Brazil is set to launch a public mass vaccination campaign against dengue fever, amid a surge of cases nationwide. According to the country’s Health Ministry, Brazil has seen nearly five times more cases in the first five weeks of this year than in the same period in 2023. From Sao Paulo, Yan Boechat has the story.
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LOS ANGELES — Las Vegas will be flooded with so many pre- Super Bowl events that Shaquille O’Neal lowered the prices to his popular carnival-themed “Shaq’s Fun House.”
Instead of raising the rate, O’Neal decided to offer potential attendees more bang for their buck to the NBA legend’s sixth annual event planned for Friday in Sin City. He made the decision to lower the rates after purchasing an expensive suite at the Formula One that cost nearly five times more than normal to watch the racing event in Las Vegas last year.
“We’re not going to do that to the people,” said O’Neal, who said the going rate for Fun House starts at $99 but will increase as the event nears. He’ll bring back Lil Wayne, Diplo and himself under his name DJ Diesel to perform during his over-the-top festival — which features several attractions including a Ferris wheel, circus performers and premium bar.
“We could’ve done $200, $250 or $300,” said O’Neal whose event will take place XS Nightclub at the Wynn — a hotel that will host Rob Gronkowski ‘s Gronk Beach in Encore on Saturday afternoon and Sports Illustrated’s The Party in XS Nightclub later that night. “But I don’t like taking advantage of people. We want to have the best party with the best rides, performers and just hanging out.”
Along with O’Neal’s event, the days leading up to the Super Bowl between the Kansas City Chiefs and San Francisco 49ers will include concerts from some of the biggest stars including Travis Scott, Green Day, Killer Mike, Kelly Clarkson, Ice Spice, Future and David Guetta. The week will include some comedy too.
Here’s a look at some of the invite-only and public events during a busy Super Bowl week:
Fanatics Party
Michael Rubin is known for his exclusive summer bashes in the Hamptons — which bring out stars like Beyoncé, Jay-Z, Leonardo DiCaprio, Jennifer Lopez, Ben Affleck and Kendall Jenner.
Now, Rubin, the founder and CEO of Fanatics, will host his invite-only daytime event at Marquee Dayclub at the Cosmopolitan the day before the Super Bowl. His event will feature performances by Travis Scott, The Chainsmokers, Ice Spice, A$AP Ferg, Meek Mill, Lil Baby, Fabolous, Ludacris, Ne-Yo and Kid Laroi.
Madden Bowl
After Killer Mike collected three Grammys during his arrest-shortened night, the Atlanta-based rapper is expected to be one of the performers at the EA Sports’ The Madden Bowl.
Rock group Green Day will headline the Friday night event at House of Blues. It will also feature Big Boi of OutKast and Breland.
“Las Vegas isn’t ready for the show we’re about to bring,” Big Boi said.
In addition to the music performances, the event will include the Madden NFL 24 Championship Series in front of a live audience — where two of the world’s best players will travel to Las Vegas for their share of the $1 million prize pool and title of Ultimate Madden Bowl champion.
Kevin Hart and O’Neal’s production companies will hold a star-studded, stand-up comedy showcase.
Actor Deon Cole will host the two-night show called the All Star Comedy Jam with performances by D.L. Hughley, Earthquake, Desi Banks and Aida Rodriguez. The event will be held inside the Resorts World Theatre’ 5,000-capacity venue on Friday and Saturday night.
Gospel Celebration
Cedric the Entertainer and Tichina Arnold will help bring the gospel to Sin City.
The stars of the CBS show The Neighborhood will host the Super Bowl Soulful Celebration at the Palms Casino Resort on Wednesday night. The lineup includes some of gospel’s best from Earth, Wind & Fire, Mary Mary, Kirk Franklin, Robin Thicke and the NFL Players Choir including Tully Banta-Cain and Bryan Scott, who played in the league.
“I want people to feel empowered walking away from this show,” Arnold said. “You should never walk way feeling drained. You should walk way feeling loved.”
CBS Mornings co-host Nate Burleson, a former NFL player, will receive the Lifetime of Inspiration award. He will be the sixth person to receive the honor the show’s 25-year history.
Previous recipients include Tony Dungy, Ray Lewis, Tim Brown, Troy Vincent and Deion Sanders.
Gronk Beach
Despite being retired, Rob Gronkowski keeps making his presence felt during the NFL’s championship week.
The four-time Super Bowl winner — who views himself the “MVP of Fun” — will host a music festival called “Gronk Beach” the day before the big game. The beach-themed party will feature a performance by DJ Afrojack.
“It’s all about going there and having a good time. Just losing your mind in a great and positive way,” Gronkowski said. “You can dance free, be yourself freely and just enjoy yourself with great company around you.”
Gronkowski placed his tickets starting at $74.
Billy Idol
Instead of riding his motorcycle on Super Bowl Sunday, Billy Idol will be strolling on stage a few hours before kick off to perform during a pre-game concert.
The legendary British rocker will perform Sunday just outside Allegiant Stadium, where the NFL’s two best teams face off. He’s expected to perform a 35-minute set on two different stages at On Location’s Club 67 and Touchdown Club in front of nearly 9,000 guests.
Idol said he’s stoked about the setup being arranged by One Location — a premium hospitality provider of the NFL. The hospitality company offers various packages including Idol’s performance, attendance at NFL Honors and postgame field access.
Maluma & SiriusXM
Colombian superstar Maluma will take his vibrant Latin music vibes into Las Vegas with the help of SiriusXM.
Maluma will headline a special concert at The Theater at Virgin Hotels on Thursday night for SiriusXM subscribers and Pandora listeners. He’s expected to perform songs from his latest album Don Juan including Según Quién and COCO LOCO along with other fan favorites such as Hawái.
Future and David Guetta are expected to perform at the invite-only h.wood Homecoming Weekend pop up bash on Friday followed by another show with Jack Harlow and Kaytranada performer the next night at a custom venue on the Las Vegas Strip across from the Wynn.
On Saturday night, Zach Bryan will headline the Bud Light Backyard Tour.
Tiësto will headline a show at LIV at Fontainebleau on Saturday while 21 Savage and 50 Cent are expected to perform the same night.
Lil Wayne will hit the stage once again but this time with T-Pain as a co-headliner at the Alex Morgan and Dan Marino-hosted Michelob ULTRA Country Club at Topgolf on Saturday night. Bryan and Leon Bridges will perform at The Chelsea in The Cosmopolitan on Friday.
On Sunday, Guy Fieri will host his Guy’s Flavortown Tailgate, a free and family-friendly event that he expects will draw more than 10,000. Diplo will perform.
GQ will hold Super Bowl party Friday at the The Nomad Library and sports agent Leigh Steinberg will host an event Saturday morning at Ahern Luxury Boutique Hotel.
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CAMBRIDGE, Mass. — Annette Bening, a two-time Golden Globe winner who recently received her fifth Oscar nomination, was feted Tuesday with a raucous parade full of colorful costumes and drag performers as part of festivities honoring her as Harvard University’s Hasty Pudding Theatricals 2024 Woman of the Year.
A few hours later, Benning endured a celebrity roast before attending a performance of the Hasty Pudding Theatricals’ 175th production, “Heist Heist Baby.”
She joined a group of synchronized swimmers on stage doing swim strokes to the song “Pump Up the Jams,” a reference to her role in the swimming movie “Nyad.” Then, she cut the hair of a volunteer in an effort to give him her signature look. And then she donned a seagull costume and acted out the role of the sea bird, a reference her role in the movie version of Anton Chekhov’s “The Seagull,” squawking and waiving her arms.
“I did it all myself with no one’s help,” Benning joked, after accepting the traditional pudding pot and trying to start a speech by thanking her kindergarten teacher. Her husband, Warren Beatty, won the man of the year award in 1975.
The Pudding is the oldest theatrical organization in the nation and one of the oldest in the world. Since 1951, it has bestowed this award annually on women “who have made lasting and impressive contributions to the world of entertainment.” Other winners have included Meryl Streep, Julia Roberts, Scarlett Johansson and Jennifer Coolidge.
