Taiwan chipmaker starts making 4-nanometer chips in US, official says

WASHINGTON — Taiwan Semiconductor Manufacturing Co. has begun producing advanced 4-nanometer chips in Arizona for U.S. customers, a milestone in the Biden administration’s semiconductor efforts, Commerce Secretary Gina Raimondo told Reuters.

In November, the Commerce Department finalized a $6.6 billion grant to TSMC’s U.S. unit for semiconductor production in Phoenix, Arizona.

“For the first time ever in our country’s history, we are making leading-edge 4-nanometer chips on American soil, American workers — on par in yield and quality with Taiwan,” Raimondo told Reuters in an interview, saying it had begun in recent weeks.

“That’s a big deal — never been done before, never in our history. And lots of people said it couldn’t happen,” Raimondo said of the previously undisclosed production start.

A spokesperson for TSMC, the world’s largest contract chipmaker and a major supplier to Apple and Nvidia, which reports earnings next week, declined to comment Friday.

In April, TSMC agreed to expand its planned investment by $25 billion to $65 billion and to add a third Arizona production facility by 2030.

Congress created a $52.7 billion semiconductor manufacturing and research subsidy program in 2022. Commerce persuaded all five leading-edge semiconductor firms to locate production facilities in the United States as part of the program.

Raimondo told Reuters earlier that Commerce had to persuade TSMC to boost its U.S. plans.

“It didn’t happen on its own. … We had to convince TSMC that they would want to expand,” Raimondo said.

TSMC will produce the world’s most advanced 2-nanometer technology at its second Arizona factory, expected to begin production in 2028. TSMC also agreed to use its most advanced chip manufacturing technology, called “A16,” in Arizona.

The TSMC award from Commerce also includes up to $5 billion in low-cost government loans.

Raimondo wants the United States to make 20% of world’s leading-edge logic chips by 2030 — up from the 0% before TSMC began production in Arizona.

In April, Commerce said TSMC expects to begin high-volume production in its first U.S. fab by the first half of 2025.

Last month, Commerce finalized an award of $407 million to help fund Amkor Technology’s planned $2 billion advanced semiconductor packaging facility in Arizona, which is set to be the largest of its kind in the U.S.

When fully operational, Amkor’s Arizona plant will package and test millions of chips for autonomous vehicles, 5G/6G and data centers. Apple will be its first and largest customer, with the chips produced at a nearby TSMC facility.

VOA Mandarin: China’s winter surge of flu-like HMPV cases raises concerns of transparency

Human Metapneumovirus (HMPV) has recently spread widely across China, overwhelming hospitals and evoking memories of the COVID-19 outbreak. HMPV is not a new virus; it has been known for years and typically has a low mortality rate. Nevertheless, epidemiologists are calling for greater transparency about the spread of the virus to help contain infections. While the health care system is under strain, experts stress that there is no need for panic. They recommend the public follow basic protective measures, particularly during the Spring Festival travel period, to help curb further spread of the virus.

Click here to read the full story in Mandarin.

Pakistan court temporarily blocks deportation of Afghan musicians, singers

ISLAMABAD — A high court in Pakistan prohibited authorities Friday from forcibly deporting Afghan musicians and singers until their asylum cases are resolved within the next two months.

The ruling comes amid a crackdown on hundreds of thousands of refugees from neighboring Afghanistan who either lack legal permits to reside in the country or have overstayed their visas.

They sought refuge in Pakistan after Taliban insurgents swept back to power in Kabul in 2021, placing sweeping curbs on civil liberties and banning music in line with their strict interpretation of Islamic law, known as Sharia.

However, a group of 150 Afghan performers initiated a legal challenge against their deportation in the northwestern province of Khyber Pakhtunkhwa, arguing they are at risk of persecution if they return home.

“The federal government … shall decide cases of all these petitioners for grant or refusal of asylum within a period of two months,” the Pakistan court stated Friday.

“Until the final decision, these petitioners shall not be ousted from [the] territory of Pakistan nor otherwise compelled to leave Pakistan and return to their native country Afghanistan,” the ruling read.

The court mandated that the Pakistan Interior Ministry permit petitioners to remain in the country if the government cannot resolve their cases within 60 days and requires additional time for a definitive decision.

Attorney Mumtaz Ahmed told The Associated Press that Friday’s ruling was the first of its kind and a significant relief for his clients, who have lived in fear and uncertainty for months.

Pakistan unleashed a nationwide crackdown on foreign migrants living in the country illegally in 2023. The move primarily affected Afghan refugees, forcing more than 800,000 of them to return to their impoverished country, which is struggling to recover from years of devastating war and natural disasters since the Taliban takeover.

Refugee families have been reluctant to leave Pakistan, citing the Taliban’s ban on Afghan girls’ education beyond the sixth grade and restrictions on women’s access to workplaces except for a few departments, including health, immigration and police.

People at risk of deportation include Afghan nationals who are awaiting responses from the United States and European nations regarding their asylum applications. Many refugees served as translators and guides for U.S.-led international forces during their two-decade presence in Afghanistan, which ended in August 2021.

The United Nations and aid organizations have criticized Pakistan’s crackdown on Afghan nationals from the outset, citing dire economic conditions and a prolonged humanitarian crisis in Afghanistan.

Pakistan hosts over 1 million legal Afghan refugees who fled their country due to the Soviet occupation in the 1980s, the subsequent civil war and the rule of the Islamist Taliban from 1996 to 2001. The Pakistani government has permitted those refugees to remain until June 2025.

Preventive action can’t avert wildfires but can save lives, meteorologists say

GENEVA — The World Meteorlogical Organization says that preventive action cannot avert natural disasters such as the wildfires raging across Los Angeles, but that it can help save lives and mitigate loss of property.

“Land management and prevention, regular clearing of underbrush play a key role in fire management, and evacuation plans are important in saving lives,” the WMO said Friday. “These are all part of effective early warning systems.”

In a briefing to journalists in Geneva, Claire Nullis, a WMO spokesperson, stressed the importance of preparing adequate evacuation plans and early warning systems to prevent some of the worst impacts from a natural disaster.

While acknowledging the staggering losses from the devastating wildfires sweeping across parts of Los Angeles in the United States this week, she said “The early warnings have, in this instance, been very, very good.

“You know, people have been evacuated. It has been impossible to save houses, and the loss of life is still too high, but it has been kept to a relative minimum,” she said.

Media reports say at least 10 people have been killed in this week’s Southern California wildfires, although more bodies are expected to be found once the fires have been contained and searchers can go through the debris.

More than 10,000 structures reportedly have burned, and 180,000 people are under evacuation orders.

While California is no stranger to wildfires, the WMO calls this catastrophic event “extraordinary” in that it is affecting one of the largest cities in the United States.

The WMO said that last year’s rainy season for the Los Angeles area as a whole was slightly above normal, but so far, this year it has been dry.

“The big compounding factor in this context is the winds. … They cause temperatures to rise, and they cause very low humidity, drying out the ground and vegetation,” Nullis said.

The WMO said destructive wildfires have been made worse by climate change.

“Climate change, including increased heat, extended drought and a thirsty atmosphere, has been a key driver in increasing the risk and extent of wildfires in the western United States during the last decades,” it said, citing data from the U.S. National Oceanic and Atmospheric Administration.

