YCLOAK

An original animated series from Africa has made its debut on the Netflix streaming platform. The series, dubbed “Supa Team 4,” was written by a young Zambian and takes place in a futuristic version of Zambia’s capital, Lusaka. Kathy Short reports from Lusaka. VOA footage by Richard Kille.
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Hōkūle’a, a traditional Polynesian deep-sea canoe, is on a four-year-long voyage around the Pacific Ocean to raise awareness about climate change. During its stop in the U.S. state of Washington, local Native American tribes welcomed members of the crew. Natasha Mozgovaya has the story from Seattle. (Camera: Natasha Mozgovaya; Produced by: Natasha Mozgovaya, Jason Godman)
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Leading officials within the Spanish Football Federation asked suspended president Luis Rubiales to resign Monday because of his behavior at the Women’s World Cup, including kissing a player on the lips after Spain won the championship match.

The heads of the regional bodies that make up the federation (RFEF) made the request in a collective statement.

“After the latest developments and the unacceptable behavior that has caused great damage to the image of Spanish soccer, the presidents’ request that Luis Rubiales resign immediately as president of the RFEF,” the statement said.

Earlier Monday, the federation asked UEFA to suspend it from international competitions because of government interference related to Rubiales. However, in their statement, the heads of the regional bodies urged interim federation president Pedro Rocha to withdraw that request immediately.

The federation’s request for a suspension was widely seen as an attempt to silence some of Rubiales’ critics, including government ministers who have asked for his removal. Such a suspension would ban Spanish teams from competitions like the Champions League and could sway public opinion in favor of letting him keep his job.

Soccer’s governing bodies have longstanding rules barring national governments from interfering with the running of domestic soccer federations. However, UEFA will not comply with the Spanish federation’s request for a sanction, a person familiar with the issue told The Associated Press on Monday. The person spoke on the condition of anonymity because the decision-making process was confidential.

Rubiales has faced a torrent of criticism from around the globe over his behavior at the Women’s World Cup final, including kissing Spain player Jenni Hermoso on the lips without her consent during the on-field trophy ceremony. He was suspended from office Saturday by soccer’s governing body FIFA, which is investigating his conduct.

Rubiales’ mother started a hunger strike Monday in a church in southern Spain in defense of her son, demanding an end to “the bloody and inhumane hounding” of him.

Rubiales is also a UEFA vice president.

Spain’s top clubs are due to take part in Thursday’s Champions League group-stage draw being made by UEFA, and the men’s national team has games on Sept. 8 and 12 in qualifying for the 2024 European Championship.

FIFA opened a disciplinary case against Rubiales on Thursday after taking control of the process because it organized the Women’s World Cup. Rubiales’ behavior during and after Spain’s 1-0 win over England in the final on Aug. 20 in Sydney, Australia, has focused intense scrutiny on him and his five-year management of the federation.

FIFA, however, did not invoke its version of the rules against government interference to protect Rubiales.

The Spanish federation then urged UEFA to act, reportedly in a letter sent Friday, the same day its embattled president defiantly refused to resign at an emergency meeting.

The FIFA suspension prevents Rubiales taking part in official business and having contact with other officials, including in Spain’s bid to co-host the 2030 World Cup with Portugal, Morocco and possibly Ukraine.

FIFA disciplinary judge Jorge Palacio also ordered Rubiales and the federation not to contact Hermoso. She has said the federation pressured her to publicly back Rubiales.

Newly crowned as world champions, though drawn into a national scandal they did not seek and has distracted from their triumph, the Spain players have said they will not play any more games for as long as Rubiales is in charge.
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The Venice Film Festival celebrates its 80th edition next week, but a Hollywood strike means many stars may be missing, leaving the spotlight to controversial directors like Roman Polanski and Woody Allen.    

The festival, which kicks off on Wednesday, has become a key launchpad for Oscar campaigns, helped by glamorous shots of stars arriving by gondola.   

But an ongoing strike by Hollywood actors and writers, the biggest industry walk-out in more than 60 years, means most are banned from publicity work.  

Missing from their Venice premieres will be Emma Stone, who plays a Frankenstein-like creature in “Poor Things,” and Bradley Cooper, who directs and stars in “Maestro,” about the legendary conductor and composer Leonard Bernstein.   

Adam Driver and Penelope Cruz, who play the leads in the biopic “Ferrari” from director Michael Mann (“Heat”), have an exemption from the Screen Actor’s Guild (SAG-AFTRA) because the film was made outside the studio system, but may still stay home in solidarity.  

Nonetheless, the films are still showing and many top-name directors are due to attend as they compete for the top prize, the Golden Lion, to be announced on September 9.  

Sofia Coppola presents another biopic, “Priscilla,” about Elvis Presley’s wife, while David Fincher returns to the Lido with “The Killer,” more than 20 years after “Fight Club” was loudly booed at the festival only to become a cult hit in the following years.   

The only major casualty of the strikes has been “Challengers,” a tennis romance starring Zendaya that was set as the opening night film but has been delayed to next year.

Don’t see the issue 

With star gossip at a minimum, a lot of attention risks being absorbed by the inclusion of Allen and Polanski in the out-of-competition section.  

Allen, 87, was investigated for an alleged assault on his adopted daughter and cleared by police in the 1990s, but that has not been enough for many in the MeToo era, and he has been effectively blackballed by Hollywood.  

Polanski, 90, remains a fugitive from the U.S. over a conviction for raping a minor in the 1970s. The victim has long since forgiven him, but he faces other assault allegations. The festival says he is not attending.  

French director Luc Besson (“The Fifth Element”), who was recently cleared of rape allegations, is in the main competition with “Dogman.”  

Festival director Alberto Barbera defended their inclusion, telling Variety that Besson and Allen had been cleared by investigators: “With them, I don’t see where the issue is.” 

He acknowledged it was more complex with Polanski but said: “I am on the side of those who say you have to distinguish between the responsibilities of the individual and that of the artist.”  

He says Polanski’s “The Palace” is full of “grotesque and surreal characters and aims to satirize humanity,” and compared Allen’s “Coup de Chance,” his 50th film and first in French, to his earlier “Match Point.”  

Meanwhile, there are also out-of-competition premiers for a 40-minute Wes Anderson film, “The Wonderful Story of Henry Sugar,” based on a Roald Dahl tale, and a new feature from indie favorite Richard Linklater, “Hit Man.”  

“The Caine Mutiny Court-Martial,” the final film from William Friedkin (“The Exorcist”), who died this month at 87, is also playing out of competition.   

Hollywood actors went on strike in July after talks to reach a new deal with studios failed, joining writers who have been striking since May.  

Their demands focus on dwindling pay in the streaming era and the threat posed by artificial intelligence. 
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Olympic champion Neeraj Chopra became the first Indian to win a gold medal at the World Athletics Championships when he nipped Pakistan’s Arshad Nadeem in the men’s javelin on Sunday with an 88.17-meter effort in the final.

Chopra won Olympic gold in Tokyo but managed only a silver at the worlds in Eugene, Oregon, last year. The only other Indian to win a medal at the worlds was Anju Bobby George, who took bronze in the women’s long jump in 2003 in Paris.

Pakistan’s Nadeem, coming back from elbow surgery and a knee injury, produced his season’s best effort of 87.82 on his third attempt to win the silver medal, while the Czech Republic’s Jakub Vadlejch took the bronze with 86.67.