Festivities began with the parade at Harvard. Bening, wearing a brown coat, hat and sunglasses, blew kisses to the crowd, and at one point, was pecked on both cheeks by drag performers. As the parade ended, she launched into a can-can dance with several other people.
“We’re absolutely thrilled to honor Annette Bening in this milestone 175th anniversary year for the Hasty Pudding,” said Josh Hillers, the organization’s president. “Hot off her Oscars nomination for Best Actress, we’re excited to present her with the most prestigious award in the entertainment industry.”
Bening, who also has won a Screen Actors Guild Award and starred in “The Grifters” and “American Beauty,” earned her fifth Oscar nomination, this one for best actress, for playing the prickly long-distance swimmer Diana Nyad in the movie “Nyad.”
Barry Keoghan, best known for his roles in “Saltburn,” “Dunkirk,” “The Killing of a Sacred Deer,” “Eternals” and “The Banshees of Inisherin,” is the recipient of its 2024 Man of the Year Award. He will be honored Friday night.
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NEW YORK — An oversight board is criticizing Facebook owner Meta’s policies regarding manipulated media as “incoherent” and insufficient to address the flood of online disinformation that already has begun to target elections across the globe this year.
The quasi-independent board on Monday said its review of an altered video of President Joe Biden that spread on Facebook exposed gaps in the policy. The board said Meta should expand the policy to focus not only on videos generated with artificial intelligence, but on media regardless of how it was created. That includes fake audio recordings, which already have convincingly impersonated political candidates in the U.S. and elsewhere.
It also said Meta should clarify the harm it is trying to prevent and should label images, videos and audio clips as manipulated instead of removing the posts altogether.
The board’s feedback reflects the intense scrutiny that is facing many tech companies for their handling of election falsehoods in a year when voters in more than 50 countries will go to the polls. As both generative artificial intelligence deepfakes and lower-quality “cheap fakes” on social media threaten to mislead voters, the platforms are trying to catch up and respond to false posts while protecting users’ rights to free speech.
“As it stands, the policy makes little sense,” oversight board co-chair Michael McConnell said of Meta’s policy in a statement on Monday. He said the company should close gaps in the policy while ensuring political speech is “unwaveringly protected.”
Meta said it is reviewing the oversight board’s guidance and will respond publicly to the recommendations within 60 days.
Spokesperson Corey Chambliss said while audio deepfakes aren’t mentioned in the company’s manipulated media policy, they are eligible to be fact-checked and will be labeled or down-ranked if fact-checkers rate them as false or altered. The company also takes action against any type of content if it violates Facebook’s Community Standards, he said.
Facebook, which turned 20 this week, remains the most popular social media site for Americans to get their news, according to Pew. But other social media sites, among them Meta’s Instagram, WhatsApp and Threads, as well as X, YouTube and TikTok, also are potential hubs where deceptive media can spread and fool voters.
Meta created its oversight board in 2020 to serve as a referee for content on its platforms. Its current recommendations come after it reviewed an altered clip of Biden and his adult granddaughter that was misleading but didn’t violate the company’s policies because it didn’t misrepresent anything he said.
The original footage showed Biden placing an “I Voted” sticker high on his granddaughter’s chest, at her instruction, then kissing her on the cheek. The version that appeared on Facebook was altered to remove the important context, making it seem as if he touched her inappropriately.
The board’s ruling on Monday upheld Meta’s 2023 decision to leave the seven-second clip up on Facebook, since it didn’t violate the company’s existing manipulated media policy. Meta’s current policy says it will remove videos created using artificial intelligence tools that misrepresent someone’s speech.
“Since the video in this post was not altered using AI and it shows President Biden doing something he did not do (not something he didn’t say), it does not violate the existing policy,” the ruling read.
The board advised the company to update the policy and label similar videos as manipulated in the future. It argued that to protect users’ rights to freedom of expression, Meta should label content as manipulated rather than removing it from the platform if it doesn’t violate any other policies.
The board also noted that some forms of manipulated media are made for humor, parody or satire and should be protected. Instead of focusing on how a distorted image, video or audio clip was created, the company’s policy should focus on the harm manipulated posts can cause, such as disrupting the election process, the ruling said.
Meta said on its website that it welcomes the Oversight Board’s ruling on the Biden post and will update the post after reviewing the board’s recommendations.
Meta is required to heed the oversight board’s rulings on specific content decisions, though it’s under no obligation to follow the board’s broader recommendations. Still, the board has gotten the company to make some changes over the years, including making messages to users who violate its policies more specific to explain to them what they did wrong.
Jen Golbeck, a professor in the University of Maryland’s College of Information Studies, said Meta is big enough to be a leader in labeling manipulated content, but follow-through is just as important as changing policy.
“Will they implement those changes and then enforce them in the face of political pressure from the people who want to do bad things? That’s the real question,” she said. “If they do make those changes and don’t enforce them, it kind of further contributes to this destruction of trust that comes with misinformation.”
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SYDNEY — A new study finds that marine heatwaves are changing the base of the marine food chain, disrupting ecosystems and potentially global food supplies.
Researchers in the investigation led by Australia’s national science agency, CSIRO, say their work has global implications.
The study monitored the health of microorganisms that lie at the base of the marine food chain. The survey is part of a long-term project spanning 12 years.
Tiny phytoplankton species developed smaller cells that are not easily consumed by larger animals. Researchers believe this could potentially have “profound changes all the way up the food chain.”
There could also be impacts on the ability of marine ecosystems to absorb – or sequester – carbon and the size of fish stocks.
The study’s lead author Mark Brown tells VOA that the study has far-reaching implications.
“This really is a global issue. Everywhere around the world is experiencing heatwaves. Even the warmest places like the Red Sea are pushing their temperatures higher and higher than the longterm average,” Brown said. “Places like the Arctic and the Antarctic can have marine heatwaves and those might be the places where it is really important to study because any changes to those large polar ecosystems will really have (a) significant impact on the global food stocks.”
Marine heatwaves involve extended periods of abnormally warm ocean water.
Scientists warn they can have significant impacts on marine life, including fish, coral reefs and kelp forests.
The basis of the research by the Commonwealth Scientific and Industrial Research Organization was a marine heatwave in the Tasman Sea off the island state of Tasmania in 2015 to 2016.
The CSIRO team found that the extreme conditions “transformed the microbial community” to resemble those found in far warmer waters 1,000 kilometers to the north.
The CSIRO team says that climate change is intensifying the impact of marine heatwaves, which can also be influenced by naturally occurring weather phenomena, including the El Niño pattern.
Brown says while the organisms they study are small, their importance is huge.
“They are minuscule, and you cannot see them with the naked eye,” he said. “So, all these things are invisible. Just like your gut microbes enable you to have a healthy ecosystem in your body and turn nutrients into energy etcetera, the same processes occur in the ocean, but it is very difficult to study. So, this is why we need to use genomic techniques, DNA sequencing etcetera in order to really analyze what is there.”
The CSIRO findings have been published in the journal Nature’s Communications Biology.
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LOS ANGELES — Taylor Swift won album of the year at the Grammy Awards for “Midnights,” breaking the record for most wins in the category with four.
She began her speech by thanking her producer and friend Jack Antonoff and added, “I would love to tell you this is the happiest moment of my life,” she told the crowd, but said she feels this happy when she creates music and plays shows.
Earlier in the night, Taylor Swift used her 13th Grammy win on Sunday to announce her new album, “Tortured Poets Department,” will arrive April 19.
“I know that the way that the Recording Academy voted is a direct reflection of the passion of the fans,” she said while accepting the best pop vocal album award. “So, I want to say thank you to the fans by telling you a secret that I’ve been keeping from you for the last two years which is that my brand-new album comes out April 19. It’s called ‘The Tortured Poets Department.’ I’m gonna go and post the cover right now backstage.”
