YCLOAK

The phenomenal box-office success of a new film set in 1990s Kashmir has sharpened political divisions in India and prompted a re-examination of a violent campaign against Hindus in the Muslim-majority region three decades ago.

“The Kashmir Files,” directed by Vivek Ranjan Agnihotri, depicts the flight of Kashmiri Hindus, known as “Pandits,” from the region in early 1990s. It is a fictional narrative about a college student who learns that his Kashmiri Hindu parents were killed by Islamist militants, not in an accident as he was told by his grandfather.

The film is being enthusiastically promoted by India’s ruling Bharatiya Janata Party (BJP), which pursues a Hindu nationalist agenda and has been accused of fomenting animus toward the nation’s 200 million Muslims as an electoral strategy.

Indian Prime Minister Narendra Modi personally met with the director and producer of the film immediately after its release and expressed his appreciation.

Celebrities and political leaders also have urged people to see the film. The Union minister for Women and Child Development, Smriti Irani, tweeted, “Watch … so that this history soaked in the blood of innocents may never repeat itself #TheKashmirFiles.”

A goods and services tax that boosts the price of movie tickets has been waived in most BJP-ruled states including some of India’s most populous. In the central state of Madhya Pradesh, police have been offered a day off work to watch the film. In the national capital territory of Delhi, however, Chief Minister Arvind Kejriwal rejected a demand from BJP legislators to declare the film tax-free, saying, “Well, put it on YouTube, it will be free.”

Sushil Chaudhary, the founder and chairman of the digital movie theater chain Picture Time DigiPlex, told VOA he was pleased that the controversial subject had been addressed in a film.

“And the storytelling was very different compared to other Indian films. The way the director handled the film — it was quite amazing, at the same time very sensitive. This film has huge impact and reminded me of the much-celebrated ‘Schindler’s List,’” a 1993 film about a German businessman who rescued more than 1,000 Jews from the Nazi Holocaust.

On social media, commenters have described the movie as “the most hard-hitting film” about Kashmir made to date.

BJP’s support of ‘The Kashmir Files’

The film also has detractors, many of them in the conflict-torn region of Jammu and Kashmir itself. While expressing appreciation for the movie’s dramatic qualities, these critics say it oversimplifies the complex history of the conflict, and that it offers a clichéd representation of Kashmiri Muslims.

“Hindu supremacists in India have weaponized the Kashmiri Pandit exodus” wrote Nitasha Kaul, a Kashmiri Pandit and novelist based in London.

“The movie dwells on Kashmiri Pandit suffering alone and makes ample use of Islamophobic tropes – all Muslims in the movie are violent, barbaric or lecherous,” she wrote.

She argued that the movie “feeds into cycles of hate and revenge. It collapses Kashmir’s history and politics into an Islamophobic morality tale that is palatable and profitable to Hindutva India.”

Ashok Swain, the head of the department of peace and conflict research at Sweden’s Uppsala University, told VOA he believes the film was made purely for political purposes by a Hindu right-wing filmmaker with support from the ruling authorities.

The purpose of the movie is not to tell the history or support the cause of displaced Kashmir pundits, Swain maintained, “but to make economic gains for the filmmaker and political gains for the ruling regime by selling Muslim hate in the country.”

Regional take

The movie also has been met with criticism by Muslim leaders of the Peoples Democratic Party, a Kashmir-based regional political bloc. PDP leader and former chief minister Mehbooba Mufti has accused the BJP of doing nothing for the Kashmiri Pandits who remained in Jammu and Kashmir.

Earlier, she said the move is “ill-intentioned” and will not contribute to healing old wounds.

Mufti also argued that while the filmmakers were mainly interested in profits, Modi and the BJP were supporting the film in order to instigate people along religious lines.

Kashmir resident Sameer Kaul told VOA that some of the gory incidents portrayed in the documentary-style film actually occurred, but that the movie falsely suggests the entire Kashmiri Muslim community played a part in the violence. In fact, he said, some Muslims opposed the violence and others were simply frightened.

Kaul said the impact of the movie will be to increase religious polarization and potential intercommunal discord. “Never before has the justification for institution of an unbiased judicial probe by central government seemed as convincing. Truth should hopefully pave the way for closure, reconciliation and desperate peace.”