“This was great. After the Olympic gold I really wanted to win the world championships. I just wanted to throw further. This is brilliant for the national team but it was my dream to win gold at the world championships,” Chopra said.

“This has been a great championships for India and I am proud to bring another title to my country. I don’t think I am the best thrower here. I wanted to throw more tonight,” he said. “I wanted to throw more than 90 meters tonight, but it needs all parts of the puzzle to be there. I couldn’t put it all together this evening. Maybe next time.”

Chopra needed only one attempt in the qualification round to lead the field with a season-best 88.77 meters.

But the Indian was unhappy with his first effort in the final, deliberately stepping over the line for a foul.

Under pressure, the 25-year-old then soared into the lead on his second attempt, turning his back and celebrating in trademark fashion with his arms aloft while pointing at the sky immediately after his throw, knowing it was good.

Nadeem was competing in his first event of the year and as soon as the javelin landed on his third attempt, he broke into a wide grin as he moved up to second.

India and Pakistan may have a heated rivalry in cricket but on a warm night in Budapest, all eyes were on two athletes competing for javelin gold.

But that was as close as Nadeem, the 2022 Commonwealth Games champion, got to Chopra as he ran out of steam.

Julian Weber was very close to giving Germany their first medal in Budapest on the final day of the championships, but he was pushed down to fourth when Vadlejch saved his best for his fifth attempt.

“It was a big fight and I am afraid that Julian Weber will not like me anymore,” Vadlejch said.

Kishore Jena and DP Manu finished fifth and sixth, respectively, to give India three athletes in the top six.
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Sony Pictures reported that “Gran Turismo” opened with $17.3 million over the weekend, while Warner Bros. estimated that “Barbie,” in its sixth week of release, took in $17.1 million. Those totals could change when final ticket sales are counted Monday.

Due to a few wrinkles, it’s all but certain that “Barbie” sold more tickets than any other movie Friday through Sunday, even if “Gran Turismo” is claiming the checker flag.

One reason: it was an usual weekend in multiplexes. U.S. movie theaters held the second annual National Cinema Day on Sunday, with $4 tickets to all films and show times at nearly all of the country’s theaters.

“Barbie” was expected to be easily the top draw during the discounted day, with a particular boost coming from repeat viewings. With a domestic total of $594.8 million in ticket sales, “Barbie” has passed “The Super Mario Bros. Movie” ($574 million) to become the year’s biggest domestic hit. With $1.34 billion worldwide, “Barbie” will also soon surpass the leading $1.35 million worldwide tally of “Mario.”

National Cinema Day is meant to lure moviegoers to theaters during a typically slow period — and recoup the lost ticket revenue by selling a lot of popcorn. Last year’s event drew 8.1 million moviegoers, making it the busiest day of the year in theaters. Warner Bros. estimated that “Barbie” would gross $7.8 million on Sunday, which would mean almost 2 million people saw the film that day.

So, what was the top movie in theaters this weekend?

“Barbie,” says Jeff Goldstein, distribution chief for Warner Bros. “Without any question.”

Though “Barbie” is the weekend’s top draw, “Gran Turismo” has a slight — and somewhat debatable — edge in gross earnings. In its weekend totals for “Gran Turismo,” Sony is also factoring in a hefty $3.9 million from preview screenings held before Thursday, along with $1.4 million in Thursday previews. Such accounting, while common practice for Hollywood, has stretched the definition of an opening “weekend.”

“We’ve made a big issue of it only because ‘Barbie’ has had incredible holds,” says Goldstein. “To take away the number one, which would make it five weekends at number one since it opened, kind of doesn’t feel right for the ‘Barbie’ filmmakers who really deserve the accolades.”

Sony executives declined to comment.

Either way, it’s a so-so start for “Gran Turismo,” which cost about $60 million to make. But the film, about a young man whose love of the PlayStation video game helps turn him into a real-life racer, has gone over well with audiences. Moviegoers gave the Neill Blomkamp-directed movie an “A” CinemaScore.

The ongoing strike by actors and screenwriters has taken away the studios’ ability to promote films with their casts. To help spread the word on “Gran Turismo,” Sony held several weeks of preview screenings and fan events.

“Obviously, every movie is in pursuit of being the number one film,” says Paul Dergarabedian, senior media analyst for data firm Comscore. “But at the end of the day, ‘Barbie’ is just an out-and-out smash global blockbuster. No matter how you slice it, ‘Barbie’ is always going to be a winner no matter the outcome of this weekend. Sony, left without stars to go out and promote the movie, had to rely on the audience becoming the marketing voice.”

Last week’s top film, the DC Comics release “Blue Beetle,” slid to third place in its second week, with $12.8 million. The Warner Bros. film has made $46.3 million in two weeks, making it another misfire for DC.

Christopher Nolan’s “Oppenheimer” trailed in fourth, with $9 million in its sixth week. Like its “Barbenheimer” sibling, the Universal Pictures release has played remarkably well beyond the point at which most films fall off in theaters. “Oppenheimer” has passed $300 million domestically and reached $777.1 million globally.

A handful of other new releases also hit theaters. MGM’s high-school comedy “Bottoms” got off to a strong start in limited release, grossing an average of $51,600 per location in 10 theaters. The Liam Neeson thriller “Retribution” debuted with $3.3 million in 1,750 theaters for Lionsgate and Roadside Attractions.

“The Hill,” a sports drama starring Dennis Quaid, launched with $2.5 million from 1,570 locations for Briarcliff and Open Road. And “Golda,” starring Helen Mirren as the former Israeli prime minister, debuted with $2 million in 883 theaters for Bleecker Street.

According to Comscore, the North American box office is now just $70 million shy of breaking $4 billion for the summer. After an up-and-down season that saw some major releases like “Indiana Jones and the Dial of Destiny,” “The Flash” and “Mission Impossible: Dead Reckoning Part One” fall short of expectations, “Barbie” and “Oppenheimer” have spurred a comeback. If the box office manages to reach $4 billion for the summer, it would be the first time since 2019.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Gran Turismo: Based on a True Story,” $17.3 million.

2. “Barbie,” $17.1 million.

3. “Blue Beetle,” $12.8 million.

4. “Oppenheimer,” $9 million.

5. “Teenage Mutant Ninja Turtles: Mutant Mayhem,” $6.1 million.

6. “Meg 2: The Trench,” $5.1 million.

7. “Strays,” $4.7 million.

8. “Retribution,” $3.3 million.

9. “The Hill,” $2.5 million.

10. “Haunted Mansion,” $2.1 million.
    …

Authorities in Iran have begun legal proceedings against a prominent pop singer over his latest song urging women to take off their mandatory headscarves, the judiciary said Sunday. 

The action against Mehdi Yarrahi comes almost a year after the death in custody of Iranian Kurd Mahsa Amini, 22, triggered months of protests around the country. 

Amini had been arrested for alleged breach of the Islamic republic’s strict dress code requiring that a woman’s head and neck be covered.

Yarrahi, 41, released a song Friday called “Roosarito,” which means “Your Headscarf” in Farsi, expressing support for last year’s protest movement.  

“A legal case was filed against Mehdi Yarrahi following the release of an illegal song which defies the morals and customs of the Islamic society,” the judiciary’s Mizan Online website said. 

