YCLOAK

Richard Belzer, the longtime stand-up comedian who became one of TV’s most indelible detectives as John Munch in “Homicide: Life on the Street” and “Law & Order: SVU,” has died. He was 78. 

Belzer died Sunday at his home in Beaulieu-sur-Mer, in southern France, his longtime friend Bill Scheft said. Scheft, a writer who had been working on a documentary about Belzer, said there was no known cause of death, but that Belzer had been dealing with circulatory and respiratory issues. The actor Henry Winkler, Belzer’s cousin, tweeted, “Rest in peace Richard.” 

For more than two decades and across 10 series — even including appearances on “30 Rock” and “Arrested Development” — Belzer played the wise-cracking, acerbic homicide detective prone to conspiracy theories. Belzer first played Munch on a 1993 episode of “Homicide” and last played him in 2016 on “Law & Order: SVU.” 

Belzer never auditioned for the role. After hearing him on “The Howard Stern Show,” executive producer Barry Levinson brought the comedian in to read for the part. 

“I would never be a detective. But if I were, that’s how I’d be,” Belzer once said. “They write to all my paranoia and anti-establishment dissidence and conspiracy theories. So it’s been a lot of fun for me. A dream, really.” 

From that unlikely beginning, Belzer’s Munch would become one of television’s longest-running characters and a sunglasses-wearing presence on the small screen for more than two decades. In 2008, Belzer published the novel “I Am Not a Cop!” with Michael Ian Black. He also helped write several books on conspiracy theories, about things like President John F. Kennedy’s assassination and Malaysia Airlines Flight 370. 

“He made me laugh a billion times,” his longtime friend and fellow stand-up Richard Lewis said Sunday on Twitter. 

Born in Bridgeport, Connecticut, Belzer was drawn to comedy, he said, during an abusive childhood in which his mother would beat him and his older brother, Len. He would do impressions of his childhood idol, Jerry Lewis.  

“My kitchen was the toughest room I ever worked,” Belzer told People magazine in 1993. 

After he was expelled from Dean Junior College in Massachusetts, Belzer embarked on a life of stand-up in New York in 1972. At Catch a Rising Star, Belzer became a regular performer and an emcee. He made his big-screen debut in Ken Shapiro’s 1974 film “The Groove Tube,” a TV satire co-starring Chevy Chase, a film that grew out of the comedy group Channel One that Belzer was a part of. 

Before “Saturday Night Live” changed the comedy scene in New York, Belzer performed with John Belushi, Gilda Radner, Bill Murray and others on the National Lampoon Radio Hour. In 1975, he became the warm-up comic for the newly launched “SNL.” While many cast members quickly became famous, Belzer’s roles were mostly smaller cameos. 

But Belzer became one of the era’s top stand-ups. Belzer often played a stand-up comic in film, including in 1980’s “Fame” and 1983’s “Scarface.” But Munch would change Belzer’s career. 

“Munch was based on a real guy in Baltimore who was a star detective, in a way. He would come onto grisly murder scenes, start doing one-liners, because someone had to break the tension,” Belzer told the AV Club. “So Munch served a very important function. Not only was he a dissident who said what was on his mind, he kind of had the gallows humor that’s needed in a homicide squad.” 

Belzer is survived by his third wife, the actress Harlee McBride, whom he married in 1985. For the past 20 years, they lived mostly in France. 
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Andrew Lloyd Webber, the English composer who created the scores for blockbuster musicals such as “Cats,” “The Phantom of the Opera” and “Evita,” has written the anthem for King Charles III’s coronation, adapting a piece of church music that encourages singers to make a “joyful noise.”

The work by Webber is one of a dozen new pieces Charles commissioned for the grand occasion taking place May 6 at Westminster Abbey. It includes words adapted from Psalm 98 and is scored specifically for the abbey’s choir and organ.

“I hope my anthem reflects this joyful occasion,” Webber said in a statement distributed by Buckingham Palace. 

The program for the king’s coronation ceremony includes older music and new compositions as the palace seeks to blend traditional and modern elements that reflect the realities of modern Britain. New pieces were composed by artists with roots in all four of the United Kingdom’s constituent nations, as well as in the Commonwealth and foreign countries that have sent so many people to its shores.

The service will include works by William Byrd (1543–1623), George Frideric Handel (1685–1759), Edward Elgar (1857–1934), Henry Walford Davies (1869–1941), William Walton (1902–1983), Hubert Parry (1848–1918) and Ralph Vaughan Williams (1872–1958), whose music has featured in previous coronations, along with a piece from the contemporary Welsh composer Karl Jenkins.

There will also be new works by Sarah Class, Nigel Hess, Paul Mealor, Tarik O’Regan, Roxanna Panufnik, Shirley J. Thompson, Judith Weir, Roderick Williams and Debbie Wiseman.

“The decision to combine old and new reflects the cultural breadth of the age in which we live,” said Andrew Nethsingha, the organist and master of choristers at Westminster Abbey.

“Coronations have taken place in Westminster Abbey since 1066. It has been a privilege to collaborate with his majesty in choosing fine musicians and accessible, communicative music for this great occasion,” Nethsingha said.

In all, six orchestral commissions, five choral commissions and one organ commission — spanning the classical, sacred, film, television and musical theater genres — were created for the coronation.

The program will also include personal touches, including a musical tribute to Charles’ late father, Prince Philip, who was born a Greek prince. The new monarch requested Greek Orthodox music, which will be performed by the Byzantine Chant Ensemble.

Though specifics on some of the material are being kept under wraps, one hymn will definitely be part of the service: Handel’s “Zadok the Priest.”

The hymn, with its robust chorus of “God Save the King,” has been played at every coronation since it was commissioned for the coronation of King George II in 1727. 
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The career of Boris Beecker, whose thunderous delivery earned him the nickname “Boom Boom” as a young tennis player, took him from the greatest heights of sporting achievement aged 17 to prison at 54, and he is unsure if it could have gone any other way.

“It’s very difficult to win Wimbledon at 17,” the German former tennis champion said ahead of the premiere on Sunday at the Berlin Film Festival of a documentary on his life.

“You have to be a bit crazy to cross the line and do things nobody else has ever achieved before.”

One of the greatest tennis players in history who won six Grand Slam titles, Becker’s on-court brilliance was matched by an inability to manage his affairs off it, that saw him pile up personal disasters from sleeping pill addictions to a prison sentence.

“You expect world champions in a sport to be like everyone else but we aren’t,” he told a news conference. “To have that mindset … in real life that’s a problem.”

Alex Gibney’s “Boom! Boom! The World vs. Boris Becker” is the work of an unashamed fan, blending court highlights with interviews with a stellar cast of tennis greats, including current number one Novak Djokovic, Ion Tiriac, the Romanian who discovered him, and rivals John McEnroe and Bjorn Borg.

“What I liked about Boris is that unlike many athletes he is a great storyteller,” Gibney said. To convey that sense of drama he envisioned the film as a “docu-western”, he said, setting match points to the music of Ennio Morricone.

The last interview was conducted two days before a London court sent him to prison last April for concealing assets from his bankruptcy proceedings. “I didn’t know what the rest of my life would look like,” said Becker, who served eight months of a two-year term.

