YCLOAK

Saudi Arabia has ambitious plans to welcome millions more pilgrims to Islam’s holiest sites. But as climate change heats up an already scorching region, the annual Hajj pilgrimage — much of which takes place outdoors in the desert — could prove even more daunting.

The increased number of pilgrims, with the associated surge in international air travel and infrastructure expansion, also raises sustainability concerns, even as the oil giant pursues the goal of getting half its energy from renewable resources by 2030.

Next week, Saudi Arabia hosts the first Hajj pilgrimage without the restrictions imposed during the coronavirus pandemic. Some 2.5 million people took part in the pilgrimage in 2019, and around 2 million are expected this year.

Under Crown Prince Mohammed bin Salman’s wide-ranging plan to overhaul the kingdom’s economy, known as Vision 2030, 30 million pilgrims would take part in the Hajj and Umrah — a smaller, year-round pilgrimage. That would be an increase of more than 10 million from pre-pandemic levels.

It will require a vast expansion of hotels and other infrastructure in Mecca and Medina, ancient cities already largely obliterated by high-rises and shopping malls. The additional pilgrims will require more long-distance flights, more buses and cars, more water and electricity.

The Associated Press reached out to several Saudi officials with detailed questions but received no response. It’s unclear what, if any, studies the government has done on the environmental impact of the pilgrimage or whether that figures into its plans. And well-intentioned measures, like a high-speed railway network, aren’t enough to remove polluting traffic in and around the holy city.

The trains whip through the arid landscape at top speeds of 300 km/h (186 mph), carrying pilgrims in air-conditioned comfort from Jeddah to Mecca. But they stop several kilometers away from the Grand Mosque, meaning pilgrims must either walk at least an hour or take a bus or car to the holy site. The $19 one-way price from Jeddah’s airport to Mecca may also be out of reach for pilgrims on lower incomes.

The Hajj is one of the five pillars of Islam, and all Muslims who are able to are required to undertake it at least once in their lives. For pilgrims, retracing the footsteps of the Prophet Muhammad is a profound religious experience that wipes away sins, deepens one’s faith and unifies Muslims the world over.

The Saudi royal family’s legitimacy is largely rooted in its custodianship of Islam’s holiest sites and its ability to host one of the largest annual religious gatherings on the planet.

Experts have found that the Hajj both contributes to climate change and will be affected by it in the coming decades as one of the hottest places on Earth gets even warmer.

A study of the 2018 Hajj by experts from Victoria University in Melbourne estimated that the five-day pilgrimage produced over 1.8 million tons of greenhouse gases, roughly the amount New York City emits every two weeks. The biggest contributor was aviation, accounting for 87% of emissions.

Abdullah Abonomi, a Saudi researcher and one of the authors of the study, said Saudi authorities have embraced sustainability as part of Vision 2030, which calls for preserving natural resources in order to attract pilgrims, tourists and businesses.

“Everything has changed,” he said, pointing to the establishment of national centers to coordinate sustainable policies, the creation of an environmental police force to crack down on violations and the integration of sustainability into university courses on tourism.

“If you ask four years ago about sustainability … no one understands what sustainability is,” he said. “But today, everything is going to be better. And I know we are late, but better late than never.”

In the past, he says, cars and buses packed with pilgrims filled the streets around Mecca, belching exhaust into the air, but expansion of the Grand Mosque has led to bigger courtyards and increased pedestrianisation in most of the routes leading to the holy site.

Still, human bottlenecks have replaced traffic, and garbage swirls in clouds of heat. For travel around Mina and Arafat, two crucial Hajj locations, cars and buses remain the two most widespread forms of transport. The journey by foot, in sweltering temperatures, is arduous but can prove faster than four wheels.

In its Hajj ambitions, Saudi Arabia faces managing huge numbers of pilgrims in a rapidly warming world.

During the rituals, pilgrims often walk for hours outside, scale a desert hill known as the Mountain of Mercy, where the prophet is said to have delivered his last sermon, and cast stones at pillars representing the devil in a desert plain. They pack into the Grand Mosque in Mecca to circumambulate the Kaaba. On top of the exertions, the Hajj population skews to the elderly, who are more vulnerable to heat.

On an evening this week around sunset in Mecca, temperatures hovered around 37 degrees Celsius (98 degrees Fahrenheit). The crowds made it feel hotter, stifling any airflow. In a bustling basement supermarket near the Grand Mosque, pilgrims bought handheld fans that spray water on the face and every kind of umbrella.

A 2019 study by experts at the Massachusetts Institute of Technology found that even if the world succeeds in mitigating the worst effects of climate change, the Hajj would be held in temperatures exceeding an “extreme danger threshold” from 2047 to 2052 and from 2079 to 2086.

Islam follows a lunar calendar, so the Hajj falls around 11 days earlier each year. In 2030, the Hajj will occur in April, and over the next several years it will fall in the winter, when temperatures are milder.

In recent years, Saudi authorities have installed large awnings and misters around holy sites to cool pilgrims. As temperatures climb, authorities will likely need to step up such measures or introduce new strategies like limiting pilgrim numbers in higher-heat years, the heat stress study concluded.

“People who want to do Hajj should get the opportunity to do it,” said Elfatih Eltahir, one of the study’s authors. “Global warming is going to make it a little bit more difficult — for some years, for some individuals.”

Muslim activists have launched grassroots initiatives aimed at a “green Hajj,” encouraging pilgrims to only make the journey once, to avoid single-use plastics and to offset carbon emissions by planting trees.

The Hajj “can be green and sustainable if there are smart policies and technology to lower the ecological footprint,” said Odeh Jayyousi, a professor at the Arabian Gulf University in Bahrain who researches sustainability and innovation.

The use of biodegradable plastics, reusable tents, and renewable energy would cut down on greenhouse gases, he said. Artificial intelligence could be brought to bear on logistics, streamlining travel and ensuring that planes and busses are full and do not spend too much time idling.

“The young generation are mindful of the trade-offs and the need to change consumption patterns,” Jayyousi said. “Hajj can offer a platform for displaying the best green practices to global audiences.”
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The confessionals where generations of Belgians admitted their sins stood stacked in a corner of what was once Sacred Heart Church, proof the stalls — as well as the Roman Catholic house of worship — had outlived their purpose.

The building is to close for two years while a cafe and concert stage are added as part of the plans to turn it into “a new cultural hot spot in the heart of Mechelen,” almost within earshot of where Belgium’s archbishop lives. Around the corner, a former Franciscan church is now a luxury hotel where music star Stromae spent his wedding night amid the stained-glass windows.

Across Europe, the continent that nurtured Christianity for most of two millennia, churches, convents and chapels stand empty and increasingly derelict as faith and church attendance shriveled over the past half century.

“That is painful. I will not hide it. On the other hand, there is no return to the past possible,” Mgr. Johan Bonny, bishop of Antwerp, told the Associated Press. Something needs to be done and now, ever more of the once-sacred structures are repurposed for anything from clothes shops and climbing walls to nightclubs.

It is a phenomenon seen over much of Europe’s Christian heartland from Germany to Italy and many nations in between. It really stands out in Flanders, in northern Belgium, which has some of the greatest cathedrals on the continent and the finest art to fill them. If only it had enough faithful. A 2018 study from the PEW research group showed, in Belgium, that of the 83% that say they were raised Christian, only 55% still consider themselves so. Only 10% of Belgians still attended church regularly.

Nowadays, visiting international choirs may find that their singers outnumber the congregation.

On average, every one of the 300 towns in Flanders has about six churches and often not enough faithful to fill a single one. Some become eyesores in city centers, their maintenance a constant drain on finances.