The WMO said wildfires require the alignment of a number of factors, including temperature, humidity and the lack of moisture in fuels such as trees, shrubs, grasses and forest debris.

“All these factors have strong direct or indirect ties to climate variability and climate change,” it said.

“Obviously, not every single weather-related disaster is due to climate change,” WMO spokesperson Nullis said. “Nobody would say that. But we get quite clear signals that climate change is exacerbating some of these disasters.”

In addition to the loss of life and destruction of homes and other infrastructure that could total billions of dollars in insured losses, the World Health Organization warns that wildfires can have a significant impact on human morbidity and mortality.

“Wildfire smoke, which is a mixture of air pollutants, of which particulate matter is of major concern as it can be full of PM 2.5. This is a very small particulate matter that gets right down into the lungs, and there certainly is a lot of it.” said Dr. Margaret Harris, a WHO spokesperson.

“A lot of it is associated with premature death in the general population,” she said. “It can cause and exacerbate diseases of lung, heart, brain, the nervous system” and other illnesses.

“It has been shown to lead to cognitive impairment and actually damage your intellectual capacity and lead to memory loss,” she said, adding that firefighters and emergency response workers “are most at risk from exposure to smoke.”

The WHO estimates 4.2 million deaths globally are linked to ambient or outdoor air pollution, with 99% of the global population exposed to air pollution levels that exceed the WHO guideline level for fine particulate matter (PM 2.5).

Harris said more research is needed to understand the long-term health effects of wildfire exposure on vulnerable populations, particularly children, older people, pregnant women and the chronically ill.

“We expect that we will see this over and over again if we do not get what we are doing to the planet under control,” she said.

Meanwhile, the World Meteorological Organization has officially confirmed that 2024 was the hottest year on record, “with a global mean temperature of more than 1.5 degrees above the 1850-1900 average.”

“We have just endured the hottest decade on record, with 2024 topping the list,” U.N. Secretary-General Antonio Guterres said, noting that “blazing temperatures in 2024 require trailblazing climate action in 2025.”

“There is still time to avoid the worst of climate catastrophe. But leaders must act now,” he said.

Russia turns to China to step up AI race against US

WASHINGTON — Russia’s efforts to obtain China’s help in enhancing artificial intelligence is seen as a bid to challenge America’s lead in the field even as the outgoing Biden administration is expected to impose new export control measures to further curb Beijing’s access to AI chips.

As the new year began, Russian President Vladimir Putin ordered the country’s state-owned Sberbank, to work with China in researching and developing AI technology, according to the Kremlin.

“The Russian president sees his country in global competition for AI with the United States and has positioned the state resources to try and compete with the U.S. in information and cyberspace – two areas where artificial intelligence is supposed to aid Russia in what they see as Western narratives and influence,” said Samuel Bendett, adjunct senior fellow at the Center for a New American Security.

Moscow views Beijing’s success in AI as an example to follow, and its “cooperation with China is viewed as a necessary step towards acquiring artificial intelligence-related skill sets, knowledge and technology,” Bendett told VOA in written comments.

The U.S. currently leads in AI innovation, followed by China, which is falling behind by wide margins, according to a November report by the Stanford Institute for Human-Centered Artificial Intelligence. Russia ranks 31st out of 83 countries in AI implementation, innovation and investment, according to U.K.-based Tortoise Media’s Global AI Index.

Response to sanctions

Western sanctions imposed on Russia since its invasion of Ukraine in 2022 have limited the country’s AI development, and Moscow has turned to Beijing to offset the restriction, according to Bendett in his report “The Role of AI in Russia’s Confrontation with the West.”

Sberbank, which Putin instructed to collaborate with China, is under Western sanctions.

It is Russia’s largest bank and leads the country’s AI development efforts.

The outgoing Biden administration is expected to impose a new set of export control measures aimed at further limiting China’s ability to access chips that support AI technology. The new measures could come as early as Friday, according to Bloomberg.

Sberbank CEO German Gref said in 2023 that Russia cannot obtain graphics processing units, microchips needed to support AI development, according to Reuters.

But the bank’s first deputy CEO, Alexander Vedyakhin, said in December that despite Western sanctions, Russia can improve its AI ranking by 2030 through its own development.

Another key area where Russia has sought to further apply AI help from China is in the military.

“There already have been top level meetings between Russia and Chinese militaries in 2024,” and “ongoing dialogue” between the defense ministries of the two countries is likely so they can understand “how AI could aid in a large-scale conventional conflict, like the one unfolding in Ukraine,” Bendett said.

Russian and Chinese officials met in Beijing early last year to discuss military application of AI, especially in developing autonomous weapons, according to Russia’s Foreign Ministry.

AI-powered weapons

In December, Ukraine said Russia began using AI-powered strike drones with improved capabilities that can evade air defenses, identify key targets and operate offline.

James Lewis, director of the Strategic Technologies Program at the Center for Strategic and International Studies, said Russia is likely to use AI technology on enhancing drones as well as in making weapons with improved target detection and attack speed.

The China-Russia AI partnership “creates new risk for the U.S.,” but military application of “AI won’t compensate for bad strategy” in the battlefield, he said.

Attending an AI conference in Moscow last month, Song Haitao, president of the Shanghai Artificial Intelligence Research Institute, said China plans to sign an agreement with Russia’s Sberbank to promote bilateral cooperation on AI development.

Speaking at the conference, Putin applauded China for “making great strides” in advancing AI technology and its application, including in building “smart cities” and conducting “modern governance.”

Sam Bresnick, research fellow at Georgetown University’s Center for Security and Emerging Technology, said although it is not entirely clear how Beijing might benefit from helping Moscow in developing AI, China might want some military technologies and wartime data from Russia in return.

“Russia is very good at making submarines, and there’s been a speculation in the past that China could benefit from acquiring that kind of technology. Another one is helicopter technology,” Bresnick said.

“The war in Ukraine has generated an astonishing amount of data,” Bresnick continued. “China would probably be interested in getting its hands on them because having more militarily relevant data from Russia would help China develop its own AI systems for military.”

Liu Pengyu, a spokesperson for the Chinese Embassy in Washington, told VOA on Thursday that “in terms of the application of artificial intelligence, China actively advocates the principles of ‘people-oriented’ and ‘intelligent for good,’ ensuring that artificial intelligence is safe, reliable and controllable, better enabling global sustainable development, and enhancing the common well-being of all mankind.” 

‘Worst in Show’ CES products put data at risk and cause waste, privacy advocates say

LAS VEGAS — So much of the technology showcased at CES includes gadgets made to improve consumers’ lives — whether by leveraging AI to make devices that help people become more efficient, by creating companions to cure loneliness, or by providing tools that help people with mental and physical health. 

But not all innovation is good, according to a panel of self-described dystopia experts that has judged some products as “Worst in Show.” The award that no company wants to win calls out the “least repairable, least private, and least sustainable products on display.” 

“We’re seeing more and more of these things that have basically surveillance technology built into them, and it enables some cool things,” Liz Chamberlain, director of sustainability at the e-commerce site iFixit told The Associated Press. “But it also means that now we’ve got microphones and cameras in our washing machines, refrigerators and that really is an industry-wide problem.” 

The fourth annual contest announced its decisions Thursday. 

A new smart ring every few years? 