Becker, a self-described film fan with a weakness for bad-boy actors such as Sean Penn, Jack Nicholson and Marlon Brando, could hardly hide his glee at moonlighting as a film star but confessed he could no longer hit the ball as he once could.

“I played it very physically and had many injuries. I can’t say how many parts of my body have been replaced,” said the erstwhile king of the powerful serve. “Life as a tennis-winning machine is a lot harder than it looks.”
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Ghanaian footballer Christian Atsu has been found dead under the building where he lived in southern Turkey after last week’s massive earthquake, the ex-Chelsea winger’s Turkish agent said.

“Atsu’s lifeless body was found under the rubble,” Murat Uzunmehmet told reporters in Hatay, where the athlete’s body was found. “Currently, more items are still being taken out. His phone was also found.”

Atsu had been scheduled to fly out of southern Turkey hours before the quake, but Hatayspor’s manager said on Friday the Ghanaian opted to stay with the club after scoring the game-winning goal in a Feb. 5 Super Lig match.
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Bruce Willis has been diagnosed with frontotemporal dementia, his family said on Thursday, nearly a year after the “Die Hard” franchise star retired from acting because of aphasia that had hampered his cognitive abilities.  

“Since we announced Bruce’s diagnosis of aphasia in spring 2022, Bruce’s condition has progressed, and we now have a more specific diagnosis: frontotemporal dementia (known as FTD),” his family said in a statement posted on The Association for Frontotemporal Degeneration website.  

“Unfortunately, challenges with communication are just one symptom of the disease Bruce faces. While this is painful, it is a relief to finally have a clear diagnosis.”  

The statement, to which the family attached a photo of a smiling Willis at the beach, said there are no current treatments for the disease. The family members said they hoped Willis’ diagnosis at age 67 would bring more focus to battling FTD.  

“As Bruce’s condition advances, we hope that any media attention can be focused on shining a light on this disease that needs far more awareness and research,” the statement said. 

Frontotemporal degeneration is caused by progressive nerve cell loss in the brain’s frontal lobes or its temporal lobes. 

Willis’ family believes that if the retired actor were able, he would use his voice to raise awareness about dementia and how to help others with it.  

Journalist Maria Shriver tweeted her “gratitude for shining a much needed light on this disease,” adding that “when people step forward it helps all of us.” 

The actor’s oldest daughter, actor Rumer Willis, also posted the announcement on Instagram and received support from others in the entertainment industry.  

“Love you so much my friend. Sending hugs to you and that beautiful family of yours. Your pops is such a damn legend,” “Breaking Bad” star Aaron Paul said on Instagram.  

Willis rose to fame in the 1980s comedy-drama TV series “Moonlighting,” and has appeared in about 100 films across his four-decade career, garnering acclaim for his roles in “Pulp Fiction” and “The Sixth Sense,” and winning a Golden Globe Award and two Emmys.  

But Willis is perhaps best known for playing the tough-as-nails New York cop who pursued bad guys in the five “Die Hard” movies, released from 1988 to 2013.
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Ukrainian President Volodymyr Zelenskyy will join Hollywood actor Sean Penn by video link on Thursday at the opening of the Berlinale, Europe’s first major film festival of the year, as it spotlights the fight for freedom in Ukraine and Iran.

The 73rd annual event, traditionally the most politically minded of the three big European cinema showcases, will mark the Russian invasion’s first anniversary as well as anti-regime protests in Iran with new feature films and documentaries.

U.S. actor Kristen Stewart (“Spencer”), head of the jury for the Golden and Silver Bear top prizes, told reporters it was “an enormous opportunity to have a hand in highlighting beautiful things” in the face of global turmoil.

“It’s the job of an artist to take a disgusting and ugly thing and sort of transmute it and put it through your body and pump out something more beautiful…in response to the world that’s falling apart around us,” she said.

Artistic director Carlo Chatrian said the festival stood with “the suffering population, the millions who left Ukraine and the artists (who) have remained defending the country and continue filming the war,” adding that it was a “special honour” to welcome Zelenskyy digitally.

Penn will appear on stage at the opening gala in the German capital and introduce Zelenskyy who will speak via video stream, organizers said.

The two-time Oscar winner, who was filming in Kyiv at the start of the Russian onslaught, will on Friday premiere “Superpower”, tracking Zelenskyy’s transformation from comedian to president to war hero.

“Zelenskyy was two completely different creatures from one day to the next,” Penn told entertainment industry magazine Variety this week about the impact of the invasion. “He was a spirit in waiting.”

Beyond movie screenings, the Berlinale plans panel discussions with embattled directors and red-carpet protests in a show of “solidarity” with the people of Iran and Ukraine.

Animation back in force

The Berlinale has barred filmmakers, companies and reporters with direct ties to the Russian or Iranian governments from taking part in the event, including its sprawling European Film Market, a key movie rights exchange for the industry.

Hollywood actors Peter Dinklage, Anne Hathaway and Marisa Tomei will later Thursday present romantic comedy “She Came to Me”, the first of nearly 300 new movies from around the world to screen during the 11-day event.

Nineteen films will vie for the main awards, including British-U.S. co-production “Manodrome” featuring Jesse Eisenberg and Adrien Brody in a thriller about an Uber driver who is lured into a cult while he is expecting his first child.

Two Asian animated pictures will also join the running, “Art College 1994” by China’s Liu Jian and Makoto Shinkai’s “Suzume”, the first Japanese anime to compete at the Berlinale since Hayao Miyazaki’s “Spirited Away” clinched the Golden Bear in 2002.

Gold for Spielberg

Three-time Academy Award winner Steven Spielberg is to collect an honorary Golden Bear for his life’s work, spotlighted in a retrospective.

British actor Helen Mirren will unveil the keenly awaited “Golda” in which she stars as Israel’s only female prime minister, Golda Meir.

And Vicky Krieps, the acclaimed Luxembourg-born actor from “Phantom Thread” and “Corsage”, will present her turn as renowned Austrian writer Ingeborg Bachmann in a biopic by veteran German director Margarethe von Trotta.

One-third of the films in competition are by women, who make up 40 percent of all directors represented at the festival.

“Love to Love You”, a documentary about disco queen Donna Summer, who defined an era on the dance floor and helped inspire Beyonce’s latest album “Renaissance”, will have its world premiere.

The film was co-directed by Summer’s daughter, Brooklyn Sudano, and features never-before-seen home videos.

The Berlinale ranks with Cannes and Venice among Europe’s top film festivals. It will hand out the top prizes on February 25 before wrapping up the next day with screenings of popular movies from this year’s selection.
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The UK is working on a new arrangement with Greece through which the Parthenon Sculptures could be seen both in London and in Athens, British Museum chair George Osborne said on Thursday, describing it as a win-win situation.

Osborne, a former finance minister, reiterated that the museum was having constructive talks with the Greek government about the marbles which have been a source of dispute between the two European countries for centuries.

“It’s a very hard problem to solve,” Osborne told BBC Radio. “But I think there is a way forward where these sculptures, the Elgin Marbles, the Parthenon Sculptures, could be seen both in London and in Athens, and that will be a win-win for Greece and for us.”

When asked if that meant loans, he said: “we’re talking to the Greek government about that, about a new arrangement and what I didn’t want to do is force the Greeks to accept things that they find impossible, and equally they can’t force on us things that we would find impossible.” 