One of the night’s biggest awards, record of the year, went to Miley Cyrus for “Flowers,” her second-ever Grammy and second of the night.
“This award is amazing. But I really hope that it doesn’t change anything because my life was beautiful yesterday,” she said in her speech.
Victoria Monét won best new artist.
“Thank you to the champagne-servers tonight,” Monét started her acceptance speech. “Thanks to my mom, a single mom raising this really bad girl.” Then she started to cry, telling the room that this award was “15 years in the making.”
Billie Eilish won song of the year for writing the “Barbie” hit, “What Was I Made For?”
“Thank you to Greta Gerwig for making the best movie of the year,” Eilish said during her acceptance speech.
It was just one of several standout moments from Sunday’s show, broadcast live from Cypto.com Arena in downtown Los Angeles.
Karol G made Grammy history Sunday by becoming the first female performer to win best música urbana album for her blockbuster “Mañana Será Bonito” record.
“This is my first time at the Grammys,” she told the audience in English. “And this is my first time holding my own Grammy.”
Performances were many. Olivia Rodrigo brought her bloodsucking ballad “vampire” – or in this case, bloodletting, as red liquid dripped from the walls behind her. Joni Mitchell, 80, made Grammy history by performing “Both Sides Now” from her 1969 album “Clouds”; Travis Scott did a medley of “My Eyes,” “I Know?,” and “Fein.” Burna Boy was joined by Brandy and 21 Savage and did “On Form,” “City Boys,” and “Sittin’ on Top of the World.”
A long and touching In Memoriam segment celebrated many of the musical greats lost in the year. Stevie Wonder performed “For Once in My Life” and “The Best Is Yet To Come” in honor of Tony Bennett; Annie Lennox delivered “Nothing Compares 2 U” for Sinéad O’Connor. “Artists for ceasefire, peace in the world,” Lennox said at the end of the song, her fist extended in the air.
Jon Batiste did a medley of “Ain’t No Sunshine,” “Lean On Me,” and finally “Optimistic” with Ann Nesby for the late great music exec Clarence Avant. Oprah introduced a fiery Tina Turner tribute of “Proud Mary” by Fantasia Barrino and Adam Blackstone.
SZA also took the stage – performing a medley of her larger-than-life hits “Snooze” and “Kill Bill,” joined by dancers wielding katanas.
Later, she’d take home the trophy for best R&B song — for “Snooze,” handed to her by Lizzo. SZA ran to the stage and gave a charming, out of breath speech because she was “changing, and then I took a shot,” before starting to tear up and saying, “Hi Taylor… I’m not an attractive crier. Have a good evening.”
Mariah Carey presented the night’s first award, for best pop solo performance, to Miley Cyrus for “Flowers.” It was also the singer’s first-ever Grammy.
Afterward, Luke Combs’ delivered a heartfelt rendition of “Fast Car” with Tracy Chapman – his cover of the Chapman classic has dominated country radio and won him song of the year at the 2023 CMAs. In 1989, Chapman won best pop vocal performance, female for the song.
Dua Lipa opened the show with a high-octane medley: first, a tease of her forthcoming single, “Training Season,” then, her most recent single, “Houdini,” and finally, her disco-pop “Barbie” hit “Dance the Night.”
Eilish and Finneas brought their “Barbie” ballad to the Grammys stage with live string accompaniment, the second of two songs from the blockbuster film in one hour. They were followed by Cyrus, who performed “Flowers” for the first time live on television – moments after receiving her first Grammy.
“Why are you acting like you don’t know this song?” she teased the crowd — John Legend and wife Chrissy Teigen were among those in the audience who got up to dance — and later cheered mid-song, “I just won my first Grammy!”
Four-time Grammy host — and two time nominee — Trevor Noah greeted an excited crowd, starting things off with a kiss on the cheek from Meryl Streep. “The Grammys are gonna win as Oscar,” he joked about the moment.
Best country album went to Lainey Wilson for “Bell Bottom Country,” — her very first Grammy — as presented by Kacey Musgraves. “I’m a fifth-generation farmer’s daughter,” she told the crowd, adding that she’s a “songwriting farmer,” and that’s where the musical magic came from.
Jay-Z was awarded the Dr. Dre Global Impact Award and used his speech to talk about the hip-hop greats that came before him – and heavily suggesting at the Grammys history of placing rap on the backburner – or at the very least, not in the televised version of the show. (This year, there were no rap categories on screen, but two pop, one Latin, one country and one R&B.)
“We want you all to get it right,” he said. “At least get it close to right,” before switching focus to Beyoncé. “Most Grammys, never won album of the year. How does that work?”
Bridgers took an early lead at the Grammys, quickly winning four trophies ahead of the main telecast, with her and her boygenius bandmates bringing an infectious energy to the Premiere Ceremony.
Songwriter Justin Tranter gave her the first award Sunday, best pop duo/group performance, which went to SZA and Bridgers for “Ghost in the Machine.”
Jack Antonoff took home producer of the year, non-classical for a third year in a row, tying Babyface as the only other producer to do so consecutively. “You need the door kicked open for you,” he said in his acceptance speech. “Taylor Swift kicked that (expletive) door open for me,” referencing their work together.
The first of three new categories in 2024, best pop dance recording, was given out shortly afterward and went to Kylie Minogue for “Padam Padam” — her first win in 18 years.
About 80 Grammys were handed out pre-broadcast. Regional Mexican star Peso Pluma won his first Grammy for his first and only nomination, for best música Mexicana album for his “Genesis.”
Karachi, Pakistan — There’s a scrum of people trying to get photos with the married couple at the Radiance banquet hall, and you can barely hear someone talk above the din of 400 guests tucking into biryani and chicken tikka, music and the drone whirring around the room. The bejeweled bride and her natty groom are beaming.
Outside, the street is jammed with cars heading to wedding parties in neighboring banquet halls, L’Amour, Candles and Hill Top. Hill Top, a multiplex, has three weddings going on at once.
It’s winter in Pakistan, and that means weddings. Lots of weddings. During the cooler weather between November and February, millions of people attend weddings every week. Pakistani diaspora come home from around the world for the season, packing airport arrival halls and five-star hotels.
People call it Decemberistan.
“December is when everybody has an excuse to put a pause on worrying, whatever income level you are,” said Karachi-based communications consultant Khizra Munir. “Everyone’s on the same page that we’re going to live in the moment. It’s a great time to have a reunion, a great excuse to dress up.”
Weddings are one of the few opportunities for people in the conservative Muslim country to socialize and party. So it’s no surprise that people draw them out a bit.
A typical Pakistani wedding means at least three events, and often more: there’s the engagement, the gathering when friends and family apply turmeric paste to the bride’s hands and face in a pre-glam ritual, another party for applying henna to the bride’s hands and feet — which, of course, means more music and dancing. The bride gets a procession. So does the groom.
In Karachi’s Cantonment area, Yamima Teresa Bhagtaney and Sharoon Arjumand John tied the knot at Holy Trinity Cathedral.
Guests thumbed through the order of service, which one Muslim guest in the pews said was “very helpful” for navigating the Christian ceremony.
The wedding had the hallmarks of a traditional Christian wedding — a white dress, hymns, choristers, an organist, the exchange of vows and rings — and a traditional Pakistani one, with multiple photographers and videographers capturing every detail.
They even accompanied the bride up the aisle but stopped short when the couple and their families received Holy Communion.
The groom’s father, Bishop of Karachi the Right Rev. Frederick John, said Christian weddings were celebrated the same way as any other wedding in Pakistan, including the mehndi – when the bride receives henna on her hands and feet – and a dholki, when guests gather at a family member’s house to sing and dance.
Pakistani weddings only seem to be getting more elaborate.
Munir said she went to 10 events for the wedding of one family friend this season, wearing a different outfit each time. She said weddings have become so big and “over the top” that it’s sometimes hard to build an emotional connection. “It’s all about outfits, what you’re wearing, who you’re wearing, have you posted a picture of your outfit.” The latest trend is guests hiring a choreographer to help them perfect a dance performance.
