Month: June 2024

‘Bad Boys: Ride or Die’ boosts Will Smith’s comeback with $56M opening

New York — “Bad Boys: Ride or Die,” the fourth installment in the Will Smith-Martin Lawrence action-comedy series, opened with an estimated $56 million in theaters over the weekend, handing Hollywood a much-needed summer hit and Smith his biggest success since he slapped Chris Rock at the Academy Awards.

Expectations were all over the map for “Ride or Die” given the dismal moviegoing market thus far this summer and Smith’s less certain box-office clout. In the end, though, the Sony Pictures release came in very close to, or slightly above, its tracking forecast.

“Ride or Die,” produced by Jerry Bruckheimer and directed by Adil El Arbi and Bilall Fallah, is Smith’s first theatrical test since his 2022 slap of Rock earned him a 10-year Oscar ban. The “Bad Boys” film was in development at the time and was momentarily put on hold, but ultimately went forward with about a $100 million production budget.

Smith starred in the Apple release “Emancipation,” but that film — released in late 2022 — was shot before the slap and received only a modest theatrical release before streaming.

This time around, Smith largely avoided soul-searching interviews looking back on the Oscars and instead went on a whistle-stop publicity tour of red carpets from Mexico to Saudi Arabia, where he attended what was billed as the country’s first Hollywood premiere. The 55-year-old Smith, who for years was one of Hollywood’s most bankable stars, appeared on “The Tonight Show With Jimmy Fallon,” the YouTube series “Hot Ones” and Friday, made a surprise appearance at a Los Angeles movie theater.

Given that “Bad Boys” trailed May disappointments like “Furiosa: A Mad Max Saga” and “The Fall Guy” – both of which struggled to pop with ticket buyers despite very good reviews – the “Ride or Die” opening counts as a critical weekend win for the movie business.

“The fact that a movie overperformed is the best possible news,” said Paul Dergarabedian, senior media analyst for Comscore. “It seems like all we’ve been doing over the past few weeks and almost since the beginning of the year, with a couple of exceptions, is try to figure out why seemingly well-marketed, well-reviewed movies have underperformed. This ignites the spark that the industry has been waiting for.”

“Ride or Die” still didn’t quite manage to match the opening of the previous “Bad Boys” film: 2020’s “Bad Boys for Life.” That movie, released in January 2020, debuted with $62.5 million. After the pandemic shut down theaters, it was the highest grossing North American release of that year, with $204 million domestically.

“Ride or Die” added $48.6 million internationally. Though reviews were mixed (64% on Rotten Tomatoes), audiences gave the film a high grade with an “A-” CinemaScore.

Black moviegoers accounted for 44% of ticket buyers, the largest demographic.

In the film, which comes 29 years after the original, Smith and Lawrence reprise their roles as Miami detectives. The plot revolves around uncovering a scheme to frame their late police captain (Joe Pantoliano). In one of the movie’s most notable scenes, Lawrence slaps Smith and calls him a “bad boy.”

Movie theaters will need a lot more than “Bad Boys: Ride or Die,” though, to right the ship. Ticket sales are down 26% from last year and more than 40% below pre-pandemic totals, according to Comscore. A big test comes next weekend with the release of Pixar’s “Inside Out 2.” After sending several Pixar releases straight to Disney+, the studio has vowed a lengthy, traditional theatrical rollout this time.

Last weekend’s top film “The Garfield Movie,” slid to second place. Also from Sony, the family animated comedy collected $10 million in ticket sales over its third weekend, bringing its domestic gross to $68.6 million.

The weekend’s other new wide release, “The Watchers,” failed to click with moviegoers. The horror film, directed by Ishana Night Shyamalan, daughter of M. Night Shyamalan, is about a stranded 28-year-old artist in Ireland. Following poor reviews, the Warner Bros. release grossed $7 million in 3,351 theaters.

That allowed “If,” the Ryan Reynolds imaginary friend fantasy, to grab third place in its fourth weekend of release, bringing the Paramount Pictures cumulative domestic total to $93.5 million. Rounding out the top five was “Kingdom of the Planet of the Apes,” which added $5.4 million in its fifth weekend of release. It has grossed $150 million domestically and $360 million worldwide.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

  1. “Bad Boys: Ride or Die,” $56 million.

  2. ”The Garfield Movie,” $10 million.

  3. “If,” $8 million.

  4. “The Watchers,” $7 million.

  5. “Kingdom of the Planet of the Apes,” $5.4 million.

  6. “Furiosa: A Mad Max Saga,” $4.2 million.

  7. “The Fall Guy,” $2.7 million.

  8. “Lord of the Rings: The Fellowship of the Ring,” $2.4 million.

  9. “Lord of the Rings: The Two Towers,” $1.9 million.

  10. “The Strangers: Chapter 1,” $1.8 million.

Some US families opt to raise teens sans social media

WESTPORT, Connecticut — Kate Bulkeley’s pledge to stay off social media in high school worked at first. She watched the benefits pile up: She was getting excellent grades. She read lots of books. The family had lively conversations around the dinner table and gathered for movie nights on weekends.

Then, as sophomore year got under way, the unexpected problems surfaced. She missed a student government meeting arranged on Snapchat. Her Model U.N. team communicates on social media, too, causing her scheduling problems. Even the Bible Study club at her Connecticut high school uses Instagram to communicate with members.

Gabriela Durham, a high school senior in Brooklyn, says navigating high school without social media has made her who she is today. She is a focused, organized, straight-A student. Not having social media has made her an “outsider,” in some ways. That used to hurt; now, she says, it feels like a badge of honor.