It was not immediately clear what the formal charges were. Yarrahi was not in custody. 

Yarrahi’s three-minute video clip incorporated the protest movement’s slogan, “Woman, life, freedom.” 

He called on women to “take off their (head)scarves,” and the video included short clips of several women dancing with their hair uncovered.  

Mizan said the legal measures against Yarrahi will also cover another “controversial song” he released in October. Titled “Soroode Zan” or “Woman’s Anthem,” it became a feature of the protest movement, particularly in universities.  

In 2018, Yarrahi received the prize for best pop singer at the Fajr festival, the country’s most important government-organized musical event.

He has criticized authorities on several occasions during his concerts, mainly over perceived marginalization of people in his native Khuzestan province which has a large Arab minority.

During the months of protest, which Tehran generally labelled as foreign-instigated “riots,” thousands of Iranians were arrested and hundreds killed including dozens of security personnel.

Iranian women have increasingly flouted the strict dress code since the mass protests began calling for an end to compulsory headscarves.

Last month, state media said police had relaunched patrols to catch those who left their hair uncovered in public.
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Popular U.S. game show host Bob Barker, a household name for a half-century as host of “Truth or Consequences” and “The Price Is Right,” died at his home in Los Angeles, said a publicist.

Barker — also a longtime animal rights activist — died Saturday morning, according to publicist Roger Neal. Barker was 99. 

“I am so proud of the trailblazing work Barker and I did together to expose the cruelty to animals in the entertainment industry and including working to improve the plight of abused and exploited animals in the United States and internationally,” said Nancy Burnet, his longtime friend and caretaker, in a statement. 

Barker retired in June 2007, telling his studio audience: “I thank you, thank you, thank you for inviting me into your home for more than 50 years.” 

Barker was working in radio in 1956 when producer Ralph Edwards invited him to audition as the new host of “Truth or Consequences,” a game show in which audience members had to do wacky stunts — the “consequence” — if they failed to answer a question — the “truth,” which was always the silly punchline to a riddle no one was ever meant to furnish. (Q: What did one eye say to another? A: Just between us, something smells.) 

In a 1996 interview with The Associated Press, Barker recalled receiving the news that he had been hired: “I know exactly where I was, I know exactly how I felt: I hung up the phone and said to my wife, ‘Dorothy Jo, I got it!'” 

Barker stayed with “Truth or Consequences” for 18 years — including several years in a syndicated version. 

Taped more than 5,000 shows

Meanwhile, he began hosting a resurrected version of “The Price Is Right” in 1972. (The original host in the 1950s and ’60s was Bill Cullen.) It would become TV’s longest-running game show and the last on a broadcast network of what in TV’s early days had numbered dozens. 

“I have grown old in your service,” the silver-haired, perennially tanned Barker joked on a prime-time television retrospective in the mid-’90s. 

In all, he taped more than 5,000 shows in his career. He said he was retiring because “I’m just reaching the age where the constant effort to be there and do the show physically is a lot for me. … Better [to leave] a year too soon than a year too late.” 

Comedian Drew Carey was chosen to replace him. 

Barker was back with Carey for one show broadcast in April 2009. He was there to promote the publication of his memoir, “Priceless Memories,” in which he summed up his joy from hosting the show as the opportunity “to watch people reveal themselves and to watch the excitement and humor unfold.” 

He well understood the attraction of “The Price Is Right,” in which audience members — invited to “Come on down!” to the stage — competed for prizes by trying to guess their retail value. 

“Everyone can identify with prices, even the president of the United States. Viewers at home become involved because they all have an opinion on the bids,” Barker once said. His own appeal was clear: Barker played it straight — warm, gracious and witty — refusing to mock the game show format or his contestants. 

“I want the contestants to feel as though they’re guests in my home,” he said in 1996. “Perhaps my feeling of respect for them comes across to viewers, and that may be one of the reasons why I’ve lasted.” 

Promote animal rights

As a TV personality, Barker retained a touch of the old school — for instance, no wireless microphone for him. Like the mic itself, the mic cord served him well as a prop, insouciantly flicked and finessed. 

His career longevity, he said, was the result of being content. “I had the opportunity to do this type of show and I discovered I enjoyed it … People who do something that they thoroughly enjoy, and they started doing it when they’re very young, I don’t think they want to stop.” 

Barker also spent 20 years as host of the Miss USA Pageant and the Miss Universe Pageant. A longtime animal rights activist who daily urged his viewers to “have your pets spayed or neutered” and successfully lobbied to ban fur coats as prizes on “The Price Is Right,” he quit the Miss USA Pageant in 1987 in protest over the presentation of fur coats to the winners. 

In 1997, Barker declined to be a presenter at the Daytime Emmy awards ceremony because he said it snubbed game shows by not airing awards in the category. He called game shows “the pillars of daytime TV.” 

He had a memorable cameo appearance on the big screen in 1996, sparring with Adam Sandler in the movie “Happy Gilmore.” “I did ‘The Price Is Right’ for 35 years, and they’re asking me how it was to beat up Adam Sandler,” Barker later joked. 

In 1994, the widowed Barker was sued for sexual harassment by Dian Parkinson, a “Price is Right” model for 18 years. Barker admitted engaging in “hanky panky” with Parkinson from 1989-91 but said she initiated the relationship. Parkinson dropped the lawsuit in 1995, saying it was hurting her health. 

Barker became embroiled in a dispute with another former “Price Is Right” model, Holly Hallstrom, who claimed she was fired in 1995 because the show’s producers believed she was fat. Barker denied the allegations. 

Neither uproar affected his goodwill from the audience. 

Born in Darrington, Washington, in 1923, Barker spent part of his childhood on the Rosebud Indian Reservation in South Dakota, where his widowed mother had taken a teaching job. The family later moved to Springfield, Missouri, where he attended high school. He served in the Navy in World War II. 

He married Dorothy Jo Gideon, his high school sweetheart; she died in 1981 after 37 years of marriage. They had no children. 

Barker was given a lifetime achievement award at the 26th annual Daytime Emmy Awards in 1999. He closed his acceptance remarks with the signoff: “Have your pets spayed or neutered.” 
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Oliver Anthony, the previously unknown singer whose Rich Men North of Richmond went viral and topped the charts over the past week, hit out Friday at politicians, particularly on the right, for co-opting his message.

In a more than 10-minute clip posted on YouTube, the songwriter from Virginia reflected on his breakout success, and said that “the one thing that has bothered me is seeing people wrap politics up in this.”

“It’s aggravating seeing people on conservative news try to identify with me like I’m one of them,” he said. “It’s aggravating seeing certain musicians and politicians act like we’re buddies and act like we’re fighting the same struggle here, like we’re trying to present the same message.”

Rich Men North of Richmond overtook megastars Taylor Swift, Morgan Wallen and Olivia Rodrigo to snag the top spot on the Billboard Hot 100 singles chart, with 17.5 million streams and nearly 150,000 downloads in less than a week.

The track invokes the argument that Americans in the south and rural areas have been left behind by rich elites farther north.

In his lyrics Anthony leans into issues of long hours for little pay with high taxes.

He also picks up talking points that have persisted since the business-friendly, pro-austerity Ronald Reagan years, namely against the welfare state.

Anthony had previously insisted that his political views are down the middle.