Kyle Wiens, CEO of iFixit, awarded the Ultrahuman Rare Luxury Smart Ring the title of “least repairable.” 

The rings, which come in colors like dune and desert sand, cost $2,200. Wiens said the jewelry “looks sleek but hides a major flaw: its battery only lasts 500 charges.” Worse, he said, is the fact that replacing the battery is impossible without destroying the device entirely. 

“Luxury items may be fleeting, but two years of use for $2,200 is a new low,” he said. 

Ultrahuman did not immediately respond to a request for comment. 

An AI-powered smart crib? 

Bosch’s “Revol” crib uses sensors, cameras and AI that the company says can help monitor vital signs like how an infant is sleeping, heart and respiratory rates and more. The crib can also rock gently if the baby needs help falling asleep and signal to parents if a blanket or other object is interfering with breathing. 

EFF Executive Director Cindy Cohn said the crib preys on parents’ fears and “collects excessive data about babies via a camera, microphone, and even a radar sensor.” 

“Parents expect safety and comfort — not surveillance and privacy risks — in their children’s cribs,” she said in the report. 

A spokesperson for Bosch told The Associated Press that all data is encrypted end-to-end and stored on Bosch-administered servers, “while all data at rest is secured locally with individual data encryption keys.” 

“Caregivers have the final say on whether data is transmitted at all. The Revol has an offline mode, which keeps data local if preferred,” the spokesperson said, adding that the smart crib helps keep children safe. 

Too much waste? 

Although AI is everywhere at CES, Stacey Higginbotham, a policy Fellow at Consumer Reports, felt that SoundHound AI’s In-Car Commerce Ecosystem, powered by its Automotive AI, pushes it to unnecessary extremes. 

The feature “increases energy consumption, encourages wasteful takeout consumption and distracts drivers — all while adding little value,” Higginbotham said. That landed the in-car system as “least sustainable” on the list. 

Soundhound AI’s platform allows drivers and passengers to order takeout for pick-up directly from the car’s infotainment system. The company did not respond to a request for comment. In a statement Tuesday, Keyvan Mohajer, CEO of SoundHound AI, said the product’s launch marks a moment “decades in the making.” 

“What begins here with food and restaurants will ultimately open up a whole new commercial ecosystem for vehicle and device manufacturers everywhere,” he said. 

Vulnerable to hacking? 

TP-Link’s Archer BE900 router won for “least secure” of CES. The company is a top-selling router brand in the U.S. But its products are vulnerable to hacking, said Paul Roberts, founder of The Security Ledger. 

“By Chinese law, TP-Link must report security flaws to the government before alerting the public, creating a significant national security risk,” he said. “Yet TP-Link showcased its Archer BE900 router at CES without addressing these vulnerabilities.” 

In an email response, TP-Link Systems contested the report. 

“TP-Link Systems Inc. is a U.S.-headquartered company and does not provide any such security reporting to China as referenced by iFixit,” the company said. “TP-Link Systems has a secure, vertically-integrated, and U.S.-owned international supply chain. Nearly all products sold in the United States are manufactured in Vietnam.” 

TP-Link said it controls its own supply chains, and “is constantly assessing potential risks to its U.S. operations, customers, and supply chain,” adding that it acknowledges that vulnerabilities exist across the industry. 

“However, contrary to claims of widespread vulnerabilities, comparative data places TP-Link on par with, or in some cases ahead of, other major industry players in terms of security outcomes,” the company said. 

Who asked for this? 

The awards also feature a category called “who asked for this?” Top of that list was Samsung’s Bespoke AI Washing Machine, which Nathan Proctor, senior director of U.S. PIRG, a consumer advocacy group, said is filled “with features no one needs,” including the ability to make phone calls. 

“These add-ons only make the appliance more expensive, fragile, and harder to repair,” he said. 

Samsung did not respond to a request for comment. 

At a press conference at CES Tuesday, Jong-Hee Han, vice chairman of Samsung’s device experience division, said that he was “proud of how we have introduced new technologies and intelligence to the home, connected key devices and set the standard for the home of the future.” 

“We are reinforcing our commitment to delivering personalized experiences through our widespread implementation of AI and we will continue this journey of AI leadership in the home and beyond, not just for the next decade, but for the next century,” he said. 

Worst overall 

Gay Gordon-Byrne, executive director of The Repair Association, called the LG “AI Home Inside 2.0 Refrigerator with ThinkQ” the worst product overall. The fridge adds “flashy features,” Gordon-Byrne said, including a screen and internet connection. 

“But these come at a cost,” Gordon-Byrne said. “Shorter software support, higher energy consumption, and expensive repairs reduce the fridge’s practical lifespan, leaving consumers with an expensive, wasteful gadget.” 

LG did not respond to a request for comment.

New research shows a quarter of freshwater animals are threatened with extinction

WASHINGTON — Nearly a quarter of animals living in rivers, lakes and other freshwater sources are threatened with extinction, according to new research published Wednesday.

“Huge rivers like the Amazon can appear mighty, but at the same time freshwater environments are very fragile,” said study co-author Patricia Charvet, a biologist at Brazil’s Federal University of Ceará.

Freshwater habitats – including rivers, lakes, ponds, streams, bogs and wetlands – cover less than 1% of the planet’s surface, but support 10% of its animal species, said Catherine Sayer, a zoologist at the International Union for Conservation of Nature in England.

The researchers examined around 23,500 species of dragonflies, fish, crabs and other animals that depend exclusively on freshwater ecosystems. They found that 24% were at risk of extinction – classified as vulnerable, endangered or critically endangered – due to compounding threats from pollution, dams, water extraction, agriculture, invasive species, climate change and other disruptions.

“Most species don’t have just one threat putting them at risk of extinction, but many threats acting together,” said Sayer, a study-co-author.

The tally, published in the journal Nature, is the first time that researchers have analyzed the global risk to freshwater species. Previous studies have focused on land animals including mammals, birds and reptiles.

Duke University ecologist Stuart Pimm, who was not involved in the study, called it “a long-awaited and hugely important paper.”

“Almost every big river in North America and Europe is massively modified” through damming, putting freshwater species at risk, he said.

In South America, the vast Amazon River ecosystem also faces threats from deforestation, wildfires and illegal gold mining, said Charvet.

Illegal fires to clear forest result in waves of ash polluting the river, and unlicensed gold miners dump mercury into the water, she said.

Rivers and wetlands “concentrate everything that happens around them,” she said. “If something goes really wrong, like an acid or oil spill, you can threaten an entire species. There’s nowhere else for these animals to go.”

Peter Yarrow of folk music trio Peter, Paul and Mary dies at 86

LOS ANGELES — Peter Yarrow, the singer-songwriter best known as one-third of Peter, Paul and Mary, the folk-music trio whose impassioned harmonies transfixed millions as they lifted their voices in favor of civil rights and against war, has died. He was 86.

Yarrow, who also co-wrote the group’s most enduring song, “Puff the Magic Dragon,” died Tuesday in New York, publicist Ken Sunshine said. Yarrow had bladder cancer for the past four years.

“Our fearless dragon is tired and has entered the last chapter of his magnificent life. The world knows Peter Yarrow the iconic folk activist, but the human being behind the legend is every bit as generous, creative, passionate, playful, and wise as his lyrics suggest,” his daughter Bethany said in a statement.