With the damaging consequences of social media increasingly well documented, many parents are trying to raise their children with restrictions or blanket bans. Teenagers themselves are aware that too much social media is bad for them, and some are initiating social media “cleanses” because of the toll it takes on mental health and grades.

This is a tale of two families, social media and the ever-present challenge of navigating high school. It’s about what kids do when they can’t extend their Snapstreaks or shut their bedroom doors and scroll through TikToks past midnight. It’s about what families discuss when they’re not having screen-time battles. It’s also about persistent social ramifications.

The journeys of both families show the rewards and pitfalls of trying to avoid social media in a world that is saturated by it.

Concerns about children and phone use are not new. But there is a growing realization among experts that the COVID-19 pandemic fundamentally changed the relationship kids have with social media. As youth coped with isolation and spent excessive time online, the pandemic effectively carved out a much larger space for social media in the lives of American children.

Social media is where many kids turn to forge their emerging identities, to seek advice, to unwind and relieve stress. In this era of parental control apps and location tracking, social media is where this generation is finding freedom.

It is also increasingly clear that the more time youth spend online, the higher the risk of mental health problems.

Kids who use social media for more than three hours a day face double the risk of depression and anxiety, according to studies cited by U.S. Surgeon General Vivek Murthy, who issued an extraordinary public warning last spring about the risks of social media to young people.

The Bulkeleys and Gabriela’s mother, Elena Romero, both set strict rules starting when their kids were young and still in elementary school. They delayed giving phones until middle school and declared no social media until 18. They educated the girls, and their younger siblings, on the impact of social media on young brains, on online privacy concerns, on the dangers of posting photos or comments that can come back to haunt you.

At school, on the subway and at dance classes around New York City, Gabriela is surrounded by reminders that social media is everywhere — except on her phone.

Growing up without it has meant missing out on things. Everyone but you gets the same jokes, practices the same TikTok dances, is up on the latest viral trends. When Gabriela was younger, that felt isolating; at times, it still does. But now, she sees not having social media as freeing.

“From my perspective, as an outsider,” she says, “it seems like a lot of kids use social media to promote a facade. And it’s really sad.”

There is also friend drama on social media and a lack of honesty, humility and kindness that she feels lucky to be removed from.

Gabriela is a dance major at the Brooklyn High School of the Arts. Senior year got intense with college and scholarship applications capped by getting to perform at Broadway’s Shubert Theatre in March as part of a city showcase of high school musicals.

“My kids’ schedules will make your head spin,” Romero says. On school days, they’re up at 5:30 a.m. and out the door by 7. Romero drives the girls to their three schools scattered around Brooklyn, then takes the subway into Manhattan, where she teaches mass communications at the Fashion Institute of Technology.

In New York City, it’s common for kids to get phones early in elementary school, but Romero waited until each daughter reached middle school and started taking public transportation home alone.

In the upscale suburb of Westport, Connecticut, the Bulkeleys have faced questions about bending their rules. But not for the reason they had anticipated.

Kate was perfectly content to not have social media. Her parents figured at some point she might resist their ban because of peer pressure or fear of missing out. But the 15-year-old sees it as a waste of time. She describes herself as academic, introverted and focused on building up extracurricular activities.

That’s why she needed Instagram.

“I needed it to be co-president of my Bible Study Club,” Kate explains.

As Kate’s sophomore year started, she told her parents that she was excited to be leading a variety of clubs but needed social media to do her job. “It was the school that really drove the fact that we had to reconsider our rule about no social media,” says Steph Bulkeley, Kate’s mother.

Schools talk the talk about limiting screen time and the dangers of social media, says her dad, Russ Bulkeley. But technology is rapidly becoming part of the school day. Kate’s high school and their 13-year-old daughter Sutton’s middle school have cell phone bans that aren’t enforced. Teachers will ask them to take out their phones to photograph material during class time.

The Bulkeleys aren’t on board with that but feel powerless to change it.

Ultimately they gave in to Kate’s plea for Instagram because they trust her, and because she’s too busy to devote much time to social media.

Netflix’s recipe for success includes ‘secret sauce’ spiced with tech savvy

LOS GATOS, California — Although its video streaming service sparkles with a Hollywood sheen, Netflix still taps its roots in Silicon Valley to stay a step ahead of traditional TV and movie studios.

The Los Gatos, California, company, based more than 300 miles away from Hollywood, frequently reaches into its technological toolbox without viewers even realizing it. It often just uses a few subtle twists on the knobs of viewer recommendations to help keep its 270 million worldwide subscribers satisfied at a time when most of its streaming rivals are seeing waves of cancelations from inflation-weary subscribers.

Even when hit TV series like “The Crown” or “Bridgerton” have wide appeal, Netflix still tries to cater to the divergent tastes of its vast audience. One part of that recipe includes tailoring summaries and trailers about its smorgasbord of shows to fit the personal interests of each viewer.

So, someone who likes romance might see a plot summary or video trailer for “The Crown” highlighting the relationship between Princess Diana and Charles, while another viewer more into political intrigue may be shown a clip of Queen Elizabeth in a meeting with Margaret Thatcher.

For an Oscar-nominated film like “Nyad,” a lover of action might see a trailer of the title character immersed in water during one of her epic swims, while a comedy fan might see a lighthearted scene featuring some amusing banter between the two stars, Annette Bening and Jodie Foster.

Netflix is able to pull off these variations through the deep understanding of viewing habits it gleans from crunching the data from subscribers’ histories with its service — including those of customers who signed up in the late 1990s when the company launched with a DVD-by-mail service that continued to operate until last September.