In his clip posted Friday he scoffed that his song was used during the opening of this week’s debate between Republican presidential hopefuls.

“I wrote that song about those people. So for [the Republican candidates] to have to sit there and listen to that, that cracks me up,” he says.

“That song has nothing to do with Joe Biden. It’s a lot bigger than Joe Biden. That song was written about the people on that stage — and a lot more, not just them, but definitely them.”

Anthony also spoke to critics on the left who accused him of ridiculing welfare and the poor.

He said his stanza about the “obese milking welfare” spoke to an article he read about individual food subsidies going toward snack foods.

“If we can fuel a proxy war in a foreign land, but we can’t take care of our own, that’s all the song is trying to say,” Anthony said. “That the government takes people who are needy and dependent and makes them needy and dependent.”

In the video he choked up while saying he cares about connecting with people, not topping charts.

He also promised more music to come: “I’m going to write, produce and distribute authentic music that represents people and not politics.” 
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Israel’s far-right national security minister lashed out at supermodel Bella Hadid on Friday for criticizing his recent fiery televised remarks about Palestinians in the occupied West Bank.

In an interview earlier this week with Israel’s Channel 12 following two deadly Palestinian attacks against Israelis in the occupied territory, National Security Minister Itamar Ben-Gvir argued that his right to freedom of movement as a Jewish settler outweighs the same right for Palestinians.

“My right, the right of my wife and my children to move around Judea and Samaria, is more important than freedom of movement for the Arabs,” Ben-Gvir said on TV Wednesday, using the biblical name for the West Bank. “The right to life comes before freedom of movement.”

Addressing Mohammad Magadli, a well-known Israeli-Arab television host who was in the studio, Ben-Gvir added: “Sorry, Mohammad. But that’s the reality.”

His statement drew widespread criticism as commentators seized on it as proof of allegations that Israel was turning into an apartheid system that seeks to maintain Jewish hegemony from the Jordan River to the Mediterranean Sea. The catchphrase “Sorry, Mohammad” became meme fodder for social media as critics posted it alongside videos of Israeli violence against Palestinians.

Hadid, a world-famous supermodel and social media influencer whose father is Palestinian, shared an excerpt from Ben-Gvir’s interview with her 59.5 million followers on Instagram on Thursday, writing: “In no place, no time, especially in 2023 should one life be more valuable than another’s. Especially simply because of their ethnicity, culture or pure hatred.”

She also posted a video from leading Israeli rights group B’Tselem showing Israeli soldiers in the southern West Bank city of Hebron telling a resident that Palestinians are not permitted to walk on a certain street because it is reserved for Jews. “Does this remind anyone of anything?” she wrote.

Ben-Gvir responded angrily on Friday to Hadid’s post.

“I invite you to Kiryat Arba, to see how we live here, how every day, Jews who have done nothing wrong to anyone in their lives are murdered here,” he wrote on X, formerly known as Twitter. Ben-Gvir lives in the settlement of Kiryat Arba near Hebron, the largest Palestinian city.

Earlier this week, Palestinian gunmen opened fire on an Israeli car near Hebron, killing an Israeli woman and seriously wounding the driver. That attack came just days after a Palestinian shooting attack killed an Israeli father and son in the northern Palestinian town of Hawara.

Ben-Gvir acknowledged the backlash but doubled down on his original statement. “So yes, the right of me and my fellow Jews to travel and return home safely on the roads of Judea and Samaria outweighs the right of terrorists who throw stones at us and kill us,” he wrote.

Ben-Gvir has been convicted in the past of inciting racism and of supporting a terrorist organization. He was known as an admirer of rabbi Meir Kahane, who was banned from Parliament and whose Kach party was branded a terrorist group by the United States before he was assassinated in New York in 1990. Kach wanted to strip Arab Israelis of their citizenship, segregate Israeli public spaces, and ban marriages between Jews and non-Jews. Before joining politics, Ben-Gvir hung a portrait in his living room of a Jewish man who fatally shot 29 Palestinians in the West Bank in 1994.

A once-marginal far-right activist, Ben-Gvir now wields significant power as the national security minister overseeing the Israeli police force in Prime Minister Benjamin Netanyahu’s government.
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The president of the Spanish football federation faces an emergency meeting of its general assembly on Friday amid media reports that he will hand in his resignation following an uproar for kissing a Women’s World Cup champion.

Luis Rubiales is expected to stand before representatives of Spain’s regional federations, clubs, players, coaches and referees in Madrid at noon local time, and local media say he is stepping down.

The federation has refused to comment on repeated requests from The Associated Press for confirmation of Rubiales’ decision to go that was reported late Thursday.

Rubiales, 46, is under immense pressure to leave his post since he grabbed player Jenni Hermoso and kissed her on the lips without her consent during the awards ceremony following Spain’s 1-0 victory over England on Sunday in Sydney.

FIFA, football’s global governing body and organizer of the Women’s World Cup, opened a disciplinary case against him on Thursday. Its disciplinary committee was tasked with weighing whether Rubiales violated its code relating to “the basic rules of decent conduct” and “behaving in a way that brings the sport of football and/or FIFA into disrepute.”

That move by FIFA came after Spain’s acting Prime Minister Pedro Sánchez said that Rubiales’ attempt to apologize, which came after he initially insulted his critics, was unconvincing and that “he must continue taking further steps” to be held accountable.

Spain’s Higher Council of Sports, the nation’s governing sports body, pledged it would act quickly to consider various formal complaints filed against Rubiales to see if he had broken Spain’s sports law or the federation’s own code of conduct that sanction sexist acts. If so, Rubiales would face being declared unfit to hold his office by Spain’s Administrative Court for Sports.

As if the forced kiss was not enough, Rubiales had shortly before grabbed his crotch in a lewd victory gesture from the section of dignitaries with Spain’s Queen Letizia and the 16-year-old Princess Infanta Sofía nearby.

The combination of the gesture and the unsolicited kiss has made Rubiales a national embarrassment after his conduct was broadcast to a global audience, marring the enormous accomplishment of the women who played for Spain.

Hermoso, a 33-year-old forward and key contributor to Spain’s title, said on a social media stream “I did not like it, but what could I do?” about the kiss during a locker-room celebration immediately after the incident.

The first attempt to respond to the scandal was a statement it released in the name of Hermoso in which she downplayed the incident. Later, a local media report by sports website Relevo.com said that the federation had coerced her into making the statement. The federation has denied this to The AP.

On Wednesday, Hermoso issued a statement through her players’ union saying it would speak on her behalf. The union said it would do all it could to ensure that the kiss does “not go unpunished.”

Rubiales has received no public support from any major sports figure and united political parties from both the left and right are calling for him to resign.
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Ebrahim Golestan, a renowned Iranian writer and filmmaker, has died at his home in Britain at the age of 101.

His daughter Lili, the director of Tehran’s Golestan Gallery, confirmed news of his death this week. On Instagram, she wrote “Father, you have left us. Farewell.”  

Golestan was born in Shiraz and left Iran before the 1979 Revolution. 

His notable films include “The Hills of Marlik,” “Brick and Mirror,” “The Secrets Treasure of Jin Valley,” “Waves, Coral and Rock,” and “From One Drop to the Sea.”

Ebrahim Golestan also produced “The House is Black,” directed by Forough Farrokhzad. 