A similar view has been expressed by one Kashmiri Pandit girl, Sagrika Kissu. “Not every Muslim is a terrorist/militant or a terrorist sympathizer,” she posted on social media. “We should be very sensitive when we paint all of them in one color. This movie sets in a very bitter emotion for Kashmiri Muslims as whole.”

Real-life impact

Meanwhile, the impact from the movie is being felt in real life. A hotel in Delhi recently refused to accommodate a Kashmiri man even after he provided appropriate identification and other credentials.

The hotel’s receptionist said the Delhi Police had told the hotel not to accept reservations from guests from Jammu and Kashmir. A video of the incident went viral, prompting Delhi Police to deny having issued any such order.

In an immediate reaction, the hotel chain Oyo Rooms removed the hotel from its platform.

Nevertheless, the film is doing blockbuster business despite a lack of promotion and marketing, appearing on 700 screens across India and grossing $3 million since its release on March 11. It is also being shown in the United States, Britain, Canada and Australia, taking in $1.38 million in its first week on international screens.
…

Teff, an ancient grain from the Horn of Africa, has found new enthusiasts in the United States. It’s being cultivated in the American West and Midwest, where growers note its appeal as a gluten-free “super food.” VOA’s Tewelde Tesfagabir reports from Nevada, narration by Vincent Makori.
Videographer: Trésor M. Matondo
…

Actor Will Smith apologized to comedian Chris Rock one day after slapping him across the face during Sunday’s Academy Awards ceremony following a joke Rock made about the actor’s wife, Jada Pinkett Smith.

Smith’s apology Monday came after the Academy of Motion Picture Arts and Sciences issued a formal statement condemning his behavior for slapping Rock and announced it was initiating an investigation.

“Violence in all of its forms is poisonous and destructive,” Smith said Monday in a statement his publicist posted on Instagram.

“I would like to publicly apologize to you, Chris. I was out of line and I was wrong. I am embarrassed and my actions were not indicative of the man I want to be,” Smith added.

The Academy of Motion Picture Arts and Sciences announced it was initiating an investigation into the incident. According to the Academy’s code of conduct, Smith could face consequences such as “suspension of membership or expulsion from membership.”

In recent years, violations of this code have led to the removal of members such as Harvey Weinstein, Bill Cosby and Roman Polanski, who were expelled over allegations of sexual misconduct.

Rock did not file a police report.

“LAPD investigative entities are aware of an incident between two individuals during the Academy Awards program. The incident involved one individual slapping another. The individual involved has declined to file a police report,” said the LAPD in an official statement to the press. “If the involved party desires a police report at a later date, LAPD will be available to complete an investigative report.

Ahead of presenting the award for best documentary, Rock directed a comment to Pinkett Smith saying: “Jada, I love you. ‘G.I. Jane 2,’ can’t wait to see it,” apparently drawing a comparison to actress Demi Moore’s shaved hairstyle in the 1997 movie G.I. Jane.

While Pinkett Smith was shown rolling her eyes following the comment, her husband walked over to the stage and slapped Rock across the face during the live broadcast, a moment that went viral shortly after.

After taking his seat again, Smith directed profanity at the comedian, demanding he not speak of his wife.

Pinkett Smith, 50, has previously been vocal about her struggles with hair loss due to the autoimmune disease alopecia. She publicly shared her diagnosis in 2018 during a segment of her Facebook talk show series Red Table Talk.

Initially, the Academy had only issued a statement via its Twitter account after the ceremony ended.

“The Academy does not condone violence of any form,” the tweet said.

Later Sunday evening, Smith was awarded an Oscar for Best Actor in a Leading Role for his performance as Richard Williams, the father of tennis champions Venus and Serena Williams, in the film King Richard.

During his acceptance speech, Smith appeared emotional and apologized to the Academy and his fellow nominees, but did not directly mention Rock.

“Love will make you do crazy things,” Smith said, addressing his behavior.

“Thank you. I hope the Academy invites me back.”

 

 

VOA’s Zoya Mirza contributed to this report.   

 
…

The Academy of Motion Picture Arts and Sciences issued a formal statement Monday condemning Will Smith’s behavior for slapping comedian Chris Rock and announced it was initiating an investigation. 

