YCLOAK

BEVERLY HILLS, California — Musical thriller “Emilia Perez” and historical epic “The Brutalist” led the roster of films nominated on Monday for the 2025 Golden Globes, the Hollywood honors that kick off the movie awards season leading to the Oscars.

“Emilia Perez,” released by Netflix NFLX.O, scored 10 nods and “The Brutalist,” from independent distributor A24, earned seven.

Taking home a Globe can help movies in the race to the Academy Awards in March. Last year’s Hollywood strikes scrambled this year’s release schedule, and awards pundits say there is no clear frontrunner for best picture at the Oscars.

The Globe winners will be chosen by 334 entertainment journalists from 85 countries and will be announced Jan. 5 at a ceremony broadcast live on CBS and streamed on Paramount+.

“Emilia Perez” stars Zoe Saldana as a lawyer who helps a drug cartel leader (Spanish actor Karla Sofía Gascón) fake his death and transition from a man to a woman. Selena Gomez co-stars as the cartel leader’s wife. All three were nominated for by Globes voters for acting honors.

“The Brutalist” stars Adrien Brody in an epic tale of a Hungarian immigrant who flees the horrors of World War Two to rebuild his life in the United States.

Box office smash “Wicked,” adapted from a long-running Broadway play about the witches in “The Wizard of Oz,” landed four nominations.
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The results of the 2024 U.S. presidential election rattled the country and sent shockwaves across the world — or were cause for celebration, depending on who you ask. Is it any surprise then that the Merriam-Webster word of the year is “polarization”?

“Polarization means division, but it’s a very specific kind of division,” said Peter Sokolowski, Merriam-Webster’s editor at large, in an exclusive interview with The Associated Press ahead of Monday’s announcement. “Polarization means that we are tending toward the extremes rather than toward the center.”

The election was so divisive, many American voters went to the polls with a feeling that the opposing candidate was an existential threat to the nation. According to AP VoteCast, a survey of more than 120,000 voters, about 8 in 10 Kamala Harris voters were very or somewhat concerned that Donald Trump’s views — but not Harris’ — were too extreme, while about 7 in 10 Trump voters felt the same way about Harris — but not Trump.

The Merriam-Webster entry for “polarization” reflects scientific and metaphorical definitions. It’s most commonly used to mean “causing strong disagreement between opposing factions or groupings.”

Merriam-Webster, which logs 100 million pageviews a month on its site, chooses its word of the year based on data, tracking a rise in search and usage.

Last year’s pick was “authentic.” This year’s comes as large swaths of the U.S. struggle to reach consensus on what is real.

“It’s always been important to me that the dictionary serve as a kind of neutral and objective arbiter of meaning for everybody,” Sokolowski said. “It’s a kind of backstop for meaning in an era of fake news, alternative facts, whatever you want to say about the value of a word’s meaning in the culture.”

It’s notable that “polarization” originated in the early 1800s — and not during the Renaissance, as did most words with Latin roots about science, Sokolowski said. He called it a “pretty young word,” in the scheme of the English language. “Polarized is a term that brings intensity to another word,” he continued, most frequently used in the U.S. to describe race relations, politics and ideology.

“The basic job of the dictionary is to tell the truth about words,” the Merriam-Webster editor continued. “We’ve had dictionaries of English for 420 years and it’s only been in the last 20 years or so that we’ve actually known which words people look up.”

“Polarization” extends beyond political connotations. It’s used to highlight fresh cracks and deep rifts alike in pop culture, tech trends and other industries.

All the scrutiny over Taylor Swift’s private jet usage? Polarizing. Beef between rappers Kendrick Lamar and Drake? Polarizing. The International Olympic Committee’s decision to strip American gymnast Jordan Chiles of her bronze medal after the Paris Games? You guessed it: polarizing.

Even lighthearted memes — like those making fun of Australian breakdancer Rachael “Raygun” Gunn’s performance — or the proliferation of look-alike contests, or who counts as a nepo baby proved polarizing.

Paradoxically though, people tend to see eye to eye on the word itself. Sokolowski cited its frequent use among people across the political spectrum, including commentators on Fox News, MSNBC and CNN.

“It’s used by both sides,” he said, “and in a little bit ironic twist to the word, it’s something that actually everyone agrees on.”