The Iranian Directors Guild described him as an intellectual who “infused a renewed vitality into Iranian cinema before the new wave.” 

The statement characterizes Golestan as a literary luminary and storyteller with a uniquely captivating manner of expression.
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The DC superhero film “Blue Beetle” led weekend ticket sales with a modest $25.4 million opening, according to studio estimates Sunday, dethroning “Barbie” from the top spot after a record-setting run that left movie theaters colored pink for a month.

The “Barbie” phenomenon is far from over. Greta Gerwig’s film, which earlier this week became the highest grossing Warner Bros. release ever domestically, nearly managed to stay No. 1 again with $21.5 million in its fifth weekend. It’s up to $567.3 million in North America and an eye-popping $1.28 billion globally.

The other half of “Barbenheimer” also continues to perform remarkably well for a movie so far into its run.

Christopher Nolan’s “Oppenheimer” took in $10.6 million in its fifth week. With a $285.2 million domestic total, “Oppenheimer” now owns the distinction of being the biggest box-office hit never to land No. 1 at the weekend box office. The previous record-holder for that unlikely stat is 2016’s “Sing,” which grossed $270.3 million in the shadow of “Rogue One: A Star Wars Story” and “Hidden Figures.”

Universal Pictures’ “Oppenheimer” has done even better overseas. Its global gross stands at an estimated $717.8 million through Sunday.

“Blue Beetle,” starring Xolo Maridueña, came in on the lower side of expectations and notched one of the lower debuts for a DC Comics movie. Though earlier planned as a streaming-only release, Warner Bros. elected to put “Blue Beetle,” the first DC movie to star a Latino superhero, into theaters in the late summer, a typically quiet period at the box office.

The production price tag of about $105 million was lower for “Blue Beetle” than the average superhero film. It’s one of the last releases produced under an earlier regime at DC Studios, which James Gunn and Peter Safran took the reins of last year.

The film, directed by Ángel Manuel Soto and written by Gareth Dunnet-Alcocer, drew solid reviews – certainly better than the three previous DC releases this year (“The Flash,” “Black Adam” and “Shazam! Fury of the Gods”). “Blue Beetle” (76% fresh on Rotten Tomatoes) is the rare comic-book film to put a Hispanic cast front and center.

But it also faced some tough luck, and not just in the unexpected staying power of “Barbie” and “Oppenheimer.” Southern California was bracing Sunday for Hurricane Hilary — potentially dampening ticket sales in the region. (Los Angeles was still its top market.) And like recent releases, “Blue Beetle,” which added $18 million internationally, didn’t have its cast available to promote the movie due to the ongoing actors strike.

Universal’s raunchy R-rated canine comedy “Strays” showed even less bite. The film, with a voice cast including Will Ferrell and Jamie Foxx, landed in fifth place with $8.4 million. Comedies have generally struggled in theaters in recent years, but “Strays” had it particularly rough given that its starry cast was unavailable.

“Strays” was very narrowly bested by “Teenage Mutant Ninja Turtles: Mutant Mayhem.” The Paramount Pictures animated release earned $8.4 million in its third weekend, bringing its domestic total to $88.1 million.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Blue Beetle,” $25.4 million.

2. “Barbie,” $21.5 million.

3. “Oppenheimer,” $10.6 million.

4. “Teenage Mutant Ninja Turtles: Mutant Mayhem,” $8.4 million.

5. “Strays,” $8.3 million.

6. “Meg 2: The Trench,” $6.7 million.

7. “Talk to Me,” $3.2 million.

8. “Haunted Mansion,” $3 million.

9. “Mission: Impossible — Dead Reckoning Part One,” $2.7 million.

10. “The Last Voyage of the Demeter,” $2.5 million.
    …

The decorated French general in charge of the ambitious, big-budget restoration of fire-ravaged Notre Dame Cathedral in Paris, Jean-Louis Georgelin, has died. He was 74. 

President Emmanuel Macron paid tribute Saturday to one of France’s “greatest soldiers, greatest servants,” who “stone by stone, was restoring the wounded beauty” of Notre Dame. Before being pulled from retirement to oversee the cathedral reconstruction, Georgelin previously served as chief of France’s military general staff, overseeing operations in Afghanistan, the Balkans and beyond.  

Citing the regional prosecutor, local news reports said Georgelin died while hiking in the Pyrenees, likely in an accident. The mountain rescue service in the Ariege region said a body was found Friday near the village of Bordes-Uchentein. 

Macron said in a statement that Georgelin died in the mountains, reflecting “a life always turned toward the summits.” The statement did not provide details. 

‘A way to be faithful’

Born Aug. 30, 1948, Georgelin attended the prestigious Saint-Cyr military high school before serving in infantry and parachute regiments and in military intelligence. He studied at the U.S. Army’s Command and General Staff College at Fort Leavenworth in Kansas — and went on to become personal military chief to late President Jacques Chirac — and then chief of staff of the French military from 2006-2010. 

Soon after the 2019 fire that toppled the spire of Notre Dame and consumed its timber-and-lead roof, Macron named Georgelin to lead the restoration work. Artisans around France are using medieval materials and methods to rebuild the Gothic landmark. 

“It is a way to be faithful to the (handiwork) of all the people who built all the extraordinary monuments in France,” Georgelin said earlier this year in an interview with The Associated Press. 

‘Winning the battle of Notre Dame’

The spire is being hoisted atop the cathedral piece by piece this year, a development that Georgelin called “the symbol that we are winning the battle of Notre Dame.” 

Macron lamented that “Gen. Georgelin will never see the reopening of Notre Dame with his own eyes,” but added that when it reopens on Dec. 8, 2024, “he will be present with us.” 
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Iranian cinema directors have ridiculed a six-month suspended prison sentence handed down to Saeed Roustayi and his producer for showcasing their movie at last year’s Cannes Film Festival without authorization, saying the move was designed to divert attention from the upcoming anniversary of the eruption of nationwide protests.

They also said international reaction to the sentence earlier this week was laughable.

The Iranian Cinema Directors Association said in an Instagram post that it was “the strangest judiciary sentence in the history of Iranian cinema.”

It said that the movie, “Leila’s Brothers,” had been approved by the government, and that the Iranian government itself had participated at the Cannes festival for years. “Such a strange sentence is a futile attempt to humiliate this young and intelligent filmmaker of Iranian cinema,” the association said.

Roustayi and Javad Noruzbegi have received heavy government funding throughout their careers.

Several independent filmmakers said they saw the sentence as a diversion from the upcoming anniversary of the Sept. 16, 2022, death in custody of Mahsa Amini. She had been detained for allegedly flouting the dress code, and her death sparked nationwide protests in the Islamic republic.

“The sentence is a joke. They [the authorities] want us to forget Mahsa’s anniversary,” filmmaker Mahnaz Mohammadi told Reuters.

She also said international filmmakers’ reaction was laughable as they had fallen into what she called the authorities’ trap in giving the sentence too much importance.

Filmmakers Martin Scorsese and Francis Ford Coppola have shared a petition calling for “justice” for Roustayi and Noruzbegi.

Roustayi, 34, and Noruzbegi, 57, will serve one-twentieth of their jail sentence, about nine days. The remainder will be suspended over five years, according to the reformist Etemad newspaper.