Smith slapped Rock across the face during a live broadcast of the 94th Academy Awards ceremony Sunday after the comedian made a joke about the actor’s wife, Jada Pinkett Smith, poking fun at her shaved head.   

“The Academy condemns the actions of Mr. Smith at last night’s show,” the statement said. “We … will explore further action and consequences in accordance with our bylaws, standards of conduct and California law.” 

According to the Academy’s code of conduct, such consequences could entail “suspension of membership or expulsion from membership.”  

In recent years, violations of this code have led to the removal of members such as Harvey Weinstein, Bill Cosby and Roman Polanski, who were expelled over allegations of sexual misconduct. 

Rock did not file a police report. 

“LAPD investigative entities are aware of an incident between two individuals during the Academy Awards program. The incident involved one individual slapping another. The individual involved has declined to file a police report,” said the LAPD in an official statement to the press. ”If the involved party desires a police report at a later date, LAPD will be available to complete an investigative report.”  

Ahead of presenting the award for best documentary, Rock directed a comment to Pinkett Smith saying: “Jada, I love you. ‘G.I. Jane 2,’ can’t wait to see it,” apparently drawing a comparison to actress Demi Moore’s shaved hairstyle in the 1997 movie ”G.I. Jane.”   

While Pinkett Smith was shown rolling her eyes following the comment, her husband walked over to the stage and slapped Rock across the face during the live broadcast, a moment that went viral shortly after.   

After taking his seat again, Smith directed profanity at the comedian, demanding he not speak of his wife.  

Pinkett Smith, 50, has previously been vocal about her struggles with hair loss due to the autoimmune disease alopecia. She publicly shared her diagnosis in 2018 during a segment of her Facebook talk show series Red Table Talk.  

Initially, the Academy had only issued a statement via its Twitter account after the ceremony ended.  

“The Academy does not condone violence of any form,” the tweet said.  

Later Sunday evening, Smith was awarded an Oscar for Best Actor in a Leading Role for his performance as Richard Williams, the father of tennis champions Venus and Serena Williams, in the film ”King Richard.”  

During his acceptance speech, Smith appeared emotional and apologized to the Academy and his fellow nominees, but did not directly mention Rock.   

“Love will make you do crazy things,” Smith said, addressing his behavior.  

“Thank you. I hope the Academy invites me back.” 

VOA’s Zoya Mirza contributed to this report.

 
…

Rising costs are impacting day to day living for many Americans. In the Thai community in Los Angeles, many are having to make some hard choices. Nopparat Chaichalearmmongkol has a story reported by Supakit Pattarateranon.
Camera: Supakit Pattarateranon
…

Comedian Chris Rock will not be pressing charges against actor Will Smith following a physical altercation at the 94th Academy Awards ceremony on Sunday, according to the Los Angeles Police Department. 

Smith slapped Rock across the face during a live broadcast of the ceremony after the comedian made a joke about the actor’s wife, Jada Pinkett Smith, poking fun at her shaved head.  

“LAPD investigative entities are aware of an incident between two individuals during the Academy Awards program. The incident involved one individual slapping another. The individual involved has declined to file a police report,” said the LAPD in an official statement to the press. “If the involved party desires a police report at a later date, LAPD will be available to complete an investigative report.” 

Ahead of presenting the award for best documentary, Rock directed a comment to Pinkett Smith saying: “Jada, I love you. ‘G.I. Jane 2,’ can’t wait to see it,” apparently drawing a comparison to actress Demi Moore’s shaved hairstyle in the 1997 movie G.I. Jane.  

While Pinkett Smith was shown rolling her eyes following the comment, her husband walked over to the stage and slapped Rock across the face during the live broadcast, a moment that went viral shortly after.  

After taking his seat again, Smith directed profanity at the comedian, demanding him to not speak of his wife. 

Pinkett Smith, 50, has previously been vocal about her struggles with hair loss due to the autoimmune disease alopecia. She publicly shared her diagnosis in 2018 during a segment of her Facebook talk show series Red Table Talk. 

The Academy of Motion Picture Arts and Sciences issued a statement via its Twitter account after the ceremony ended, but did not share whether it would take further action against Smith. 

“The Academy does not condone violence of any form,” the tweet said. 