Rounding out Merriam-Webster’s top 10 words of 2024:

Demure

TikToker Jools Lebron’s 38-second video describing her workday makeup routine as “very demure, very mindful” lit up the summer with memes. The video has been viewed more than 50 million times, yielding “huge spikes” in lookups, Sokolowski said, and prompting many to learn it means reserved or modest.

Fortnight

Taylor Swift’s song “Fortnight,” featuring rapper Post Malone, undoubtedly spurred many searches for this word, which means two weeks. “Music can still send people to the dictionary,” Sokolowski said.

Totality

The solar eclipse in April inspired awe and much travel. There are tens of millions of people who live along a narrow stretch from Mexico’s Pacific coast to eastern Canada, otherwise known as the path of totality, where locals and travelers gazed skyward to see the moon fully blot out the sun. Generally, the word refers to a sum or aggregate amount — or wholeness.

Resonate

“Texts developed by AI have a disproportionate percentage of use of the word ‘resonate,'” Sokolowski said. This may be because the word, which means to affect or appeal to someone in a personal or emotional way, can add gravitas to writing. But, paradoxically, artificial intelligence “also betrays itself to be a robot because it’s using that word too much.”

Allision

The word was looked up 60 times more often than usual when, in March, a ship crashed into the Francis Scott Key Bridge in Baltimore. “When you have one moving object into a fixed object, that’s an allision, not a collision. You’re showing that one of the two objects struck was not, in fact, in motion,” Sokolowski said.

Weird

This summer on the TV news show “Morning Joe,” Minnesota Gov. Tim Walz called Republican leaders “weird.” It may have been what launched his national career, landing him as the Democratic vice presidential nominee. Though it’s a word that people typically misspell — is it “ei” or “ie”? — and search for that reason, its rise in use was notable, Sokolowski said.

Cognitive

Whether the word was used to raise questions about President Joe Biden’s debate performance or Trump’s own age, it cropped up often. It refers to conscious intellectual activity — such as thinking, reasoning, or remembering.

Pander

Pander was used widely in political commentary, Sokolowski said. “Conservative news outlets accused Kamala Harris of pandering to different groups, especially young voters, Black voters, gun rights supporters.” Whereas Walz said Trump’s visit to a McDonald’s kitchen pandered to hourly wage workers. It means to say, do, or provide what someone — such as an audience — wants or demands even though it is not “good, proper, reasonable, etc.”

Democracy

In 2003, Merriam-Webster decided to make “democracy” its first word of the year. Since then, the word — which, of course, means a form of government in which the people elect representatives to make decisions, policies and laws — is consistently one of the dictionary’s most looked up. “There’s a poignancy to that, that people are checking up on it,” Sokolowski said. “Maybe the most hopeful thing that the curiosity of the public shows, is that they’re paying attention.”
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Vancouver, British Columbia — Taylor Swift’s “The Eras Tour” officially ended Sunday in Vancouver, British Columbia, Canada. The nearly two-year-long tour was record-breaking and trend-setting.

It is finally the end of an era for Taylor Swift.

The last show here in Vancouver is the finale of a 149-concert tour that spanned almost two years. It is estimated that it earned around two-billion dollars since the first concert in March 2023.

Each concert lasted about three-and-a-half hours and featured at least 44 songs, divided into 10 parts, or “eras,” of her recording career. The tour stopped in 53 cities on five continents.

For Vancouver residents, the arrival of Swiftmania took over the city and drew comparisons to when the area hosted the 2010 Winter Olympic and Paralympic Games. 

Chris May is the general manager of BC Place Stadium, the venue that hosted the final three Swift concerts.

He said organizing and preparations for these concerts was similar to ceremonies for the Olympics, Paralympics and the 2015 Women’s World Cup of Soccer, which were held in the stadium.

He said 70% of attendees for the final concerts were from outside of the greater Vancouver area.

“That means we have a huge amount of guests that have never been here before. So, you know, it’s working through those realities of ensuring we have enough staffing, enough signage and wayfinding, and people to help to get people where they’re going,” he said.

May said the April 2024 concert for Diljit Dosanjh, which was the biggest Punjabi music concert outside of India, drew more than 50,000 fans. All told, Swift’s three Vancouver concerts drew about 160,000 people.   

Jarrett Vaughan, an adjunct professor at the Sauder School of Business at the University of British Columbia, said Swift’s adept use of social media played a crucial role in the tour’s success.  