Then there’s the cost of all those parties. A wedding event in a banquet hall like Radiance can cost upwards of 1 million rupees ($3,576), a hefty price tag in a country whose annual GDP per capita is just over $1,500 and inflation is running high. A wealthier family could easily spend 10 to 20 million on one party.
Banks offer loans and other wedding financing of up to 3 million rupees. Welfare institutions, including a Pakistani government one, support people from disadvantaged backgrounds or low-income households to pay for weddings.
But people still look forward to the wedding season, in spite of its demands on the wallet and wardrobe. “Worrying about how all of this is going to be managed and the financial burden of it, that’s all year,” said Munir. “Decemberistan is the opposite of stressing about the finances.”
The bride at Radiance is called Dua — “like Dua Lipa,” said her husband, Asher — and she went to three other weddings this season. “It wasn’t really hard because I was prepared for everything,” said Dua. “I love the wedding season. It’s about people getting together to celebrate.”
Fizza Bangash expected to attend 10 to 12 events during the season. “In Islamabad, there are areas where you have lots of marriage halls in one place, so you can jump from one event to another quite easily.”
Bangash got married on Dec. 25 at The Pavilion, Islamabad’s oldest wedding hall, with 350 guests including people from Germany, Australia, the U.K. and the U.S. If she had her way, it would have been closer to 100.
But good manners requires inviting extended family, work colleagues of the couple and their parents and neighbors. Host families also need to consider whose weddings they have been invited to and reciprocate accordingly to avoid a social faux pas.
Bangash has fond memories of the homespun weddings she went to as a child. People set up a tent on the ground outside their home and invited close family and friends.
“Now there are so many expectations about the food, decor, sound system and marquee,” she said.
There are a dozen venues around The Pavilion, boxy on the outside and blingy on the inside, and several more are under construction.
At Pacific Mansion, bookings are smaller than last year because of inflation and competition from the new venues, while the newest arrival – Zircon – is still accepting relatively tiny 100-person bookings to drum up custom.
The Manor hosted 35 events in December, and 28 in January. “We’ve only been open seven or eight months and this is our first season. It’s gone better than we could have dreamt of,” said the hall’s general manager, Syed Hassan Mahdi.
“The trend at the moment for weddings is for live cooking stations — steak, pasta. It’s impossible for people to do this at home,” he said.
Of course, some families still do it the old way.
In Karachi’s Lines neighborhood, a marquee sat on open ground in a residential area. There was no fancy decoration, expensive furniture or valet parking. In fact, there wasn’t a bathroom. Guests arrived on motorbikes or in brightly colored buses.
In a makeshift outdoor kitchen, the wedding caterers were preparing kebabs and flatbread by flashlight because of an hours-long power cut.
The groom’s family had rented a generator, but it broke down, leaving everyone in the dark just as the newlyweds began posing for photographs. The groom, Abdul Rehman, looked annoyed; the bride, Mehmoona, looked resigned. Guests whipped out their phones, using them as torches until the electricity came back.
The groom’s uncle, Mehmood Anwar, said the family invited around 400 people, and event cost less than 400,000 rupees. “There’s no point in spending so much money on a wedding,” Anwar said. “You can give that money to your daughter or son-in-law.
“We did everything ourselves. It took a full day to set this up,” said Anwar, pride in his voice.
By the time March rolls around, Pakistanis will go back to dealing with the warmer weather and everyday woes, including the bills for all those parties. But for now, it’s still Decemberistan.
“The whole objective is, for that pocket of time, forget about everything that’s dragging us down,” Munir said. “We’ve got political unrest. We’ve got insane inflation like we’ve never seen before… Every year we’re just like, it can’t get worse, but it does get worse. But, suddenly, December arrives.”
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A new documentary called “Vishniac” tells the story of 20th century Jewish photographer Roman Vishniac, who was born in Russia, escaped the Holocaust, and eventually settled in America. His iconic photographs later helped inform the movie “Schindler’s List.” Anna Nelson has this report, narrated by Anna Rice. VOA footage by: Elena Matusovsky, Natalia Latukhina.
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Hong Kong — Scammers tricked a multinational firm out of some $26 million by impersonating senior executives using deepfake technology, Hong Kong police said Sunday, in one of the first cases of its kind in the city.
Law enforcement agencies are scrambling to keep up with generative artificial intelligence, which experts say holds potential for disinformation and misuse — such as deepfake images showing people mouthing things they never said.
A company employee in the Chinese finance hub received “video conference calls from someone posing as senior officers of the company requesting to transfer money to designated bank accounts,” police told AFP.
Police received a report of the incident on January 29, at which point some HK$200 million ($26 million) had already been lost via 15 transfers.
“Investigations are still ongoing and no arrest has been made so far,” police said, without disclosing the company’s name.
The victim was working in the finance department, and the scammers pretended to be the firm’s U.K.-based chief financial officer, according to Hong Kong media reports.
Acting Senior Superintendent Baron Chan said the video conference call involved multiple participants, but all except the victim were impersonated.
“Scammers found publicly available video and audio of the impersonation targets via YouTube, then used deepfake technology to emulate their voices… to lure the victim to follow their instructions,” Chan told reporters.
The deepfake videos were pre-recorded and did not involve dialogue or interaction with the victim, he added.
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New York — Apple has had its first box office flop.
“Argylle,” the $200-million star-studded spy thriller from Apple Studios, debuted with $18 million in ticket sales, according to studio estimates Sunday. The film, directed by Matthew Vaughn, managed to lead the weekend box office, but still found little interest from moviegoers.
Although Apple has been in the original film business since 2019 and won the Oscar for best picture with 2021’s “CODA,” the company has only recently produced its own lineup of big-budget releases. The first two — Martin Scorsese’s “Killers of the Flower Moon” and Ridley Scott’s “Napoleon” — could be called successful.
“Killers of the Flower Moon,” though not profitable with $156 million in global sales, was one of the most celebrated films of 2023 and is nominated for 10 Academy Awards. “Napoleon,” released in November, has raked in $219 million worldwide — also not enough to turn a profit. But both films raised Apple’s reputation as a home to top directors and prestige filmmaking.
The same can’t be said for “Argylle,” a twisty thriller starring Bryce Dallas Howard, Sam Rockwell and Henry Cavill. The movie was badly dinged by critics, who gave it a Rotten Tomatoes score of 35% “fresh.” Ticket buyers also gave it a thumbs down, with a C+ CinemaScore.
Apple has paired with traditional studios for each of those releases. Universal Pictures handled the rollout of “Argylle,” which opened in 3,605 North American venues and took in an additional $17.3 million in 78 international markets. Paramount handled “Killers of the Flower Moon,” while Sony steered “Napoleon.”
“Argylle,” with “Kingsman” director Vaughn at the helm, was made with aspirations of starting a new franchise. But one of its biggest talking points ahead of its release was conjecture that Taylor Swift might have been involved with the movie thanks to the prominent presence of argyle patterns and a cat in the promotional materials. Despite plenty of online discussion, Swift had no involvement in the film.
Second place on the weekend went to the Christian drama series “The Chosen.” The first three episodes of the fourth season of the series, which dramatizes the life of Jesus, played in 2,263 theaters. The Angel Studios release grossed $6 million Friday through Sunday.
On another quiet weekend in cinemas, the rest of ticket sales went mainly to holdovers and awards contenders.
Warner Bros.’ “Wonka,” in its eighth week, crossed $200 million domestically. After four weeks in theaters, Paramount’s “Mean Girls” crossed $100 million. “The Beekeeper,” from the Amazon MGM, neared $50 million in its fourth week.
Although many Oscar contenders hit theaters months ago, the top choices of those in theaters remain Cord Jefferson’s “American Fiction” ($15 million thus far for MGM), starring Jeffrey Wright, and Yorgos Lanthimos’ “Poor Things” ($28.2 million, plus $40.1 million overseas), starring Emma Stone.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.
