed by Shawn Levy, is only the second R-rated movie to reach $1 billion, following 2019’s “Joker.” In three weeks, it’s already one of the most lucrative Marvel releases and trails only Disney’s other 2024 smash, “Inside Out” ($1.6 billion worldwide) among movies released this year. 

Lively makes a cameo in “Deadpool & Wolverine” but she both stars in and produced “It Ends With Us.” Adapted from the bestselling romance novel by Colleen Hoover, Lively stars as Lily Bloom, a Boston florist torn between two men, one from her present life (Justin Baldoni, who also directed the film) and another who was her first love (Brandon Sklenar).

“It Ends With Us” cost a modest $25 million to produce, so it will turn a significant profit for co-financers Columbia Pictures and Wayfarer Studios. Like another female-skewing summer-release book adaptation from Sony, “Where the Crawdads Sing,” “It Ends With Us” could hold well through the typically slower August box-office period. Audiences gave it an A- CinemaScore. 

Reynolds and Lively occasionally played up the convergence of their movies. Earlier this week, Reynolds posted a video of himself posing junket questions to Sklenar. The timing paid off especially for Lively, whose film doubled earlier opening-weekend forecasts. 

Neon’s “Cuckoo,” a German Alps-set horror film by filmmaker Tilman Singer, opened with $3 million on 1,503 screen. It stars Hunter Schafer and Dan Stevens.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday. 

 

1. “Deadpool & Wolverine,” $54.2 million. 

2. “It Ends With Us,” $50 million. 

3. “Twisters,” $15 million. 

4. “Borderlands,” $8.8 million. 

5. “Despicable Me 4,” $8 million. 

6. “Trap,” $6.7 million. 

7. “Inside Out 2,” $5 million. 

8. “Harold and the Purple Crayon,” $3.1 million. 

9. “Cuckoo,” $3 million. 

10. “Longlegs,” $2 million. 
    …

PARIS — Paris is getting a colorful splash of Olympic creative spirit with nearly 30 vibrant street art pieces that have popped up on bustling metro station walls, a large billboard at the airport and in front of City Hall.

One shows a drawing of French fencer Ysaora Thibus in action. Another has canoers paddling down the Seine River. Some others include people enjoying themselves in a busy district. The original art was spread throughout Paris and other nearby host cities around the Olympic and Paralympic sites.

“During this time of the Olympics, it’s a lot of energy and people coming from all over the world,” said New York native JonOne, who has lived in Paris for the past three decades and is viewed in the street art world as a graffiti pioneer. He’s one of six renowned street artists from four continents whose work is currently on display at train stations, airports, taxis, digital screens and billboards.

The artists were selected through a campaign spearheaded by Visa to help support small businesses. They hail from France (Marko 93 and Olivia De Bona), Brazil (Alex Senna), Australia (Vexta) and the United States (Swoon).

“Why not use street art?” said JonOne, 60, whose artwork can be found in several places in Paris including the Palais Royal–Musee du Louvre station. It took two months with five collaborators to finish the blue, white and red abstract expressionist-style graffiti, which covers 250 square meters of the wall at the busy station.

“It projects a lot of energies and youth culture,” he said. “It’s a good moment to show our artwork.”

The campaign was designed as an open-air exhibition curated by Nicolas Laugero Lasserre, an expert in urban art. The 28 pieces of original artwork will remain on display until September 8.

“Just like high-level athletes, artists share values of tolerance, open-mindedness, questioning and self-surpassing,” said Lasserre, who has organized over 50 exhibitions with public and private institutions, including an exhibition at the Paris City Hall. “Associating art and sport is one of the cornerstones of Olympism.”

Each creation highlights the spirit of the neighborhoods — such as Saint-Denis, Montmartre and Rue Montorgueil — capturing the vibrancy of cafes, bookstores and shops that have become an essential fabric of Paris and the wider Ile-de-France region. They can also be found at the airports of Lille, Lyon and Marseille, hosts of some Olympic events.