During an incredible run of success spanning the 1960s, Yarrow, Noel Paul Stookey and Mary Travers released six Billboard Top 10 singles and two No. 1 albums and won five Grammys.

They also brought early exposure to Bob Dylan by turning two of his songs, “Don’t Think Twice, It’s All Right” and “Blowin’ in the Wind,” into Billboard Top 10 hits as they helped lead an American renaissance in folk music. They performed “Blowin’ in the Wind” at the 1963 March on Washington at which the Reverend Martin Luther King Jr. delivered his famous “I Have a Dream” speech.

After an eight-year hiatus to pursue solo careers, the trio reunited in 1978 for a “Survival Sunday,” an anti-nuclear-power concert that Yarrow had organized in Los Angeles. They would remain together until Travers’ death in 2009. Upon her passing, Yarrow and Stookey continued to perform both separately and together.

 

Born May 31, 1938, in New York, Yarrow was raised in an upper-middle-class family he said placed high value on art and scholarship. He took violin lessons as a child, later switching to guitar as he came to embrace the work of such folk music icons as Woody Guthrie and Pete Seeger.

Upon graduating from Cornell University in 1959, he returned to New York, where he worked as a struggling Greenwich Village musician until connecting with Stookey and Travers. Although his degree was in psychology, he had found his true calling in folk music at Cornell when he worked as a teaching assistant for a class in American folklore his senior year.

Soon after returning to New York, he met impresario Albert Grossman, who would go on to manage Dylan, Janis Joplin and others and who at the time was looking to put together a group that would rival the Kingston Trio, which in 1958 had a hit version of the traditional folk ballad “Tom Dooley.”

But Grossman wanted a trio with a female singer and a member who could be funny enough to keep an audience engaged with comic patter. For the latter, Yarrow suggested a guitar-strumming Greenwich Village comic he’d seen named Noel Stookey.

Stookey, who would use his middle name as a member of the group, happened to be a friend of Travers, who as a teenager had performed and recorded with Pete Seeger and others.

After months of rehearsal, the three became an overnight sensation when their first album, 1962’s eponymous “Peter, Paul and Mary,” reached No. 1 on the Billboard chart. Their second, “In the Wind,” reached No. 4 and their third, “Moving,” put them back at No. 1.

From their earliest albums, the trio sang out against war and injustice in songs like Seeger’s “If I Had a Hammer” and “Where Have all the Flowers Gone,” Dylan’s “Blowin’ in the Wind” and “When the Ship Comes In,” and Yarrow’s own “Day is Done.”

They could also show a soft and poignant side, particularly on “Puff the Magic Dragon,” which Yarrow had written during his Cornell years with college friend Leonard Lipton.

It tells the tale of Jackie Paper, a young boy who embarks on countless adventures with his make-believe dragon friend until he outgrows such childhood fantasies and leaves a sobbing, heartbroken Puff behind. As Yarrow explains: “A dragon lives forever, but not so little boys.”

After recording their last No. 1 hit, a 1969 cover of John Denver’s “Leaving on a Jet Plane,” the trio split up the following year to pursue solo careers.

That same year Yarrow had pleaded guilty to taking indecent liberties with a 14-year-old girl who had come to his hotel room with her older sister to ask for autographs. The pair found him naked when he answered the door and let them in. Yarrow, who resumed his career after serving three months in jail, was pardoned by President Jimmy Carter in 1981. Over the decades, he apologized repeatedly.

Over the years, Yarrow continued to write and co-write songs, including the 1976 hit “Torn Between Two Lovers” for Mary MacGregor. He received an Emmy nomination in 1979 for the animated film “Puff the Magic Dragon.”

Later songs include the civil rights anthem “No Easy Walk to Freedom,” co-written with Margery Tabankin, and “Light One Candle,” calling for peace in Lebanon.

In addition to his wife and daughter, he is survived by a son, Christopher, and a granddaughter, Valentina.

Meta to offer wider range of speech on platforms, CEO says

OAKLAND, CALIFORNIA — Meta CEO Mark Zuckerberg announced Tuesday that there would be a wider range of speech on Facebook and other Meta platforms.

“We’re going to get back to our roots around free expression on Facebook and Instagram,” he said.

Here are some of the key changes:

Gone will be third-party fact-checkers eyeing Facebook posts for violations in the United States. Instead, Facebook will rely on “community notes,” a system used on X (formerly Twitter) that allows community members to flag posts and vote on the legitimacy of them.

Restrictions on topics such as immigration and gender identity will be lifted.

“What started as a movement to be more inclusive has increasingly been used to shut down opinions and shut out people with different ideas, and it’s gone too far. So, I want to make sure that people can share their beliefs and experiences on our platforms,” Zuckerberg said.

Civic and political content, which the company stopped presenting to users in recent years, will be recommended again on Facebook, Instagram and Threads.

And the firm’s trust and safety and content moderation teams will move from California, considered a liberal state, to Texas, considered a conservative-leaning state. The move “will help us build trust to do this work in places where there is less concern about the bias of our teams,” he said.

Preparing for Trump

Zuckerberg’s announcement comes as Meta and other technology companies prepare for major policy and regulatory changes with the return of President-elect Donald Trump to the White House this month.

In his attacks on the dominant technology companies, known collectively as Big Tech, Trump has been particularly critical of Meta, which suspended his account in 2021 after the January 6, 2021, riot at the U.S. Capitol Building. His accounts were restored in 2023.

At a press conference Tuesday, Trump was asked about Zuckerberg’s announcement.

“Honestly, I think they’ve come a long way,” he said. He said the firm was “probably” responding to his threats that he had planned to do something about Big Tech and censorship.

Reactions mixed

“This is cool,” Elon Musk said of the Meta announcement. Musk bought Twitter in 2023 and renamed it X and is a close adviser to Trump.

X Corp. CEO Linda Yaccarino said on X that “fact-checking and moderation doesn’t belong in the hands of a few select gatekeepers who can easily inject their bias into decisions. It’s a democratic process that belongs in the hands of many.”

Also on X, Representative Jim Jordan, a Republican from Ohio and chairman of the House Judiciary Committee, praised Zuckerberg’s announcement as a “huge step in the right direction.”

“Social media, AI, and other technology companies must resist governments’ censorship pressure and instead work to ensure the open expression of ideas on their platforms,” Jordan posted. “We hope that other Big Tech companies, including Google, follow the lead of X and Meta in upholding freedom of speech online.”

Kate Starbird, a University of Washington professor of human-centered design and engineering, said on the social media site Bluesky that Meta’s decision will hamper people’s ability to find out the truth.

“One remaining concern for me is that even people who WANT to find accurate information are going to be challenged to do it, because we’re going to lose the groups that do this fact-checking work — unless non-profits step in to fill what is going to be a huge funding gap,” she posted.

Yoel Roth, a former head of Twitter’s trust and safety department, said on Bluesky that he was “genuinely baffled by the unempirical assertion that Community Notes ‘works.’ Does it? How do Meta know? The best available research is pretty mixed on this point.”

‘Too many mistakes’

In his statement Tuesday, Zuckerberg described a complex system of filters the company created to identify “legitimately bad stuff out there. Drugs, terrorism, child exploitation.”

But the systems, while well-intentioned, made mistakes, resulting in wrongly censored postings, he said.