He also said the COVID-19 pandemic played a part for some younger members of her audience. 

“I think when we look at the current audience that she has, you know, they were fairly young at that time. They didn’t have the opportunity to attend concerts going through maybe middle school or elementary school, and so for them now, to be able to attend something like this is pretty remarkable,” he said.

Vaughan said the legacy of the Eras Tour will not solely be just Swift’s use of social media, but the positivity she created for her fan base.

Stephanie Burt is an English professor at Harvard College and recently taught a very popular class at the school on Swift.

For her, the secret to Swift’s Eras Tour and her career itself is simple, she is really good at writing songs that are aspirational and relatable.

“We hear the songs, and we hear both someone who’s already like us and someone who we want to be more like and want to be closer to and aspire to be like. That’s a rare gift to extend it that long, and the tour testifies to the persistence of her talent and to her versatility and to her ability to collaborate and organize and plan,” she said.

Vancouver’s tourism office estimates the final dates of Swift’s tour boosted the city’s economy by $112 million. 
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The Walt Disney Co.’s animated film “Moana 2” remained at the top of the box office in its second weekend in theaters as it brought in another record haul. 

The film added $52 million, according to studio estimates Sunday. That brings its domestic total to $300 million, surpassing the original, and its global tally to a staggering $600 million.

The amount set a record gross for a movie on the weekend following Thanksgiving weekend, unseating “Frozen II,” which earned $35.2 million in the same time frame in 2019. The numbers are not adjusted for inflation. Originally conceived as a Disney+ series, “Moana 2” has already broken into the top five highest grossing releases of the year. Its performance means Disney has three films in this year’s top five, including “Inside Out 2” and “Deadpool & Wolverine.” The studio also has another big movie on the way before the year ends: Barry Jenkins’ “Mufasa,” out Dec. 20.

The weekend also showcased several new releases, including A24’s horror comedy “Y2K” and the Jude Law crime thriller “The Order.” But nothing was ever going to present significant competition to the enticing Thanksgiving leftovers, “Moana 2,” “Wicked” and “Gladiator II.”

Second place at the box office was occupied by “Wicked,” which added $34.9 million, bringing its domestic total to $320.5 million in three weeks. Globally, the musical adaptation released by Universal is at $455.6 million. “Gladiator II” followed in third place with $12.5 million, while “Red One” came in fourth with $7 million.

“These holdovers are going to create the momentum that’s going to put an $8.5 billion-plus box office year on the horizon,” said Paul Dergarabedian, the senior media analyst for Comscore.

Pre-pandemic, $11 billion had become the annual norm for the movie business. Since then, the closest the industry has gotten to that number was last year, which cracked $9 billion. This year started off slow and up to a few months ago, Dergarabedian said, even hitting $8 billion for the year was in doubt. But in the two weeks since Thanksgiving, the deficit from last year has narrowed by over 5%. 

The newcomers struggled to make a significant impact. Even the 10th anniversary rerelease of Christopher Nolan’s “Interstellar,” which played in only 165 theaters, did better than “Y2K” ($2.1 million) and “The Order” ($878,000) combined. Paramount reported that the science fiction epic starring Matthew McConaughey and Anne Hathaway brought in an estimated $4.4 million. IMAX also noted that all the 70mm IMAX presentations of “Interstellar” were sold out through the weekend.

“I was thrilled so many moviegoers took advantage of the original IMAX experience of ‘Interstellar’ this weekend,” Nolan said in a statement.

The biggest of the many newcomers was the Indian action pic “Pushpa: The Rule – Part 2,” which earned $4.9 million. Sony and Crunchyroll’s anime release, “Solo Leveling – ReAwakening,” made $2.4 million. Fathom also released pop duo for KING + COUNTRY’s “A Drummer Boy Christmas” concert in theaters where it made $2.1 million.

“It’s a really diverse marketplace,” Dergarabedian said. “There’s event cinema, international cinema, a rerelease of a 10-year-old film. It’s easily one of the most eclectic and interesting lineups I’ve ever seen.”

Next weekend theaters are in for another influx of bigger movies, with both Sony’s comic book film “Kraven the Hunter” and the animated “The Lord of the Rings: The War of the Rohirrim” opening in wide release. Awards contenders “Nickel Boys” and “September 5” will also open in a limited number of theaters.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Moana 2,” $52 million. 