The Greek government has said it was in talks over repatriation of the sculptures, which were removed by British diplomat Lord Elgin from the imposing Parthenon temple in Athens in the early 19th century.

But Osborne ruled out a scenario where the sculptures could be handed over permanently, saying it would need a change of UK law.

“If we wanted to send all the Elgin Marbles back then that would require an act of parliament, and that would be beyond my authority,” he said. “But what the museum can do is try and form a new relationship with Greece.”

“I’m reasonably optimistic.”
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This year’s New York Fashion Week is wrapping up after featuring genderless style, throwback 1990s fashion and colorful knitwear to fight sadness. Nina Vishneva has the story, narrated by Anna Rice. Producer: Anna Rice. Camera: Vladimir Badikov.
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When Raquel Welch donned a deerskin bikini for a 1966 caveman screen epic, she became one of the hottest sex symbols of her time, a role she never felt able to escape.

The film was mediocre, but the poster for “One Million Years BC” went round the world, taking her with it and making both of them an indelible part of cinema history.

“With the release of that famous movie poster, in one fell swoop, everything in my life changed and everything about the real me was swept away,” Welch wrote in her 2010 autobiography Beyond the Cleavage.

“All else would be eclipsed by this bigger-than-life sex symbol.”

With an auburn mane and lauded for her famous figure, Welch took over from the late Marilyn Monroe to become the universal sex goddess of the 1960s and 1970s.

The New York Times described her in 1967 as “a marvelous breathing monument to womankind” while Playboy magazine said she was “the most desired woman of the 1970s.”

Walk-on parts

Welch, who died Wednesday after a brief illness, was born Jo Raquel Tejada on September 5, 1940, in Chicago to a Bolivian aeronautical engineer and his American wife.

Growing up in California, she took ballet lessons and won the first of several teen beauty titles at the age of 14.

She married her high school sweetheart, James Welch, before she was 20, having two children with him before moving to Dallas to take on jobs as a model and barmaid.

Seeking stardom, she returned to Los Angeles in 1963, where she met her agent and next husband Patrick Curtis.

Her never-illustrious acting career started with a string of walk-on parts in minor films, including the 1964 musical feature “Roustabout” starring Elvis Presley.

But a break came when she was picked by the 20th Century Fox studio to star in the 1966 science fiction film, “Fantastic Voyage.”

Typecast

The same year she had a leading role in “One Million Years BC,” a fantasy film forgettable except for its bikini-clad cavewoman.

In 1967 Welch married Curtis in Paris in a famously skimpy white crochet dress, living it up in a lavish Beverly Hills villa with black marble swimming pool and Rolls-Royce.

However, by then she was typecast, and struggled to prove herself as an actress.

“Americans have always had sex symbols. It’s a time-honored tradition and I’m flattered to have been one,” she once said.

“But it’s hard to have a long, fruitful career once you’ve been stereotyped that way.”

Welch clocked up a series of films in the late 1960s and 1970s but remained restricted by her status as a beauty.

Titles included the western “Bandolero!” (1968), detective movie “Lady in Cement” (1968) and comedy “Animal” (1977).

In 1969 she was in Hollywood’s first interracial sex scene with Jim Brown in “100 Rifles.” Then came her most controversial role — a transsexual heroine in the explicit “Myra Breckinridge” (1970).

The swashbuckling “The Three Musketeers” (1973), in which she played the queen’s dressmaker, won her the Golden Globe for best actress.

While filming “Cannery Row” in 1982, Welch was fired for insisting on doing her hair and make-up at home. She sued MGM studios for breach of contract, ultimately winning a $15 million settlement.

Later roles

A lover of yoga, Welch later launched herself into the business of wellbeing, publishing her “Total Beauty and Fitness” program in 1984.

Having long hidden her Latino origins, as an elegant 60-something she took on Hispanic roles in the “American Family” series on PBS in 2002 and “Tortilla Soup” in 2001.

In 2008 at age 68, she divorced her fourth husband, Richard Palmer, who was 14 years her junior.
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Ethiopia has long struggled with problems of communal friction turning into violent, ethnic conflict. Members of the two largest ethnic groups, the Oromos and Amharas, have come together to showcase traditional conflict resolution through musical drama. Maya Misikir reports from Adama, Ethiopia. Camera: Vinicius Assis.
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A German newspaper critic had animal feces smeared on her face in the city of Hannover by a ballet director who apparently took offense at a review she wrote.

The Hannover state opera house apologized for the incident and said Monday that it was immediately suspending ballet director Marco Goecke.

The daily Frankfurter Allgemeine Zeitung reported that a furious Goecke approached its dance critic, Wiebke Huester, during the interval of a premiere at Hannover’s opera house on Saturday and asked what she was doing there. It said that the two didn’t know each other personally.

The newspaper said that Goecke, who apparently felt provoked by a recent review she wrote of a production he staged in the Dutch seat of government, The Hague, threatened to ban her from the ballet and accused her of being responsible for people canceling season tickets in Hannover.

He then pulled out a paper bag with animal feces and smeared her face with the contents before making off through a packed theater foyer, the newspaper said. Huester identified the substance as dog feces and said she had filed a criminal complaint, German news agency dpa reported.

In a statement on its website, the opera house said Huester’s “personal integrity” was violated “in an unspeakable way.” It said that it contacted her immediately after the incident to apologize.

The opera house said that Goecke’s “impulsive reaction” violated the ground rules of the theater and that “he caused massive damage to the Hannover State Opera and State Ballet.” As a result, it said, he is being suspended and banned from the opera house until further notice.

Goecke has been given the next few days to apologize “comprehensively” and explain himself to theater management “before further steps are announced,” it added.

The ballet director appeared at least partly unrepentant, however. In an interview with public broadcaster NDR, Goecke acknowledged that his “choice of means wasn’t super, absolutely.”

“Of course, socially that is also certainly not recognized or respected, if one resorts to such means,” he said of the attack, adding that he had never done anything like that before and was “a bit shocked at myself.”

Goecke said that while having his work “soiled for years” was a price he had been told he had to pay for being in the public eye, there was a limit.

“Once a certain point has been reached, I disagree,” he said.

The German journalists’ association DJV denounced the attack.

“An artist must tolerate criticism, even if it seems exaggerated,” the union’s regional head in Lower Saxony state, Frank Rieger, said. “Whoever reacts violently to criticism is unacceptable. The attack on the … journalist is also an attack on press freedom.”
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Rihanna made her long-awaited return to the stage at the Super Bowl with a career-spanning medley of pop bangers, but it was her baby bump that dominated the conversation.   

The megastar appeared in the stadium midair on a floating stage, donning a clingy, all-red ensemble featuring a molded bustier — and a belt below what many viewers deduced was another mini RiRi in the making.   

Representatives for the singer confirmed the speculation to trade magazines Rolling Stone and The Hollywood Reporter: Rihanna is pregnant with her second child.   

The 34-year-old welcomed her first child, a son, with rapper A$AP Rocky in May.   

Musically speaking, fans who hoped for some fresh tracks were disappointed: Rihanna’s night on the world’s biggest stage offered a nostalgia tour of hits from the past. 

She delivered her club smashes including “Where Have You Been” to “Only Girl (In the World)” and the time-tested “We Found Love.”   