Mechelen, a town of 85,000 just north of Brussels is the Roman Catholic center of Belgium. It has two dozen churches, several huddled close to St. Rumbold’s cathedral with its UNESCO World Heritage belfry tower. Mayor Bart Somers has been working for years to give many of the buildings a different purpose.

“In my city we have a brewery in a church, we have a hotel in a church, we have a cultural center in a church, we have a library in a church. So we have a lot of new destinations for the churches,” said Somers, who as Flemish regional minister is also involved in repurposing some 350 churches spread across the densely populated region of 6.7 million.

A landmark repurposing project in Belgium was Martin’s Patershof hotel in Mechelen, where the interior of the church was gutted to create rooms where the beds have headboards resembling organ pipes and a breakfast room next to the altar where wafers of gold leaf hover overhead.

“We often hear that people come here to relax and enjoy the silence of its former identity,” said hotel manager Emilie De Preter.

With its understated luxury, it offers contemplation, and more.

“In the hotel, people sleep in a church, maybe have sex in a church. So you could say: ethically, is it a good idea to have a hotel in a church? I don’t have so many hesitations,” said Somers. “I am more concerned about the actual architectural value.”

The design value is especially clear at St. Anthony of Padua church in Brussels, also known as Maniak Padoue climbing club these days, where the multicolored hand and footholds on the wall now compete with the stained glass as the prime multicolored attraction.

“The stained glass brings a real shimmering and warm light to the venue when the sun goes through it, so we can really feel the presence of the remains of the church,” said Kyril Wittouck, the co-founder of the club. “The altar is still in place, so we are surrounded by remains and it reminds us where we actually are.”

Also in Brussels, the Spirito night club has taken over a deconsecrated Anglican church and has a drawing of a priest kissing a nun as its logo.

It is not exactly what Bishop Bonny had in mind.

Even if Roman Catholic religion is on the wane, a sense of the sacral or a need for reflection is also still present in society, whether one is religious, agnostic or atheist. And the aura of tranquility emanating from a church is hard to match. So for Bonny, there is no reason to turn churches into supermarkets or discos.

“Those are places for contemplation. And is that not exactly that the care of the church should be about?” he said. Bonny thinks the most successful and gratifying repurposing has been the handing over to other Christian communities, be they Coptic or Eastern European.

At his office, though, he can get weary just looking at the procession of suitors for empty Roman Catholic buildings. His heart is heavy when a real estate agent shows up.

“They see possibilities. And you cannot believe, suddenly, how pious they can become when a financial opportunity presents itself. Suddenly they are more devout than a nun,” he said.

Knowing the winding history of Christianity over centuries, Bonny takes the long view, since the near future does not look bright.

“Every 300 years we nearly had to start again,” he said. “Something new, I’m sure, will happen. But it takes time.”

At the Martin’s Patershof, there is a condition that the church can reclaim the building if it is needed again, said De Preter. The hotel elements were built on steel beams and could be totally disassembled and taken out again.

“If the church, at a certain point, wants the building back — which holds a very small chance, probably — it is possible,” she said.
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At Tyler Malek’s ice cream parlors, one cook’s trash is another chef’s frosty treat.

The head ice cream maker at the Portland, Oregon-based Salt & Straw uses the whey leftover from yogurt makers in upstate New York to make his lemon curd flavor. For chocolate barley milk, he mixes in the remnants of rice and grains from beer brewing to give it a light and creamy taste.

“Instead of calling this food waste, we need to call it wasted food and start decreasing how much wasting we’re doing,” Malek said.

Malek’s ice cream chain is among those at the forefront of the upcycling movement, the process of creating high-quality products from leftover food. Malek’s shops from the Pacific Northwest to Miami now feature flavors like “Cacao Pulp & Chocolate Stracciatella Gelato,” which is made from leftover cacao pulp from chocolate production that otherwise would have gone to waste.

It’s a trend gaining ground as consumers spend more time reading packaging labels and menu ingredients to learn where their food comes from and how it affects the environment. More than 35 million tons (31 million metric tons) of food are wasted every year in the U.S. — about 40% of the country’s food production — costing the national economy more than $200 billion, according to the Upcycled Food Association.

Upcycled food is becoming increasingly common in cake mixes and veggie chips at natural grocery stores. Ingredients include fruits and vegetables from farms nationwide that are perfectly edible but often rejected by restaurants and grocery stores because of their shape or color, like white strawberries, wilted greens and ugly mushrooms.

The Upcycled Food Association, which will celebrate World Upcycling Day on Saturday, issues an official “Upcycling Certified” seal to qualifying products. These seals, which adorn the new Salt & Straw upcycled flavors, raise awareness with consumers that the company making the food used such ingredients.

The association initially certified about 30 products in 2021 and now has 450 carrying the label.

“A lot of the food that is uneaten or thrown away in our supply chain is actually due to archaic cosmetic standards or sort of perceptions that what we think is edible or quality food,” said Angie Crone, the association’s chief executive. “So this is a mark that you can see on the products wherever you go shopping, to be able to understand how that company is reducing food waste in their supply chain.”

The association’s seal also is featured on all products made by Renewal Mill, an Oakland-based company turning byproducts from plant-based milk into pantry stables like baking flour to reduce waste at the manufacturing level.

“Our first product is the pulp leftover from making soy milk. We turn that into a high fiber gluten-free flour called okara flour,” co-founder Caroline Cotto said. “And then we use that flour to make things like baking mixes and ready-to-eat cookies.”

The company’s okara flour is featured in Salt & Straw’s new “Salted Caramel & Okara Cupcakes” flavor.

The movement isn’t confined to recycled products found in a trendy ice cream store, farmers market or natural grocery. In San Francisco, a restaurant serving pizza and wine focuses on upcycled ingredients such as ugly mushrooms, misshapen peppers and discolored tomatoes, as well as offcuts of meat for menu stars like beef heart meatballs.

“I think so many people think about dumpster diving or using rotten ingredients, but we have this wildly overproductive food system that accounts for a ton of waste,” said Kayla Abe, co-owner of Shuggie’s Trash Pie. “Some people might not read that it’s a beef heart meatball and they just might see meatball. They order it and they’re like, that was the best meatball I’ve ever had in my life.”
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The Metropolitan Opera in New York not only organizes concerts and campaigns to support Ukraine but also has offered four Ukrainians an internship. Iryna Solomko has the story, narrated by Anna Rice.
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Introduced in Nigeria by the U.S. Peace Corps in the 1960s, baseball is slowly becoming a sport of note, thanks to the efforts of a few dedicated enthusiasts of the game. Timothy Obiezu reports from Ekiti state.
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Drone photographers and videographers from around the world submitted more than 65,000 pieces of work in an annual online competition. VOA’s Julie Taboh highlights some of the winning entries. Editing: Adam Greenbaum 
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Four temples from ancient Rome, dating back as far as the 3rd century B.C. stand smack in the middle of one of the modern city’s busiest crossroads.

But until Monday, practically the only ones getting a close-up view of the temples were the cats that prowl the so-called “Sacred Area,” on the edge of the site where Julius Caesar was assassinated.

Now, with the help of funding from Bulgari, the luxury jeweler, the group of temples can be visited by the public.

For decades, the curious had to gaze down from the bustling sidewalks rimming Largo Argentina (Argentina Square) to admire the temples below. That’s because, over the centuries, the city had been built up, layer by layer, to levels several meters above the area where Caesar masterminded his political strategies and was later fatally stabbed in 44 B.C.

Behind two of the temples is a foundation and part of a wall that archaeologists believe were part of Pompey’s Curia, a large rectangular-shaped hall that temporarily hosted the Roman Senate when Caesar was murdered.

What leads archaeologists to pinpoint the ruins as Pompey’s Curia? “We know it with certainty because latrines were found on the sides” of Pompey’s Curia, and ancient texts mentioned the latrines, said Claudio Parisi Presicce, an archaeologist and Rome’s top official for cultural heritage.