“We asked the artists to show us their version of Paris in the most authentic way,” said Juan Arturo Herrera, a business administrator and marketing executive at Visa International. Last month, he carried the Olympic flame over a 200-meter course in eastern France.

“Street art is the most accessible of arts,” he said. “It’s universal. We’ve seen it for decades now in cities. It has made its way through museums and we wanted to bring it back out. We see this as the biggest exhibition of open-air art in the public space.”

De Bona, a Parisian, feels proud to bring her artwork to her hometown, family and visitors from around the world.

“It was so moving,” she said. “I see how the art makes my city so beautiful. It’s a privilege to represent France for all these people who are coming to Paris from all over the world.”

De Bona, 39, remembered when street art and graffiti were not widely accepted by the masses. But now, she’s witnessed a positive shift in the perception and within the industry, which was once male-dominated.

“People need pictures in the streets,” she said. “It needs to be welcoming the arts. We are the bridge between people who don’t think it fits in the museum. We bring art to the people. This is our way to express ourselves and exist.”

Marko 93 said his passion for street art kept him pushing through the words of skeptics. At a young age, he was intrigued by watching the evolution of graffiti during the 1980s hip-hop era in New York, which he called the “promised land” of graffiti.

“It’s all about perseverance,” said the 51-year-old during his live performance, painting a fencer along the Seine. “Art is also about perseverance. This passion pushes us to move forward and beyond our limits.”

One day, JonOne would like to see arts reintroduced as competition at the Olympics.

Art competitions first came into fruition at the 1912 Olympics in Stockholm ,with medals awarded in five categories: architecture, literature, music, painting and sculpture. The International Olympic Committee ended the competitions in the 1948 Games, and an attempt to bring it back was denied four years later.

“Artists are like athletes, too,” JonOne said. “I respect athletes in basketball and runners. Art is not really a sport, but it should be included in the Olympics. Just surviving as an artist is an Olympic sport.”
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NEW YORK — Visitors to corn mazes across the country are finding a familiar and joyous figure in the winding labyrinth of tall stalks. Snoopy.

More than 80 farms in the U.S. and Canada have teamed up with Peanuts Worldwide to create “Peanuts”-themed mazes to celebrate the beloved strip’s 75th birthday this summer and fall.

A massive Snoopy rests on top of his doghouse in a maze at Dull’s Tree Farm in Thorntown, Indiana, and he’s depicted gleefully atop a pumpkin at Downey’s Farm in Caledon, Ontario.

“All of these events helps keep my dad’s legacy alive,” says Jill Schulz, an actor and daughter of “Peanuts” creator Charles M. Schulz.

“As someone who can’t even keep houseplants alive, the fact that they can do that with a corn maze and get the artwork right and create a fun experience for all ages is pretty incredible,” she adds, laughing.

The mazes — which span 35 states and provinces, from California to New York, Ontario to Texas — are expected to attract more than 2 million visitors. Farmers are signing up for the free service because the mazes are part of the customer lure, in addition to things like hay rides, fresh produce and pumpkin carvings.

Each maze is designed for the size of the farm — from 1.5 acres to 20 acres — and are mostly corn but also sunflowers. They’re custom created by the world’s largest corn maze consulting company, The MAiZE Inc.

The Utah-based Brett Herbst, who leads the company and who launched his first corn maze in 1996, says technology has only somewhat changed the way corn mazes are made.

“The first year we did it, we just used a weed whacker with a saw blade on it when the corn was fully grown,” he says. “Now we do it when it’s short and we go in and either mow it or rototill it. We design it all on a computer, but most of it we actually just go draw it out on the ground by hand.”

He and his team have over the years designed mazes with everything from the faces of presidential candidates, Oprah Winfrey, zombies, John Wayne and Chris LeDoux. Charlie Brown and Co. just work well, he says.