“Tonight we are delighted to celebrate our 94th Academy Award winners, who deserve this moment of recognition from their peers and movie lovers around the world.” 

Later in the evening, Smith was awarded an Oscar for Best Actor in a Leading Role for his performance as Richard Williams, the father of tennis champions Venus and Serena Williams, in the film “King Richard.” 

During his acceptance speech, Smith appeared emotional and apologized to the Academy and his fellow nominees, but did not directly mention Rock.  

“Love will make you do crazy things,” Smith said, addressing his behavior. 

“Thank you. I hope the Academy invites me back.” 

 
…

In a case that could help clarify when and how artists can make use of the work of others, the U.S. Supreme Court on Monday agreed to decide a copyright dispute between a photographer and Andy Warhol’s estate over Warhol’s 1984 paintings of rock star Prince.

The justices took up the Andy Warhol Foundation’s appeal of a lower court ruling that his paintings – based on a photo of Prince that photographer Lynn Goldsmith had shot for Newsweek magazine in 1981 – were not protected by the copyright law doctrine called fair use. This doctrine permits unlicensed use of copyright-protected works under certain circumstances.

Goldsmith sued Warhol’s estate in 2017 in Manhattan federal court over Warhol’s unlicensed paintings of Prince. Warhol, who died in 1987, often based his art on photographs. Goldsmith, who has said she did not learn about the unlicensed works until after Prince died in 2016, asked the court to block Warhol’s estate from making further use of her work and for an unspecified amount of money damages.

A judge ruled that Warhol’s works were protected against Goldsmith’s infringement claims by the fair use doctrine, finding they transformed Goldsmith’s portrayal of Prince as a “vulnerable human being” by depicting him as an “iconic, larger-than-life figure.”

After Goldsmith challenged that decision, the New York-based 2nd U.S. Circuit Court of Appeals last year found that Warhol’s paintings had not made fair use of the photo, allowing Goldsmith’s case to proceed.

The 2nd Circuit decided that a transformative work must have a “fundamentally different and new artistic purpose and character,” and that Warhol’s paintings were “much closer to presenting the same work in a different form.”

The Andy Warhol Foundation asked the Supreme Court in December to overturn the 2nd Circuit decision, arguing that it created “a cloud of legal uncertainty” for an entire genre of art like Warhol’s. 
…

The 94th Academy Awards ceremony ended in a climactic way, giving the Oscar for Best Picture to “CODA,” a seeming underdog that celebrated deaf representation. Other highlights included an unexpected scuffle and women sweeping the Oscars for Best Director, Best Adapted Screenplay and Best Song. VOA’s Penelope Poulou has more.
…

After a movie year often light on crowds, the Academy Awards named an unabashed crowd-pleaser, the deaf family drama “CODA,” best picture Sunday, handing Hollywood’s top award to a streaming service for the first time.

The feel-good moment came after one of the most shocking moments in Oscars history: Will Smith slapped Chris Rock onstage after the comedian made a joke about Smith’s wife, Jada Pinkett Smith. The moment shocked the Dolby Theatre audience and viewers at home. 

The winners at the Academy Awards on Sunday: 

Best picture: “CODA” 

Best actor: Will Smith, “King Richard” 

Best actress: Jessica Chastain, “The Eyes of Tammy Faye” 

Documentary feature: “Summer of Soul (Or, When The Revolution Could Not Be Televised)” 

Original song: “No Time to Die” from “No Time to Die,” music and lyric by Billie Eilish and Finneas O’Connell 

Best director: Jane Campion, “The Power of the Dog” 

Best supporting actor: Troy Kotsur, “CODA” 

Best international film: “Drive My Car,” Japan 

Costume design: “Cruella” 

Original screenplay: “Belfast” 

Adapted screenplay: “CODA” 

Best supporting actress: Ariana DeBose 

Cinematography: “Dune” 

Visual Effects: “Dune” 

Best animated feature: “Encanto” 

Sound: “Dune” 

Documentary (short subject): “The Queen of Basketball” 

Best animated short film: “The Windshield Wiper”

Live action short: “The Long Goodbye”

Music (original score): “Dune”

Film editing: “Dune” 

Production design: “Dune” 

Makeup and hairstyling: “The Eyes of Tammy Faye” 
…

Troy Kotsur made history on Sunday as the first deaf man to win an Oscar for his role in “CODA,” and Ariana DeBose took the supporting actress trophy for “West Side Story” as Hollywood returned to all-out glitz at this year’s Academy Awards.