During their suspension period, the defendants will have to take a filmmaking course on the “preservation of national and ethical interests.” They will also not be allowed to meet with other cinema professionals.

“Please, Mr. Scorsese! Do not, for a six-month suspended sentence, divert the attention from Mahsa’s anniversary and women’s demands for their rights, which are being increasingly violated by the day,” said an Iranian film director, asking not to be identified further.
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A Swiss citizen was arrested in military-ruled Myanmar for creating a film that allegedly insulted Buddhism, state media reported Saturday.

Didier Nusbaumer, 52, was arrested on Aug. 8 along with 13 Myanmar nationals, including a 12-year-old girl, Myanma Alinn newspaper said.

Insulting Buddhism is a punishable offense in Buddhist-majority Myanmar, where religious nationalism has surged in recent years. About 90% of Myanmar people are Buddhist.

The news report said that Nusbaumer wrote, filmed and edited the 75-minute movie Don’t Expect Anything, which was posted on YouTube on July 24. Short clips from the movie spread on social media including on TikTok and Facebook, drawing rebukes from Buddhist nationalists in Myanmar.

“Although the people in the film’s main roles are Buddhist, they behaved inappropriately and degraded the dignity and morals of monks through their physical gestures and dialogue,” the media report said.

The report did not say where any of the suspects were being held.

Myanmar has been ruled by its army since February 2021, when it seized power from the democratically elected government of Aung San Suu Kyi.

Nusbaumer is not the first foreigner to be detained in Myanmar after being accused of insulting Buddhism.

In March 2015, a New Zealand citizen who was arrested with two Myanmar nationals was sentenced to 2 1/2 years imprisonment with hard labor for insulting Buddhism in an online advertisement that showed a psychedelic depiction of Buddha wearing DJ-style headphones. He was deported the following year.

In October 2016, a Dutch tourist was jailed for three months with hard labor for insulting Buddhism after he unplugged a loudspeaker used by Buddhist monks to broadcast a late-night sermon in the country’s second-largest city, Mandalay. He was deported after serving his jail term.

In the same year, a Spanish tourist was deported from Myanmar after authorities found a tattoo of Buddha on his leg.
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North Korean taekwondo athletes and officials were traveling through Beijing on Friday morning, apparently the country’s first delegation to travel abroad since the nation closed its borders in early 2020 at the start of the COVID-19 pandemic.

The group of around 80 men and women wearing white track suits with “Taekwondo-Do” printed on the back and the North Korean flag on the front were in the departure hall of Beijing’s international airport checking in and walking to customs. They reportedly arrived Wednesday or Thursday.

The group was expected to take an Air Astana flight to Kazakhstan to compete at the International Taekwon-do Federation World Championships, according to Japanese and South Korean media. The competition is being held in Astana through Aug. 30.

North Korea has extremely limited air connections at the best of times and travel all but ended when Pyongyang closed the national borders to prevent the spread of COVID-19. How badly North Koreans were affected by the illness is unknown, since most of the country’s 26 million people have no access to vaccines, lack basic health care and are restricted from sharing information with the outside world.

In September 2022, North Korea resumed freight train service with China, its biggest trading partner and economic pipeline.

On Thursday, South Korea’s spy agency told lawmakers that North Korea is preparing to further reopen its border gradually as part of its efforts to revitalize its struggling economy.

South Korea’s National Intelligence Service told lawmakers in a closed-door briefing that North Korea’s economy shrank each year in 2020-22 and its gross domestic product last year was 12% less than in 2016, according to Yoo Sang-bum, one of the lawmakers who attended the briefing.

The apparent resumption of travel came as the U.N. rights chief, Volker Türk, told the first open meeting of the U.N. Security Council since 2017 on North Korean human rights that the country was increasing its repression and people were becoming more desperate, with some reported to be starving as the economic situation worsens.

Türk said North Korea’s restrictions are even more extensive, with guards authorized to shoot any unauthorized person approaching the border and with almost all foreigners, including U.N. staff, still barred from the country.
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Australia already captivated a nation as co-hosts of the Women’s World Cup. Now there’s one more thing to play for, even if it’s not the fairytale ending the team had wanted for this tournament.

The Matildas play Sweden on Saturday for third place in Brisbane. Australia lost 3-1 to England in the semifinals on Wednesday, dashing hopes of playing in the title match.

“I know we’ve got the support of everyone, I know that they’re still going to come out to the game against Sweden,” midfielder Katrina Gorry said. “I know they’re always going to have our backs, but yeah, it’s just disappointing. You never want to do that on home soil.”

Indeed, the fans came out for the Matildas during their World Cup journey.

Bars and restaurants were packed around Sydney and there were live watching parties across the country for the semifinal. The sold-out crowd at Stadium Sydney was announced at 75,784, with even more gathered outside.

Australia’s men’s basketball team, the Boomers, were slated to play a tune-up game against Brazil on Wednesday night in preparation for their World Cup but moved the game up two hours to watch the Matildas in the semifinals.

Despite star Sam Kerr’s stunning goal for the hosts, the team couldn’t get by England. Even after the disappointing loss, a sign in a shop window on Sydney’s George Street read “Thank you Matildas.”

“Hopefully this has been life-changing for women’s football in Australia,” Kerr said. “I don’t think this was once in a lifetime. If you bring the product to the show, we’ve proven people will come out and support it. Hopefully we’ll get a few new fans that will stick around. Now it is time for funding and all of that stuff to be invested in the game because we’ve shown we can play the game.”

Kerr, one of the best players in the world, struggled with a calf injury at the start of the tournament, but started against England. She was a second-half substitute in the Matildas’ shootout victory over France in the quarterfinals.

Sweden was similarly disappointed to once again be out of the running for the title. The Swedes fell 2-1 to Spain on Tuesday night in Auckland.

Sweden, ranked third in the World, has never won a World Cup title. The Swedes were runners-up in 2003 to Germany and they’ve won the third-place match three times, including four years ago in France.

The Swedes were also silver medalists in both the Tokyo Olympics and the Rio Games in 2016.

“I’m tired of crying big tournament tears,” Sweden captain Kosovare Asllani said.

The Swedes made a mark on the tournament in the round of 16 when they ended the U.S. team’s run toward an unprecedented third consecutive World Cup title. Zecira Musovic had a World Cup record 11 saves and Sweden advanced on penalties after a scoreless draw — sending the Americans home earlier than ever before.

Sweden has some individual achievements to play for in its final match, including the Golden Boot award. Amanda Ilestedt has four goals, just one behind tournament leader Hinata Miyazawa of Japan.

Saturday’s match will be the last for Sweden midfielder Caroline Seger, who has played in five World Cups. She has battled a calf injury throughout the tournament and has played only sparingly.

Seger has appeared in 235 matches for Sweden, most of any player, man or woman. She did not play in the team’s knockout round matches. Should she play on Saturday, it would be her 21st appearance in a World Cup for Sweden, breaking former goalkeeper Hedvig Lindahl’s record.

For both teams there’s also financial incentive.

At this World Cup, FIFA designated individual bonuses for the players out of the prize money pool. Each player in the tournament earned a base of $30,000, which grew as their teams progressed. Players on the third-place winning team will be due $185,000.
…

A new study on inclusion in film shows just how much of a rarity Barbie is. For every woman as a speaking character in the most popular films of 2022, there were more than two men, according to report by University of Southern California’s Annenberg Inclusion Initiative.