Ruins among ‘best preserved’

The temples emerged during the demolition of medieval-era buildings in the late 1920s, part of dictator Benito Mussolini’s campaign to remake the urban landscape. A tower at one edge of Largo Argentina once topped a medieval palace.

The temples are designated A, B, C and D, and are believed to have been dedicated to female deities. One of the temples, reached by an imposing staircase and featuring a circular form and with six surviving columns, is believed to have been erected in honor of Fortuna, a goddess of chance associated with fertility.

Taken together, the temples make for “one of the best-preserved remains of the Roman Republic,” Parisi Presicce said after the Mayor of Rome Roberto Gualtieri cut a ceremonial ribbon Monday afternoon. On display in a corridor near the temples is a black-and-white photograph showing Mussolini cutting the ribbon in 1929 after the excavated ruins were shown off.

Also visible are the travertine paving stones that Emperor Domitian had laid down after a fire in 80 A.D. ravaged a large swath of Rome, including the Sacred Area.

Artifacts on display

On display are some of the artifacts found during last century’s excavation. Among them is a colossal stone head of one of the deities honored in the temples, chinless and without its lower lip. Another is a stone fragment of a winged angel of victory.

Over the last decades, a cat colony flourished among the ruins. Felines lounged undisturbed, and cat lovers were allowed to feed them. On Monday, one black-and-white cat sprawled lazily on its back atop the stone stump of what was once a glorious column.

Bulgari helped pay for the construction of the walkways and nighttime illumination, a relief to tourists who step gingerly over the uneven ancient paving stones of the Roman Forum. The Sacred Area’s wooden walkways are wheelchair- and baby-stroller-friendly. For those who can’t handle the stairs down from the sidewalk, an elevator platform is available.

The attraction is open every day except for Mondays and some major holidays, with general admission tickets priced at 5 euros ($5.50).

Curiously, the square owes its name not to the South American country but to the Latin name of Strasbourg, France, which was the home seat of a 15th-century German cardinal who lived nearby and who served as master of ceremonies for pontiffs, including Alexander VI, the Borgia pope.
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A new film charts the response of the large Iranian community in Los Angeles to the brutal crackdown on anti-government protests in Iran. As Henry Ridgwell reports from Paris, Iranian communities across the world are coming together to try the help their countrymen and women back home. Camera: Vahid Karami
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June 21 marks the longest day of the year in the Northern Hemisphere – in Seattle, Washington, the summer solstice was celebrated this past weekend with the annual Fremont Solstice Parade. Natasha Mozgovaya has more.
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The smell of pineapple bread fills the kitchen of “Vida Libre,” or “free life,” a gang rehabilitation program founded in El Salvador by American pastor Kenton Moody in 2021.

The trust that Moody puts in former gang members is not widely shared. Thousands of lives have been destroyed in this Central American country after decades of gang violence.

Over the past year, President Nayib Bukele’s security forces have cracked down harshly on gangs, arresting more than 68,000 people suspected of criminal involvement, though human rights groups say innocent people are also being detained.

Ministries like Moody’s are caught in the middle. Dozens of men who were part of evangelical rehabilitation ministries were also arrested and taken back to prison. Of the 38 members of Vida Libre, ten have been detained by the government.

Inside the Vida Libre complex, in the impoverished city of Santa Ana, Moody frequently hugs the young men under his care and assigns them chores.

On a recent day, Angel and Kevin sprinkled sugar over pastries in the bakery. Salvador replaced light bulbs in the barnyard. Moody asked that they be identified by their first names for their safety.

Andy, who crafts wooden key chains to sell, said a gang recruited him when he was 12. The 29-year-old joined Moody’s program two years ago after almost a decade in prison.

“Maybe humanity sees me as someone bad, but I hope that with my attitudes changing day by day, I can prove that I’m different,” he said.

The first of the big gangs were born far from El Salvador.

To flee the country’s civil war, half a million Salvadorans migrated to the United States in the 1980s. The majority settled in Los Angeles and there, after joining Mexican criminal groups, the Mara Salvatrucha 13 (MS-13) and Barrio 18 gangs were formed.

In the 1990s, the U.S. deported 4,000 gang members to El Salvador. The government estimates the current number of gang members is as high as 76,000.

After arriving in El Salvador, MS-13 took control of over roughly half the territory and Barrio 18 most of the rest. A few spots were considered neutral.

Many Salvadorans were forced to internalize unwritten rules, such as avoiding enemy neighborhoods, dressing according to gang standards and paying extortion demands to survive.

Last year, after a surge in gang violence, Bukele issued an emergency decree that suspended certain civil liberties, including access to a lawyer and the right to be informed of the reason for an arrest.

About 5,000 people were released after the government failed to link them to criminal groups, according to official records.

Moody founded Vida Libre after visiting a juvenile prison where gang members from a nearby community were incarcerated for burying a woman alive.

Fearing that they might return to gang life upon their release, he wondered: How can I truly help?

“A church is the basis for supporting people to get ahead,” he said.

His evangelical church, “La Puerta Abierta,” which means “open door,” is a cornerstone for social projects funded mostly by U.S. donors.

Vida Libre, one of the church’s programs, takes in minors who are nearing the end of their prison sentence. Its goal is to provide an adequate transition to society, said Allan Espinoza, who leads the project.

The stigma of prison makes it difficult for ex-convicts to resume their studies or find employment. Vida Libre offers workshops in agriculture, carpentry, automotive painting and baking.

Participants arise at 5 a.m. to attend a morning service, and they read the Bible daily. Breaking the rules leads to expulsion and rehabilitation takes time, Espinoza said. Some tell him they want to leave, but he asks them to be patient.

Others knock on his door to talk and, once in his office, they just cry.

Not all evangelical churches in El Salvador open their doors to gang members, but in most marginalized communities there are pastors willing to take the risk.

“Within the evangelical tradition, the worst sinner provides the Holy Spirit with the biggest opportunity to demonstrate the power of the Gospel and Jesus to transform people,” said Robert Brenneman, professor of criminal justice and sociology at Goshen College in Indiana.

He spent years in Central America studying gang youth who wanted a stable, nonviolent lifestyle.

Evangelical-Pentecostal congregations offer resources for transformation — and expect converts to stay away from crime, alcohol and drugs.

“These organizations address what they believe to be the root causes of gang affiliation and participation: poverty, weak schools and unemployment,” Brenneman said.

In the last two decades, three Salvadoran presidents have imposed strict measures to fight gangs. The two prior to Bukele failed in the long term.

Brenneman said, “The crisis is larger than the gangs … Salvadoran leaders have been able to scapegoat the gangs and direct attention away from the inequality that drives so much of the violence.”

While walking through an empty room behind Eben-Ezer Church in San Salvador, the Rev. Nelson Moz speaks with sadness about a man named Raúl, an ex-gang member who came under Moz’s wing in 2012.

Raúl and more than 40 men from Moz’s ministry are now back in jail.

According to the pastor, Raúl converted to Christianity in prison. The pastor placed a mattress in his office and offered temporary refuge for Raúl after his initial release. They shared lunch and long conversations there.

“That’s how I got to understand,” Moz said. “Imprisonment might be necessary to take out of circulation a person who is causing harm to society, but there’s a background to it.”

Gang members understood this. To those in need, they offered food, clothing and protection. For thousands of Salvadorans who lacked homes, the gang became their family.

The beds are still made in the empty rooms of Eben-Ezer Church.

Some new mattresses are wrapped in plastic. Before the detention of Raúl and other ex-gang members in his program, Moz was planning to expand. “True change can happen,” he said.