In “CODA,” an acronym for “child of deaf adults,” Kotsur played Frank Rossi, the father of a teenager who struggles to help her family’s fishing business while pursuing her own aspirations in music.

“This is amazing to be here on this journey. I cannot believe I am here,” Kotsur said in a heartfelt speech delivered in sign language as he accepted the supporting actor honor.

“This is dedicated to the deaf community, the ‘CODA’ community and the disabled community. This is our moment,” he added.

The only other deaf person to win an Oscar was Kotsur’s “CODA” co-star Marlee Matlin. She won best actress for her role in 1986 romantic drama “Children of a Lesser God.”

Supporting actress went to DeBose for playing the spirited Anita, who sings “America” in Steven Spielberg’s remake of the classic musical.

As she held her gold statuette, the Afro-Latina actress asked the audience to imagine her as a young girl “in the back seat of a white Ford Focus.”

“You see a queer, openly queer Latina, who found her strength in life through art. And that’s what we’re here to celebrate,” she said.

“So, anybody who’s ever questioned your identity. Or find yourself living in the gray spaces, I promise you this: There is indeed a place for us,” she added, referencing the moving song from “West Side Story.”

DeBose also thanked “divine inspiration” Rita Moreno, who earned the best supporting actress award in 1962 for playing Anita in the original movie version of the musical.

Beyonce opened the show by performing “Be Alive,” an Oscar-nominated song from the movie “King Richard,” about the father of tennis stars Venus and Serena Williams. She and her backup dancers, clad in sparkling yellow gowns, performed from a tennis court in the sisters’ hometown of Compton, California.

After going three years without a host, a trio was chosen to guide Sunday’s ceremony: Amy Schumer, Regina Hall and Wanda Sykes.

“This year, the Oscars hired three women to host because it’s cheaper than hiring one man,” Schumer joked.

“And for you people in Florida, we’re going to have a gay night,” added openly gay Sykes, referring to legislation in the state that limits LGBTQ discussion in schools and has been labeled by critics in Hollywood and elsewhere as the “Don’t Say Gay” bill.

A dark Western, “The Power of the Dog,” is battling the feel-good drama “CODA” for the prestigious best picture prize. A win by either movie would mark a milestone by handing the statuette to a streaming service.

Netflix Inc NFLX.O released “Power of the Dog” while “CODA” streamed on Apple TV+ AAPL.O.

Producers said they planned an upbeat show but will acknowledge the crisis in Ukraine, which has killed thousands and driven a quarter of Ukraine’s 44 million people from their homes. Actor Mila Kunis, who was born in Ukraine, is among the night’s presenters. Jason Momoa wore a handkerchief in the colors of the Ukrainian flag: blue and yellow.

Jessica Chastain, Nicole Kidman and other nominees donned a rainbow of colors for a ceremony with 2,500 gown- and tuxedo-clad attendees and free from last year’s pandemic restrictions. Nominee Kodi Smit-McPhee wore a light blue suit, while Chastain picked a lavender and gold gown with giant ruffles on the skirt. Kirsten Dunst and Marlee Matlin chose bright red.

After past complaints about a lack of diversity, two of this year’s four acting accolades may go to people of color. Will Smith is likely to earn his first Oscar for “King Richard,” awards watchers say, as is Ariana DeBose for “West Side Story.”

In a bid to draw more viewers, especially younger ones, after years of declining ratings, the show will add two awards, the results of fan votes for favorite film and scene. Some winners were announced ahead of the live show with their speeches edited into the show.

The best picture race hinges on whether the 9,900 members of the Academy of Motion Picture Arts and Sciences back a gothic psychological thriller or an uplifting story.

“Power of the Dog,” starring Benedict Cumberbatch as a repressed cowboy who torments his brother’s new wife, outpaced all movies with 12 nominations. It had been considered the leader until “CODA” landed top honors from the Screen Actors Guild and Producers Guild.
…

For the first time in two years, the Academy Awards are rolling out the red carpet at Los Angeles’ Dolby Theatre for what the film academy hopes will be a back-to-normal Oscars. Except for all the stuff that’s changed.