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“Argylle,” $18 million.
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“The Chosen,” $6 million.
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“The Beekeeper,” $5.3 million.
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“Wonka,” $4.8 million.
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“Migration,” $4.1 million.
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“Mean Girls,” $4 million.
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“Anyone But You,” $3.5 million.
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“American Fiction,” $2.3 million.
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“Poor Things,” $2.1 million.
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“Aquaman and the Lost Kingdom,” $2 million.
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Mosocw — Russian cosmonaut Oleg Kononenko on Sunday set a world record for total time spent in space, surpassing his compatriot Gennady Padalka who logged more than 878 days in orbit, Russia’s space corporation said.
At 0830 GMT Kononenko broke the record, Roscosmos said. Kononenko is expected to reach a total of 1,000 days in space on June 5 and by late September he will have clocked 1,110 days.
“I fly into space to do my favorite thing, not to set records,” Kononenko told TASS in an interview from the International Space Station (ISS) where he is orbiting about 263 miles (423 km) from Earth.
“I am proud of all my achievements, but I am more proud that the record for the total duration of human stay in space is still held by a Russian cosmonaut.”
The 59-year-old took the top spot from Padalka, who accumulated a total of 878 days, 11 hours, 29 minutes and 48 seconds, Roscosmos said.
The Soviet Union spooked the West in the early years of the space race by being first to launch a satellite to orbit the Earth — Sputnik 1, in 1957 — and then Soviet cosmonaut Yuri Gagarin became the first man to travel into space in 1961.
But after the 1991 collapse of the Soviet Union, Russia’s space program grappled with massive funding shortages and corruption.
Officials under President Vladimir Putin have repeatedly vowed to turn around the decline of Russia’s space programs, though serious problems remain, according to officials and space analysts.
Life in space
Kononenko said that he worked out regularly to counter the physical effects of “insidious” weightlessness, but that it was on returning to Earth that the realization came of how much life he had missed out on.
“I do not feel deprived or isolated,” he said.
“It is only upon returning home that the realization comes that for hundreds of days in my absence the children have been growing up without a papa. No one will return this time to me.”
He said cosmonauts could now use video calls and messaging to keep in touch with relatives but getting ready for each new space flight became more difficult due to technological advances.
“The profession of a cosmonaut is becoming more complicated. The systems and experiments are becoming more complicated. I repeat, the preparation has not become easier,” he said.
Kononenko dreamed of going to space as a child and enrolled in an engineering institute, before undergoing cosmonaut training. His first space flight was in 2008.
His current trip to the ISS launched last year on a Soyuz MS-24.
The ISS is one of the few international projects on which the United States and Russia still cooperate closely. In December, Roscosmos said that a cross-flight program with NASA to the ISS had been extended until 2025.
Relations in other areas between the two countries have broken down since Russia’s invasion of Ukraine nearly two years ago, to which Washington responded by sending arms to Kyiv and imposing successive rounds of sanctions on Moscow.
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New York — A collection of sneakers that superstar Michael Jordan wore as he and the Chicago Bulls won six NBA championships has fetched $8 million at auction, setting a record for game-worn sneakers, Sotheby’s said.
The six Air Jordan shoes — one apiece from the last games of the 1991, 1992, 1993, 1996, 1997 and 1998 championship series — sold Friday. Sotheby’s dubbed it the “Dynasty Collection.”
“Serving as both a reminder of Michael Jordan’s lasting impact on the world and a tangible expression of his recognized legendary status, its significance is further validated by this monumental result,” Brahm Wachter of Sotheby’s said in a statement. Wachter oversees modern collectables for the auction house.
Sotheby’s didn’t identify the buyer and described the seller only as “a private American collector” who obtained them from a longtime Bulls executive.
Jordan first gave a sneaker to the executive after the championship-winning game in 1991 and continued the tradition afterward, according to Sotheby’s. The auction lot included photos of Jordan wearing a single shoe as he celebrated the 1992, 1993, 1996 and 1998 wins.
A five-time league MVP and two-time Olympic gold medalist, Jordan was so singular a
player that then-NBA Commissioner David Stern in 1992 called him “the standard by
which basketball excellence is measured.” The NBA renamed its MVP trophy for Jordan in 2022.
He also helped shake up the athletic shoe industry and supercharge sneaker culture by teaming up with Nike to create Air Jordans in the mid-1980s.
The pair he wore in the second game of the 1998 NBA Finals was sold through Sotheby’s last April for $2.2 million, a record for a pair of sneakers. The highest auction price for any Jordan memorabilia was $10.1 million for his jersey from the first game at that series, according to Sotheby’s, which sold in 2022.
An unused ticket to Jordan’s 1984 debut with the Bulls was sold through Heritage Auctions in 2022 for $468,000 — over 55,000 times the face value.
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LOS ANGELES — Luminaries of the music business gather to hand out the annual Grammy awards on Sunday at a red-carpet ceremony that may culminate with another record for Taylor Swift.
The 34-year-old pop superstar in the middle of the world’s highest-grossing tour is competing for an unprecedented fourth album of the year trophy with “Midnights.”
No other artist in the 66-year Grammys history has claimed the coveted honor four times. Music legends Frank Sinatra, Paul Simon and Stevie Wonder won three each.
The awards will be broadcast live on CBS and streamed on Paramount+ PARA.O starting at 5 p.m. PT (0100 GMT). Comedian Trevor Noah returns for a fourth stint to host the ceremony at Crypto.com Arena in downtown Los Angeles.
Heavy rain is forecast to hit southern California on Sunday. Grammy organizers said the pre-ceremony red carpet would be held under tents to protect nominees from the weather.
Swift is not a lock for the album award. Industry pundits said it could go to “SOS” from R&B artist SZA, who would be the first Black woman since Lauryn Hill 25 years ago to win the category as a lead artist. SZA, singer of dark ballad “Kill Bill,” leads all Grammy nominees this year with nine nods.
“It’s very tight between SZA for ‘SOS’ and Taylor for ‘Midnights,'” said Billboard awards editor Paul Grein, who gave the edge to SZA. “They are overdue for an R&B/hip-hop winner.”
Women figure prominently in the 2024 Grammys field. Just one man, Jon Batiste, made the cut among eight nominees for the album prize. Other contenders include Olivia Rodrigo, Lana Del Rey and boygenius, the band featuring Phoebe Bridgers, Julien Baker and Lucy Dacus.
Swift also is vying for song of the year, a writing honor that she has never won despite widespread accolades for her lyrics. “Anti-Hero,” her examination of self-doubt, faces competition from Miley Cyrus empowerment anthem “Flowers” and others.
Music from the blockbuster “Barbie” movie received 12 nominations, including record of the year for Billie Eilish’s ballad “What Was I Made For?”
Contenders in the best new artist field include rapper Ice Spice, country singer Jelly Roll, R&B and pop singer Victoria Monet, singer-songwriter Coco Jones and folk-pop singer Noah Kahan.
Scheduled performers on the Grammys stage include SZA, Billy Joel, Joni Mitchell, Dua Lipa, Luke Combs and Burna Boy. U2 will perform live from the Sphere in Las Vegas.
Winners were chosen by the musicians, producers, engineers and others who make up the Recording Academy. The group has worked to diversify its membership in recent years by inviting more women and people of color to its ranks.
Organizers also added a handful of new categories this year, including best African music performance.
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WASHINGTON — One of the great interspecies love stories of our time has come to an end.
Walnut, a white-naped crane and internet celebrity, has died at age 42. She is survived by eight chicks, the loving staff at the Smithsonian’s National Zoo and Conservation Biology Institute and by Chris Crowe, a human zookeeper whom Walnut regarded as her mate for nearly 20 years.
“Walnut was a unique individual with a vivacious personality,” Crowe said, in a statement released by the National Zoo. “I’ll always be grateful for her bond with me.”