2. “Wicked,” $34.9 million. 

3. “Gladiator II,” $12.5 million. 

4. “Red One,” $7 million. 

5. “Pushpa: The Rule – Part 2,” $4.9 million. 

6. “Interstellar” rerelease, $4.4 million. 

7. “Solo Leveling – ReAwakening,” $2.4 million. 

8. “Y2K,” $2.1 million. 

9. “for KING + COUNTRY’S: A Drummer Boy Christmas,” $2.1 million. 

10. “The Best Christmas Pageant Ever,” $1.5 million.
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TOKYO — A frog holding a taro-leaf umbrella. A parade of frolicking animals. An Ukiyo-e style Mount Fuji. Giant waves. A Japanese artist who goes by the name Lito carves these delicate designs on fallen leaves, giving life back to them.

The world of Lito’s delicate art, which he began in 2020 and posts on social media almost daily, has won fans from around the world. The leaf art has also given him solace after earlier struggles with attention-deficit hyperactivity disorder, and a purpose in life — the joy of making people happy with his art.

He enjoys working at night. From a pile of leaves treated with a wrinkle-free chemical, he picks one and places it on a cutting board.

First, he outlines the design on the leaf with a pen in his right hand. Then he takes a design knife in his left hand and starts cutting the leaf carefully. Slowly, the leaf begins to take the shape of a frog carrying an umbrella — a simple design he demonstrated in a recent interview with The Associated Press.

More complex, highly intensive work on a single leaf can take more than eight hours to complete.

His leaf-cutting works include titles such as Scrolls of Frolicking Animals, Leaf Aquarium and Thirty-six Views of Mt. Fuji: The Great Wave off Kanagawa. Each piece includes his own twists and often uses animals.

“I would rather finish it in one go when I am focused,” Lito, 38, said. He didn’t want to disclose his real name for personal reasons.

Since his childhood, Lito says he has had high levels of concentration and patience. But he had trouble fitting into what was considered the norm at school or at work, despite all his efforts. He struggled to interpret others’ feelings and to avoid confrontations.

After years of difficulty, he went to a hospital at age 30 and was told he has ADHD, a diagnosis that he felt explained why he has always done things differently.

He saw no point in forcing himself to do things the same way as other people, and began to adjust his life.

In early 2020, Lito came across the art of leaf cutting. He saw it as the perfect use of his patience and concentration.

Word of his skills has spread across social media, and he has published books on his leaf-cutting work. He holds a near monthly solo exhibition in various places in Japan.

“If I can make people happy by doing what I am doing, I want to do more. That’s my driving force for what’s next,” Lito says. 
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LONDON — London’s Royal Albert Hall, the gilded concert venue known for an annual Rule Britannia singalong, is preparing to host a different kind of spectacle: Sumo wrestling.

Camera shutters clicked furiously and reporters “Ahhhed” in delight Wednesday as wrestlers Daisuke Kitanowaka and Akira Fukutsuumi demonstrated a sideways stamp and put on an exhibition of heavyweight grappling to promote a tournament scheduled for next October.

It marks only the second time an elite five-day tournament will be held outside Japan. The first was in 1991 at the same venue.

Organizers are hoping to whip up the kind of excitement that was generated three decades ago, when the deeply ritualistic sport attracted sell-out crowds and a national television audience.

“It wasn’t just an event here at the hall,” said James Ainscough, chief executive of the Royal Albert Hall. “It became a national moment. People talked about it in the workplace. You could see kids acting it out each day in playgrounds the length and breadth of the country. So it’s a huge honor and a huge matter of excitement to welcome it back in 2025.”

A variety of factors, including a series of sumo wrestling scandals, the financial crisis and the COVID-19 pandemic, delayed the sport’s return to London. But organizers believe the time is right because sumo is having a bit of a moment.

Two Netflix series have introduced audiences to the intricacies of the sport, which has roots stretching back 1,500 years. Earlier this year, Hanshin Contents Link opened a sumo hall in Osaka, Japan’s third-largest city, that entertains foreign tourists with explanatory exhibitions and actual bouts.

Organizers of the London event say they hope to show Japan’s rich culture as well as its traditional sport that pits two huge men clad in very little against each other in a test of strength and technique.