The telecast for the 94th Academy Awards will begin, as usual, at 8 p.m. EDT on ABC. But little else about how this year’s Oscars will get underway is traditional. An hour before the broadcast begins, attendees will assemble in the Dolby for the presentation of eight awards and acceptance speeches that will be edited into a broadcast that producer Will Packer has promised will be a tight three hours.

It’s one of many shifts, both slight and tectonic, around this year’s ceremony. After two years of pandemic — and a socially distanced 2021 edition with record-low ratings — the Academy Awards will try to recapture their exalted place in pop culture with a revamped telecast that’s expected to see a streaming service win best picture for the first time.

It won’t be easy. The film industry recovered significantly from the pandemic in 2021, but despite one of the biggest hits in years in “Spider-Man: No Way Home,” the rebound has been fitful. The global movie industry sold about half the tickets last year as it did two years ago, $21.3 billion in 2021 compared to $42.3 billion in 2019, according to the Motion Picture Association. Hollywood pushed more of its top films directly into homes than ever before; half of this year’s 10 best-picture nominees were streamed at or very near release. Even the film academy shifted entirely to a streaming platform for voters, rather than DVD screeners.

Then there are the challenges of commanding worldwide attention for a night of Hollywood self-congratulation after two years of pandemic and while Russia’s war ravages Ukraine. Packer has said the war in Ukraine will be respectfully acknowledged during the broadcast.

Netflix’s “The Power of the Dog,” Jane Campion’s gothic western, comes in with a leading 12 nominations and a good chance of snagging the top award. But all the momentum is with Sian Heder’s deaf family drama “CODA,” which, despite boasting just three nods, is considered the favorite. A win would be a triumph for Apple TV+, which acquired the movie out of the Sundance Film Festival last year and has spent big promoting it to academy members.

But expect the most awards on the night to go to “Dune,” Denis Villeneuve’s sweeping science fiction epic. It’s the odds-on-favorite to clean up in the technical categories.

After several years sans-host, the Oscars will turn to the trio of Amy Schumer, Wanda Sykes and Regina Hall to emcee the broadcast, which is also streaming on platforms including Hulu Live TV, YouTubeTV and on ABC.com with provider authentication. Producers have also lined up a star-studded group of performers including Billie Eilish and Beyoncé to sing nominated songs, while the “Encanto” cast will perform Lin-Manuel Miranda’s breakout hit “We Don’t Talk About Bruno.”

It will be a staggered start, with stars making their way into the Dolby at different times. ABC’s red carpet preshow will run 6:30 to 8 p.m., with the first hour of awards happening inside the theater between 7-8 p.m. News of those winners will spread first on social media and later be woven into the telecast. To accommodate the shift, the red carpet will also open an hour earlier than usual, at 4 p.m. Eastern.

The rejiggered approach, which has been deeply unpopular with some academy members, should make for some complicated red-carpet logistics. The academy, wanted to give each winner an uncompromised moment, is urging attendees to be in their seats by 7 p.m. Some stars, like “The Eyes of Tammy Faye” nominee Jessica Chastain, have said they won’t do red carpet interviews if it means missing the presentation of awards like best hair and makeup, for which the artists of “Tammy Faye” are nominated.

That’s one of the eight pre-show categories to be handed out during what producers are calling the “golden hour.” The others are: film editing, sound, original score, production design, live-action short, animated short and documentary short.

Earlier this month, more than 70 Oscar winners, including James Cameron, Kathleen Kennedy and Guillermo del Toro, warned that the change would turn some nominees into “second-class citizens.” 

Behind the change is alarm over the Oscars fast-falling ratings. While drops have been common to all major network award shows, last year’s show attracted only about 10 million viewers, less than half of the 23.6 million the year before. A decade ago, it was closer to 40 million.

To help restore the Oscars’ position, some argued in the lead-up to this year’s awards that a blockbuster like “Spider-Man: No Way Home” should have been nominated for best picture. It’s up for just visual effects.