“We’ve reached a point where it’s just too many mistakes and too much censorship,” he said.

The company will be “dialing back” content filters that scanned for policy violations with the goal to “dramatically reduce the amount of censorship on our platforms,” Zuckerberg said.

Joel Kaplan, Meta’s chief global affairs officer, said in a separate statement that “too much harmless content gets censored, too many people find themselves wrongly locked up in ‘Facebook jail,’ and we are often too slow to respond when they do.”

Biden ‘repeatedly pressured’

Without offering examples, Zuckerberg said in August that the U.S. government under the Biden administration pushed for censorship. In August, Zuckerberg said in a letter to Jordan that Biden officials “repeatedly pressured” Facebook to take down some COVID-19 content, including humor and satire.

“By going after us and other American companies, it has emboldened other governments to go even further,” Zuckerberg said Tuesday. “But now we have the opportunity to restore free expression, and I’m excited to take it.”

Meta shelves fact-checking program in US, adopts X-like ‘Community Notes’ model 

Meta is ending its fact-checking program in the U.S. and replacing it with a “Community Notes” system similar to that on Elon Musk-owned X, the Facebook parent said on Tuesday.  

The Community Notes model will allow users on Meta’s social media sites Facebook, Instagram and Threads to call out posts that are potentially misleading and need more context, rather than placing the responsibility on independent fact checking organizations and experts.  

“Experts, like everyone else, have their own biases and perspectives. This showed up in the choices some made about what to fact check and how … A program intended to inform too often became a tool to censor,” Meta said.  

Meta added that its efforts over the years to manage content across its platforms have expanded “to the point where we are making too many mistakes, frustrating our users and too often getting in the way of the free expression we set out to enable.” 

The company said it would begin phasing in Community Notes in the United States over the next couple of months and would improve the model over the course of the year. 

It will also stop demoting fact-checked content and use a label notifying users there is additional information related to the post, instead of the company’s current method of displaying full-screen warnings that users have to click through before even viewing the post.  

Homes talk and tables walk at AI-dominated Consumer Electronics Show

LAS VEGAS — Home appliances that do chores, cars that know your favorite cafe, and robot pets aiming to please are among artificial intelligence-infused offerings at the Consumer Electronics Show opening Tuesday.

All these will compete for attention at the annual CES extravaganza in Las Vegas, as vendors behind the scenes seek ways to deal with tariffs threatened by U.S. President-elect Donald Trump.

AI is once again a major theme of the show, along with autonomous vehicles ranging from tractors and boats to lawn mowers and golf club trollies.

South Korean consumer electronics giant LG kicked off a media day Monday by outlining a vision for “Affectionate Intelligence” in which home appliances watch over people — from tracking how well they sleep to making sure they remember umbrellas when rain is in the forecast.

“At LG, we’re seamlessly integrating AI into physical living spaces around us,” said CEO William Cho.

“We see space not merely as a physical location but as an environment where holistic experiences come to life — across the Home, Mobility, Commercial and even Virtual spaces.”

Before the show floor even opened, vendors enticed visitors with electric roller skates, hologram booths for life-size remote collaboration, and even a robot that looked like a lamp affixed to the top of a walking table.

Most offerings boasted being enhanced with AI.

“Everybody is going to be talking about AI … whether it is there or not,” Creative Strategies analyst Carolina Milanesi told AFP.

AI on the move

CES will also be a gigantic auto show, with carmakers and those supplying software and parts showing off self-driving and automated safety capabilities.

“CES has been an auto show for a while now, and if anything, it is more so this year,” said Techsponential analyst Avi Greengart.

 

Tesla CEO Elon Musk’s close relationship with Trump is expected to reduce regulatory speed bumps regarding autonomous vehicles.

And while still far from being a part of everyday life, flying cars will be part of the CES scene, according to independent tech analyst Rob Enderle.

“You should start seeing flying vehicles you can buy,” Enderle said. “Getting approval to fly them is a whole other matter.”

Robots designed to handle work tasks or be comforting companions — and even adorable pets — are among CES’ exhibits.

Gadgets for calming the mind, beautifying the body, or helping get a sound night’s sleep are on display as tech continues to seep into every aspect of existence.

“Digital health is going to be huge,” said Greengart.

“We are seeing a lot more tech being worn or used to track your health markers.”

AI-enhanced tech will also be infusing homes, from a spice dispenser that “learns” a cook’s taste and robot swimming pool cleaners.

Tariff anxiety?

Tariffs talked about by Trump would raise costs for imported items, and that will likely be on the minds of CES attendees targeting the U.S. market, according to analysts.

A lot of the products at the show have imported components, and if Trump hits Canada, China and Mexico with tariffs, it will mean a spike in prices, analyst Enderle said.

“There will be a lot of concerned vendors at CES,” Enderle said of the tariff trepidation.

Talk at CES will include how to navigate supply chain constraints that could be caused by tariffs, according to Greengart.

“But a lot of the talk will happen behind closed doors to not anger the coming administration,” he added.

Chinese companies with significant U.S. presence, like smart television rivals TCL and Hisense, are at CES.

But Greengart warns of a “growing bifurcation of market between China and the rest of the world” as trade frictions play out.

British PM slams ‘lies and misinformation’ in escalating row with Musk

British Prime Minister Keir Starmer has criticized those, in his words, “spreading lies and misinformation,” after coming under fire from billionaire Tesla CEO Elon Musk. The ally of U.S. President-elect Donald Trump accused Starmer of failing to prosecute past cases of child sexual exploitation. As Henry Ridgwell reports, it’s the latest in a series of interventions by Musk in European politics

Louisiana reports 1st bird flu-related death in US, state agency says

WASHINGTON — The Louisiana Department of Health said Monday that a U.S. patient hospitalized with H5N1 bird flu had died, the country’s first death from an outbreak of the virus that has sickened dozens of people and millions of poultry and cattle. 

Nearly 70 people in the U.S. have contracted bird flu since April, according to the U.S. Centers for Disease Control and Prevention, most of them livestock workers exposed to sick chickens or dairy cattle. 

The patient in Louisiana, the first person in the country to be hospitalized with the virus, contracted bird flu after exposure to a combination of backyard chickens and wild birds, said Louisiana health officials. The patient was hospitalized on Dec. 18, state health officials said. 

The patient was over 65 and had underlying medical conditions, the officials said. 

“While the current public health risk for the general public remains low, people who work with birds, poultry or cows, or have recreational exposure to them, are at higher risk,” the department said in a statement.  

The CDC did not immediately respond to a request for comment.

US cyber watchdog: No signs Treasury breach hit other federal agencies

WASHINGTON — The U.S. cyber watchdog agency CISA said Monday there was “no indication” the recently reported breach at the U.S. Treasury Department had affected any other federal agency. 

Late last month the U.S. Treasury reported that an unspecified number of computers had been compromised by Chinese hackers following a breach at contractor BeyondTrust, which provides cybersecurity services.  

BeyondTrust said last month that a limited number of clients were affected but has not elaborated. 

“As the forensic investigation is ongoing, BeyondTrust is unable to confirm the other customers who may or may not have been impacted,” the company said Monday in an email. 

The Washington Post has reported that the hackers breached the U.S. Treasury office that administers economic sanctions, aiming to steal information about Chinese entities that the U.S. government might be considering designating for financial sanctions. 