“Rude Boy,” “Work” and “All of the Lights” were also on the setlist, as a sea of dancers performed stunning acrobatics.   

“Wild Thoughts,” “Run This Town” and, of course, “Umbrella” and “Diamonds” rounded out the show.   

She did not, as many stars do, bring out any guest artists, commanding the stage all on her own.   

The evening marked a reversal after Rihanna had previously turned down the gig in protest of the National Football League’s handling of race issues.   

But in accepting the coveted slot this time around, the Barbados-born singer said it was “important for representation.”   

“It’s important for my son to see this,” she said.   

Since releasing “Anti” in early 2016, Robyn Rihanna Fenty has taken a break from recording but has by no means taken it easy: she’s become a billionaire, parlaying her music achievements into successful makeup, lingerie and high-fashion brands.   

Since her last album Rihanna has performed occasional features and more recently recorded music for the “Black Panther: Wakanda Forever” soundtrack. 
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A court run by Yemen’s Iran-backed rebels on Sunday upheld a five-year sentence against a female actor and one of her companions who were convicted of committing an indecent act and having drugs in her possession, her lawyer said.

The arrest of Intisar al-Hammadi and the three other women in February 2021 — as well as the court proceedings against them — have been widely criticized by international rights groups. The case has mirrored widespread Houthi repression and crackdown on women in areas they control in war-torn Yemen.

Al-Hammadi and one of the women were first sentenced in November 2021 to five years. The other two were handed one and three years in prison, respectively.

The Court of Appeals in the Houthi-held capital of Sanaa upheld the sentences against al-Hammadi and Yousra al-Nashri, who was also handed a five-year sentence, according to lawyer Khalid al-Kamal, who represents all four women.

Al-Hammadi, who is also a model, was born to a Yemeni father and an Ethiopian mother. She has worked as a model for four years and acted in two Yemeni soap drama series in 2020. She was the sole breadwinner for her four-member family, including her blind father and a disabled brother.

Human Rights Watch has previously criticized the court proceedings as “marred with irregularities and abuse.” It said the Houthis confiscated al-Hammadi’s phone and “her modeling photos were treated like an act of indecency.”

Yemen has been convulsed by civil war since 2014 when Iran-backed Houthi rebels seized the capital of Sanaa, forcing the internationally recognized government to flee to the south, then to Saudi Arabia. A Saudi-led coalition entered the war in March 2015 to try to restore the government to power.

In the Houthi-held areas, women who dare dissent, or even enter the public sphere, have become targets in an escalating crackdown by the Iran-backed rebels.
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There is no bigger cheerleader of awards season than Richard E. Grant. 

He brings joy to the red carpet, snapping selfies with stars and posting congratulations to nominees on social media. 

Now this enthusiasm has been tapped to host the EE BAFTA Film Awards on February 19 at the Royal Festival Hall. 

“I’m an unabashed fan of movies and of talent and always have been. I’ve never been disingenuous or, you know, blasé about that,” he says. “I probably have to restrain myself from permanently taking selfies with every nominee and winner coming up on the stage.” 

“From that point of view, I am the right fit for the job, hopefully,” he says. 

Grant also knows how it feels to participate in awards season and sit, nervously, waiting for that career changing envelope to be opened. He was nominated as supporting actor at both the BAFTAs and Oscars in 2019 for “Can You Ever Forgive Me?” 

And he’s aware that, as a working actor, hosting has its challenges. 

“Traditionally if you’re a comedian, your role is very clear to roast the audience. Whereas I’m an actor and, you know, even though I’m the vast vintage that I am now, I still want to work and collaborate with directors and actors and writers for the remainder of my breathing days. So roasting them is not really an option and not something that I want to do.” 

When asked if there will be any humor in the ceremony — Grant has jokes. 

“No, it’s going to be very, very serious. There’ll be no jokes and it will be … it’ll be brutally earnest,” he says, laughing. 

Rebel Wilson got mixed reviews for her joke heavy turn as the BAFTA ceremony emcee last March, which at one point involved a cake of Benedict Cumberbatch’s face. 

This year, “All Quiet on the Western Front” leads the nominees with 14. “The Banshees of Inisherin” and “Everything Everywhere All at Once” both have 10 nominations. 

As you’d expect, Grant knows quite a few of the nominees, having worked with EE Rising Star nominees Naomi Ackie and Daryl McCormack, plus Bill Nighy, Cate Blanchett and most of the “Banshees” cast. 

But there will be big changes at the BAFTA Film Awards ceremony this year. 

After six years of walking up the red carpeted steps into the Royal Albert Hall, nominees will be attending an event held beside the River Thames on London’s Southbank at the Royal Festival Hall. 

Also, for the first time, the last 30 minutes of the show will be broadcast live on BBC One, as BAFTA moves towards the idea of a fully live ceremony. 

“In an age where everything can be paused or fast forwarded or, you know, watched on at a later time, the thing of it being live gives it a kind of frisson and excitement and also the possibility that something can go fantastically well or really badly. And that’s always a good thing,” Grant says. 

British rapper Lil Simz will be performing at the ceremony and both the prince and princess of Wales will be in the audience, as he is president of the British Academy of Film and Television Arts. 

Grant, currently working with script writers on what he’ll be saying on stage, claims he’s more excited than nervous, adding he’ll probably be “levitating” on the big day. 

“It is absolutely genuine,” he says of his boundless enthusiasm, “and it’s to the annoyance of some people.” 

“Just surviving in show-business because it is, you know — for what it looks like from the outside — it is a profession that is has an enormous amount of rejection in built into it. So when people are recognized or succeed at what they’re doing and do it so brilliantly — I’m a great champion of that,” Grant said. 
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A halftime show that Rihanna promises will be “jam-packed” will sit at the center of the celebrity supplements to Super Bowl 57. 

But the 13-minute mini-extravaganza, her first live event in seven years, is only one part of the entertainment sideshow surrounding Sunday’s big game between the Philadelphia Eagles and Kansas City Chiefs at State Farm Stadium in Glendale, Arizona. 

Chris Stapleton, who has dominated country music awards in recent years, will take on the challenge, and scrutiny, of singing the national anthem. 

“The national anthem’s not an easy song for singers. It’s one that can go horribly wrong as we’ve seen many times in the past,” Stapleton said at a media event during the leadup to the game. “But if you’re gonna do it, this is the place to do it. I’m gonna go out there and play. And play it like I play it.” 

The length of the anthem has become one of the countless game elements up for betting. Oddsmakers have put the over-under on Stapleton’s “Star Spangled Banner” at 2 minutes, 5 seconds. 

This being the Super Bowl, one anthem is not enough. R&B legend Babyface will perform “America the Beautiful.” 

And “Abbot Elementary” star Sheryl Lee Ralph will sing what’s been dubbed the Black national anthem, “Lift Every Voice and Sing.” 

Famous faces are bound to be seen throughout the stands. Some will care more about the outcome than others. The Eagles count Kevin Hart and “It’s Always Sunny in Philadelphia” star Rob McElhenney among their biggest fans. Paul Rudd and Jason Sudeikis pull hard for the Chiefs. 

Many stars have made the scene at Super Bowl week parties. 