The tale of Walnut (and Chris) has inspired internet fame and the occasional love song. It dates back to the bird’s 2004 arrival at the institute’s campus in Front Royal, Virginia.
The chick of two wild cranes who had been brought to the U.S. illegally and were later rescued by the International Crane Foundation, Walnut was hand-raised by people and bonded with her human caretakers. That preference continued when she came to the institute; she showed no interest in breeding and even attacked male crane suitors.
But white-naped cranes are considered vulnerable by the International Union for Conservation of Nature. Today, fewer than 5,300 remain in their native habitats in Mongolia, Siberia, Korea, Japan and China due to habitat loss, pollution, nest predation and poaching. And as the offspring of two wild-caught cranes, Walnut’s genes were not represented in U.S. zoos. So convincing Walnut to breed was regarded as a priority.
In stepped Crowe, who, according to a zoo statement, won her over by “observing and mimicking” the institute’s male white-naped cranes’ actions during breeding season.
Videos show Crowe offering Walnut food as well as grass and leaves for nest-building materials. When he flaps his arms in front of her, the tall majestic bird flaps excitedly in response and dances in a half-circle with her head bobbing. Once Crowe had gained her trust, he was able to artificially inseminate her using sperm from a male crane.
The unique arrangement proved wildly successful, and Walnut had eight chicks. The fertilized eggs were given to other white-napped crane pairs who tended to them as their own. Of the eight white-napped cranes currently living at the institute, one is Walnut’s chick and another is her grand-chick.
The relationship also seems to have been beneficial for Walnut’s health; at 42, she nearly tripled the median life expectancy of 15 years for white-naped cranes in human care.
Walnut was born in Wisconsin in the summer of 1981. She was named after a local Wisconsin restaurant’s popular walnut pie dessert.
Starting on the morning of Jan. 2, keepers noticed that Walnut wasn’t eating or drinking. Not even offers of her favorite treats — frozen-thawed mice, peanuts and mealworms — couldn’t spark her appetite. Veterinarians administered fluids and antibiotics and drew blood for analysis. But her health continued to decline and Walnut was eventually hospitalized. She died peacefully, surrounded by an animal care team; an autopsy revealed the cause of death to be renal failure.
“She was always confident in expressing herself, an eager and excellent dancer, and stoic in the face of life’s challenges,” Crowe said. “Walnut’s extraordinary story has helped bring attention to her vulnerable species’ plight. I hope that everyone who was touched by her story understands that her species’ survival depends on our ability and desire to protect wetland habitats.”
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new york — This New York love story begins with a criminal act of sabotage.
Under cover of darkness a year ago Friday, someone breached a waist-high fence and slipped into the Central Park Zoo. Once inside, they cut a hole through a steel mesh cage, freeing a majestic Eurasian eagle-owl named Flaco who had arrived at the zoo as a fledgling 13 years earlier.
Immediately, Flaco fled the park, blinking his big orange eyes at pedestrians and police on Fifth Avenue before flying off into the night.
In the year since his dramatic escape, Flaco has become one of the city’s most beloved characters. By day he lounges in Manhattan’s courtyards and parks or perches on fire escapes. He spends his nights hooting atop water towers and preying on the city’s abundant rats.
To the surprise of many experts, Flaco is thriving in the urban wilds. An apex predator with a nearly 6-foot (2-meter) wingspan, he has called on abilities some feared he hadn’t developed during a lifetime in captivity, gamely exploring new neighborhoods and turning up unexpectedly at the windows of New Yorkers.
“He was the underdog from the start. People did not expect him to survive,” said Jacqueline Emery, one of several birders who document the owl’s daily movements and share them online with his legions of admirers. “New Yorkers especially connect to him because of his resilience.”
But as Flaco enters his second year in the spotlight, it can be easy to forget that his freedom is the result of a crime, one that has improbably remained unsolved.
‘This was a crime’
The break-in happened steps from the shared headquarters of the New York City Parks Department and the Central Park Zoo, in the vicinity of at least one surveillance camera.
But if they have collected any evidence on a potential suspect, police and zoo authorities have declined to share it. Since the zoo suspended efforts to re-capture Flaco in February 2023, there has been no public information about the crime.
Privately, the zoo has sought to soften descriptions of Flaco’s former living conditions, in a minivan-sized structure decorated with a painted mountain vista, barely twice the width of Flaco’s extended wings.
In internal emails obtained through a Freedom of Information request, zoo officials urged the Parks Department not to publicly describe Flaco as “raised in captivity.” Likewise, the term “escape” should be avoided.
“That puts the blame on the animal rather than the perpetrator,” the zoo’s then-communications director, Max Pulsinelli, wrote in one email. “This was a crime.”
In the absence of official information, theories of the crime abound — a youthful prank, perhaps, or an attempted owl heist gone awry? For many invested in Flaco’s fate, the most plausible explanation is that he was freed for ideological reasons.
Proponents of the animal liberation theory point to the seemingly targeted nature of the crime, as well as the limitations of the owl’s modest enclosure.
“I wouldn’t be surprised if it was someone who loved Flaco and wanted him free,” said Nicole Barrantes, a wildlife campaign manager with World Animal Protection, who started a petition against Flaco being returned to the zoo. “His habitat was ridiculous. It was the saddest thing ever.”
Break-ins and vandalism have long been tactics some activists have used to free animals. Such actions are often made public by the North American Animal Liberation Press Office, an anonymous online database.
The group’s spokesperson, Jerry Vlasak, said no one had come forward to claim responsibility for Flaco’s escape. “We never received a communique,” he said. “But we’re certainly glad it happened.”
A spokesperson for the Wildlife Conservation Society, which has operated the zoo since 1988, did not respond to the claims that Flaco’s zoo habitat was inadequate.
“This was a criminal act that jeopardized the safety of the bird,” the zoo said in a statement, adding that they are continuing to monitor reports of Flaco’s activity and wellbeing and are “prepared to resume recovery efforts if he shows any sign of difficulty or distress.”
Threats in the city
Even with his proficient hunting skills, Flaco faces many threats in the city, including a grave risk of consuming rodenticide through a poisoned rat. In 2021, another beloved Central Park owl, Barry, was fatally struck by a truck after ingesting a lethal dose of rat poison that may have impaired her flying.
“All the hazards are still there,” cautioned Suzanne Shoemaker, the director of the Owl Moon Raptor Center in Maryland. “He’s shown some good instincts to be able to make it this far. He’s also lucky.”
Flaco spent his initial months of freedom mostly in Central Park, which is loaded with wildlife, but has lately preferred more urban sections of Manhattan. There has been some speculation that he has been looking for a mate, though he most certainly won’t find one. Eurasian eagle owls aren’t native to North America.
Stories of zoo animals breaking loose in the middle of the country’s densest city have long captured the public imagination, while often ushering in calls for reforms.
Following a series of bird thefts and “senseless” animal beatings in the 1970s, administrators ordered immediate security upgrades and the redesign of some pens at the zoo, which the city’s parks commissioner at the time described as “Rikers Island for animals” because of poor living conditions.
A few years later, when a group of vandals made off with a boa constrictor and a parrot named “Peanuts,” officials accused the perpetrators of stealing the animals for “voodoo rites.”
Since those days the zoo has been substantially redesigned.
Wildlife groups have long warned that owls can be used as sacrifices in certain religious ceremonies — particularly birds like Flaco, who boasts prominent ear tufts. The Eurasian eagle-owl is also commonly used in falconry, selling for as much as $3,000.
But while some have suggested Flaco was targeted for either financial or spiritual purposes, such speculation would seem undermined by the fact that he emerged from his damaged cage and into the bustling cityscape unscathed.
On a recent night on Manhattan’s Upper West Side, one of the Flaco’s most dedicated observers, David Barrett, struck an ambivalent tone when asked how New Yorkers should think about the crime that made him an avian celebrity.