Republican lawmakers have demanded a briefing about the breach, which is the latest in a series of intrusions blamed on Beijing. 

Liu Pengyu, spokesperson for the Chinese Embassy in Washington, has previously described the Treasury hack reports as “irrational” and represented “smear attacks” against China. 

Films, television shows honored at 82nd Golden Globes

Hollywood got dressed up as the Golden Globes returned for its annual champagne-soaked celebration of film and television workers at the Beverly Hilton in Beverly Hills, California. The show serves as the ceremonial start to the 2025 awards season.Two wildly audacious films — Brady Corbet’s 215-minute postwar epic “The Brutalist” and Jacques Audiard’s Spanish language, genre-shifting trans musical “Emilia Perez” — won top honors at the show.

‘The Brutalist,’ ‘Emilia Perez’ triumph at Golden Globes

Two wildly audacious films — Brady Corbet’s 215-minute postwar epic “The Brutalist” and Jacques Audiard’s Spanish language, genre-shifting trans musical “Emilia Perez” — won top honors at the 82nd Golden Globes on Sunday.

The Globes, which are still finding their footing after years of scandal and makeover, scattered awards around to a number of films. But the awards group put its strongest support behind a pair of movies that sought to be unlike anything else.

“The Brutalist” was crowned best film, drama, putting one of 2024’s most ambitious films on course to be a major contender at the Academy Awards. The film, shot in VistaVision and released with an intermission, also won best director for Corbet and best actor for Adrien Brody.

“I was told that this film was un-distributable,” said Corbet. “No one was asking for a three-and-half-hour film about a mid-century designer in 70mm. But it works.”

“Emilia Perez” won best film, comedy or musical, elevating the Oscar chances of Netflix’s top Oscar contender. It also won best supporting actress for Zoe Saldaña, best song (“El Mal”) and best non-English language film. Karla Sofia Gascon, the film’s transgender star who plays a Mexican drug lord who undergoes gender-affirming surgery, spoke for the film.

“The light always wins over darkness,” said Gascon, gesturing to her brightly orange dress. “You can maybe put us in jail. You can beat us up. But you never can take away our soul or existence or identity.”

“I am who I am. Not who you want.”

The night’s big actor winners included some surprises. One shocker was Moore’s win for best actress in a comedy or musical. Her comeback performance in “The Substance,” about a Hollywood star who resorts to an experimental process to regain her youth, landed the 62-year-old Moore her first Globe — a victory that came over the heavily favored Mikey Madison of “Anora.”

“I’m just in shock right now. I’ve been doing this a long time, like over 45 years, and this is the first thing I’ve ever won as an actor,” said Moore, who was last nominated by the Globes for a film role in 1991 for “Ghost.” “Thirty years ago, I had a producer tell me that I was a popcorn actress.”

Best actress, in a drama film, was a surprise, too. The Brazilian actress Fernanda Torres won for her performance in “I’m Still Here,” a based-on-a-true-story drama about a family living through the disappearance of political dissident Rubens Paiva in 1970s Rio de Janeiro.

Best supporting actor in a musical or comedy went to Sebastian Stan for another movie about physical transformation: “A Different Man,” in which Stan plays a man with a deformed face who’s healed. Stan, who was also nominated for playing Donald Trump in “The Apprentice,” noted that both films were hard to get made.

“These are tough subject matters but these films are real and they’re necessary,” said Stan. “But we can’t be afraid and look away.”

Glaser lightly roasts the Globes

Comedian Nikki Glaser kicked off the Globes, with a promise: “I’m not here to roast you.”

But Glaser, a stand-up whose breakthrough came in a withering roast of Tom Brady, made her way around the ballroom of the Beverly Hilton in Beverly Hills, California, on Sunday picking out plenty of targets in an opening monologue she had worked out extensively in comedy clubs beforehand.

While Glaser might not have reached Tina Fey and Amy Poehler levels of laughs, the monologue was mostly a winner, and a dramatic improvement over last year’s host, Jo Koy. Last year’s Globes, following a diversity and ethics scandal that led to the dissolution of the Hollywood Foreign Press Association, were widely panned, but delivered where it counted. Ratings rebounded to about 10 million viewers, according to Nielsen. CBS, who waded in after NBC dumped the Globes, signed up for five more years.

Hosting the Globes two weeks before the inauguration of Donald Trump, Glaser reserved perhaps her most cutting line for the whole room of Hollywood stars.

“You could really do anything … except tell the country who to vote for,” said Glaser. “But it’s OK, you’ll get ’em next time … if there is one. I’m scared.”

The Globes are now owned by Todd Boehly’s Eldridge Industries and Dick Clark Productions, which acquired the award show from the now defunct Hollywood Foreign Press Association. After diversity and ethics scandals, the HFPA sold off the Globes and dissolved. However, more than a dozen former HFPA members are seeking to have the sale to Eldridge Industries and Dick Clark Productions rescinded.

A win for ‘Wicked’

The Globes’ award for cinematic and box-office achievement went to Jon M. Chu’s “Wicked,” which has nearly collected $700 million in theaters. In a heavily arthouse Oscar field, “Wicked” is easily the biggest hit seen as having a chance to win best picture. Accepting the award, Chu argued for “a radical act of optimism” in art.

Though few film awards have been predictable this season, Kieran Culkin is emerging as the clear favorite for best supporting actor. Culkin won Sunday for his performance in Jesse Eisenberg’s “A Real Pain,” his second Globe in the past year following a win for the HBO series “Succession.” He called the Globes “basically the best date night that my wife and I ever have,” and then thanked her for “putting up what you call my mania.”

The papal thriller “Conclave” took best screenplay, for Peter Straughan’s script. “Flow,” the wordless Latvian animated parable about a cat in a flooded world, took best animated film, winning over studio blockbusters like “Inside Out 2” and “The Wild Robot.” Trent Reznor and Atticus Ross won best score for their thumping music for “Challengers.”

TV prizes

Most of the TV winners were oft-awarded series, including the Emmy champ “Shogun.” It won four awards, including best drama series and acting wins for Hiroyuki Sanada, Anna Sawai and Tadanobu Asano. Other repeat winners were: “Hacks” (best comedy series, actress for Jean Smart), “The Bear” (Jeremy Allen White for best actor) and “Baby Reindeer” (best limited series).

Ali Wong won for best stand-up performance, Jodie Foster for “True Detective” and Colin Farrell for his physical transformation in “The Penguin.”

“I guess it’s prosthetics from here on out,” said Farrell.

Complete list of Golden Globe winners

BEVERLY HILLS, Calif — “Emilia Perez” won best musical or comedy motion picture at the 82nd Golden Globes.

“The Brutalist” won best motion picture drama, and Adrien Brody took home best actor for his role in the film.

“Shogun” won best television drama, and “Hacks” won for TV comedy or musical. Emilia Perez” entered the night as the lead nominee, with 10 nods.

Demi Moore, Sebastian Stan, Zoe Saldana, Kieran Culkin and Jean Smart were among the acting winners.

Comedian Nikki Glaser hosted Sunday’s ceremony from the Beverly Hilton in Beverly Hills, California.

At a gala dinner Friday, Viola Davis received the Cecil B. DeMille Award, and Ted Danson accepted the Carol Burnett Award. The Globes aired on CBS and streamed live for subscribers to Paramount+ with Showtime.