And many others, including John Travolta and Alicia Silverstone, will show up in the big game’s big commercials. 
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Visitors to one of Florence’s most iconic monuments — the Baptistry of San Giovanni, opposite the city’s Duomo — are getting a once-in-a-lifetime chance to see its ceiling mosaics up close thanks to an innovative approach to a planned restoration effort.

Rather than limit the public’s access during the six-year cleaning of the vault, officials built a scaffolding platform for the art restorers that will also allow small numbers of visitors to see the ceiling mosaics at eye level.

“We had to turn this occasion into an opportunity to make it even more accessible and usable by the public through special routes that would bring visitors into direct contact with the mosaics,” Samuele Caciagli, the architect in charge of the restoration site, said.

In an interview with The Associated Press, Caciagli called the new scaffolding tour of the baptistry vault “a unique opportunity that is unlikely to be repeated in the coming decades.”

The scaffolding platform sprouts like a mushroom from the floor of the baptistry and reaches a height of 32 meters (105 feet) from the ground. Visits are set to start Feb. 24 and must be reserved in advance.

The octagonal-shaped baptistry is one of the most visible monuments of Florence. Its exterior features an alternating geometric pattern of white Carrara and green Prato marble and three great bronze doors depicting biblical scenes.

Inside, however, are spectacular mosaic scenes of The Last Judgment and John the Baptist dating from the 13th century and created using some 10 million pieces of stone and glass over 1,000 square meters of dome and wall.

The six-year restoration project is the first in over a century. It initially involves conducting studies on the current state of the mosaics to determine what needs to be done. The expected work includes addressing any water damage to the mortar , removing decades of grime and reaffixing the stones to prevent them from detaching.

“(This first phase) is a bit like the diagnosis of a patient: a whole series of diagnostic investigations are carried out to understand what pathologies of degradation are present on the mosaic material but also on the whole attachment package that holds this mosaic material to the structure behind it,” Beatrice Agostini, who is in charge of the restoration work, said.

The Baptistry of San Giovanni and its mosaics have undergone previous restorations over the centuries, many of them inefficient or even damaging to the structure. During one botched effort in 1819, an entire section of mosaics detached. Persistent water damage from roof leaks did not get resolved until 2014-2015.

Roberto Nardi, director of the Archaeological Conservation Center, the private company managing the restoration, said the planned work wouldn’t introduce any material that is foreign to the original types of stone and mortar used centuries ago.

“It is a mix of science, technology, experience and tradition,” he said.

The origins of the baptistry are something of a mystery. Some believe it was once a pagan temple, though the current structure dates from the 4th or 5th centuries.
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As legal sports gambling proliferates, the number of Americans betting on the Super Bowl and the total amount they’re wagering is surging — although most of the action is still off the books. 

An estimated 1 in 5 American adults will make some sort of bet, laying out a whopping $16 billion, or twice as much as last year, according to an industry trade group. 

Even as legal gambling has spread to two-thirds of U.S. states, independent analysts say only about $1 billion of the total being wagered on Sunday’s game will happen through casinos, racetracks or companies such as FanDuel and DraftKings, whose ads have become ubiquitous during sporting events. 

The vast majority of people, in other words, are still betting with friends and family, participating in office pools or taking their chances with a bookie. 

More than 50 million American adults are expected to bet on the national championship game between the Philadelphia Eagles and the Kansas City Chiefs, according to the American Gaming Association, whose estimates are based on a nationwide online survey of 2,199 adults. That’s an increase of 61% from last year. 

Experts in addiction say aggressive advertising is contributing to a rise in problem gambling. 

“As sports betting expands, the risk of gambling problems expands,” said Keith Whyte, executive director of the National Council on Problem Gambling. 

Thirty-three states, plus Washington, D.C., now offer legal sports betting, and more than half of all American adults live in one of those markets. 

“Every year, the Super Bowl serves to highlight the benefits of legal sports betting,” said Bill Miller, the gambling association’s president and CEO. “Bettors are transitioning to the protections of the regulated market … and legal operators are driving needed tax revenue to states across the country.” 

But legal sports betting still represents just a small piece of the pie. 

Eilers & Krejcik Gaming Research, an independent analytics firm in California, estimates that just over $1 billion of this year’s Super Bowl bets will be made legally. The leading states are: Nevada ($155 million); New York ($111 million); Pennsylvania ($91 million); Ohio ($85 million) and New Jersey ($84 million). 

The research firm estimates 10% to 15% of that total would be wagered live after the game begins. Another 15% to 20% would come in the form of same-game parlays, or a combination of bets involving the same game, such as betting on the winner, the total points scored and how many passing yards Eagles quarterback Jalen Hurts will accumulate. 

As legal sports betting grows, so too has concern about its effect on people with gambling problems.

The National Council on Problem Gambling has conducted nationwide surveys since 2018, when New Jersey won a U.S. Supreme Court case clearing the way for all 50 states to offer legal sports betting. They ask questions like, “Do you ever borrow money to gamble?”

Between 2018 and 2021, the number of people whose answers indicated they were at risk of a gambling problem increased by 30%, said Whyte, the council’s executive director. 

He added that the Super Bowl presents an opportunity to see how well responsible gambling messaging and campaigns by sports books and professional sports leagues are working. 

On Tuesday, New Jersey gambling regulators unveiled new requirements for sports books to analyze the data they collect about their customers to look for evidence of problem gambling, and to take various steps to intervene with these customers when warranted. 

“It is no coincidence that our announcement comes just a week ahead of one of the biggest days in sports wagering, serving as a reminder of how devastating a gambling addiction can be,” New Jersey Attorney General Matthew Platkin said.
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Australia has nominated a culturally sensitive Aboriginal area that is home to the world’s largest collection of rock art for United Nations heritage protection. 

The Burrup Peninsula, 1,500 kilometers north of Perth, the Western Australian state capital, has 50,000 years of First Nations history, including millions of a type of rock carving called petroglyphs.  

It is the world’s densest known concentration of hunter-gatherer petroglyphs.

The site has been nominated as a United Nations World Heritage site.  If accepted by UNESCO, it would become the second site in Australia listed for World Heritage for its Aboriginal cultural heritage. 

Environment and Water Minister Tanya Plibersek told reporters Friday the site is a “natural wonder of the world.”

“This place has to be protected forever, and it has to be managed for the benefit of people who have connection to it but managed for the benefit of all of humanity,” said Plibersek.

Reece Whitby, Western Australia’s environment minister, told the Australian Broadcasting Corp. on Friday that the region has global significance.

“It is putting it on par with such things as Stonehenge and the Great Wall of China, and I think it deserves that status,” said Whitby. “So, this is very important and it is a very emotional and important day for local traditional owners here.”  

The peninsula is also home to a huge fertilizer plant. Indigenous campaigners have blamed industrial emissions for damaging the region’s ancient art.   

A federal investigator is assessing the claims that First Nations heritage is under threat. 

However, resources company Woodside, which operates in the region, has disputed any risk to its ancient heritage.  It said in a statement that it had “demonstrated its ability to work alongside Aboriginal people and the heritage values of the peninsula.”

The site’s inclusion on the U.N. World Heritage List is expected to be considered by the World Heritage Committee next year.  
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When Enrique Vera opens the door to his workshop, an array of gleaming gold and silver matadors’ jackets shine in the sun.