“It is a secret sauce for us, no doubt,” Eunice Kim, Netflix’s chief product officer, said while discussing the nuances of the ways Netflix tries to reel different viewers into watching different shows. “The North Star we have every day is keep people engaged, but also make sure they are incredibly satisfied with their viewing experiences.”

As part of that effort, Netflix is rolling out a redesign of the home page that greets subscribers when they are watching the streaming service on a TV screen. The changes are meant to package all the information that might appeal to a subscriber’s tastes in a more concise format to reduce the “gymnastics with their eyes,” said Patrick Flemming, Netflix’s senior director of member product.

What Netflix is doing with its previews may seem like a small thing, but it can make a huge difference, especially as people looking to save money start to limit the number of streaming services they have.

Last year, video streaming services collectively suffered about 140 million account cancelations, a 35% increase from 2022 and nearly triple the volume in 2020, when the COVID-19 pandemic created a boom in demand for entertainment from people corralled at home, according to numbers compiled by the research firm Antenna.

Netflix doesn’t disclose its cancelation, or churn rate, but last year its streaming service gained 30 million subscribers — marking its second-biggest annual increase behind its own growth spurt during the 2020 pandemic lockdowns.

Part of last year’s subscription growth flowed from a crackdown on viewers who had been freeloading off Netflix subscribers who shared their account passwords. But the company is also benefiting from the technological know-how that helps it to keep funneling shows to customers who like them and make them think the service is worth the money, according to J. Christopher Hamilton, an assistant professor of television, radio and film at Syracuse University.

“What they have been doing is pretty ingenious and very, very strategic,” Hamilton said. “They are definitely ahead of the legacy media companies who are trying to do some of the same things but just don’t have the level of sophistication, experience nor the history of the data in their archives.”

Netflix’s nerdy heritage once was mocked by an entertainment industry that looked down at the company’s geekdom.

Not long after that put-down, Netflix began mining its viewing data to figure out how to produce a slate of original programming that would attract more subscribers — an ambitious expansion that forced Time Warner (now rolled into Warner Bros. Discovery) and other long-established entertainment companies such as Walt Disney Co. into a mad scramble to build their own streaming services.

Although those expansions initially attracted hordes of subscribers, they also resulted in massive losses that have resulted in management shakeups and drastic cutbacks, including the abrupt closure of a CNN streaming service. 

What Netflix is doing with technology to retain subscribers to boost its fortunes — the company’s profit rose 20% to $5.4 billion last year — now is widening the divide with rival services still trying to stanch their losses.

Disney’s 4-year-old streaming service recently became profitable after an overhaul engineered by CEO Bob Iger, but he thinks more work will be required to catch up with Netflix.

Netflix isn’t going to help its rivals by divulging its secrets, but the slicing and dicing generally starts with getting a grasp on which viewers tend to gravitate to certain genres — the broad categories include action, adventure, anime, fantasy, drama, horror, comedy, romance and documentary — and then diving deeper from there.

In some instances, Netflix’s technology will even try to divine a viewer’s mood at any given time by analyzing what titles are being browsed or clicked on. In other instances, it’s relatively easy for the technology to figure out how to make a film or TV series as appealing as possible to specific viewers.

If Netflix’s data shows a subscriber has watched a lot of Hindi productions, it would be almost a no-brainer to feature clips of Bollywood actress Alia Bhatt in a role she played in the U.S. film, “Heart of Stone” instead of the movie’s lead actress, Gal Gadot.

Growing community of breast milk donors in Uganda gives mothers hope

KAMPALA, Uganda — Early last year, Caroline Ikendi was in distress after undergoing an emergency Caesarean section to remove one stillborn baby and save two others. Doctors said one of the preterm babies had a 2% chance of living.

If the babies didn’t get breast milk — which she didn’t have — Ikendi could lose them as well.

Thus began a desperate search for breast milk donors. She was lucky with a neighbor, a woman with a newborn baby to feed who was willing to donate a few milliliters at a time.

“You go and plead for milk. You are like, ‘Please help me, help my child,'” Ikendi told The Associated Press.

The neighbor helped until Ikendi heard about a Ugandan group that collects breast milk and donates it to mothers like her. Soon the ATTA Breastmilk Community was giving the breast milk she needed, free of charge, until her babies were strong enough to be discharged from the hospital.

ATTA Breastmilk Community was launched in 2021 in the Ugandan capital, Kampala, by a woman who had struggled like Ikendi without getting support. The registered nonprofit, backed by grants from organizations and individuals, is the only group outside a hospital setting in Uganda that conserves breast milk in substantial amounts.

ATTA, as the group is known, receives calls for support from hospitals and homes with babies born too soon or too sick to latch onto their mothers’ breasts.

More than 200 mothers have donated breast milk to support more than 450 babies since July 2021, with over 600 liters of milk delivered for babies in that period, according to ATTA’s records.

In a measure of efforts to build a reliable community, many donors have given multiple times while others help to find new ones, said ATTA administrator Racheal Akugizibwe.

“We are an emergency fix,” Akugizibwe said. “As the mother is working on their own production, we are giving (her) milk. But we do it under the directive and under the support of a lactation specialist and the medical people.”

She added: “Every mother who has given us milk, they are kind of attached to us. They are we; we are them. That’s what makes it a community.”

ATTA makes calls for donors via social media apps like Instagram. Women who want to donate must provide samples for testing, including for HIV and hepatitis B and C, and there are formal conversations during which ATTA tries to learn more about potential donors and motivations. Those who pass the screening are given storage bags and instructed in safe handling.

Akugizibwe spoke of ATTA’s humble beginnings in the home of its founder, Tracy Ahumuza, who would store the milk in her freezer. Ahumuza started the group amid personal grief: She hadn’t been able to produce breast milk for her newborn who battled life-threatening complications. Days later, after the baby died, she started lactating.