Moz and Moody do what they can to support families whose members have been recently imprisoned by the government. Moody builds wooden homes for single mothers and provides free school for children. Moz looks for people willing to take in orphans.

“Young people can change the course of the family, help the country’s poverty if they have education and work,” Moody said.

Rooting out gangs will take years, he thinks. The weeds have been cut, but as long as the roots remain hidden, the breeding ground — the marginalization — will also subsist.
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The PGA Tour and Saudi Arabia-backed LIV Golf have long battled in court over competing claims affecting men’s professional golf. But in a surprise move last week, the groups announced they would merge commercially. Some U.S. senators are alarmed. VOA’s Laurel Bowman reports.
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Can you pay my bills?

That seems to be what Sweden is asking Beyoncé after the star came to town.

When the singer launched her global tour last month in Stockholm, tens of thousands of fans from around the world swarmed the Swedish capital. But it’s not all fun and games for the host of the kickoff of Beyoncé’s first solo tour in seven years.

A senior economist at a top Scandinavian bank says Beyoncé had something to do with Sweden’s higher-than-expected inflation rate last month.

Consumer prices rose 9.7% last month in Sweden compared with a year earlier, the country’s statistics agency, Statistics Sweden, said Wednesday. Costs for certain goods and services, including hotels, rose.

That was a drop from 10.5% in April — the first time that inflation in Sweden has fallen below 10% in more than six months — but it was still slightly higher than economists had predicted.

Michael Grahn, chief economist for Sweden at Danske Bank, thinks Beyoncé’s concert may help explain why.

“Beyonce’s start of her world tour in Sweden seems to have coloured May inflation,” he said on Twitter on Wednesday.

“How much is uncertain,” he added, but the concert “probably” contributed to 0.2 of the 0.3 percentage points that restaurant and hotel prices added to the monthly increase in inflation.

An estimated 46,000 people attended each of Beyoncé’s two Stockholm concerts. Fans from around the world took advantage of Sweden’s relatively weaker currency to buy tickets that were cheaper than in other countries, such as the United States.

“The main impact on inflation, however, came from the fact that all fans needed somewhere to stay,” Grahn told The New York Times. The popularity of the concerts meant some fans had to venture up to 40 miles [64 kilometers] away to find a room, he said.

Grahn told the Financial Times that the phenomenon was “quite astonishing.”

But he added on Twitter that he predicts the situation will return to normal in June.

“We expect this upside surprise to be reversed in June as prices on hotels and tickets reverse back to normal,” he said.
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TikTok influencers and celebrities are increasingly taking over from journalists as the main source of news for young people, according to a report published Wednesday by the Britain-based Reuters Institute. 

The report found that 55% of TikTok and Snapchat users and 52%t of Instagram users get their news from “personalities” — compared to 33-42% who get it from mainstream media and journalists on those platforms, which are most popular among the young.

The figures were based on interviews with some 94,000 people across 46 countries, conducted for the Reuters Institute for the Study of Journalism, part of Britain’s University of Oxford. 

“While mainstream journalists often lead conversations around news in Twitter and Facebook, they struggle to get attention in newer networks like Instagram, Snapchat, and TikTok,” the report said. 

Lead author Nic Newman highlighted people like Britain’s Matt Welland, who discusses current affairs and daily life on TikTok for his 2.8 million subscribers. 

“Or it could be a celebrity like a footballer talking about a topical news event,” he told AFP, such as footballer Marcus Rashford’s 2020 campaign to get free school meals for children from poor families. 

For young people, “news” is not just the traditional focus on politics and international relations, but “anything new that is happening in any walk of life: sports, entertainment, celebrity gossip, current affairs, culture, arts, technology…” he added.

‘Fundamental change’

Facebook remains the leading source of news among social networks worldwide, but its influence is dropping, with 28% saying they use it to get news, compared with 42% in 2016. 

This likely reflects Facebook’s shift away from news-sharing towards a focus on friends and family, as well as young people’s preference for more video-based apps like TikTok and YouTube. 

TikTok now reaches 44% of 18-24-year-olds, and 20% get their news from the app, up five percent on last year. 

The biggest challenge for traditional news outlets is the falling number who go direct to their websites — just 22%, down 10 points since 2018 — rather than relying on social media links. 

In his foreword, Reuters Institute director Rasmus Kleis Nielsen said this shift presented “a much more fundamental change” for the news industry than even the shift from paper to digital a generation ago. 

“Legacy media… now face a continual transformation of digital as generations come of age who eschew direct discovery for all but the most appealing brands, (and) have little interest in many conventional news offers oriented towards older generations’ habits, interests, and values,” he said.

These new audiences are aware of the risks of relying on algorithms, with only 30% thinking this is a good way to get a balanced diet of news — but that is still considered better than relying on journalists, who scored just 27%. 

None of this is good news for media firms reliant on subscribers and ad revenue.  

The report found that 39% of subscribers had cancelled or renegotiated subscriptions, though the overall share of people paying for news across 20 countries surveyed remained stable compared with last year at 17%. 
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Cormac McCarthy, the Pulitzer Prize-winning novelist who in prose both dense and brittle took readers from the southern Appalachians to the desert Southwest in such novels as The Road, Blood Meridian and All the Pretty Horses, died Tuesday. He was 89.

McCarthy died of natural causes in Santa Fe, New Mexico, publisher Alfred A. Knopf said.

McCarthy, raised in Knoxville, Tennessee, was compared to William Faulkner for his Old Testament style and rural settings. McCarthy’s themes, like Faulkner’s, often were bleak and violent and dramatized how the past overwhelmed the present. Across stark and forbidding landscapes and rundown border communities, he placed drifters, thieves, prostitutes and old, broken men, all unable to escape fates determined for them well before they were born.

McCarthy’s own story was one of belated, and continuing, achievement and popularity.

Little known to the public at age 60, he would become one of the country’s most honored and successful writers despite rarely talking to the press. He broke through commercially in 1992 with All the Pretty Horses and over the next 15 years won the National Book Award and the Pulitzer, was a guest on Oprah Winfrey’s show and saw his novel No Country for Old Men adapted by the Coen brothers into an Oscar-winning movie.

The Road, his stark tale of a father and son who roam a ravaged post-apocalyptic landscape, brought him his widest audience and highest acclaim. It won the 2007 Pulitzer Prize for fiction and was selected by Winfrey for her book club. In his Winfrey interview, McCarthy said that while typically he didn’t know what generates the ideas for his books, he could trace The Road to a trip he took with his young son to El Paso, Texas, early in the decade. Standing out of the window of a hotel in the middle of the night as his son slept nearby, he started to imagine what El Paso might look like 50 or 100 years in the future.

“I just had this image of these fires up on the hill … and I thought a lot about my little boy,” he said.

He told Winfrey he didn’t care how many people read The Road.

“You would like for the people that would appreciate the book to read it. But, as far as many, many people reading it, so what?” he said.

McCarthy dedicated the book to his son, John Francis, and said having a child as an older man “forces the world on you, and I think it’s a good thing.”

In 2022, Knopf made the startling announcement that it would release McCarthy’s first work in more than 15 years, a pair of connected novels he had referred to in the past: The Passenger and Stella Maris, narratives on a pair of mutually obsessed siblings and the legacy of their father, a physicist who had worked on atomic technology. Stella Maris was notable, in part, because it centered on a female character, an acknowledged weakness of McCarthy’s.

“I don’t pretend to understand women,” he told Winfrey.

His first novel, The Orchard Keeper — written in Chicago while he was working as an auto mechanic — was published by Random House in 1965. His editor was Albert Erskine, Faulkner’s longtime editor.