The USC report, published Thursday, found that 34.6% of speaking parts were female in the top 100 box-office hits of last year. The Annenberg Inclusion Initiative has been annually tracking that and many other metrics since 2007.

And in its first such study in three years, USC researchers found that in many areas, progress toward parity on screen has stalled since the pandemic — and in some respects hasn’t changed all that much since 14 years ago. In 2019, 34% of speaking characters were female. In 2008, it was 32.8%.

“It is clear that the entertainment industry has little desire or motivation to improve casting processes in a way that creates meaningful change for girls and women,” said Stacy L. Smith, founder and director of the Inclusion Initiative, in a statement. “The lack of progress is particularly disappointing following decades of activism and advocacy.”

In analyzing the top films in ticket sales, the report doesn’t include the large amount of films produced for streaming platforms and smaller releases. But it does offer a snapshot of how Hollywood is evolving — or not.

And it comes on the heels of the enormous success of Greta Gerwig’s Barbie, which has made $1.2 billion worldwide since opening last month and domestically has become the highest grossing movie ever from a female filmmaker. Last year, one in 10 of the biggest box-office films were directed by women, down from record rates in 2019, 2020 and 2021.

Some findings in the study point to progress in inclusivity on screen. There are more female leading or co-leading roles in the top grossing movies than ever. Some 44% of such lead roles were girls or women in 2022, a historical high and more than double the rate of 2007 (20%).

Speaking characters from underrepresented ethnic groups have also made sizable gains. In 2022, Black, Hispanic, Asian and other non-white minorities accounted for 38.3% of speaking characters, nearly matching the U.S. population percentage of 41%. Most notably, Asian characters have gone from 3.4% of characters in 2007 to 15.9% last year, a movie year that culminated with the best picture win for Everything Everywhere All at Once.

But other metrics show that the film industry regressed in some areas of diversity during the pandemic. In 2022, the top grossing movies featured 31% of leads from underrepresented ethnic groups, down from 37% in 2021. Out of those 100 2022 movies, 46 didn’t include a Latino speaking character.

“These trends suggest that any improvement for people from underrepresented racial/ethnic groups is limited,” said Smith. “While it is encouraging to see changes for leading characters and for the Asian community, our data on invisibility suggests that there is still much more to be done to ensure that the diversity that exists in reality is portrayed on screen.”

Of the top 100 films in 2022, just 2.1% of speaking characters were LGBTQ+ — roughly the same number as a decade ago. Of the 100 films, 72 didn’t feature a single LGBTQ+ character. Only one was nonbinary.

The number of characters with disabilities has also flatlined. In 2022, 1.9% of speaking characters were depicted with a disability. In 2015, the percentage was 2.4%.

With actors and screenwriters striking over fair pay, AI and other issues, Smith said Thursday’s report should add to the demands of workers on screen and off in Hollywood.

“When people from these communities are rendered invisible both on screen and behind the camera, the need to ensure that every opportunity merits a living wage is essential. This cannot happen if people are not working at all,” said Smith. “Hollywood has a long road ahead to address the exclusion still happening in the industry alongside the concerns actors and writers are bringing to the forefront.”
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Martin Scorsese has backed a petition against the jailing of prominent Iranian movie director Saeed Roustaee for screening a film at the Cannes Film Festival.

Scorsese, the Oscar-winning director of “Taxi Driver” and “Goodfellas,” reposted a campaign launched by his daughter Francesca this week after news of Roustaee’s prison sentence emerged.

“Please sign this petition to bring justice to Saeed,” Scorsese wrote on Instagram.

Roustaee, 34, was sentenced to six months’ prison for the screening of his film “Leila’s Brothers” at the Cannes festival last year, Iranian media reported Tuesday.

The film, which recounts the economic struggles of a family in Tehran, is banned in Iran.

Roustaee and the movie’s producer, Javad Noruzbegi, were found guilty of “contributing to propaganda of the opposition against the Islamic system,” Iranian reformist daily Etemad said.

The sentence includes a ban on working for five years.

The filmmakers will only serve about nine days in prison, while the remainder “will be suspended over five years,” according to Etemad, which added that the verdict can be appealed.

In her petition Francesca Scorsese, an actor and director, wrote: “We now have less than 20 DAYS to help garner enough attention to appeal his sentence.”

She urged supporters to sign so that Roustaee “can continue to be a force of good in the world.”

The petition was two-thirds of the way to reaching its 15,000-signature target Thursday.

“Leila’s Brothers” won the International Federation of Film Critics award at Cannes last year.

Official Iranian media has said the film “broke the rules by being entered at international film festivals without authorization,” and the director refused to “correct” it as requested by the culture ministry.

Cannes festival organizers this week denounced “a serious violation of free speech for Iranian artists, filmmakers, producers and technicians.”

Iran has long had a thriving cinema scene, with figures like Jafar Panahi and Asghar Farhadi receiving awards around the world.

Roustaee has gained international renown since the 2019 release of his film “Just 6.5,” an uncompromising look at Iran’s drug problem and the brutal, and fruitless, police response.
…

England will play Spain in the final of the FIFA Women’s World Cup in Sydney on Sunday. Spain beat Sweden 2-1 in its semifinal while England defeated co-hosts Australia 3-1 to reach the final.

Thirty-two teams started the 2023 Women’s soccer World Cup co-hosted by New Zealand and Australia. Two remain.

On Tuesday, Spain defeated Sweden by two goals to one at Eden Park in Auckland to reach its first World Cup final.

Spain first qualified for the event in 2015 and will face England, the current European champion, in Sunday’s final at Sydney’s Olympic Stadium.

England defeated co-hosts Australia in front of more than 75,000 supporters in Sydney. It was arguably the biggest match on home soil in the host nation’s football history.

Australian player Mary Fowler told reporters after the game that it was an honor to play in a team that had inspired the nation.

“It was unreal tonight, just like it has been for all the games, actually,” she said. “It is really nice even when we are under the pump and we are down by some goals to hear the crowd get behind us and really try to cheer us on. Not many people get to experience that in their life being able to play at a home World Cup and really feel the support of the country behind them. So, [it is] something, you know, we are all very lucky to be part of.”

The Australians – known as the Matildas – had reached the World Cup semifinals for the first time. Co-host New Zealand failed to advance from the group stage of the competition, where four teams competed in eight sections. The top two countries progressed to the knockout round of 16.

Players – both past and present – as well as coaches and administrators hope that the co-hosts’ world cup journey will leave a legacy for female sport in Australia and New Zealand.  It is hoped the performances of other nations, including Nigeria, Morocco and South Africa, will also promote the sport in other parts of the world.

Angela Iannotta, a former Matilda forward who scored Australia’s first World Cup goal in 1995, told the Australian Broadcasting Corp. that women’s football is changing dramatically.

“It is quite interesting,” she said, “because I remember when I am sitting at the airport with the Australian tracksuit and people would say, ‘Oh, what are you doing with Australian colors?’ and I said, ‘Oh, I am playing for the Australian women’s football team.’ ‘Oh, have we really got a national team?’ So, yeah, and the crowds were like, you know, 100 people, 200 people and things like that. So, just to see this change and this growth in women’s football in Australia is really unbelievable.”

Australia’s Matildas play Sweden in the World Cup third- and fourth-place playoff in Brisbane on Saturday.