She asked health workers, “Where do I put the milk that I have now?'” Akugizibwe said. “They told her, ‘All we can do for you is give you tablets to dry it out.’ She’s like, ‘No, but if I needed it and I didn’t get it, someone could need it.'”

In the beginning, ATTA would match a donor to a recipient, but it proved unsustainable because of the pressure it put on donors. ATTA then started collecting and storing breast milk, and donors and recipients don’t know each other.

Akugizibwe said the group gets more requests for support than it can meet. Challenges include procuring storage bags in large quantities as well as the costs of testing. And donors are required to own freezers, a financial obstacle for some.

“The demand is extremely, extremely high,” Akugizibwe said, “but the supply is low.”

Lelah Wamala, a chef and mother of three in Kampala who twice has donated milk, said she was spurred to act when, while having a baby in 2022, she saw mothers whose premature babies were dying because they didn’t have milk.

Being a donor is a time-consuming responsibility, “but this is the right thing to do,” she said.

Via motorcycle courier on Kampala’s busy streets, breast milk from donors is taken to ATTA’s storage and delivered to parents in need.

ATTA’s goal is to set up a full-fledged breast milk bank with the ability to pasteurize. The service is necessary in a country where an unknown number of women suffer for lack of lactation support, said Dr. Doreen Mazakpwe, a lactation specialist who collaborates with ATTA.

Mazakpwe cited a range of lactation issues mothers can face, from sore nipples to babies born too sick or too weak to suckle and stimulate milk production.

If both mother and baby are healthy, “this mother should be able to produce as much milk as the baby needs because we work on the principle of supply and demand,” said Mazakpwe, a consultant with a private hospital outside Kampala. “So, in situations where there’s a delay in putting the baby on the breast, or the baby is not fed frequently enough … you can eventually have an issue where you have low supply.”

Mazakpwe said she advises mothers on how to establish their own supply within about a month of receiving donated breast milk, and sometimes all that’s needed is to hold the baby the right way. When mothers start lactating, it frees up supply for new ones who need ATTA’s help, she said.

Akugizibwe said their work is challenging in a socially conservative society where such a pioneering service raises eyebrows. Questions, even from recipients, include fears that babies who drink donated breast milk might inherit the bad habits of their benefactors.

In addition, “If you don’t breastfeed there is a lot of negativity,” said Ikendi, whose premature babies survived on donated milk. “Society looks at you as though you’ve just literally refused to breastfeed.”

She spoke of struggling even when she knew she had no choice after seeing her babies in the intensive care unit for the first time. Through the glass she saw they were so tiny, on oxygen therapy and bleeding from their noses. The babies, a boy and a girl, had been removed at seven months.

Ikendi’s babies received donated breast milk for two months.

One recent morning, an emotional Ikendi held her children as she described how the donated milk “contributed 100% to our babies’ growth.”

Meloni joins cultural elite celebrating Italian opera’s recognition as a world treasure

VERONA, Italy — Italian Premier Giorgia Meloni joined top political and cultural figures at Verona’s ancient Arena amphitheater Friday night for an open-air celebration of Italian lyric opera’s recognition by UNESCO as a global cultural treasure.

Conductor Riccardo Muti presided over an orchestra of 170 musicians from Italy’s 14 opera houses, joined by over 314 choral singers and a cast of global star opera stars who delivered a greatest hits of Italian opera from Verdi to Puccini, Donizetti to Bellini for an appreciative crowd. La Scala’s two star dancers, Roberto Bolle and Nicoletta Manni, also performed.

“I am here to testify to my enthusiasm and my pride for the fact that Italian lyric opera has received this great recognition,” Muti told the crowd. “Of course, this is an important moment, because recognition is never a point of arrival but a point of departure.”

“The great masterpieces are our heritage, which we Italians have given to the world,” Muti added in a prepared message for the television audience.

While UNESCO included Italian opera on its intangible cultural heritage list in December, the Arena proved a fitting place to celebrate the milestone. The ancient stone amphitheater built by the Romans is home to a popular summer opera festival that for generations has made opera accessible to the uninitiated with lavish productions. More than half of the 400,000 spectators at the Arena each summer are foreigners.

“We have brought together the entire Italian opera system to celebrate, together with the great singers of the world,” said the Arena’s deputy artistic director, Stefano Trespidi. “I am convinced that this evening will bring benefits to the entire music and opera system.”

Joining Italian opera stars like Luca Salsi, Francesco Meli and Vittorio Grigolo were international stars including German tenor Jonas Kaufmann, Australian soprano Jessica Pratt and Peruvian tenor Juan Diego Florez. Russian soprano Anna Netrebko canceled at the last minute due to illness.

Though a previous center-left government prepared the UNESCO bid for Italian lyric opera, the recognition has been embraced by Italy’s far-right-led government. Besides Meloni, also attending the gala were Culture Minister Gennaro Sangiuliano — who has set out to replace foreign opera house directors with Italians — and Senate speaker Ignazio La Russa, both members of her Brothers of Italy Party.

The loudest applause was reserved for Italy’s nonpartisan president, Sergio Mattarella. And Muti seemed to be making a point against Eurosceptics on the far-right when he transitioned from the Italian anthem, with its “Brothers of Italy” refrain echoing the name of Meloni’s party, to Beethoven’s Ode to Joy, which is the European Union anthem.

Europeans are voting for European Parliament seats in an election that concludes Sunday and could determine whether far-right parties will have a greater say in the direction of the 27-member bloc.