Other novels include Outer Dark, published in 1968; Child of God in 1973; and Suttree in 1979. The violent Blood Meridian, about a group of bounty hunters along the Texas-Mexico border murdering Indians for their scalps, was published in 1985. His Border Trilogy books were set in the Southwest along the border with Mexico: All the Pretty Horses (1992) — a National Book Award winner that was turned into a feature film — The Crossing (1994) and Cities of the Plain (1998).

McCarthy said he was always lucky. He recalled living in a shack in Tennessee and running out of toothpaste, then going out and finding a toothpaste sample in the mailbox.

“That’s the way my life has been. Just when things were really, really bleak, something would happen,” said McCarthy, who won a MacArthur Fellowship — one of the so-called “genius grants” — in 1981.

McCarthy attended the University of Tennessee for a year before joining the Air Force in 1953. He returned to the school from 1957 to 1959 but left before graduating. As an adult, he lived around the Great Smoky Mountains before moving West in the late 1970s, eventually settling in Santa Fe.
…

A young actress drags a suitcase despondently up a tree-shaded street, as a crew shoots a scene in a film about director Norris Wong’s unachieved dream of becoming a Cantopop lyricist. 

The movie “The Lyricist Wannabe” is the latest from Wong and part of an unprecedented trend in Hong Kong’s moviemaking history — the growth of its indie films.  

Hong Kong films used to be made by big production companies. They were exported around the world in the industry’s heyday from the 1970s to early ’90s when Hong Kong was considered the Hollywood of Asia, turning out stars such as Bruce Lee, Jackie Chan, Chow Yun-Fat and recent Oscar Best Actress winner Michelle Yeoh. 

But the industry has declined in recent decades. Hollywood blockbusters flooded in and companies switched to making movies that appealed to China’s bigger and more lucrative market, according to industry players. 

“The Hong Kong market had totally collapsed. Very experienced directors all went to the mainland. They make $10 million films there, so they won’t make $1 million films here,” said Mani Man, vice president of mm2, a company that supports indie films. “It’s like the parents have all left, we’re like orphans creating a new world.”  

Now, Hong Kong may be starting to see a revival in its film industry. In the five years before COVID-19 hit, 275 locally produced movies were made, more than the 256 in the previous five years, including independent films by new directors, according to the Hong Kong Motion Picture Industry Association. 

Fewer films were made during the pandemic, but several enjoyed great success, breaking box office records. 

What has helped drive this trend are Hong Kong’s tough COVID-19 travel restrictions, which kept directors and audiences at home, giving the former a chance to make local films and the latter the time to watch them. 

The government has also provided $50 million in funding to revive the industry in the past 15 years, including $30 million in just the past six years, enabling many small- and medium-budget films and new directors’ first feature to be made, according to statistics from the Film Development Council.  

Also, the 2019 social and political unrest in Hong Kong and Beijing’s passage of a national security law in response to it have made some worry about changes to their way of life. Industry experts say there is a yearning among audiences in the city for films that reflect their lives. 

“Because of all these uncertainties in Hong Kong society, it inspired some local movies which try to tell the stories about Hong Kong people,” said Dorothy Lau, a professor at Hong Kong Baptist University’s Academy of Film. “People are trying to pursue their own identity, stories that belong to themselves.” 

For example, the highest recent local earner, “A Guilty Conscience,” a film about a lawyer trying to find evidence to get his innocent client acquitted, dealt with the issue of justice — a theme that resonated with moviegoers as they see pro-democracy activists, a newspaper publisher and protesters tried under the new law.  

“In the mind of many local residents, they look for justice but feel disappointed when they see reality. When they watch ‘A Guilty Conscience,’ they feel somebody is speaking their mind to inspire them to stay hopeful in what they see as the bleak reality,” Lau said. 

The government has said the law has restored peace after disruptive and sometimes violent anti-government protests in 2019. 

The film, which raked in $15 million, setting a record for a Hong Kong film, is among three that made it onto the list of Hong Kong box office hits over the past year, a list previously dominated by Hollywood blockbusters. 

Low-budget movies also made profits or broke even, while winning local and regional awards as they took on subjects that big studios neglected. Some of those include the struggles of blue-collar workers (“The Narrow Road”), the repressed love of closeted elderly gay men (“Twilight’s Kiss”), and homelessness (“Drifting”).

“It’s important for Hong Kong to have its own movies and stories to be told on the big screens because cinema has always been a very good medium that preserves local culture,” said the 36-year-old Wong, who cobbled together $294,000 for her latest movie, with a loan from a director friend and earnings from her debut film “My Prince Edward,”  which is about a woman who learns to assert herself. 

Still, there are limits to the kinds of topics that can be featured. The national security law and subsequent amendments to film censorship guidelines make subjects with political content untouchable. 

Several documentaries about the 2019 pro-democracy protests have been banned, according to media reports. Some content deemed sensitive has been deleted from films, including three being screened at a local film festival this month. 

In response to questions from VOA, the Office for Film, Newspaper and Article Administration issued a statement saying the amendments “did not change the fact that the public and the film industry continue to enjoy freedom of creation and freedom of speech under the premise of abiding by the law and protecting national security.” 

It said that since the amended guidelines took effect in 2021, it has approved all but six of the more than 4,100 applications for film classification and public screening.  

Directors meanwhile continue to make films about Hong Kong, with some showing them overseas or switching to less sensitive topics. At the Fresh Wave International Short Film Festival, which runs from June to July, filmmakers highlighted censorship by replacing deleted scenes with black images and muted sound.  

Independent film and documentary maker Lam Sum’s 2021 film “May You Stay Forever Young” — about the 2019 protests — was not approved. But he went on to be nominated for Best Director at the Hong Kong Film Awards this year for “The Narrow Road.”    

“I didn’t think about giving up because I really like to make films. To me, this is a challenge for creators — how to tell stories in this space,” said Lam, 37.  

Despite the concerns about censorship, funding, and fewer audiences with the lifting of travel restrictions, directors believe now is as good a time as any to make films.  

“I’m quite optimistic. … We no longer need to have big production companies’ support to make a film,” Wong said. “It will bring about more Hong Kong homegrown films.” 
…

In its heyday, Hong Kong was the Hollywood of Asia, turning out stars such as Bruce Lee, Jackie Chan, Chow Yun-Fat and recent Best Actress Oscar winner Michelle Yeoh. While the industry has seen a decline over the past two decades, Hong Kong is experiencing what some say is a film revival, despite stricter controls and censorship. For VOA, Cindy Sui reports from Hong Kong.
…

Skyscrapers, bridges and other landmarks in South Korea’s capital will be lit up in purple Monday as the country begins celebrating the 10th anniversary of K-pop band BTS, whose global popularity is a source of national pride.

The lights will provide the backdrop for various social media-driven events marking the 2013 debut of the seven-member group, which is now on a temporary hiatus as its singers take turns releasing solo material while the others begin to serve their mandatory military duties.

From Monday evening, numerous Seoul structures, including City Hall, the 123-story Lotte World Tower, several Han River bridges, and the futuristic DDP — a Zaha Hadid-designed aluminum and concrete dome that’s often used for visual art — will be bathed in purple, a color associated with BTS, according to city officials and the group’s management company, Hybe.

Messages congratulating BTS were displayed on digital screens in buildings across Seoul, while postal authorities issued stamps marking the group’s anniversary, which will be available at post offices starting Tuesday.

Seoul officials hope that the celebrations, which will continue for around two weeks, will boost tourism. The city has designated more than a dozen sites associated with BTS, including places where the group held major performances or shot some of their famous videos.

Fireworks are planned at a park Saturday night near the Han River, hours after one of the BTS singers, RM, holds a live talk with fans that will be broadcast online.