On hand Wednesday was the winner of the previous U.K. tournament, Nobuyoshi Hakkaku, nicknamed “bulldog” by British fans in 1991. Now the chairman of the Japan Sumo Association, he reminisced about how the only thing that made him really nervous was preparing for a victory speech in English.

Japan’s ambassador to the U.K., Hiroshi Suzuki, also made an appearance, a reflection of the event’s importance to the nation. Organizers promised that spectators also would see exhibitions of Kabuki theater and other Japanese traditions.

But the main attraction were the wrestlers.

Kitanowaka and Fukutsuumi gamely tried to show off their sport. Clad in their mawashi, or ceremonial aprons, they faced off on a mat in front of several dozen journalists. The big men slammed into each other with an “oomph” as flesh slapped flesh. A grunt or two broke the silence.

No sweat was evident. It was over in a flash.

Then they went outside, dropping their robes and exposing their flesh to the frosty November air as they entered and exited a classic London black cab for photographers.

Nothing seemed to bother them. Not the cold. Not the demands to stand this way or that. As the concert hall loomed behind them, they did their best to be sumo diplomats.

“Sumo has a wonderfully intriguing collection of culture and ritual and sport and excitement,” Ainscough said. “And to bring sumo back to the Royal Albert Hall again doesn’t just create a sporting moment, it creates a moment where we can learn and be inspired by another culture and another set of principles to live by. It’s a moment where we can all grow closer together.'”
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MINNEAPOLIS — A pair of iconic ruby slippers that were worn by Judy Garland in The Wizard of Oz and stolen from a museum nearly two decades ago fetched $28 million in an auction Saturday.

Heritage Auctions had estimated that they would fetch $3 million or more. Online bidding opened last month and by Friday had reached $1.55 million, or $1.91 million including the buyer’s premium, a commission that the buyer pays, said Robert Wilonsky, a vice president with the Dallas-based auction house. More than 800 people were tracking the slippers, and the company’s web page for the auction had hit nearly 43,000 page views by Thursday, he said.

As Rhys Thomas, author of the book, The Ruby Slippers of Oz, puts it, the sequined shoes from the beloved 1939 musical have seen “more twists and turns than the Yellow Brick Road.”

They were on display at the Judy Garland Museum in her hometown of Grand Rapids, Minnesota, in 2005 when Terry Jon Martin used a hammer to smash the glass of the museum’s door and display case.

Their whereabouts remained a mystery until the FBI recovered them in 2018. Martin, now 77, who lives near Grand Rapids in northern Minnesota, wasn’t publicly exposed as the thief until he was indicted in May 2023. He pleaded guilty in October 2023. He was in a wheelchair and on supplementary oxygen when he was sentenced last January to time served because of his poor health.

His attorney, Dane DeKrey, explained ahead of sentencing that Martin, who had a long history of burglary and receiving stolen property, was attempting to pull off “one last score” after an old associate with connections to the mob told him the shoes had to be adorned with real jewels to justify their $1 million insured value. But a fence — a person who buys stolen goods — later told him the rubies were just glass, DeKrey said. So Martin got rid of the slippers. The attorney didn’t specify how.

The alleged fence, Jerry Hal Saliterman, 77, of the Minneapolis suburb of Crystal, was indicted in March. He was also in a wheelchair and on oxygen when he made his first court appearance. He’s scheduled to go on trial in January and hasn’t entered a plea, though his attorney has said he’s not guilty.

The shoes were returned in February to memorabilia collector Michael Shaw, who had lent them to the museum. They were one of several pairs that Garland wore during the filming, but only four pairs are known to have survived. In the movie, to return from Oz to Kansas, Dorothy had to click her heels three times and repeat, “There’s no place like home.”

Among those bidding was the Judy Garland Museum. The city of Grand Rapids raised money for the slippers at its annual Judy Garland festival to supplement the $100,000 set aside this year by Minnesota lawmakers to help the museum purchase the slippers.

The Wizard of Oz story has gained new attention in recent weeks with the release of the movie Wicked, an adaptation of the megahit Broadway musical, a prequel of sorts that reimagines the character of the Wicked Witch of the West.

The auction also included other memorabilia from The Wizard of Oz, such as a hat worn by Margaret Hamilton, who played the original Wicked Witch of the West. 
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VATICAN CITY — Pope Francis was seen with a significant bruise on his chin Saturday, but he presided over a ceremony to install new cardinals without apparent problems.