Dornoch wins the first Belmont Stakes run at Saratoga Race Course

SARATOGA SPRINGS, New York — When Luis Saez first rode Dornoch at Saratoga Race Course last summer, he told trainer Danny Gargan, “You have the Derby winner.”

While that did not come true, Dornoch made good on that optimism Saturday by winning the first Belmont Stakes at Saratoga, hugging the rail and holding off Mindframe to spring a major upset in the Triple Crown finale at odds of 17-1.

The horse co-owned by World Series champion Jayson Werth won the Belmont five weeks after a troubled trip led to a 10th-place finish in the Kentucky Derby. This time, Dornoch sat off leader Seize the Grey, passed the Preakness winner down the stretch and held on for a 1 1/2-length victory.

“I would put it right up there with winning on the biggest stage. Horse racing is the most underrated sport in the world, bar none,” said Werth, who won Major League Baseball’s championship with the Philadelphia Phillies in 2008. “It’s the biggest game: You get the Derby, the Preakness, the Belmont. We just won the Belmont. This is as good as it gets in horse racing. It’s as good as it gets in sports.”

It’s the first win in any Triple Crown race for Gargan and the second in the Belmont for Saez, who said he never lost faith in Dornoch.

“He’s one of the top 3-year-olds in the country, and we’ve always thought it,” Gargan said. “We let him run his race, and he won. If he gets to run, he’s always going to be tough to beat.”

It’s the sixth consecutive year a different horse won each of the three Triple Crown races. Sierra Leone, the Derby runner-up who went off as the favorite, was third and Honor Marie fourth.

Dornoch paid $37.40 to win, $17.60 to place and $8.10 to show. Todd Pletcher-trained Mindframe paid $6.80 to place and $4.20 to show and Sierra Leone paid $2.60 to show after a jumbled start and more directional problems.

There were no such issues for Dornoch, who triumphed at the track known as the graveyard of favorites for its penchant for upsets.

“No one believed in this horse,” Gargan said. “It’s speechless. He’s such a talented horse.”

Despite there not being a Triple Crown on the line, it’s a historic Belmont because the race was run at Saratoga for the first time in the venue’s 161-year history. It returns next year while Belmont Park undergoes a massive, $455 million reconstruction with the plan for the Triple Crown race to go back to the New York track in 2026.

Having it at Saratoga necessitated shortening the race to 1 1/4 miles from the usual “test of the champion” 1 1/2-mile distance that has been a hallmark of the Belmont for nearly a century. The temporary change contributed to getting more quality horses into the field who previously ran in the Kentucky Derby, Preakness or both. At 1 1/4-mile distance, Dornoch crossed the wire in a time of 2:01.64. 

Pope invites comedians such as Chris Rock, Whoopie Goldberg to Vatican

VATICAN CITY — Pope Francis, who says he regularly prays “Lord, give me a sense of humor,” will welcome comedians from around the world to a cultural event in Italy to “celebrate the beauty of human diversity,” the Vatican said Saturday. 

Whoopi Goldberg, Jimmy Fallon, Conan O’Brien and Chris Rock will be among more than 100 entertainers at the Vatican on June 14. 

The pope “recognizes the significant impact that the art of comedy has on the world of contemporary culture,” a Vatican statement said. 

British comedian Stephen Merchant — the co-writer of the TV comedy series “The Office” — and Italian comedian Lino Banfi will also be at the event. 

The meeting will take place Friday morning, before the pope travels to Puglia to attend the Group of Seven (G7) leaders’ summit. 

“The meeting between Pope Francis and the world’s comedians aims to celebrate the beauty of human diversity and to promote a message of peace, love and solidarity,” the Vatican said. 

The audience has been organized by the Vatican’s Dicastery for Culture and Education and Dicastery for Communication. 

Goldberg last month said in an interview that she had offered the pope a cameo in “Sister Act 3,” in which she will reprise her comedy role of a singer who takes refuge in a convent and organizes a choir. 

“He said he would see what his time was like,” Goldberg said joking, when asked if the pope had accepted her offer. 

US lawmakers call for scrutiny of NewsBreak app over Chinese origins

WASHINGTON AND LONDON — Three U.S. lawmakers have called for more scrutiny of NewsBreak, a popular news aggregation app in the United States, after Reuters reported it has Chinese origins and has used artificial intelligence tools to produce erroneous stories.

The Reuters story drew upon previously unreported court documents related to copyright infringement, cease-and-desist emails and a 2022 company memo registering concerns about “AI-generated stories” to identify at least 40 instances in which NewsBreak’s use of AI tools affected the communities it strives to serve.

“The only thing more terrifying than a company that deals in unchecked, artificially generated news, is one with deep ties to an adversarial foreign government,” said Senator Mark Warner, a Democrat who chairs the Intelligence Committee.

“This is yet another example of the serious threat posed by technologies from countries of concern. It’s also a stark reminder that we need a holistic approach to addressing this threat — we simply cannot win the game of whack-a-mole with individual companies,” he said.

The lawmakers expressed concerns about NewsBreak’s current and historical links to Chinese investors, as well as the company’s presence in China, where many of its engineers are based.

In response to a request from Reuters for comment about the lawmakers’ statements, NewsBreak said it was an American company: “NewsBreak is a U.S. company and always has been. Any assertion to the contrary is not true,” a spokesperson said.

NewsBreak launched in the U.S. in 2015 as a subsidiary of Yidian, a Chinese news aggregation app. Both companies were founded by Jeff Zheng, the CEO of NewsBreak, and the companies share a U.S. patent registered in 2015 for an “Interest Engine” algorithm, which recommends news content based on a user’s interests and location, Reuters reported.