Quickly garnering huge followings in Asia following their debut, BTS’ popularity expanded across the globe with their 2020 megahit “Dynamite,” the band’s first all-English song that made it the first K-pop act to top Billboard’s Hot 100. BTS has since performed in sold-out arenas around the world and was invited to speak at United Nations meetings, supported by a legion of global followers who call themselves the “Army.”

BTS’ activities as a full group are currently on hold as the artists begin to serve in the military. Two BTS singers – Jin and J-Hope – have already started their compulsory 18-month service and other members are to follow in the coming months, which likely means the group will reconvene around 2025.

In South Korea, all able-bodied men are required to serve in uniform 18-21 months under a system meant to deter aggression from rival North Korea.
…

The new Modern Art gallery at the Denver Art Museum includes two painters from Ghana. VOA’s Scott Stearns gives us a look.
…

Best musical: “Kimberly Akimbo” 

Best play: “Leopoldstadt” 

Best revival of a musical: “Parade” 

Best revival of a play: “Suzan-Lori Parks’ Topdog/Underdog” 

Best performance by an actress in a leading role in a musical: Victoria Clark, “Kimberly Akimbo” 

Best performance by an actor in a leading role in a play: Sean Hayes, “Good Night, Oscar” 

Best performance by an actress in a leading role in a play: Jodie Comer, “Prima Facie” 

Best book of a musical: “Kimberly Akimbo,” David Lindsay-Abaire 

Best performance by an actor in a leading role in a musical: J. Harrison Ghee, “Some Like It Hot” 

Best performance by an actor in a featured role in a musical: Alex Newell, “Shucked.” 

Best performance by an actress in a featured role in a play: Miriam Silverman, “The Sign in Sidney Brustein’s Window” 

Best performance by an actress in a featured role in a musical: Bonnie Milligan, “Kimberly Akimbo” 

Best performance by an actor in a featured role in a play: Brandon Uranowitz, “Leopoldstadt” 

Best direction of a play: Patrick Marber, “Leopoldstadt” 

Best direction of a musical: Michael Arden, “Parade” 

Best choreography: Casey Nicholaw, “Some Like It Hot” 

Best original score: “Kimberly Akimbo,” Music: Jeanine Tesori, Lyrics: David Lindsay-Abaire 

Best orchestrations: Charlie Rosen and Bryan Carter, “Some Like It Hot” 

Best costume of a musical: Gregg Barnes, “Some Like It Hot” 

Best costume of a play: Brigitte Reiffenstuel, “Leopoldstadt” 

Best lighting design of a play: Tim Lutkin, “Life of Pi” 

Best lighting design of a musical: Natasha Katz, “Sweeney Todd: The Demon Barber of Fleet Street” 
…

The intimate, funny-sad musical “Kimberly Akimbo” nudged aside splashier rivals on Sunday to win the musical crown at the Tony Awards on a night when Broadway flexed its creative muscle amid the Hollywood writers’ strike and made history with laurels for nonbinary actors J. Harrison Ghee and Alex Newell.

“Kimberly Akimbo,” with songs by Jeanine Tesori and a book by David Lindsay-Abaire, follows a teen with a rare genetic disorder that gives her a life expectancy of 16 navigating a dysfunctional family and a high school romance. Victoria Clark, as the lead in the show, added a second Tony to her trophy case, having previously won one in 2005 for “The Light in the Piazza.”

Producer David Stone credited the musical’s writers for penning a magic trick, calling “Kimberly Akimbo” a “musical comedy about the fragility of life, so healing and so profound and joyous that is almost impossible.” The musical took home a leading six awards.

Earlier, Tony Awards history was made when Newell and Ghee became the first nonbinary people to win Tonys for acting. Last year, composer and writer Toby Marlow of “Six” became the first nonbinary Tony winner.

“Thank you for the humanity. Thank you for my incredible company who raised me up every single day,” said leading actor in a musical winner Ghee, who stars in “Some Like It Hot,” the adaptation of the classic cross-dressing comedy film. The soulful Ghee stunned audiences with their voice and dance skills, playing a musician — on the run from gangsters — who tries on a dress and is transformed.

Newell, who plays Lulu — an independent, don’t-need-no-man whiskey distiller in “Shucked” — has been blowing audiences away with their signature number, “Independently Owned.” They won for best featured actor in a musical.

“Thank you for seeing me, Broadway. I should not be up here as a queer, nonbinary, fat, Black little baby from Massachusetts. And to anyone that thinks that they can’t do it, I’m going to look you dead in your face that you can do anything you put your mind to,” Newell said to an ovation.

Tom Stoppard’s “Leopoldstadt,” which explores Jewish identity with an intergenerational story, won best play, also earning wins for director Patrick Marber, featured actor Brandon Uranowitz and Brigitte Reiffenstuel’s costumes.

The British-Czech playwright, who now has five best play Tony Awards, joked he won his first in 1968 and noted that playwrights were “getting progressively devalued in the food chain” despite being “the sharp ends of the inverted pyramid.”

Strike leaves show script less

Second-time Tony Awards host Ariana DeBose opened a blank script backstage before dancing and leaping her way to open the main show with a hectic opening number that gave a jolt of electricity to what is usually an upbeat, safe and chummy night. The writers’ strike left the storied awards show honoring the best of musical theater and plays without a script.

Before the pre-show began, DeBose revealed to the audience the only words that would be seen on the teleprompter: “Please wrap up.” Later in the evening, virtually out of breath after her wordless opening performance, she thanked the labor organizers for allowing a compromise.

“I’m live and unscripted. You’re welcome,” she said. “So to anyone who may have thought that last year was a bit unhinged, to them, I say, ‘Darlings, buckle up.'”

Winners demonstrated their support for the striking writers either at the podium or on the red carpet with pins. Miriam Silverman, who won the Tony for best featured actress in a play for “The Sign in Sidney Brustein’s Window,” ended her speech with: “My parents raised me to believe in the power of labor and workers being compensated and treated fairly. We stand with the WGA in solidarity!”

Jodie Comer, the three-time Emmy nominated star of “Killing Eve” won leading actress in a play for her Broadway debut, the one-woman play “Prima Facie,” which illustrates how current laws fail terribly when it comes to sexual assault cases.

Sean Hayes won lead actor in a play for “Good Night, Oscar,” which dramatizes a long night’s journey into the scarred psyche of pianist Oscar Levant, now obscure but once a TV star.

“This has got to be the first time an Oscar won a Tony,” Hayes cracked.

Suzan-Lori Parks’ “Topdog/Underdog,” a Pulitzer Prize-winning play about sibling rivalry, inequality and society’s false promises, won the Tony for best play revival. She thanked director Kenny Leon and stars Corey Hawkins and Yahya Abdul-Mateen II: “They showed up to be large in a world that often does not much want the likes of us living at all.”

Bonnie Milligan, who won for best featured actress in a musical for “Kimberly Akimbo,” also had a message to the audience: “I want to tell everybody that doesn’t maybe look like what the world is telling you what you should look like — whether you’re not pretty enough, you’re not fit enough, your identity is not right, who you love isn’t right — that doesn’t matter.”

“‘Cause just guess what?” she continued, brandishing her award. “It’s right, and you belong.”

Kander gets lifetime award

Many of the technical awards — for things like costumes, sound, lighting and scenic design — were handed out at a breakneck pace during a pre-show hosted by Skylar Astin and Julianne Hough, allowing winners plenty of airtime for acceptance speeches but little humor.

The pre-show telecast on Pluto featured some awkwardly composed shots and some presenters slipped up on certain words. The tempo was so rapid, it ended more than 10 minutes before the main CBS broadcast was slated to start.

John Kander, the 96-year-old composer behind such landmark shows as “Chicago,” “Cabaret” and “The Scottsboro Boys,” was honored with a special lifetime award. He thanked his parents; his husband, Albert Stephenson; and music, which “has stayed my friend through my entire life and has promised to stick with me until the end.”