Here’s a list of winners at Sunday’s Golden Globes:

MoviesBest motion picture, drama

“The Brutalist”

Best motion picture, musical or comedy

“Emilia Pérez”

Best performance by a female actor in a motion picture, drama

Fernanda Torres, “I’m Still Here”

Best performance by a male actor in a motion picture, drama

Adrien Brody, “The Brutalist”

Best performance by a female actor in a motion picture, musical or comedy

Demi Moore, “The Substance”

Best performance by a male actor in a motion picture, musical or comedy

Sebastian Stan, “A Different Man”

Best performance by a female actor in a supporting role, movie

Zoe Saldaña, “Emilia Pérez”

Best performance by a male actor in a supporting role, movie

Kieran Culkin, “A Real Pain”

Cinematic and Box Office Achievement

“Wicked”

Best motion picture, non-English

“Emilia Pérez”

Best motion picture, animated

“Flow”

Best director

Brady Corbet, “The Brutalist”

Best screenplay

Peter Straughan, “Conclave”

Best original score

Trent Reznor and Atticus Ross, “Challengers”

Best original song

“El Mal” from “Emilia Pérez” music/lyrics by Clément Ducol, Camille, Jacques Audiard

TelevisionBest television series, drama

“Shōgun”

Best television series, comedy or musical

“Hacks”

Best performance by a female actor, TV series, drama

Anna Sawai, “Shōgun”

Best performance by a male actor, TV series, drama

Hiroyuki Sanada, “Shōgun”

Best performance by a female actor TV series, musical or comedy

Jean Smart, “Hacks”

Best performance by a male actor, TV series, musical or comedy

Jeremy Allen White, “The Bear”

Best limited series, anthology series or movie made for television

“Baby Reindeer”

Best performance by a male actor in a limited series, anthology series or movie made for television

Colin Farrell, “The Penguin”

Best performance by a female actor in a limited series, anthology series or movie made for television

Jodie Foster, “True Detective: Night Country”

Best performance by a female actor in a supporting role, TV

Jessica Gunning, “Baby Reindeer”

Best performance by a male actor in a supporting role, TV

Tadanobu Asano, “Shōgun”

Best performance in stand-up comedy on TV

Ali Wong, “Ali Wong: Single Lady”

TikTok creators in US left in limbo while awaiting decision on potential platform ban

Will TikTok in the U.S. be banned this month?

That’s the pressing question keeping creators and small business owners in anxious limbo as they await a decision that could upend their livelihoods. The fate of the popular app will be decided by the U.S. Supreme Court, which will hear arguments on Jan. 10 over a law requiring TikTok to break ties with its Chinese-based parent company, ByteDance, or face a U.S. ban.

At the heart of the case is whether the law violates the First Amendment with TikTok and its creator allies arguing that it does. The U.S. government, which sees the platform as a national security risk, says it does not.

For creators, the TikTok doomsday scenarios are nothing new since President-elect Donald Trump first tried to ban the platform through executive order during his first term. But despite Trump’s recent statements indicating he now wants TikTok to stick around, the prospect of a ban has never been as immediate as it is now with the Supreme Court serving as the final arbiter.

If the government prevails as it did in a lower court, TikTok says it would shut down its U.S. platform by Jan. 19, leaving creators scrambling to redefine their futures.

“A lot of my other creative friends, we’re all like freaking out. But I’m staying calm,” said Gillian Johnson, who benefited financially from TikTok’s live feature and rewards program, which helped creators generate higher revenue potential by posting high-quality original content. The 22-year-old filmmaker and recent college graduate uses her TikTok earnings to help fund her equipment for projects such as camera lens and editing software for her short films “Gambit” and “Awaken! My Neighbor.”

Johnson said the idea of TikTok going away is “hard to accept.”

Many creators have taken to TikTok to voice their frustrations, grappling with the possibility that the platform they’ve invested so much in could soon disappear. Online communities risk being disrupted, and the economic fallout could especially be devastating for those who mainly depend on TikTok and have left full-time jobs to build careers and incomes around their content.

For some, the uncertainty has led them to question whether to continue creating content at all, according to Johnson, who says she knows creators who have been thinking about quitting. But Nicla Bartoli, the vice president of sales at The Influencer Marketing Factory, said the creators she has interreacted with have not been too worried since news about a potential TikTok ban has come up repeatedly over the years, and then died down.

“I believe a good chunk think it is not going to happen,” said Bartoli, whose agency works to pair influencers and brands.

It’s unclear how quickly the Supreme Court will issue a decision. But the court could act swiftly to block the law from going into effect if at least five of the nine justices deem it unconstitutional.

Trump, for his part, has already asked the justices to put a pause on the ban so he could weigh in after he takes office. In a brief — written by his pick for solicitor general — Trump called the First Amendment implications of a TikTok ban “sweeping and troubling” and said he wants a “negotiated resolution” to the issue, something the Biden administration had pursued to no avail.

While waiting for the dust to settle in Washington, some creators are exploring alternatives ways to promote themselves or their business, encouraging users to follow them on other social media platforms or are investing more time producing non-TikTok content.

Johnson says she is already strategizing her next move and exploring alternative opportunities. While she hasn’t found a place quite like TikTok, she’s begun to spend more of her time on other platforms, such as Instagram and YouTube, both of whom are expected to benefit financially if TikTok vanishes.

According to a report by Goldman Sachs, the so-called creator economy, which has been fueled in part by TikTok, could be worth $480 billion by 2027.

Because the opportunity to monetize content exists across a range of platforms, a vast amount of creators have already diversified their social media presence. However, many TikTok creators have credited the platform — and its algorithm — with giving them a type of exposure they did not receive on other platforms. Some say it has also boosted and provided opportunities for creators of color and those from other marginalized groups.

Despite fears about the fate of TikTok, industry analysts note creators are generally avoiding making any big changes, like abandoning platform, until something actually happens.

“I’m anxious but also trying to be hopeful in a weird way,” said Brandon Hurst, who credits TikTok with rescuing his business from obscurity and propelling it into rapid growth.

A year after joining TikTok, the 30-year-old Hurst, who sells plants, said his sales doubled, outpacing the traction he’d struggled to gain on Instagram. He built his clientele through the live feature on TikTok, which has helped him sell more than 77,000 plants. The business has thrived so much that he says he now employs five people, including his husband and mom.

“For me, this has been my sole way of doing business,” Hurst said.

Billion Dollar Boy, a New York-based influencer marketing agency, has advised creators to download all of their TikTok content into a personal portfolio, which is especially important for those who post primarily on the platform, said Edward East, the agency’s founder and group CEO. This can help them quickly build their audiences elsewhere. Plus, it can serve as a resume for brands who might want to partner with them for product advertisements, East said.

But until the deadline of Jan. 19 comes around, East said creators should continue to post regularly on TikTok, which has 170 million monthly U.S. users and remains highly effective in reaching audiences.

If the Supreme Court does not delay the ban, as Trump is asking them to do, app stores and internet service providers would be required to stop providing service to TikTok by Jan. 19. That means anyone who doesn’t have TikTok on their phone would be unable to download it. TikTok users would continue to have access, but the prohibitions — which will prevent them from updating the app — will eventually make the app “unworkable,” the Justice Department has said.