Yidian in 2017 received praise from ruling Communist Party officials in China for its efficiency in disseminating government propaganda. Reuters found no evidence that NewsBreak censored or produced news that was favorable to the Chinese government.

“This report brings to light serious questions about NewsBreak, its historical relationship with an entity that assisted the CCP, and to Chinese state-linked media,” said Representative Raja Krishnamoorthi, the top Democrat on the House select committee on China, in a reference to Yidian and its former investor, state-linked media outlet Phoenix New Media.

Americans have the right to “full transparency” about any connections to the CCP from news distributors, Krishnamoorthi said, particularly with regard to the use of “opaque algorithms” and artificial intelligence tools to produce news.

Reuters reported the praise Yidian received from the Communist Party in 2017 but was unable to establish that NewsBreak has any current ties with the party.

U.S. Representative Elise Stefanik, a Republican, said IDG Capital’s backing of NewsBreak indicated the app “deserves increased scrutiny.”

“We cannot allow our foreign adversaries access to American citizen’s data to weaponize them against America’s interests,” she said.

NewsBreak is a privately held start-up, whose primary backers are private equity firms San Francisco-based Francisco Partners and Beijing-based IDG Capital, Reuters reported. In February, IDG Capital was added to a list of dozens of Chinese companies the Pentagon said were allegedly working with Beijing’s military.

IDG Capital has previously said it has no association with the Chinese military and does not belong on that list. It declined to comment on the lawmaker’s reaction.

A spokesperson for Francisco Partners, which has previously declined to answer questions from Reuters on their investment in NewsBreak, described the story as “false and misleading” but declined to provide details beyond saying the description of them as a “primary backer” of NewsBreak was incorrect because their investment was less than 10%.

They did not provide documentation to prove the size of the holding. NewsBreak has told Reuters as recently as May 13 that Francisco Partners is NewsBreak’s primary investor. NewsBreak did not respond to two requests late Friday asking for documentation supporting the assertion.

Climate crisis creates a health crisis, WHO reports

GENEVA — Scientific evidence documented in a series of articles presented by the World Health Organization this week highlights the harmful impact of climate change at key stages of the human life cycle.

“These provide important scientific evidence on how the health of pregnant women, newborns, children, adolescents and older people is affected by air pollution and different climate hazards, including wildfires, flooding and extreme heat,” Anayda Portela, director of the WHO’s department of maternal, newborn, child and adolescent health and aging, said at a briefing Friday for journalists in Geneva.

“This evidence is critically important, because it shows the leading health risks for each of these groups for these different climate events,” Portela said.

She noted that the collection of articles published in the Journal of Global Health shows that climate-related health risks “have been crucially underestimated” for younger and older people and during pregnancy, “with serious, often life-threatening implications.”

The studies find that climate-related natural hazards have some “serious mental and physical health impacts” in pregnancy, and for younger and older people.

For example, the authors note that preterm births, which now are the leading cause of childhood deaths, “increase during heatwaves, while older people are more likely to suffer heart attacks or respiratory distress.”

They report that heatwaves also “affect cognitive function and therefore learning for children and adolescents.”

The World Meteorological Organization’s State of Global Climate report confirms 2023 as the hottest year on record and predicts that global temperatures over “the entire five-year 2024-2028 period will exceed 1.5 degrees centigrade above the pre-industrial era,” which scientists warn could lead to rapid and irreversible changes in the climate.

According to the World Health Organization, between 2030 and 2050, climate change is projected to cause approximately “250,000 additional deaths per year from malnutrition, malaria, diarrhea and heat stress alone.”

Portela also warned that air pollution increases the likelihood of high blood pressure during pregnancy, low birth weight, preterm birth and negative impacts on fetal brain and lung development.

“It raises risk of respiratory illness among children and older people,” she said, adding that they also face greater risks of “cancer, cardiovascular disease and pneumonia.”

The studies detail the many noxious effects on mental and physical well-being from climate-related natural disasters, including flooding and drought, as well as wildfires, which have been shown to increase respiratory disorders and cardiovascular mortality rates for older people.

“There is an urgent need to mitigate climate change by reducing greenhouse gas emissions and to build climate resilience, to take specific actions that protect health at these various life stages,” Portela said.

Authors of the reports note that “few climate adaptation measures are tailored for the specific needs of women, infants, children and adolescents,” as well as older people who may have mobility and cognitive constraints.

Nevertheless, the WHO urges governments to prioritize climate change as a health issue, pointing out several specific actions they can take to promote and protect health at different life stages.

For example, this could include flexibility around work hours, preparing childcare and educational systems for extreme weather events and rising temperatures, and informing people and communities about various measures that can protect vulnerable people during heatwaves and periods of worsening air pollution.

In many US cities, Black and Latino neighborhoods have less access to pharmacies

MONTGOMERY, Alabama — Parts of the north side of Montgomery are defined by what it has lost: restaurants, grocery stores and a convenient pharmacy, the latter of which closed five years ago.

People who still live in the historically Black neighborhood of Newtown, like Sharon Harris, are frustrated. She goes to a different location of the same pharmacy chain, which is four miles from her home.

“You have to come back sometimes,” she said, “and then they wait so long to fill the prescription.”

In cities across the U.S., major retail pharmacies have closed hundreds of stores over the past few years and independents can’t always afford to stay open. That can leave residents of color without easy access to a business that provides not only prescriptions but also fundamental public health services like vaccinations, over-the-counter medicines and even food.

Closures create “a situation where there’s not just (a lack of) investment in terms of pharmacy development and expansion, but there’s no incentive to stay in those neighborhoods,” said Dima Qato, a professor of clinical pharmacy at the University of Southern California who has studied pharmacy access.