Jennifer Grey handed her father, “Cabaret” star Joel Grey, the other lifetime achievement Tony. “Being recognized by the theater community is such a gift because it’s always been, next to my children, my greatest, most enduring love,” the actor said.

Echoing the there of antisemitism, “Parade” — a doomed musical love story set against the real backdrop of a murder and lynching in pre-World War I Georgia that won Tonys as a new musical in 1999 — won for best musical revival, with Michael Arden winning for best musical director.

“‘Parade’ tells the story of a life that was cut short at the hands of the belief that one group of people is more valuable than another and that they might be more deserving of justice,” Arden said. “This is a belief that is the core of antisemitism, white supremacy, homophobia and transphobia and intolerance of any kind. We must come together. We must battle this.”

The telecast featured performances from all the nominated musicals and Will Swenson — starring on Broadway in a Neil Diamond musical — led the audience in a vigorous rendition of “Sweet Caroline.” Lea Michele of “Glee” and now “Funny Girl” fame also performed a soaring version of “Don’t Rain on My Parade.”

It all took place at the United Palace Theatre, in the Washington Heights neighborhood of Manhattan — a new venue for the ceremony, many miles from Times Square and the theater district.

“Thank you all for coming uptown. Never in my wildest dreams, truly,” Lin-Manuel Miranda joked onstage. He, of course, wrote the musical “In the Heights,” set in Washington Heights.
…

It was Miles Morales and the Spider-Verse versus the “Transformers” at the box office this weekend and the bots came out on top.

“Transformers: Rise of the Beasts,” the seventh entry in the series, took the No. 1 spot in its first weekend in North American theaters with $60.5 million according to studio estimates Sunday. “Spider-Man: Across the Spider-Verse” wasn’t too far behind, however, with an estimated $55.4 million in its second weekend.

Paramount Pictures released “Rise of the Beasts” in 3,678 locations starting with Thursday previews. Set in 1994, it’s technically a sequel to the 1980s-set “Bumblebee” and a prequel to the other films. With a new cast led by Anthony Ramos and Dominique Fishback and a new director in Steven Caple Jr., it’s also an attempt to reset and breathe fresh life into the $4.8 billion franchise.

“Rise of the Beasts” also earned $110 million from 68 international markets, giving it a $170.5 million global debut.

Critics didn’t love the movie, but that’s also par for the course for this franchise. Overall, Rotten Tomatoes aggregated a less-than-fresh 52% rating.

“The problem with “Transformers: Rise of the Beasts” is the same problem faced by all of the installments — balancing the humanity with the metal,” wrote AP’s Mark Kennedy in his review.

In fact, the only movie that did get a fresh rating was “Bumblebee,” which also made the least money of all of them. Audiences (62% male) were more positive, giving “Rise of the Beasts” an A- CinemaScore. According to PostTrak surveys, general audiences gave it 4.5 stars out of 5.

While a $60.5 million opening might not seem like enough to support a $200 million production budget, “Rise of the Beasts” is a movie that will make most of its money abroad. Since 2011’s “Transformers: Dark of the Moon,” international ticket sales have accounted for at least 70% of the global box office total. Two of the seven movies, “Dark of the Moon” and “Age of Extinction,” from 2014, made over $1 billion each.

“To have a No. 1 debut is impressive given the formidable competition from ‘Spider-Man: Across the Spider-Verse,’ which had a much stronger opening than anyone anticipated and in its second weekend is a really powerful player,” said Paul Dergarabedian, the senior media analyst for Comscore.

Sony’s “Spider-Verse” sequel fell about 54%. In just two weeks, it’s already surpassed the total domestic box office of the first film with $225.4 million in ticket sales and become the highest grossing Sony Pictures Animation release. With terrific reviews in its arsenal, “Spider-Verse” is likely destined for a longer life at the box office, too.

Third place went to Disney’s “The Little Mermaid,” which earned $23 million in its third weekend, where it’s playing in 4,320 locations in the U.S. and Canada. The live-action movie has made $414.2 million globally to date.

Two other Walt Disney Co. releases rounded out the top five, with “Guardians of the Galaxy Vol. 3” in fourth with $7 million in its sixth weekend and “The Boogeyman,” in weekend two, in fifth place with $6.9 million.

While many of the films in the top 10 are known brands or IP, one original property, A24’s ” Past Lives,” is making waves in the specialty space. Playing on just 26 screens in its second weekend, Celine Song’s romance made $520,772 for a stunning $20,030 per screen average. It expands nationwide on June 23.

The summer movie season should continue to pick up heat with major new films coming nearly every week. Next weekend family audiences get Pixar’s “Elemental,” while the superhero crowd can catch up with “The Flash.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Transformers: Rise of the Beasts,” $60.5 million.

2. “Spider-Man: Across the Spider-Verse,” $55.4 million.

3. “The Little Mermaid,” $22.3 million.

4. “Guardians of the Galaxy Vol. 3,” $7 million.

5. “The Boogeyman,” $6.9 million.

6. “Fast X,” $5.2 million.

7. “The Super Mario Bros. Movie,” $2.1 million.

8. “About My Father,” $845,000.

9. “The Machine,” $575,000.

10. “Past Lives,” $520,772.
    …

New location? No script? No rehearsal? No sweat. 

Welcome to the 2023 Tony Awards, a show with an extra jolt of electricity this time due to the Hollywood writers’ strike. 

Unpredictability has been inserted into what is usually an upbeat, safe and chummy night. The strike has left Broadway’s biggest night without a script, in a new venue far from the theater district. 

A 1 1/2-hour pre-show on Pluto TV from 6:30-8 p.m. Eastern, hosted by Julianne Hough and Skylar Astin, will then throw to the three-hour main event led by Ariana DeBose on CBS and Paramount+ starting at 8 p.m. Eastern. 

A total of 26 Tony Awards will be handed out Sunday for a season that had 40 new productions — 15 musicals, 24 plays and one special engagement during the first post-pandemic full season. 

Broadway had some very serious works this season, like the new plays “Cost of Living” and “The Kite Runner” and revivals of “Topdog/Underdog” and “Death of a Salesman,” led by Wendell Pierce. A revival of “Parade,” about the lynching of a Jewish businessman starring Ben Platt, was also well received. 

The season also had an element of the fantastical in a puppet-heavy adaptation of the lifeboat book “Life of Pi,” satire in “The Thanksgiving Play” and pure silliness in “Shucked” and “Peter Pan Goes Wrong.” 

“Just like the country and the world is resetting, I think our storytelling and how we get our stories out there is resetting as well,” said Kenny Leon, who directed “Topdog/ Underdog” and “Ohio State Murders” this season. “The positive I take away is the variety of the material, from a Black-led ‘Death of a Salesman’ to new plays like ‘KPOP’ and ‘Ain’t No Mo” and ‘Leopoldstadt’ and ‘Prima Facie.’ I felt the diversity in almost every way — racially, generationally.” 

“Some Like It Hot,” a musical adaptation of the classic cross-dressing movie comedy that starred Tony Curtis and Jack Lemmon, goes into the night with a leading 13 Tony Award nominations. For the top crown, it is pitted against “& Juliet,” which reimagines “Romeo and Juliet” and adds some of the biggest pop hits of the past few decades, “New York, New York,” which combined two generations of Broadway royalty in John Kander and Lin-Manuel Miranda, and “Shucked,” a lightweight musical comedy studded with corn puns. 

The critical musical darling and intimate, funny-sad “Kimberly Akimbo,” with Victoria Clark playing a teen who ages four times faster than the average human, rounds out the best musical category. 