Instead, a wide gamut of films are in the hunt, ranging from the much-watched Netflix apocalyptic comedy “Don’t Look Up” and the roundly acclaimed three-hour Japanese drama “Drive My Car.”

One thing producers have promised: the night’s final award will be best picture. Last year’s show concluded awkwardly with the unexpected presentation of best actor to a not-present Anthony Hopkins. 
…

 Taylor Hawkins, for 25 years the drummer for Foo Fighters and best friend of frontman Dave Grohl, has died during a South American tour with the rock band. He was 50.

There were few immediate details on how Hawkins died, although the band said in a statement Friday that his death was a “tragic and untimely loss.”

Colombia’s Prosecutor’s Office released a statement Saturday saying toxicological tests on urine from Hawkins’ body preliminarily found 10 psychoactive substances and medicines, including marijuana, opioids, tricyclic antidepressants and benzodiazepines. It did not provide a cause of death and investigations are continuing.

Foo Fighters had been scheduled to play at a festival in Bogota, Colombia, on Friday night. Hawkins’ final concert was Sunday at another festival in San Isidro, Argentina.

“His musical spirit and infectious laughter will live on with all of us forever,” said a message on the band’s official Twitter account that was also emailed to reporters. “Our hearts go out to his wife, children and family.”

The Bogota municipal government issued a statement Saturday that the city’s emergency center had received a report of a patient with “chest pain” and sent an ambulance, though a private ambulance had already arrived at the hotel in northern Bogota.

Health workers tried to revive him but were unable to do so.

“It was a band I grew up with. This leaves me empty,” Juan Sebastian Anchique, 23, told The Associated Press as he mourned Hawkins outside the hotel.

The U.S. Embassy in Bogota also expressed its condolences in a tweet.

After Grohl, Hawkins was the most recognizable member of the group, appearing alongside the lead singer in interviews and playing prominent, usually comic, roles in the band’s memorable videos and their recent horror-comedy film, Studio 666. 

Hawkins was Alanis Morissette’s touring drummer when he joined Foo Fighters in 1997. He played on the band’s biggest albums including One by One and In Your Honor, and on hit singles like Best of You.

Tributes poured out on social media for Hawkins.

“God bless you Taylor Hawkins,” Rage Against The Machine guitarist Tom Morello said on Twitter along with a photo of himself, Hawkins and Jane’s Addiction singer Perry Farrell. “I loved your spirit and your unstoppable rock power.”

“What an incredible talent, who didn’t also need to be so kind and generous and cool but was all those things too anyway,” tweeted Finneas, Billie Eilish’s brother, co-writer and producer. “The world was so lucky to have his gifts for the time that it did.”

At the festival where Foo Fighters had been scheduled to perform, news of the death leaked out slowly, said Diego Báez, a 33-year-old fan.

A concert organizer first announced the performance was canceled for medical reasons. Minutes later, fans learned from social media of Hawkins’ death.

“Some cried. Others were sad, astonished, moved. It was a very powerful moment,” Baéz said.

A screen projected the words “Taylor Hawkins forever” while the song My Hero played.

Hawkins is survived by his wife, Alison, and their three children. 
…

Taylor Hawkins, for 25 years the drummer for Foo Fighters and best friend of frontman Dave Grohl, has died during a South American tour with the rock band. He was 50.

There were no immediate details on how Hawkins died, although the band said in a statement Friday that his death was “tragic and untimely loss.”

Foo Fighters had been scheduled to play at a festival in Bogota, Colombia, on Friday night. Hawkins’ final concert was Sunday at another festival in San Isidro, Argentina.

“His musical spirit and infectious laughter will live on with all of us forever,” said a message on the band’s official Twitter account that was also emailed to reporters. “Our hearts go out to his wife, children and family.”

Police vehicles, an ambulance and fans were gathered outside the hotel in northern Bogota where Hawkins was believed to have been staying.

“It was a band I grew up with. This leaves me empty,” Juan Sebastian Anchique, 23, told The Associated Press as he mourned Hawkins outside the hotel.

Authorities in Colombia have not commented on Hawkins’ death. The U.S. Embassy in Bogota expressed its condolences in a tweet.

After Grohl, Hawkins was the most recognizable member of the group, appearing alongside the lead singer in interviews and playing prominent, usually comic, roles in the band’s memorable videos and their recent horror-comedy film, Studio 666.