“It is little bit like a cave full of treasure,” he says.

Vera painstakingly fashions the brilliant trajes de luces (suits of lights) which are worn by bullfighters when they face half-ton bulls in the ring.

One of only seven sastres (bullfighting tailors) in the world, he used to be a matador. But he swapped the sword used to kill the bull for a needle and followed a family tradition to become a tailor.

The iconic status of the matador’s suit has meant it has passed from the bullring to mainstream popular culture.

Vera and his mother, Nati, also a seamstress, were called on to make matadors suits for films and the catwalk, working with Pink Panther star Peter Sellers, designer John Paul Gaultier and the late ballet dancer Rudolf Nureyev.

From the moment a matador steps through the door into Vera’s office in Seville, southern Spain, it sets in motion an intricate process of measuring, sewing, ironing, and finally fitting the suits which can cost as much as $6,000 each.

Meticulous process

Vera’s team of 15 specialist seamstresses spend a-month-and-a-half making each suit, which is made to measure. Up to 300 drawings are made before a suit is finished.

The golden, blue or red jackets, trousers and capotes de paseo — the huge cape which the bullfighter carries when he emerges into the ring — are filled with rhinestones, beads and gold or silver thread.

One essential quality is all Vera’s suits must withstand bloodstains — from the bull or the matador.

“It is like drawing a work of art. You must capture the vision of the bullfighter for his suit, then make it a reality. It must be like a second skin,” Vera says in an office filled with photographs of famous bullfighters wearing his creations.

Ancient art dying?

But as attitudes toward bullfighting change in Spain, confecting these suits, whose design has remained the same for the past 150 years, is an art in decline.

Some Spaniards consider bullfighting to be an essential part of the culture, while others say it is a cruel spectacle.

In recent years, the number of bullfights has declined partly because of the pandemic, but also because Spaniards have a raft of different ways to amuse themselves and the animal rights movement is on the rise.

“The problem is that we have changed the concept of animals to humanize them. There is no one more environmentally conscious than breeders of fighting bulls,” Vera told VOA.

“The bulls spend three or four years living free. They are not being slaughtered for meat. But there are plenty of bullfights in Spain, Latin America, and France.”

He was not so sure, however, about his own job.

“There are less sastres because it takes a lot of time. The older ones are retiring and not being replaced,” he admitted. He hopes his 14-year-old son will follow him into the trade.

Polls show less support for bullfighting in recent years.

Some 46.7% of Spaniards were in favor of prohibiting bullfighting, while 18.6% backed the tradition and 34.7% had no opinion, according to a 2020 survey for Electomania, a polling company.

The number of bullfights fell from 1,553 in 2017 compared to 824 in 2021, according to government figures. Only 8% of the population attended bullfights in 2018-2019, compared to 45% who said they went to the theater or 70.3% who said they spent spare time reading.

The first bullfight in Spain was held in 711 A.D. in honor of King Alfonso VIII. Originally, the pastime was reserved for the nobility and took place on horseback. The present version of bullfighting started in Ronda at the start of the 19th century.

A bill to end bullfighting in France failed last year after a member of parliament withdrew the proposed legislation. Portugal allows fights where the bull does not die.

In Latin America, the tradition has been banned in some Mexican states, but is still legal in Peru, Colombia, Venezuela, Ecuador and Bolivia.

Tradition breaking

Paco Ramos, who runs trajesdeluces.com, which sells second-hand suits of lights, fears a younger generation of tailors may not emerge to replace the likes of Vera.

“For younger people it takes too long to make each suit and is too much work. But for now, there are not many tailors and there is enough demand,” he told VOA.

However, he was confident there was no chance bullfighting would be banned any time soon.

In 2013, the then conservative government introduced a law which declared bullfighting part of the national heritage which should be protected throughout Spain, effectively preventing any attempts to ban the practice.

Animal rights groups are planning to challenge the legal protection of bullfighting by introducing a bill through a people’s petition.

Marta Esteban, president of Torture Is Not Culture, an animal rights collective, told VOA she believed that public opinion was behind banning bullfighting.

“There is no doubt that it is coming to an end, but governments are not willing to give it a coup de grace,” she said.

Aldara Arias de Saavedra, a tour guide who grew up within the shadow of La Maestranza bullring in Seville, has never been to a bullfight.

“I can understand why some people like it. My father did. But it is not for me. You have to kind of grow up with it to be into it. It is like football, I suppose,” she told VOA.

Walk around the narrow streets near the bullring and there is a mini-economy which depends on this pastime, from bars to restaurants to those selling souvenirs like fake suits of lights.

“I think down here in the south, not everyone will go to bulls, but it is so associated with the big ferias and smaller ones in villages that it is not going to be banned soon,” said Marcos Alvarez, a cinematographer.

 
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Scientists have a mystery on their hands after the discovery of 330 stone tools about 2.9 million years old at a site in Kenya, along Lake Victoria’s shores, that were used to butcher animals, including hippos, and pound plant material for food.

Which of our prehistoric relatives that were walking the African landscape at the time made them? The chief suspect, researchers said on Thursday in describing the findings, may be a surprise.

The Nyayanga site artifacts represent the oldest-known examples of a type of stone technology, called the Oldowan toolkit, that was revolutionary, enabling our forerunners to process diverse foods and expand their menu. Three tool types were found: hammerstones and stone cores to pound plants, bone and meat, and sharp-edged flakes to cut meat.

To put the age of these tools into perspective, our species Homo sapiens did not appear until roughly 300,000 years ago.

Scientists had long believed Oldowan tools were the purview of species belonging to the genus Homo, a grouping that includes our species and our closest relatives. But no Homo fossils were found at Nyayanga. Instead, two teeth – stout molars – of a genus called Paranthropus were discovered there, an indication this prehistoric cousin of ours may have been the maker.

“The association of these Nyayanga tools with Paranthropus may reopen the case as to who made the oldest Oldowan tools. Perhaps not only Homo, but other kinds of hominins were processing food with Oldowan technology,” said anthropologist Thomas Plummer of Queens College in New York City, lead author of the research published in the journal Science.

The term hominin refers to various species considered human or closely related.

“When our team determined the age of the Nyayanga evidence, the perpetrator of the tools became a ‘whodunit’ in my mind,” said paleoanthropologist and study co-author Rick Potts, director of the Smithsonian National Museum of Natural History’s Human Origins Program. “There are several possibilities. And except for finding fossilized hand bones wrapped around a stone tool, the originator of the early Oldowan tools may be an unknown for a long time.”

The molars represent the oldest-known fossils of Paranthropus, an upright-walker that combined ape-like and human-like traits, possessing adaptations for heavy chewing, including a skull topped with a bony ridge to which strong jaw muscles were attached, like in gorillas.

Other hominins existing at the time included the genus Australopithecus, known for the famous even-older fossil “Lucy.”

“While some species of nonhuman primates produce technologies that assist in foraging, humans are uniquely dependent on technology for survival,” Plummer said.

All later developments in prehistoric technologies were based on Oldowan tools, making their advent a milestone in human evolution, Potts said. Rudimentary stone tools 3.3 million years old from another Kenyan site may have been an Oldowan forerunner or a technological dead-end.