The best new play category is a competition among Tom Stoppard’s “Leopoldstadt,” which explores Jewish identity with an intergenerational story, and “Fat Ham,” James Ijames’ Pulitzer Prize-winning adaptation of Shakespeare’s “Hamlet” set at a Black family’s barbecue in the modern South. 

The rest of the category is made up of “Ain’t No Mo,'” the short-lived but critical applauded work by playwright and actor Jordan E. Cooper, Stephen Adly Guirgis’ Pulitzer Prize-winning play “Between Riverside and Crazy” and “Cost of Living,” parallel stories of two caretakers and their respective patients. 

The answers to some intriguing questions pend: Can Audra McDonald (“Ohio State Murders”) extend her record as the most awarded actor in Tony Awards history? Will either J. Harrison Ghee (“Some Like It Hot”) or Alex Newell (“Shucked”) become the first nonbinary person to win a Tony for acting? (Last year, “Six” composer and writer Toby Marlow became the first out nonbinary winner.) 

Performances are slated from the casts of “Camelot,” “Into the Woods,” “& Juliet,” “Kimberly Akimbo,” “New York, New York,” “Parade,” “Shucked,” “Some Like It Hot” and “Sweeney Todd: The Demon Barber of Fleet Street.” 

In addition, Joaquina Kalukango — the winner of last year’s Tony for best lead actress in a musical — will sing, as will the casts from “A Beautiful Noise” and “Funny Girl.” That means there’ll be plenty of star power, from Josh Groban to Lea Michele. 

It will all take place at the United Palace Theatre, in the Washington Heights neighborhood of Manhattan — a new venue for the ceremony, many kilometers from Times Square and the theater district. 
…

In the heart of Maryland, the Frederick Keys baseball team introduced its newest player last week, one unlike any other the team has seen in its 35-year history.

Dennis Kasumba, 18-year-old catcher. From Uganda.

Kasuma recently turned what seemed like an impossible dream into a reality, making the leap from the rough fields of his home country to the manicured grass of American professional baseball stadiums. For those following his journey, he stands as a symbol of resilience.

Just three days after flying to the U.S., Kasumba took his first official steps onto an American baseball diamond on June 1 with the Keys. Batting in the ninth inning, he struck out on three pitches, but was able to make contact on the first pitch, fouling it off.

The young player who once honed his skills on muddy streets using old tires and oil drums in Uganda, now finds himself playing high-quality amateur league baseball, one step below the professional minor leagues.

“My first game was very, very good because I faced a pitcher who threw 95 [miles per hour – about 153 kph], yeah. And I hit it,” Kasumba told VOA. “I need to hit because I am here to hit, to show my skill, I am ready to hit. I want to show I can hit. I want to show them I can throw.”

Kasumba’s story extends beyond his on-field skills. His journey from Uganda to the U.S. has captured the imagination of thousands on social media who have marveled at his intense workouts. In one, he practices his catching drills with a tire strapped to his back.

One of these admirers was Joshua Williams, an American attorney and baseball enthusiast who helped make Kasumba’s dream a reality.

“It all just started because I saw a video of him hitting off of a tire, hitting a baseball off of the tire with a Coke bottle,” Williams said. “So, I reached out to him on Facebook, started talking to him. We talked about his dreams and aspirations.”

It took Kasumba almost two years to get a contract with an American team and several attempts at the U.S. Embassy in Uganda to secure a travel visa.

Williams and some friends intensified their efforts after his third visa request was denied.

“We started making our application a lot stronger. Several immigration attorneys at my firm jumped in and they were like, ‘Let’s figure this out,’” Williams told VOA. “And so, we just kind of put our heads together. So, he was denied on Friday. And on Tuesday we got a call from the embassy, and they said, ‘Be there Thursday at 2 o’clock.’”

Kasumba is not the first Ugandan to try his hand at baseball. Last year, the Los Angeles Dodgers signed two Ugandans, Umar Male and Ben Serunkuma, to contracts. Both have played some games in the low minor leagues.

In his debut, Kasumba showed that he too may have a future in baseball, and also underscored his desire to learn.

“When I saw my pitchers throwing in 88, 95, 98. I thought, ‘Can I hit these guys? They are faster.’ But when I got to my first batting, in my heart I said, ‘I can hit, because I believe in myself,’” he said.

For Frederick Keys Manager Rene Rivera, Kasumba is already giving the team a jolt.

“This guy has so much energy, he brings so much to the other guys, you know, he’s hardworking,” Rivera said. “We all saw some of his videos on Instagram, the passion he puts behind him so he can be good. And I think that the players already see that, they come and work.”

Kasumba, who grew up an orphan in Wakiso, Uganda, is determined to make the most of the opportunity.

“There are a lot of kids, uh, people calling my name, my jersey number: Kasumba! Kasumba! Kasumba! This is my first time, to have someone asking me for a signature, photos,” he said. “I was so surprised. It makes me feel very, very good. I think I am blessed.”

The months ahead will bring challenges and opportunities alike for Kasumba. And to face these head-on, the young man has a few people he can count on, starting with his manager.

“We helped him come over here. And now he’s here,” Rivera told VOA. “So, I think that my job is to be his role model, to show him what I know and what I know from many years playing baseball, help him get to the next. I think that’s my main goal right now.”

Catching is baseball’s most complicated and physically arduous position, but Rivera can teach Kasumba a lot – he spent 13 years as a catcher in the major leagues.

As Kasumba steps onto the field, bat in hand, he believes he’s not just playing for the Frederick Keys — he’s playing for his country, his thousands of online supporters around the world and every dreamer who’s ever dared to dream big.
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Vietnam’s booming food scene was awarded its first-ever Michelin stars Tuesday, with four restaurants selected by the prestigious dining guide.

Three eateries in Hanoi — Gia, Tam Vi and Hibana by Koki — and one in Ho Chi Minh City — Anan Saigon — were each awarded one Michelin star.

Although there were no stars handed out to traditional street food eateries serving classics such as pho — a noodle soup — or bun cha — a vermicelli noodle dish with grilled pork — Vietnamese flavors feature heavily among the winners.

Tam Vi largely focusses on northern Vietnamese dishes including ham with periwinkle snails — served with fresh herbs, rice vermicelli noodles and fish sauce — and crab soup with spinach, a popular summer meal.

Nguyen Bao Anh, whose mother, Tam, owns the restaurant and named it after herself, said her mum “had a dream of opening a restaurant where customers could come and feel like they were eating a home-cooked meal.”

“The restaurant serves traditional food, and I think now not many restaurants serve that kind of food that remind people of familiar flavors,” Bao Anh told AFP after the awards ceremony in Hanoi.

“This award is for my mum and I’m proud of her,” she added.

Sam Tran, the chef and co-founder of high-end contemporary restaurant Gia, spent 10 years studying in Australia before returning to Hanoi, her home city, to push the boundaries of Vietnamese cuisine.

“Through each dish at Gia, I want to tell the story of Vietnamese culture,” she wrote in a guide to the ceremony.

“I want to tell the story of each stage of my life, the regions I have visited, the flavors passed down from generation to generation that I have tasted.”

In Ho Chi Minh City, Anan Saigon was recognized for its modern take on Vietnamese classics, including a bone marrow wagyu beef pho.

Gwendal Poullennec, international director of the Michelin Guide, said Vietnam’s two biggest cities, Hanoi and commercial center Ho Chi Minh City, offered a vibrant and varied dining experience.

“Hanoi has a laid back and relaxed vibe, with small shops and restaurants mostly from the Old Quarter,” Poullennec said.

“Ho Chi Minh City, on the other hand, is a bustling and rapidly growing city, which offers a unique energy to all travelers and a very diverse food scene.”

Hibana by Koki, which serves Japanese cuisines was the only non-Vietnamese restaurant to receive a star.
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