“It’s very nostalgic and just seemed like a very natural fit from the get-go to embrace that with ‘Peanuts,'” he says. “It’s harvest time. It’s kind of become this iconic thing.”

There’s an art and a science to maze building, a balance between maintaining the integrity of the image, but also making it a true maze where people can actually get lost in. “That’s definitely a challenge there,” says Herbst. “You want to accomplish both as much as possible.”

“Peanuts” made its debut Oct. 2, 1950. The travails of the “little round-headed kid” Charlie Brown and his pals eventually ran in more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket” and “good grief” are a part of the global vernacular. Schulz died in 2000.

There’s something timeless about corn mazes, and that’s what excites Jill Schulz so much. They offer kids a chance to disconnect from their online life and celebrate something their parents did.

“It’s great to have an opportunity to just bring kids to events that are old school, because it’s also important for parents and grandparents to introduce something they loved to do as a child,” she says.

“I think we all need a little innocence for our children right now with all the technology out there. We need a little ‘put down your phone and go out and have some good old fashioned, old school family time.’ I think that’s important.”
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NEW YORK — Renowned French high-wire artist Philippe Petit marked the 50th anniversary of his famous walk between New York’s Twin Towers with a performance in a Manhattan cathedral, accompanied by live music from Sting.

Petit walked between the spires of the World Trade Center skyscrapers, 1,350 feet up, on August 7, 1974.

A photographer captured the feat with the New York skyline in the background as Petit — without a harness — made the crossing.

Now 74 years old, Petit partly re-created his gravity-defying stunt Thursday in the Cathedral of St. John the Divine, about seven miles north of the former Twin Towers, which were destroyed in the attacks of September 11, 2001.

“Of course, my illegal walk between the towers was the most important moment of my life at the time, and now I look back and I have done something like 100 high wire walks all over the world,” Petit told AFP.

In the reconstruction, Petit was met by a police officer as he completed his walk.

The New York Times, which called Petit’s Twin Towers walk the “art crime of the century,” reported that in 1974 after 45 minutes of “knee bends and other stunts,” Petit turned himself over to waiting police.

He was charged with disorderly conduct and trespass, but the charges were dropped in return for a free aerial performance in a city park.

The feature film The Walk, starring Joseph Gordon-Levitt, and the Oscar-winning documentary Man on Wire tell the story of the famous stunt. 
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PARIS — Sprinter Noah Lyles revealed he had COVID-19 after missing out on another gold medal for the United States at the Paris Olympics on Thursday.

Elsewhere, French basketball star Victor Wembanyama moved closer to his dream of a first gold after helping Les Bleus beat Germany to set up a dream final against the U.S. team after the Americans edged Serbia 95-91.

On the same Stade de France track where he won the historically close 100 meters by five thousandths of a second, Lyles was third behind gold medalist Letsile Tebogo of Botswana and U.S. teammate Kenneth Bednarek in the 200-meter race.

Medics tended to a tired-looking Lyles and took him off in a wheelchair. Wearing a mask as he spoke with reporters, Lyles later said he had COVID.

“It definitely affected my performance,” said Lyles, adding that he tested positive early Tuesday morning but was cleared to compete. The U.S. track federation said it and the U.S. Olympic and Paralympic Committee adhered to all Olympic and Centers for Disease Control guidelines.

Over at Bercy Arena, with former NBA stars Dirk Nowitzki and Tony Parker watching their respective countrymen, France held on to win 73-69.

Wembanyama, the NBA rookie of the year, clenched his fists at the buzzer and teammate Evan Fournier jubilantly threw the ball into the crowd.

The 20-year-old star didn’t play three years ago in Tokyo, when the French lost the final to the U.S. They meet again Saturday, when Wembanyama hopes to give France its first Olympic gold in men’s or women’s basketball.

Highlights of what happened on Day 13 of the Paris Olympics:

Curry leads semifinal fightback against Serbia

LeBron James had a triple double and Steph Curry scored 36 points as the American men rallied from 17 points down.