The Nyayanga site today is a gully on Homa Mountain’s western flank along Lake Victoria in southwestern Kenya. When the tools were made, it was woodland and grassland along a stream, teeming with animals.

Until now, the oldest-known Oldowan examples dated to around 2.6 million years ago, in Ethiopia. The species Homo erectus later toted Oldowan technology as far as Georgia and China.

Cut marks on hippopotamus rib and shin bones at Nyayanga were the oldest-known examples of butchering a very large animal – called megafauna. The researchers think the hippos were scavenged, not hunted. The tools also were used for cracking open antelope bones to obtain marrow and pounding hard and soft plant material.

Fire was not harnessed until much later, meaning food was eaten raw. The researchers suspect the tools were used to pound meat to make it like “hippo tartare.”

“Megafauna provide a super abundance of food,” Plummer said. “A hippopotamus is a big leather sack full of good things to eat.”
…

Pop superstar Beyonce, winner of more Grammy awards than any other female artist, has never taken home the coveted album of the year trophy at the music industry’s highest honors.

That could change on Sunday, according to industry experts and awards pundits, although it is not a sure thing in a formidable, wide-ranging field that includes Puerto Rican rapper Bad Bunny, pop musician Harry Styles, singer and flutist Lizzo, and disco-era Swedish hitmaker ABBA.

Winners will be announced during a ceremony that will be broadcast live on U.S. broadcast network CBS and streamed on Paramount+ starting at 5 p.m. Pacific time/8 p.m. Eastern time (0100 GMT on Monday).

Beyonce heads into the show in Los Angeles with nine nominations, including an album of the year nod for dance-heavy album “Renaissance.” She has won 28 Grammys over her career, and she could break the all-time record of 31 on Sunday.

But the top prize has escaped her. The acclaimed 2016 album “Lemonade” was defeated by Adele’s “25,” prompting the British vocalist to say on stage that Beyonce deserved the honor.

Beyonce “is about to be the most-winningest Grammy award winner. There’s almost no way she’s not going to break the record,” said Jem Aswad, deputy music editor for Variety.

“But she has never won album of the year, one of the top awards, and that’s just wrong,” he added.

Adele, who has claimed the album trophy twice, also is in the mix this year with “30.” It is possible that Adele and Beyonce voters could cancel each other out, Aswad said, opening a door for Styles to prevail with “Harry’s House.”

Beyonce’s other nominations include record and song of the year for “Break My Soul.” If she wins at least four awards, she will top the late classical conductor Georg Solti as the most-decorated artist in Grammys history.

The winners are chosen by roughly 11,000 members of the Recording Academy, which has faced complaints that it has not given Black talent proper recognition. The organization has worked to diversity its membership in recent years.

In the best new artist category, contenders include Italian rock band Maneskin, jazz artist Samara Joy, American bluegrass singer Molly Tuttle and TikTok phenom Gayle, who rose to fame with “abcdefu.”

Taylor Swift’s 10-minute version of her 2012 song “All Too Well” was nominated for best song. Swift’s latest album, “Midnights,” was released after this year’s eligibility window, which ran from October 2021 through September 2022.

Comedian Trevor Noah will host Sunday’s awards show. Scheduled performers include Styles, Lizzo, Sam Smith, Luke Combs and Bad Bunny. First lady Jill Biden is among the night’s presenters.

Like other awards shows, the Grammys have seen their television audience decline in recent years. Last year’s ceremony drew roughly 9 million viewers, the second-smallest on record.
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The tea tasted bitter and earthy, but Lorenzo Gonzales drank it anyway. On that night in remote Utah, he was hoping for a life-changing experience, which is how he found himself inside a tent with two dozen others waiting for the psychedelic brew known as ayahuasca to kick in.

Soon, the gentle sounds of a guitar were drowned out by people vomiting — a common downside of the drug.

Gonzales started howling, sobbing, laughing and repeatedly babbling. Facilitators from Hummingbird Church placed him face down, calming him momentarily before he started laughing again and crawling.

“I seen these dark veins come up in this big red light, and then I seen this image of the devil,” Gonzales said later. He had quieted only when his wife, Flor, touched his shoulder and prayed.

His journey to this town along the Arizona-Utah border is part of a growing global trend of people turning to ayahuasca to treat an array of health problems after conventional medications and therapy failed. Their problems include eating disorders, depression, substance use disorders and PTSD.

The rising demand for ayahuasca has led to hundreds of churches like this one, which advocates say are protected from prosecution by a 2006 U.S. Supreme Court ruling. In that case, a New Mexico branch of a Brazilian-based ayahuasca church won the right to use the drug as a sacrament — even though its active ingredient remains illegal under U.S. federal law. A subsequent lower court decision ruled Oregon branches of a different ayahuasca church could use it.

“In every major city in the United States, every weekend, there’s multiple ayahuasca ceremonies,” said Sean McAllister, who represents an Arizona church in a lawsuit against the federal government after its ayahuasca from Peru was seized at the port of Los Angeles.

The pro-psychedelics movement’s growth has sparked concerns of a government crackdown. In addition to ayahuasca shipments being seized, some churches stopped operating over fears of prosecution. There are also concerns these unregulated ceremonies might pose a danger for some participants and that the benefits of ayahuasca haven’t been well studied.

It was dark as the Hummingbird ceremony began on a Friday night in October, except for flickering candles and the orange glow of heaters. Psychedelic art hung from the walls; statues of the Virgin Mary and Mother Earth were positioned near a makeshift altar.

Participants sat in silence, waiting for Taita Pedro Davila, the Colombian shaman and traditional healer who oversaw the ceremony.

A mix of military veterans, corporate executives, thrill seekers, ex-members of a polygamous sect and a man who struck it rich on a game show had turned up for the $900 weekend. Many appeared apprehensive yet giddy to begin the first of three ceremonies.

The brew contains an Amazon rainforest shrub with the active ingredient N, N-Dimethyltryptamine, or DMT, and a vine containing alkaloids that prevents the drug from breaking down in the body.

Those who drink ayahuasca report seeing shapes and colors and going on wild, sometimes terrifying journeys that can last hours. In this dreamlike state, some say they encounter dead relatives, friends and spirits.

“You were invited for a weekend of healing,” Davila told the group, before people lined up for their tea.

Locking eyes with each participant, Davila uttered a prayer over the cups before blowing on them with a whistling sound and handing them over to drink.

Gonzales and his wife, Flor, were among the ayahuasca newcomers.

They had driven from California, hoping for relief for 50-year-old Gonzales. He’d battled drug addiction for much of his life, was suffering the effects of COVID-19 and had been diagnosed with early stage dementia.

“My poor body is dying and I don’t want it to die,” said Gonzales, who rarely sleeps and is prone to fits of anger.

Maeleene Jessop was also a newcomer but grew up in Hildale, the Utah town where the ceremony was held. She is a former member of the Fundamentalist Church of Jesus Christ of Latter Day Saints, or FLDS, a polygamist offshoot of The Church of Jesus Christ of Latter-day Saints.

Hildale was the group’s stronghold. The ceremony was held in a tent on the grounds of a house once owned by a former FLDS member.

Jessop, 35, left the church after its leader, Warren Jeffs, was arrested for sexually assaulting girls he considered brides. He is serving a life sentence in federal prison. Jessop has struggled to adapt to her new life, battling depression and haunted by the physical and sexual abuse she endured as a child.