TikTok said in court documents that it estimates a one-month shutdown would cause the platform to lose approximately a third of its daily users in the U.S. The company argues a shutdown, even if temporary, will cause it irreparable harm, a legal bar used by judges to determine whether to put the brakes on a law facing a challenge. In under three weeks, Americans will know if the Supreme Court agrees.

Viola Davis, Ted Danson celebrated in film and TV at Golden Globes event

Beverly Hills, California — Viola Davis’ journey to becoming one of Hollywood’s most revered actors was driven by a straightforward mantra: Embrace every role, using each as a paycheck and a chance to explore new characters while honing her skills.

Davis delivered a moving, 16-minute speech while accepting the prestigious Cecil B. DeMille Award at the Golden Gala: An Evening of Excellence on Friday night. She reflected on how her turbulent upbringing fueled her passion for acting as an escape and how financial necessity often influenced her choice of roles.

“If I waited for a role that was written for me, well crafted, then I wouldn’t be standing up here,” said Davis, who along with Ted Danson, recipient of the Carol Burnett Award, were celebrated for their career achievements in film and television during a star-studded, black-tie gala dinner in Beverly Hills, California, just two nights before the 82nd annual Golden Globes on Sunday.

Some of the popular names in attendance included Carol Burnett, Jane Fonda, Anthony Anderson, Steve Guttenberg and singer-songwriter Kenneth “Babyface” Edmonds. It’s the first time the Globes hosted a separate event dedicated to both awards.

Davis said she couldn’t afford to wait for the perfect role, especially as a “dark-skinned Black woman with a wide nose and big lips.”

“So I took it for the money,” said Davis, who won praise for a string of compelling characters in films such as “Fences,” “The Woman King,” “The Help” and “Ma Rainey’s Black Bottom” while captivating TV audiences through the legal thriller drama “How to Get Away with Murder.”

“I don’t believe that poverty is really the answer to craft,” she said. “I don’t think there’s any nobility in poverty.”

Meryl Streep presented the award to Davis, who she called a pure artist who “delivers the truth every time.” Both actors worked together in the 2008 film “Doubt,” where Streep first became in awe of Davis, who she called her “favorite actor in the world.”

The DeMille Award has been bestowed on Hollywood’s greatest talents. Past recipients include Tom Hanks, Jeff Bridges, Oprah Winfrey, Morgan Freeman, Streep, Barbra Streisand and Sidney Poitier.

When Danson accepted his award, he congratulated Davis, calling her an “amazing actor.”

“It’s such a pleasure to be in the same room with you,” said Danson, a three-time Globes winner, who has been a fixture on TV since he broke out as Boston bartender Sam Malone on NBC’s comedy “Cheers.” His other credits include “The Good Place,” “Mr. Mayor,” “Fargo,” “CSI” and “CSI: Cyber,” “Damages” and “Becker.”

Danson currently stars in Netflix’s “A Man on the Inside,” which earned his first nomination since 2008 and 13th overall.

“Bia Iftikhar, who does his hair on set, said it best: ‘Ted sets the tone,'” said his wife, actor Mary Steenburgen, who presented Danson with the Carol Burnett Award, which was inaugurated in 2019. Past recipients include Norman Lear, Ryan Murphy and Ellen DeGeneres. The first was Burnett herself.

Danson and Steenburgen appeared in a few projects together including “Pontiac Moon,” “Gulliver’s Travels” and “It Must Be Love.”

“He’s so loving and takes such joy in acting that all of us who are hard at work away from our families for long hours get to work on a set that is dictated by his kindness,” Steenburgen said. “As his wife, watching the respect and love … for Ted, it made me very proud.”

Danson traded “I love you” with Burnett, showing admiration for each other. He thanked a number of writers, producers and actors along with the “Cheers” co-creators Glen and Les Charles, who surprised him by showing up to the event.

“I feel so grateful,” he said. “I’m truly the luckiest… on Earth.”

Davis quipped, “Little Viola is squealing,” referring to how her younger self would be overjoyed at the actor’s journey from an impoverished childhood to Hollywood stardom.

“She’s standing behind me and she’s pulling on my dress,” said Davis, who achieved EGOT status after winning a Grammy last year for best audio book, narration, and storytelling for the recording for her memoir “Finding Me.”

“She’s wearing the same red rubber boots that she wore rain or shine because they her feel ‘purty'” she continued. “What she’s whispering is: ‘I told you I was a magician.'”

‘Mufasa’ and ‘Sonic 3’ rule first box office weekend of 2025

The Walt Disney Co.’s “Mufasa” claimed the No. 1 spot on the North American box office charts over the first weekend of 2025.

The photorealistic “Lion King” prequel earned $23.8 million in its third weekend, according to studio estimates Sunday. Paramount’s “Sonic the Hedgehog 3,” which has dominated the past two weekends, wasn’t far behind.

“Sonic 3” stayed close with a 3-day estimate of $21.2 million, bringing its total domestic earnings to $187.5 million and helping the overall franchise cross $1 billion worldwide. “Mufasa’s” running total is slightly less, with $169.2 million.

In third place, Focus Features’ “Nosferatu” remake defied the fate of so many of its genre predecessors and fell only 39% in its second weekend. Horror films typically fall sharply after the first weekend and anything less than a 50% decline is notable.

“Nosferatu,” which added 140 screens, claimed $13.2 million in ticket sales, bringing its running total to $69.4 million since its Christmas debut. The film, directed by Robert Eggers, already surpassed its reported production budget of $50 million, though that figure does not account for marketing and promotion expenses.

No new wide releases opened this weekend, leaving the box office top 10 once again to holdovers from previous weeks. Several have been in theaters since Thanksgiving. One of those, “Moana 2,” claimed the No. 4 spot for Disney in its sixth weekend in theaters. The animated sequel earned another $12.4 million, bumping its global total to $960.5 million.

The Bob Dylan biopic “A Complete Unknown,” dipped only slightly in its second weekend, bringing in $8.1 million. With $41.7 million total, it’s Searchlight’s highest grossing film since Disney acquired the company in 2019.

A24’s erotic drama “Babygirl,” which added 49 locations, held steady at $4.5 million.

Another Thanksgiving leftover, “Wicked,” rounded out the top five. Universal’s movie musical was made available to purchase on VOD on Jan. 31, but still earned another $10.2 million from theaters. The movie is up for several awards at Sunday’s Golden Globes, including nominations for Cynthia Erivo, Ariana Grande, best motion picture musical or comedy and “cinematic and box office achievement,” which last year went to “Barbie.”

Also in theaters this weekend was the IMAX re-release of David Fincher’s 4K restoration of “Seven,” which earned just over $1 million from 200 locations.

The 2025 box office year is already off to a better start than 2024, up around 20% from the same weekend last year.

Final domestic figures will be released Monday. Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

  1. “Mufasa: The Lion King,” $23.8 million.

  2. “Sonic the Hedgehog 3,” $21.2 million.

  3. “Nosferatu,” $13.2 million.

  4. “Moana 2,” $12.4 million.

  5. “Wicked,” $10.2 million.

  6. “A Complete Unknown,” $8.1 million.

  7. “Babygirl,” $4.5 million.

  8. “Gladiator II,” $2.7 million.

  9. “Homestead,” $2.1 million.

  10. “The Fire Inside,” $1.2 million.