“To me, the folk hero is Flaco,” said Barrett, who runs the X account Manhattan Bird Alert, documenting the bird’s whereabouts in real time. “It’s an amazing thing: He lives his whole life in captivity and in a matter of days he taught himself to fly and to hunt rats.”
Tuning his ears skyward, Barrett listened for the signature hoot that had echoed across Broadway on so many recent nights.
“It’s not our business to try to solve crimes,” he said. “We’re just glad he’s here.”
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LOS ANGELES — When the biggest names in music gather Sunday for the industry’s top honors at the Grammy Awards, they will hand out a new trophy for best African music performance.
The prize reflects the growing popularity of Afrobeats, and other music from the continent, which is gaining a global audience with help from social media platforms such as short-form video app TikTok.
Afrobeats originated in West Africa, primarily Ghana and Nigeria, though the term is often used as a catch-all for various music styles coming from Africa. It features percussion rhythms mixed with various genres from rap to jazz, R&B and others.
Modern Afrobeats “has a feel-good groove to it,” said Heran Mamo, R&B and hip-hop reporter at Billboard magazine, which created a U.S. Afrobeats chart in 2022. “It’s bound to reach a wider audience because it already contains a little bit of everything for everyone.”
On Spotify, Afrobeats music was streamed 13.5 billion times in 2022, up from 2 billion in 2017.
In another milestone, Nigerian singer Burna Boy became the first African artist to sell out a U.S. stadium when he played New York’s Citi Field last summer.
Musicians in the running for the new Grammy on Sunday include Tyla, a 22-year-old South African singer. She hit the top 10 on Billboard’s Hot 100 chart with the danceable Water, an example of a genre known as amapiano, a jazz- and piano-infused sound.
A TikTok executive in South Africa had noticed Tyla gaining attention in her local market back in 2020, and reached out to her with tips on how to maximize her presence on the app.
Water was released in July 2023, after Tyla signed with Sony Music Entertainment’s 6758.T Epic Records.
By September, TikTok users were replicating Tyla’s dance moves in the #WaterChallenge. To date, 1.5 million videos have been created using the song, and the #WaterChallenge hashtag has been viewed 1.8 billion times, according to TikTok.
“I think that TikTok has played the role of incubator, but also the distributor to the billion-plus global users and it’s just really landed,” said Ole Obermann, global head of music at TikTok.
Tyla’s success illustrates the power of TikTok and YouTube to help artists find fan bases around the world, a role once reserved for music labels.
“The proliferation of streaming along with new social media platforms (e.g. TikTok) has accelerated artist discovery, and have provided new mediums for artists to grow their fan bases globally,” Bank of America Securities analyst Jessica Reif Cohen said in a research note predicting media trends for 2024.
TikTok remains controversial in the United States because of its ownership by Chinese company ByteDance, which critics view as a security risk. The Biden administration has banned the app on U.S. government devices. TikTok officials say they have rigorous safeguards in place and they reject allegations of spying on user data.
The app also is in a dispute with Universal Music GroupUMG.AS over how much it pays for use of songs from Taylor Swift, Billie Eilish and others. Music from many Universal artists was unavailable on TikTok as of Friday.
For U.S. teenagers, TikTok ranks as the second-most common music discovery source behind YouTube, according to a recent MIDiA Research survey that showed 45% of 16- to 19-year-olds found new music through the platform.
Other Afrobeats artists who found audiences on TikTok include Nigerian rapper Rema. He collaborated with Selena Gomez for a remix of his song Calm Down, which hit No. 3 on the Billboard Hot 100 and won an award for best Afrobeats at MTV’s Video Music Awards last September.
TikTok is helping to forge new connections between U.S. and African artists. Obermann said he played a short clip of a song called Ojapiano from Nigerian musician KCee for Ryan Tedder, a songwriter and lead singer for the band OneRepublic.
Tedder liked the sound so much that he immediately reached out to KCee, who jumped on a plane from Lagos to Los Angeles two days later so the pair could make a remix of the song.
Obermann hopes the soon-to-be-released remix will give new life to Ojapiano, a combination of amapiano and a Nigerian flute called Oja, and keep fueling the Afrobeats craze.
“This is going to be a big, growing genre,” Obermann said.
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Hong Kong — Frustrated Hong Kong residents say they have been unable to watch the online TV series Expats, starring Hollywood star Nicole Kidman, which was launched globally on Amazon Prime Video late last week and focuses on the former British colony.
The six-part show, directed by Chinese-born American filmmaker Lulu Wang, is based on a novel by Korean American author Janice Y. K. Lee.
The plot revolves around the lives of three women in Hong Kong in 2014, and the scenes include numerous Hong Kong elements. In addition to settings in familiar tourist sites such as Victoria Harbor, it reproduces scenes of the 2014 Hong Kong protests, also known as the Umbrella Movement, when protesters took to the streets holding umbrellas, demanding the right to choose the city’s chief executive.
It is still unclear whether the decision to block the program in Hong Kong was a business decision or whether it was due to interference from authorities there. Analysts suspect that local Amazon Prime users are unable to watch the program because of those reproduced scenes of the 2014 protests.
Some also worry it may be another sign of Beijing’s broader crackdown on the arts.
A Hong Kong government spokesperson told RFA: “We have no comment on the operational arrangements of individual businesses.”
A spokesperson for the Hong Kong government issued a statement late last month saying that the current Film Censorship Ordinance only regulates films and does not apply to streaming or Internet platforms.
VOA reached out to Amazon Prime Video’s Hong Kong office for comment on why the show is not available in the city but did not receive any response by the time of publication.
“Since this movie was shot in Hong Kong, the director of the movie is of Chinese origin, and the content has a lot to do with the true events, ordinary Hong Kong citizens will definitely want to see a show that truly reflects Hong Kong society,” said Guo Zhenming, a Chinese independent film director.
Guo told VOA he believes self-censorship by Amazon may have kept the show from airing in Hong Kong.
Kenny Ng, a film censorship expert at Hong Kong Baptist University, believes that the matter is not directly related to the Hong Kong government.
“So many new shows are created on earth every day,” Ng said. “I don’t believe that the officials of the Hong Kong government have the ability to know that such a series is about to be released. The current Hong Kong censorship regulations govern films shown in theaters, not streaming platforms. … A series not being shown is often the result of a compromise made after negotiations.”
He believes Amazon may have made a business decision to abandon the Hong Kong market for this show based on the territory’s political situation and social atmosphere.
Ng believes that no matter whose decision it was, Hong Kong people’s freedom to watch the show has certainly been violated. He said many Hong Kong people are going to movie and TV show websites in China to look for the show.
“If the public had a choice, they might not be so eager to see this show. But now they suddenly cannot see it, everyone is doing everything possible to go and see it,” he said.
He said there will always be a market for banned shows.
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BEIJING — A small but powerful Chinese rocket capable of carrying payloads at competitive costs delivered nine satellites into orbit Saturday, Chinese state media reported, in what is gearing up to be another busy year for Chinese commercial launches.
The Jielong-3, or Smart Dragon-3, blasted off from a floating barge off the coast of Yangjiang in southern Guangdong province, the second launch of the rocket in just two months.
Developed by China Rocket Company, a commercial offshoot of a state-owned launch vehicle manufacturer, Jielong-3 made its first flight in December 2022.
President Xi Jinping has called for the expansion of strategic industries including the commercial space sector, deemed key to building constellations of satellites for communications, remote sensing and navigation.
Also Saturday, Chinese automaker Geely Holding Group launched 11 satellites to boost its capacity to provide more accurate navigation for autonomous vehicles.
Last year saw 17 Chinese commercial launches with one failure, among a record 67 orbital launches by China. That was up from 10 Chinese commercial launches in 2022, including two failures.
In 2023, China conducted more launches than any other country except for the United States, which made 116 launch attempts, including just under 100 by Elon Musk’s SpaceX.
Critical to the construction of commercial satellite networks is China’s ability to open more launch windows, expand rocket types to accommodate different payload sizes, lower launch costs and increase the number of launch sites.