A Vatican spokesperson said later Saturday that the bruise was caused by a contusion on Friday morning when Francis hit a nightstand with his chin.

The pontiff, who turns 88 later this month, appeared slightly fatigued but carried on as normal with the scheduled ceremony to create 21 new cardinals in St. Peter’s Basilica.

Francis has suffered several health problems in recent years and now uses a wheelchair due to knee and back pain.

In 2017, while on a trip to Colombia, Francis sported a black eye after he hit his head on a support bar when his popemobile stopped short.
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PARIS — Notre Dame will formally reopen Saturday, five years after the Paris cathedral was devastated by fire, with U.S. President-elect Donald Trump among world leaders there to celebrate its remarkably rapid restoration.

Held up as an example of French creativity and resilience by President Emmanuel Macron, Notre Dame’s renaissance so soon after a 2019 blaze that destroyed its roof and spire comes at a difficult time for the country.

The sense of national accomplishment in restoring a beloved symbol of Paris has been undercut by political turmoil that has left France without a proper government and in a budget crisis.

Macron is hoping that the first full service inside Notre Dame and the sight of around 40 world leaders in Paris might provide a fleeting sense of pride and unity — as the Paris Olympics did in July and August.

The re-opening “is the proof that we know how to do grand things, we know how to do the impossible and the whole world has admired us for it on two occasions this year,” Macron said during a televised address on Thursday, referring to the widely praised Olympics.

During a visit with TV cameras last week however, he somewhat undermined the suspense behind the reopening, revealing the cathedral’s freshly scrubbed limestone walls, new furniture and vaulted wooden roof cut from ancient oak trees selected from the finest forests of France.

The reconstruction effort has cost around $750 million, financed from donations, with the re-opening achieved within five years despite predictions it could take decades.

Workers had to overcome problems with lead pollution, the COVID-19 epidemic, and the general overseeing the project falling to his death while hiking in the Pyrenees last year.

Trump show?

While the reborn 12th-century architectural masterpiece will be the main focus of public attention on Saturday, TV cameras are also likely to linger on Trump who will be making his first overseas trip since winning reelection to the White House last month.

He accepted an invitation from Macron to attend earlier this week, saying the French leader had done “a wonderful job ensuring that Notre Dame has been restored to its full level of glory, and even more so.”

U.S. President Joe Biden will be represented by his wife Jill, while Britain’s Prince William and Ukrainian President Volodymyr Zelenskyy will also be present.

Zelenskyy is expected to seek his first face-to-face meeting with Trump who has vowed to force a peace agreement to end the war in Ukraine, possibly by withholding U.S. weapon supplies.

One surprising absentee will be Pope Francis, the head of the Catholic Church, who has decided against breaking off from a weekend trip to the French island of Corsica.

A message from Francis addressed to the French people will be read out to the congregation of VIPs, church figures and selected members of the public when the service begins on Saturday evening.

‘Universal sadness’

Parisians watched in horror in 2019 as flames ravaged Notre Dame, a landmark famed as the setting for Victor Hugo’s novel The Hunchback of Notre Dame and one of the world’s most-visited monuments.

The apocalyptic images were even seen by some as a sign of the demise of Western civilization, with the 850-year-old wonder saved from complete collapse only by the heroic intervention of firefighters.

The exact cause of the blaze has never been identified despite a forensic investigation by prosecutors, who believe an accident such as an electrical fault was the most likely reason.

“We felt a sense of universal sadness when Notre Dame burned,” said fashion designer Jean-Charles de Castelbajac, who has dreamed up colorful new priestly vestments that will be worn by senior clergy on Saturday.

“It was a moment of terrible emotions, like a premonition of our world in difficulty,” he told AFP recently.

The service will feature prayer, organ music and hymns from the cathedral’s choir, followed by a televised concert with performances by Chinese piano virtuoso Lang Lang, South African opera singer Pretty Yende and possibly American singer and fashion designer Pharrell Williams.

Harsh weather forced officials to move Macron’s planned speech indoors and pre-record the concert Friday night, with forecasts for winds of up to 80 kph as Storm Darragh put parts of France on red alert.

On Sunday, the first Mass with 170 bishops and more than 100 Paris priests will take place at 10:30 a.m. (0930 GMT) followed by a second service in the evening at 6:30 p.m. which will be open to the public. 
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