Hawkins was Alanis Morrissette’s touring drummer when he joined Foo Fighters in 1997. He played on the band’s biggest albums including One by One and On Your Honor, and on hit singles including My Hero and Best of You.

In Grohl’s 2021 book The Storyteller, he called Hawkins his “brother from another mother, my best friend, a man for whom I would take a bullet.”

“Upon first meeting, our bond was immediate, and we grew closer with every day, every song, every note that we ever played together,” Grohl wrote. “We are absolutely meant to be, and I am grateful that we found each other in this lifetime.”

It’s the second time Grohl has experienced the death of a close bandmate. Grohl was the drummer for Nirvana when Kurt Cobain died in 1994.

Tributes poured out on social media for Hawkins on Friday night.

“God bless you Taylor Hawkins,” Rage Against The Machine guitarist Tom Morello said on Twitter along with a photo of himself, Hawkins and Jane’s Addiction singer Perry Ferrell. “I loved your spirit and your unstoppable rock power.”

“What an incredible talent, who didn’t also need to be so kind and generous and cool but was all those things too anyway,” tweeted Finneas, Billie Eilish’s brother, co-writer and producer. “The world was so lucky to have his gifts for the time that it did.”

Born Oliver Taylor Hawkins in Fort Worth, Texas, in 1972, Hawkins was raised in Laguna Beach, California. He played in the small Southern California band Sylvia before landing his first major gig as a drummer for Canadian singer Sass Jordan.

Hawkins told The Associated Press in 2019 that his early drumming influences included Stewart Copeland of The Police, Roger Taylor from Queen, and Phil Collins, who he said was “one of my favorite drummers ever. You know, people forget that he was a great drummer as well as a sweater-wearing nice guy from the ’80s, poor fella.”

When he spent two years in the mid-1990s drumming for Morrissette, he was inspired primarily by the playing of Jane’s Addiction’s Stephen Perkins.

“My drums were set up like him, the whole thing,” Hawkins told the AP. “I was still sort of a copycat at that point. It takes a while and takes a little while to sort of establish your own sort of style. I didn’t sound exactly like him, I sound like me, but he was a big, huge influence.”

He and Grohl met backstage at a show when Hawkins was still with Morrissette. Grohl’s band would have an opening soon after when then-drummer William Goldsmith left. Grohl called Hawkins, who was a huge Foo Fighters fan and immediately accepted.

“I am not afraid to say that our chance meeting was a kind of love at first sight, igniting a musical ‘twin flame’ that still burns to this day,” Grohl wrote in his book. “Together, we have become an unstoppable duo, onstage and off, in pursuit of any and all adventure we can find.”

Hawkins first appeared with the band in the 1997 video for Foo Fighters’ most popular song, Everlong, although he had yet to join the group when the song was recorded. He would, however, go on to pound out epic versions of it hundreds of times as the climax of Foo Fighters’ concerts.

In another highlight of the group’s live shows, Grohl would get behind the drums and Hawkins would grab the mic to sing a cover of Queen’s Somebody to Love.

“The best part of getting to be the lead singer of the Foo Fighters for just for one song is I really do have the greatest rock ‘n’ roll drummer on the planet Earth,” Hawkins said before the song in a March 18 concert in Chile.

Grohl can be heard telling him to shut up.

Hawkins also co-starred in Foo Fighters’ recently released horror-comedy film, Studio 666, in which a demonic force in a house where the band is staying seizes Grohl and makes him murderous. Hawkins and the other members of the band are killed off one by one. The premise came out of their work on their 10th studio album at a home in Los Angeles.

He also drummed and sang for the side-project trio Taylor Hawkins and the Coattail Riders. They released an album, Get the Money, in 2006.

Hawkins is survived by his wife Alison and their three children.
…

Two films, CODA and Audible, have received multiple Oscar nominations. Whether they will nab the coveted statuettes remains to be seen, but their real victory is that both have made the hearing world more aware of Deaf culture. VOA’s Penelope Poulou spoke with Audible filmmaker Matthew Ogens, Audible executive producer Nyle Dimarco, and faculty members and students at Gallaudet University, a school for people who are deaf or hard of hearing.
…