The roots of ayahuasca go back hundreds of years to ceremonial use by Indigenous groups in the Amazon. In the past century, churches have emerged in several South American countries where ayahuasca is legal.

The movement found a foothold in the United States in the 1980s and interest has intensified more recently as celebrities like NFL quarterback Aaron Rodgers and Hollywood actor Will Smit h talked about attending ceremonies.

Some spend thousands of dollars to attend five-star ayahuasca retreats in the Amazon. But in the U.S., the movement remains largely underground, promoted by social media and word of mouth, with ceremonies held in supporters’ homes, Airbnb rentals and remote areas to avoid law enforcement scrutiny.

Like many of these, Hummingbird won’t be mistaken for a traditional Western church.

It has no written text and relies primarily on Davila’s prayers, chants and songs to guide participants through the ceremony. Davila follows traditions learned from his grandfather.

Courtney Close, Hummingbird’s founder who credits ayahuasca with helping her overcome cocaine addiction and postpartum depression, believes the designation as a church helps show that participants are “doing this for religious reasons.” But when it comes to defining it as a religion, Close stressed that depends on individual participants’ experience.

“We just try to create a spiritual experience without any dogma and just let people experience God for themselves,” she said.

Back in California, Flor Gonzales is convinced ayahuasca is behind her husband’s improvement. “I just feel like we have a future,” she said.
…

It is a long and sometimes dangerous journey for truckers transporting the avocados destined for guacamole on tables and tailgates in the United States during the Super Bowl.

It starts in villages like Santa Ana Zirosto, high in the misty, pine-clad mountains of the western Mexico state of Michoacan. The roads are so dangerous — beset by drug cartels, common criminals, and extortion and kidnap gangs — that state police provide escorts for the trucks brave enough to face the 60-kilometer trip to packing and shipping plants in the city of Uruapan.

Truck driver Jesús Quintero starts early in the morning, gathering crates of avocados picked the day before in orchards around Santa Ana, before he takes them to a weighing station. Then he joins up with other trucks waiting for a convoy of blue-and-white state police trucks — they recently changed their name to Civil Guard — to start out for Uruapan.

“It is more peaceful now with the patrol trucks accompanying us, because this is a very dangerous area,” Quintero said while waiting for the convoy to pull out.

With hundreds of 10-kilogram crates of the dark green fruit aboard his 10-ton truck, Quintero’s load represents a small fortune in these parts. Avocados sell for as much as $2.50 apiece in the United States, so a single crate holding 40 is worth $100, while an average truck load is worth as much as $80,000 to $100,000.

Mexico supplies about 92% of U.S. avocado imports, sending north over $3 billion worth of the fruit every year.

But it’s often not just the load that is stolen.

“They would take away our trucks and the fruit, sometimes they’d take the truck as well,” Quintero said. “They would steal two or three trucks per day in this area.”

It happened to him years ago. “We were coming down a dirt road and two young guys came out and they took our truck and tied us up.”

Such thefts “have gone down a lot” since the police escorts started, Quintero said. “They have stolen one or two, one every week, but it’s not daily like it used to be.”

State police officer Jorge González said the convoys escort about 40 trucks a day, ensuring that around 300 tons of avocados reach the packing plants each day.

“These operations have managed to cut the (robbery) rate by about 90 to 95%,” González said. “We accompany them to the packing house, so they can enter with their trucks with no problem.”

Grower José Evaristo Valencia is happy he doesn’t have to worry if his carefully tended avocados will make it to the packing house. Packers depend on arrangements they have made with local orchards to fill promised shipments, and lost avocados can mean lost customers.

“The main people affected are the producers,” Valencia said. “People were losing three or four trucks every day. There were a lot of robberies between the orchard and the packing house.”

The police escorts “have helped us a lot,” he said.

Once the avocados reach Uruapan or the neighboring city of Tancitaro — the self-proclaimed avocado capital of the world that greets visitors with a giant cement avocado — the path to the north is somewhat safer.

The shipment north of avocados for Super Bowl season has become an annual event, this year celebrated in Uruapan. It is a welcome diversion from the drumbeat of crimes in the city, which is being fought over by the Viagras and Jalisco cartels.

On Jan. 17, Michoacan Gov. Alfredo Ramírez Bedolla “kicked off” the first Super Bowl avocado shipments, literally, kicking a football through tiny goalposts on an imitation football field.

Behind him, a big tractor trailer bore a huge sign reading “Let’s Go! Super Bowl 2023.”

It was an attempt by Michoacan growers to put behind them last year’s debacle, when the U.S. government suspended inspections of the fruit in February, right before the 2022 Super Bowl.

The inspections were halted for about 10 days after a U.S. inspector was threatened in Michoacan, where growers are routinely subject to extortion by drug cartels. Some Michoacan packers were reportedly buying avocados from other, non-certified states and trying to pass them off as being from Michoacan and were angry the U.S. inspector wouldn’t go along with that.

U.S. agricultural inspectors have to certify that Mexican avocados don’t carry diseases or pests that would harm U.S. orchards. The Mexican harvest is January through March, while avocado production in the U.S. runs from April to September.

Exports resumed after Mexico and the United States agreed to enact “measures that ensure the safety” of the inspectors.

“This season we are going to recover the confidence of the producers, growers and consumers. By increasing the export production, we hope to send 130,000 tons this season,” the governor said.
…

The White Lotus actress Jennifer Coolidge is being celebrated Saturday as the 2023 Woman of the Year by Harvard University’s Hasty Pudding Theatricals.

As the oldest theatrical organization in the nation and one of the oldest in the world, since 1951, Hasty Pudding Theatricals has bestowed this award annually on women “who have made lasting and impressive contributions to the world of entertainment.”

Coolidge, who saw a career resurgence following her Emmy-winning turn as Tanya McQuoid-Hunt in the acclaimed HBO series The White Lotus, headlined a parade through the streets of Cambridge Saturday afternoon. Dressed in a leopard print coat and donning a fluffy pink hat, she waved to the crowd that had come out despite unusually frigid temperatures.

Coolidge, who also played Stifler’s sultry mom in American Pie and sage manicurist Paulette in the Legally Blonde movies, grew up in the Boston area. Later in the evening, she will attend a roast where she will be presented with her Pudding Pot award.

“It is an absolute dream for us to honor Jennifer Coolidge as our Woman of the Year on the heels of her recent accolades for The White Lotus,” Producer Sarah Mann said in a statement. “We know our Pudding Pot will look phenomenal alongside her new Golden Globe, and we swear we won’t whisk her away to a palazzo in Palermo!”

Her other film credits include roles in Best In Show, A Mighty Wind and Shotgun Wedding, and she has appeared in multiple television shows, including Seinfeld, 2 Broke Girls and Nip/Tuck.

Previous winners of the Woman of the Year Award include Meryl Streep, Viola Davis and Debbie Reynolds.

On Thursday, award-winning actor and bestselling author Bob Odenkirk was honored as the 2023 Man of the Year. Odenkirk, best known as shady lawyer Saul Goodman on Breaking Bad and Better Call Saul, received his Pudding Pot award at the celebratory roast ahead of a preview of Hasty Pudding Theatricals’ 174th production, COSMIC RELIEF!
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