The final takes place between Spain and England in Sydney on Sunday.

England striker Chloe Kelly told reporters after the semifinal victory against Australia that reaching the final was “what dreams are made of.” 
…

The British Museum said Wednesday that a member of its staff has been dismissed after items dating back as far as the 15th century B.C. were found to be missing, stolen or damaged.

The museum said it has also ordered an independent review of security and a “vigorous program to recover the missing items.”

The stolen artifacts include gold jewelry and gems of semiprecious stones and glass dating from the 15th century B.C. to the 19th century A.D. Most were small items kept in a storeroom and none had been on display recently, the museum said.

“Our priority is now threefold: first, to recover the stolen items; second, to find out what, if anything, could have been done to stop this; and third, to do whatever it takes, with investment in security and collection records, to make sure this doesn’t happen again,” said George Osborne, the museum’s chair.

“This incident only reinforces the case for the reimagination of the museum we have embarked upon,” Osborne said.

The museum said that legal action would be taken against the dismissed staff member and that the matter was under investigation by London’s Metropolitan Police Service.

The 264-year-old British Museum is a major London tourist attraction, drawing visitors from around the world who come to see a vast collection of artifacts ranging from the Rosetta Stone that unlocked the language of ancient Egypt to scrolls bearing 12th century Chinese poetry and masks created by the indigenous people of Canada.

But the museum has also attracted controversy because it has resisted calls from communities around the world to return items of historical significance that were acquired during the era of the British Empire. The most famous of these disputes include marble carvings from the Parthenon in Greece and the Benin bronzes from West Africa.

Hartwig Fischer, the director of the British Museum, apologized and said the institution was determined to put things right.

“This is a highly unusual incident,” said Fischer said. “I know I speak for all colleagues when I say that we take the safeguarding of all the items in our care extremely seriously.”
…

When Britain granted India independence in 1947, the subcontinent was divided along religious lines, triggering an exodus of an estimated 12 million people amid carnage and violence across the newly carved borders of the two countries, India and Pakistan.

Among the cities that received a massive influx of refugees was the Indian capital, Delhi.

A partition museum that opened in the city three months ago, documents the traumatic legacy of the times through the stories and memorabilia of the men, women and children who came there 76 years ago.

“Delhi was inundated with refugees. They came without any hope, without any home, they had lost their family, they had lost their friends, very often they came with very little money, and they had to start life all over again,” said Kishwar Desai, chairperson of The Arts and Cultural Heritage Trust that has set up the museum.

The museum, housed in a revamped Mughal-era building given by the government, is the second one set up by the non-profit group – it opened one in the northern city of Amritsar six years ago.

The purpose is to ensure that future generations can learn of the massive scale of loss and displacement that accompanied the subcontinent’s chaotic division. “It’s a very important but forgotten narrative,” said Desai.

One of the seven galleries in the museum recreates a train in which millions fled across both sides of the border. Even some of the trains were ambushed by mobs.

The journeys were difficult, with refugees clambering onto trains clutching a handful of possessions – some meant to secure livelihoods, others as memorabilia. Some of these items that were carefully preserved by families for decades have been donated to the museum. They are diverse — a sewing machine, a chair, a drum used to store wheat.

In another gallery, a tent symbolizes the sprawling refugee camps that sprang up in the city for those who survived the slaughtering and rioting in which half-a-million to one million people were killed.

There are black and white photographs of the times, newspaper clippings and interviews running on screens of those who made it across the border.

But the exhibits also demonstrate that, despite the violence at that time and the decades-long political rivalry between India and Pakistan that persists, the bond among ordinary people on both sides of the border remains strong.

There is an old electricity meter handed over to an Indian family when it revisited their former home in Pakistan – the Pakistani family living there had kept it in memory of the earlier occupant. A frayed ledger on display belonged to an Indian man who once ran a shop in the neighboring country. It had been carefully preserved by the shop’s new owner in Pakistan.

“These small things, memories which are kept alive by both sides, add to the fact that there is still hope,” said Desai. “Even if politically, it is a very difficult narrative, when people from here go back to Pakistan, the contact is just wonderful. They are treated like VIP’s (very important persons). People say come in, this is your own home, and this happens on both sides of the border.”

Many survivors of partition carry no bitterness. Like Ashok Kumar Talwar, who has donated a brass bowl to the museum – it was among the handful of things his family had carried when they brought him to Delhi as a five-year-old.

Why a brass bowl? “I don’t know,” he answers. He speculates that it is probably because his family thought they would be able to return and reclaim their more precious possessions like jewelry, so they only carried what they needed during the journey.

Talwar’s family still fondly calls him “Shaukat,” a Muslim name given to him in Pakistan by his father’s student. And he has not forgotten his Pakistani roots. “I am fond of Pakistani things. I watch Pakistani movies and shows on TV. I have friends who are Muslim in the city. I am doing very well with them. There is no enmity at the grassroot level.”

The political relationship is starkly different – ties between the two bitter South Asian rivals have been in deep freeze for nearly eight years.

Many visitors to the museum are young people. Some draw a lesson from an event that left a deep mark on millions in both India and Pakistan but about which they had so far learned largely from fiction or movies.

For Sangeeta Geet, a postgraduate student, the museum highlighted the dangers of polarization that she says is driven by politicians on both sides of the border.

“We should learn from 1947. Here we can see what happens when we divide on the basis of religion,” said Geet. “So, we should step forward toward peace.”

That is the message the museum reinforces in the last section. Here a red mail box “of dreams and hope” underlines the hope that two countries with a shared heritage can have a better future. Visitors can write down their thoughts on postcards – many have said they had no idea what an older generation had experienced.

“We want people to leave the museum saying this should never happen again,” said Desai, who grew up hearing stories of partition from her parents, who also had to leave their homes in Pakistan in 1947.
…

A court in Iran has sentenced prominent movie director Saeed Roustaee to six months in prison for the screening of his film “Leila’s Brothers” at the Cannes Film Festival last year, local media reported Tuesday.

“Leila’s Brothers,” a rich and complex tale of a family struggling with economic hardship in Tehran, has been banned in Iran since its release last year.

The movie was in competition for the Palme d’Or at last year’s Cannes festival. It missed the top prize but won the International Federation of Film Critics award.

On Tuesday, the reformist daily Etemad said that Roustaee, along with the movie’s producer Javad Noruzbegi, “were sentenced to six months in prison for screening the movie at Cannes Film festival.”

Roustaee and Noruzbegi were found guilty of “contributing to propaganda of the opposition against the Islamic system.”

“Leila’s Brothers” was banned after it “broke the rules by being entered at international film festivals without authorization,” and the director refused to “correct” it as requested by the culture ministry, official media said at the time.

The filmmakers will only serve about nine days of their sentence, while the remainder “will be suspended over five years,” according to Etemad, which added the verdict can be appealed.

During the suspension period, the defendants will be required to take a filmmaking course while “preserving national and ethical interests” and refrain from associating with other cinema professionals, the newspaper said.

Roustaee, 34, has gained international renown since the 2019 release of his film “Just 6.5,” an uncompromising look at Iran’s drug problem and the brutal, and fruitless, police response.

Iran has long had a thriving cinema scene, with figures like Jafar Panahi and Asghar Farhadi winning awards around the world.
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