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WASHINGTON — Women are far more likely than men to get autoimmune diseases, when an out-of-whack immune system attacks their own bodies — and new research may finally explain why.
It’s all about how the body handles females’ extra X chromosome, Stanford University researchers reported Thursday — a finding that could lead to better ways to detect a long list of diseases that are hard to diagnose and treat.
“This transforms the way we think about this whole process of autoimmunity, especially the male-female bias,” said University of Pennsylvania immunologist E. John Wherry, who wasn’t involved in the study.
More than 24 million Americans, by some estimates up to 50 million, have an autoimmune disorder — diseases such as lupus, rheumatoid arthritis, multiple sclerosis and dozens more. About 4 of every 5 patients are women, a mystery that has baffled scientists for decades.
One theory is that the X chromosome might be a culprit. After all, females have two X chromosomes while males have one X and one Y.
The new research, published in the journal Cell, shows that extra X is involved — but in an unexpected way.
Our DNA is carried inside each cell in 23 pairs of chromosomes, including that final pair that determines biological sex. The X chromosome is packed with hundreds of genes, far more than males’ much smaller Y chromosome. Every female cell must switch off one of its X chromosome copies, to avoid getting a toxic double dose of all those genes.
Performing that so-called X-chromosome inactivation is a special type of RNA called Xist, pronounced like “exist.” This long stretch of RNA parks itself in spots along a cell’s extra X chromosome, attracts proteins that bind to it in weird clumps, and silences the chromosome.
Stanford dermatologist Dr. Howard Chang was exploring how Xist does its job when his lab identified nearly 100 of those stuck-on proteins. Chang recognized many as related to skin-related autoimmune disorders — patients can have “autoantibodies” that mistakenly attack those normal proteins.
“That got us thinking: These are the known ones. What about the other proteins in Xist?” Chang said. Maybe this molecule, found only in women, “could somehow organize proteins in such a way as to activate the immune system.”
If true, Xist by itself couldn’t cause autoimmune disease or all women would be affected. Scientists have long thought it takes a combination of genetic susceptibility and an environmental trigger, such as an infection or injury, for the immune system to run amok. For example, the Epstein-Barr virus is linked to multiple sclerosis.
Chang’s team decided to engineer male lab mice to artificially make Xist — without silencing their only X chromosome — and see what happened.
Researchers also specially bred mice susceptible to a lupus-like condition that can be triggered by a chemical irritant.
The mice that produced Xist formed its hallmark protein clumps and, when triggered, developed lupus-like autoimmunity at levels similar to females, the team concluded.
“We think that’s really important, for Xist RNA to leak out of the cell to where the immune system gets to see it. You still needed this environmental trigger to cause the whole thing to kick off,” explained Chang, who is paid by the Howard Hughes Medical Institute, which also supports The Associated Press’ Health and Science Department.
Beyond mice, researchers also examined blood samples from 100 patients — and uncovered autoantibodies targeting Xist-associated proteins that scientists hadn’t previously linked to autoimmune disorders. A potential reason, Chang suggests: standard tests for autoimmunity were made using male cells.
Much more research is necessary but the findings “might give us a shorter path to diagnosing patients that look clinically and immunologically quite different,” said Penn’s Wherry.
“You may have autoantibodies to Protein A and another patient may have autoantibodies to Proteins C and D,” but knowing they’re all part of the larger Xist complex allows doctors to better hunt disease patterns, he added. “Now we have at least one big part of the puzzle of biological context.”
Stanford’s Chang wonders if it may even be possible to one day interrupt the process.
“How does that go from RNA to abnormal cells, this will be a next step of the investigation.”
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NEW YORK — A graphic video from a Pennsylvania man accused of beheading his father that circulated for hours on YouTube has put a spotlight yet again on gaps in social media companies’ ability to prevent horrific postings from spreading across the web.
Police said Wednesday that they charged Justin Mohn, 32, with first-degree murder and abusing a corpse after he beheaded his father, Michael, in their Bucks County home and publicized it in a 14-minute YouTube video that anyone, anywhere could see.
News of the incident — which drew comparisons to the beheading videos posted online by the Islamic State militants at the height of their prominence nearly a decade ago — came as the CEOs of Meta, TikTok and other social media companies were testifying in front of federal lawmakers frustrated by what they see as a lack of progress on child safety online. YouTube, which is owned by Google, did not attend the hearing despite its status as one of the most popular platforms among teens.
The disturbing video from Pennsylvania follows other horrific clips that have been broadcast on social media in recent years, including domestic mass shootings livestreamed from Louisville, Kentucky; Memphis, Tennessee; and Buffalo, New York — as well as carnages filmed abroad in Christchurch, New Zealand, and the German city of Halle.
Middletown Township Police Capt. Pete Feeney said the video in Pennsylvania was posted at about 10 p.m. Tuesday and online for about five hours, a time lag that raises questions about whether social media platforms are delivering on moderation practices that might be needed more than ever amid wars in Gaza and Ukraine, and an extremely contentious presidential election in the U.S.
“It’s another example of the blatant failure of these companies to protect us,” said Alix Fraser, director of the Council for Responsible Social Media at the nonprofit advocacy organization Issue One. “We can’t trust them to grade their own homework.”
A spokesperson for YouTube said the company removed the video, deleted Mohn’s channel and was tracking and removing any re-uploads that might pop up. The video-sharing site says it uses a combination of artificial intelligence and human moderators to monitor its platform but did not respond to questions about how the video was caught or why it wasn’t done sooner.
Major social media companies moderate content with the help of powerful automated systems, which can often catch prohibited content before a human can. But that technology can sometimes fall short when a video is violent and graphic in a way that is new or unusual, as it was in this case, said Brian Fishman, co-founder of the trust and safety technology startup Cinder.
That’s when human moderators are “really, really critical,” he said. “AI is improving, but it’s not there yet.”
The Global Internet Forum to Counter Terrorism, a group set up by tech companies to prevent these types of videos from spreading online, was in communication with its all of its members about the incident on Tuesday evening, said Adelina Petit-Vouriot, a spokesperson for the organization.
Roughly 40 minutes after midnight Eastern time on Wednesday, GIFCT issued a “Content Incident Protocol,” which it activates to formally alert its members – and other stakeholders – about a violent event that’s been livestreamed or recorded. GIFCT allows the platform with the original footage to submit a “hash” — a digital fingerprint corresponding to a video — and notifies nearly two dozen other member companies so they can restrict it from their platforms.
But by Wednesday morning, the video had already spread to X, where a graphic clip of Mohn holding his father’s head remained on the platform for at least seven hours and received 20,000 views. The company, formerly known as Twitter, did not respond to a request for comment.
Experts in radicalization say that social media and the internet have lowered the barrier to entry for people to explore extremist groups and ideologies, allowing any person who may be predisposed to violence to find a community that reinforces those ideas.
In the video posted after the killing, Mohn described his father as a 20-year federal employee, espoused a variety of conspiracy theories and ranted against the government.
Most social platforms have policies to remove violent and extremist content. But they can’t catch everything, and the emergence of many newer, less closely moderated sites has allowed more hateful ideas to fester unchecked, said Michael Jensen, senior researcher at the University of Maryland-based Consortium for the Study of Terrorism and Responses to Terrorism, or START.
Despite the obstacles, social media companies need to be more vigilant about regulating violent content, said Jacob Ware, a research fellow at the Council on Foreign Relations.
“The reality is that social media has become a front line in extremism and terrorism,” Ware said. “That’s going to require more serious and committed efforts to push back.”
Nora Benavidez, senior counsel at the media advocacy group Free Press, said among the tech reforms she would like to see are more transparency about what kinds of employees are being impacted by layoffs, and more investment in trust and safety workers.
Google, which owns YouTube, this month laid off hundreds of employees working on its hardware, voice assistance and engineering teams. Last year, the company said it cut 12,000 workers “across Alphabet, product areas, functions, levels and regions,” without offering additional detail.
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