And an Associated Press analysis of licensing data from 44 states, data from the National Council for Prescription Drug Programs and the American Community Survey shows residents of neighborhoods that are majority Black and Hispanic have fewer pharmacies per capita than people who live in mostly white neighborhoods.

MAC Pharmacy is the only one serving about 20,000 people in a majority Black ZIP code in Cleveland. George Tadross, the part-owner and pharmacy manager, said he is adamant about making things as as easy as possible for his mostly older customers — sometimes by organizing their medications by day for them.

“You have to have a pharmacist to talk to,” he said. “My philosophy in the pharmacy business is you know your doctor, he knows everything about you. You need to know your pharmacist as well (because) the pharmacist is the only one that sees the whole medical treatment plan you have.”

Pharmacists play a role in managing chronic diseases like diabetes and heart-related issues, which Black and Hispanic people are more likely to be diagnosed with.

And when pharmacists or pharmacy technicians reflect their customer base — by speaking the same language or understanding the community — it can be easier to build a strong rapport and trust, said Jasmine Gonzalvo, who teaches at Purdue University’s College of Pharmacy and has researched the needs of Spanish-speaking patients at pharmacies.

She noted that if people don’t feel comfortable asking questions about the medication, then it might mean they don’t take it or don’t take it correctly.

“You don’t get a refill,” Gonzalvo said, “simply because there were barriers in the way of your communicating and feeling safe in that relationship with your pharmacist.”

That’s why Bert’s Pharmacy in Elizabeth, New Jersey, has “Spanish- and English-speaking staff all the time,” said owner and pharmacist Prakash Patel said. His business is located in an ZIP code where nearly 70% of the residents are Hispanic.

“We want to make sure, too, they understood everything,” Patel said. “We have Spanish-language labels for them, we print all the instructions in Spanish for them.”

In Montgomery, where Harris lives, the city is working on a development plan for the north side. A retail analysis in the plan shows a small pharmacy could generate $1.5 million in sales a year.

“There’s an opportunity there because you have what I call a captive market,” said Bob Gibbs, the director of Gibbs Planning Group, which did the analysis. “People that live in a lot of these neighborhoods have limited access to transportation … and they’re very loyal to local businesses that will treat them with respect.

“They will go out of their way just to go there. And they just don’t like having to drive … two miles to go to a drugstore. That’s unfair.”

Harris, though, doesn’t have much hope a new pharmacy will open.

“I don’t see it,” she said. “As long as they have (that CVS) they think it’s OK. … Everybody is waiting for them to do something on this side.”

22 Chinese nationals sentenced to prison in Zambia for cybercrimes

LUSAKA, Zambia — A Zambian court on Friday sentenced 22 Chinese nationals to long prison terms for cybercrimes that included internet fraud and online scams targeting Zambians and other people from Singapore, Peru and the United Arab Emirates.

The Magistrates Court in the capital, Lusaka, sentenced them for terms ranging from seven to 11 years. The court also fined them between $1,500 and $3,000 after they pleaded guilty to charges of computer-related misrepresentation, identity fraud and illegally operating a network or service on Wednesday. A man from Cameroon also was sentenced and fined on the same changes.

They were part of a group of 77 people, the majority of them Zambians, arrested in April over what police described as a “sophisticated internet fraud syndicate.”

Director-general of the drug enforcement commission, Nason Banda, said investigations began after authorities noticed a spike in the number of cyber-related fraud cases and many people complained about inexplicably losing money from their mobile phones or bank accounts.

Officers from the commission, police, the immigration department and the anti-terrorism unit in April swooped on a Chinese-run business in an upmarket suburb of Lusaka, arresting the 77, including those sentenced Friday. Authorities recovered over 13,000 local and foreign mobile phone SIM cards, two firearms and 78 rounds of ammunition during the raid.

The business, named Golden Top Support Services, had employed “unsuspecting” Zambians aged between 20 and 25 to use the SIM cards to engage “in deceptive conversations with unsuspecting mobile users across various platforms such as WhatsApp, Telegram, chat rooms and others, using scripted dialogues,” Banda said in April after the raid. The locals were freed on bail.

Methodist church regrets Ivory Coast’s split from the union as lifting of LGBTQ ban roils Africa

HARARE, Zimbabwe — Leaders of the United Methodist Church expressed regret over last week’s decision by the branch in Ivory Coast to leave the union following the church’s decision to repeal a long-standing ban on LGBTQ+ clergy but pledged to accept it.

The developments were the latest in a series of ripple effects in conservative Africa, which is home to the vast majority of United Methodists outside the United States, amid disputes on sexuality and theology that have shaken the Methodist churches.

In early May, delegates at the church’s first legislative gathering in five years voted overwhelmingly to remove a rule forbidding “self-avowed practicing homosexuals” from being ordained or appointed as ministers.

It was a sharp contrast to past General Conferences of the United Methodist Church, which had steadily reinforced the ban and related penalties amid debate and protests. The change doesn’t mandate or even explicitly affirm LGBTQ+ clergy, but it means the church no longer forbids them.

But each member church was free to decide for itself — and while some bishops favored staying on, others pushed to disaffiliate.

On May 28, Ivory Coast’s church voted to split from the United Methodists. With over 1.2 million members, the West African country’s church has one of the denomination’s largest overseas followers. The United Methodist Church has about 5.4 million members in the United States, and about 4.6 million in Africa, Europe and the Philippines, according to church figures.

In its first reaction following last week’s vote, the church’s Council of Bishops said on Wednesday that “while we grieve” Ivory Coast’s decision, “we commit to work with them through the process of becoming an Autonomous Methodist Church.”