The U.S. faced an 11-point halftime deficit — the biggest successfully overcome by an American team since NBA players were added to the Olympic mix in 1992 — and again trailed the Serbs by 11 with just over seven minutes left.

Serbian players fell on their backs at the buzzer after coming so close.

It was a far cry from their group opener when the U.S. rolled to a 110-84 win.

US team gets a world record, breaks the 100-medal mark

The United States now has more golds and more overall medals than any other nation.

With three days left of competition, American athletes total 30 golds for 103 medals overall.

The U.S. went 1-2 in the women’s 400 hurdles with Sydney McLaughlin-Levrone breaking her own world record in a time of 50.37 seconds, and Anna Cockrell taking the silver.

Grant Holloway followed up with gold in the men’s 110 hurdles in 12.99, beating countryman Daniel Roberts.

Also, Long jumper Tara Davis-Woodhall won the women’s long jump with Jasmine Moore taking the bronze behind Germany’s Malaika Mihambo.

China’s diving double ends with tears

China claimed its sixth gold medal in diving at the Paris Games with defending champion Xie Siyi winning the 3-meter springboard.

The Chinese made it a podium 1-2 as Wang Zongyuan took the silver ahead of Mexico’s Osmar Olvera Ibarra.

Wang was in tears afterward.

He hadn’t lost a major diving competition in the event since finishing behind teammate Xie at the Tokyo Olympics. After that silver, Wang won three straight world championship titles.

“It is regrettable I lost,” Wang said through an interpreter. “I must learn to accept any failure and my response is to make a greater effort to improve myself.”

Another world record but no gold

American Sam Watson left the Games with another world record to his name but didn’t get the gold medal.

The 18-year-old Watson broke sport climbing’s speed world record on Thursday for the second time at the Paris Games, but that came in the fight for bronze.

Veddriq Leonardo of Indonesia won gold in 4.75 seconds in the final.

Charron lifts for another medal

Maude Charron raised Canada’s flag at the opening ceremony for the Paris Games and lifted up another medal in weightlifting.

Charron took the silver medal in the 59-kilogram category to add to her gold in the 64-kilogram competition at the Tokyo Games.

Rahimi stars as Morocco gets bronze

Soccer-mad Morocco fans finally have an Olympic medal to celebrate after routing African rival Egypt 6-0 for the bronze.

Soufiane Rahimi scored twice and the Casablanca-born striker will surely become a household name back home after netting an impressive eight goals in the tournament.

He was comfortably the leading scorer ahead of Friday’s final between Spain and 1984 Olympic champion France.

Morocco won the African Cup of Nations title in 1976.

Dutch end long wait for gold in men’s field hockey

Duco Telgenkamp scored the golden goal in the shootout to give the Netherlands a 2-1 victory over Germany.

It was the Netherlands’ first gold in men’s hockey at the Olympics since 2000 and third in the country’s history.

Captain Harmanpreet Singh scored both goals as India beat Spain 2-1 for a second straight bronze, after beating Germany at the Tokyo Games.

French get gold, Portugal a rare medal

Track cyclist Benjamin Thomas overcame a crash in the men’s omnium race to give France its 14th gold medal of the Paris Games.

Thomas held off Iúri Leitão, whose silver medal was only Portugal’s second medal so far — compared to 54 for the French.

Also, world champion Ellesse Andrews of New Zealand won the Olympic title in the women’s keirin.

Nadeem gets Pakistan’s first medal with an Olympic record

Arshad Nadeem got Pakistan’s first medal of the Paris Games in style by setting an Olympic record in javelin.

Nadeem’s throw of 92.97 meters beat Norwegian Andreas Thorkildsen’s mark of 90.57 from the 2008 Games in Beijing.

Plain sailing for Austria

In the southern port city of Marseille, Lara Vadlau and Lukas Maehr of Austria won gold in a tight race in the mixed-gender dinghy.

The sport became a new sailing category at these Games. 
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