“While we are not all of one mind in all things, the strength of our connection is love, respect, compassion and a shared commitment to faith in Jesus Christ,” the council said in a statement.

Elsewhere in Africa, hundreds of United Methodist Church members gathered at the church’s local headquarters in Zimbabwe’s capital, Harare, last Thursday to protests the church’s move to welcome LGBTQ+ members.

They sang religious songs, held placards with messages saying homosexuality is a sin and an abomination.

“Africa is not for sale. No to homosexuality,” read one placard held by an elderly woman. Church member James Kawaza reminded the gathering that “homosexuality is unlawful in Zimbabwe.”

“The church has aligned with the Rainbow Movement, and this is also a threat to our African traditions and human existence at large,” read a petition by church members, calling on their Bishop Eben Nhiwatiwa to act.

Nhiwatiwa was not available for comment.

Zimbabwe’s Christian denominations — and others in Africa — have been vocal against any moves to welcome gays into the church.

In January, Catholic bishops in Africa and Madagascar issued a unified statement refusing to follow a declaration by Pope Francis allowing priests to offer blessings to same-sex couples, asserting that such unions are “contrary to the will of God.”

Chester Samba, director of GALZ, which represents the LGBTQ+ community in Zimbabwe, said he was not so hopeful for Zimbabwe and much of the continent to change their conservative stand.

“It is my hope that platforms for dialogue are created and supported to enhance understanding so that all may be welcome in the house of worship regardless of sexual orientation,” said Samba, whose members have over the years been targets of harassment and stigmatization.

Former astronaut who took iconic photo of Earth dies in plane crash

seattle, washington — Retired Major General William Anders, the former Apollo 8 astronaut who took the iconic “Earthrise” photo showing the planet as a shadowed blue marble from space in 1968, was killed Friday when the plane he was piloting alone plummeted into the waters off the San Juan Islands in Washington state. He was 90. His son, Greg Anders, confirmed the death to The Associated Press.

“The family is devastated,” Greg Anders said. “He was a great pilot, and we will miss him terribly.”

Anders said the photo was his most significant contribution to the space program, given the ecological and philosophical impact it had, along with making sure the Apollo 8 command module and service module worked.

A report came in around 11:40 a.m. local time that an older-model plane had crashed into the water and had sunk near the north end of Jones Island, San Juan County Sheriff Eric Peter said.

Only the pilot was on board the Beech A45 airplane at the time, according to the Federal Aviation Association.

William Anders said in a 1997 NASA oral history interview that he didn’t think the Apollo 8 mission was risk-free but there were important national, patriotic and exploration reasons for going ahead.

He estimated there was about a one-in-three chance that the crew wouldn’t make it back and the same chance the mission would be a success and the same chance that the mission wouldn’t start to begin with. He said he suspected Christopher Columbus sailed with worse odds.

He recounted how the Earth looked fragile and seemingly physically insignificant yet was home.

“We’d been going backwards and upside down, didn’t really see the Earth or the sun, and when we rolled around and came around and saw the first Earthrise,” he said. “That certainly was, by far, the most impressive thing. To see this very delicate, colorful orb which to me looked like a Christmas tree ornament coming up over this very stark, ugly lunar landscape really contrasted.”

The National Transportation Safety Board and FAA are investigating the crash.

SpaceX’s mega rocket completes its fourth test flight from Texas without exploding 

Boca Chica, Texas — SpaceX’s mega Starship rocket completed its first full test flight Thursday, returning to Earth without exploding after blasting off from Texas. 

The previous three test flights ended in explosions of the rocket and the spacecraft. This time, both managed to splash down in a controlled fashion. 

The world’s largest and most powerful rocket — almost 121 meters tall — was empty as it soared above the Gulf of Mexico and headed east on a flight to the Indian Ocean. 

Minutes after Thursday morning’s liftoff, the first-stage booster separated from the spacecraft and splashed into the gulf precisely as planned, after firing its engines. 

An hour later, live views showed parts of the spacecraft breaking away during the intense heat of reentry, but it remained intact enough to transmit data all the way to its targeted splashdown site in the Indian Ocean. 

“And we have splashdown!” SpaceX launch commentator Kate Tice announced from Mission Control at company headquarters in California. 

It was a critical milestone in the company’s plan to eventually return Starship’s Super Heavy booster to its launch site for reuse. 

SpaceX came close to avoiding explosion in March, but lost contact with the spacecraft as it careened out of space and blew up short of its goal. The booster also ruptured in flight, a quarter-mile above the gulf. 

Last year’s two test flights ended in explosions shortly after blasting off from the southern tip of Texas near the Mexican border. The first one cratered the pad at Boca Chica Beach and hurled debris for thousands of feet (meters). 

SpaceX upgraded the software and made some rocket-flyback changes to improve the odds. The Federal Aviation Administration signed off Tuesday on this fourth demo, saying all safety requirements had been met. 

Starship is designed to be fully reusable. That’s why SpaceX wants to control the booster’s entry into the gulf and the spacecraft’s descent into the Indian Ocean — it’s intended as practice for planned future landings. Nothing is being recovered from Thursday’s flight. 

NASA has ordered a pair of Starships for two moon-landing missions by astronauts, on tap for later this decade. Each moon crew will rely on NASA’s own rocket and capsule to leave Earth, but meet up with Starship in lunar orbit for the ride down to the surface. 

SpaceX already is selling tourist trips around the moon. The first private lunar customer, a Japanese tycoon, pulled out of the trip with his entourage last week, citing the oft-delayed schedule. 

SpaceX’s founder and CEO has grander plans: Musk envisions fleets of Starships launching people and the infrastructure necessary to build a city on Mars.