YCLOAK

A work by British street artist Banksy that sensationally shredded itself just after it sold at auction three years ago fetched almost 18.6 million pounds ($25.4 million) on Thursday — a record for the artist, and close to 20 times its pre-shredded price. 

“Love is in the Bin” was offered by Sotheby’s in London, with a presale estimate of 4 million pounds to 6 million pounds ($5.5 million to $8.2 million). 

After a 10-minute bidding war involving nine bidders in the saleroom, online and by phone, it sold for three times the high estimate to an undisclosed buyer. The sale price of 18,582,000 pounds ($25,383,941) includes an auction-house fee known as a buyer’s premium. 

The piece consists of a half-shredded canvas in an ornate frame bearing a spray-painted image of a girl reaching for a heart-shaped red balloon. 

When it last sold at Sotheby’s in October 2018, the piece was known as “Girl With Balloon.” Just as an anonymous female European buyer made the winning bid — for 1 million pounds ($1.4 million) — a hidden shredder embedded in the frame by Banksy whirred to life, leaving half the canvas hanging from the frame in strips. 

Sotheby’s received some criticism at the time for failing to spot the hidden shredder. But the 2018 buyer decided to go through with the purchase, a decision that was vindicated on Thursday as the work’s price soared. 

The work quickly became one of Banksy’s most famous, and Sotheby’s sent it on tour to cities including New York and Hong Kong before Thursday’s auction. 

Auctioneer Oliver Barker joked that he was terrified to bring down the hammer to end Thursday’s sale. There were jitters among Sotheby’s staff to the last that Banksy had another surprise planned. 

Alex Branczik, Sotheby’s chairman of modern and contemporary art, called the shredding “one of the most ingenious moments of performance art this century.” 

Banksy, who has never confirmed his full identity, began his career spray-painting buildings in Bristol, England, and has become one of the world’s best-known artists. His mischievous and often satirical images include two male police officers kissing, armed riot police with yellow smiley faces and a chimpanzee with a sign bearing the words, “Laugh now, but one day I’ll be in charge.” 

Several of his works have sold for multiple millions at auction. In March, a Banksy mural honoring Britain’s health workers, first painted on a hospital wall, sold for 16.8 million pounds ($23.2 million) at a Christie’s auction, until Thursday a record for the artist. 

“Girl With Balloon” was originally stenciled on a wall in east London and has been endlessly reproduced, becoming one of Banksy’s best-known images. 

 
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Kenya’s Benson Kipruto won the pandemic-delayed Boston Marathon on Monday when the race returned from a 30-month absence with a smaller, socially distanced feel and moved from the spring for the first time in its 125-year history.

Diana Kipyogei won the women’s race to complete the eighth Kenyan sweep since 2000.

Although organizers put runners through COVID-19 protocols and asked spectators to keep their distance, large crowds lined the 26.2-mile course from Hopkinton to Boston as an early drizzle cleared and temperatures rose to the low 60s for a beautiful fall day. 

They watched Kipruto run away from the lead pack as it turned onto Beacon Street with about three miles to go and break the tape in 2 hours, 9 minutes, 51 seconds.

A winner in Prague and Athens who finished 10th in Boston in 2019, Kipruto waited out an early breakaway by American CJ Albertson, who led by as many as two minutes at the halfway point. Kipruto took the lead at Cleveland Circle and finished 46 seconds ahead of 2016 winner Lemi Berhanu; Albertson, who turned 28 on Monday, was 10th, 1:53 back.

Kipyogei ran ahead for much of the race and finished in 2:24:45, 23 seconds ahead of 2017 winner Edna Kiplagat.

Marcel Hug of Switzerland won the men’s wheelchair race earlier despite making a wrong term in the final mile, finishing the slightly detoured route just seven seconds off his course record in 1:08:11.

Manuela Schär, also from Switzerland, won the women’s wheelchair race in 1:35:21.

Hug, who has raced Boston eight times and has five victories here, cost himself a $50,000 course record bonus when he missed the second-to-last turn, following the lead vehicle instead of turning from Commonwealth Avenue onto Hereford Street.

“The car went straight and I followed the car,” said Hug, who finished second in the Chicago Marathon by 1 second on Sunday. “But it’s my fault. I should go right, but I followed the car.”

With fall foliage replacing the spring daffodils and more masks than mylar blankets, the 125th Boston Marathon at last left Hopkinton for its long-awaited long run to Copley Square. 

A rolling start and shrunken field allowed for social distancing on the course, as organizers tried to manage amid a changing COVID-19 pandemic that forced them to cancel the race last year for the first time since the event began in 1897.

“It’s a great feeling to be out on the road,” race director Dave McGillivray said. “Everyone is excited. We’re looking forward to a good day.”

A light rain greeted participants at the Hopkinton Green, where about 30 uniformed members of the Massachusetts National Guard left at 6 a.m. The men’s and women’s wheelchair racers — some of whom completed the 26.2-mile (42.2 km) distance in Chicago a day earlier — left shortly after 8 a.m., followed by the men’s and women’s professional fields. 

“We took things for granted before COVID-19. It’s great to get back to the community and it puts things in perspective,” said National Guard Capt. Greg Davis, 39, who was walking with the military group for the fourth time. “This is a historic race, but today is a historic day.”

Kenya’s Lawrence Cherono and Worknesh Degefa of Ethiopia did not return to defend their 2019 titles, but 13 past champions and five Tokyo Paralympic gold medal winners were in the professional fields.

Held annually since a group of Bostonians returned from the 1896 Athens Olympics and decided to stage a marathon of their own, the race has occurred during World Wars and even the 1918 Spanish flu pandemic. But it was first postponed, then canceled last year, then postponed from the spring in 2021.

It’s the first time the event hasn’t been held in April as part of the Patriots’ Day holiday that commemorates the start of the Revolutionary War. To recognize Indigenous Peoples Day, race organizers honored 1936 and ’39 winner Ellison “Tarzan” Brown and three-time runner-up Patti Catalano Dillon, a member of the Mi’kmaq tribe.

To manage the spread of the coronavirus, runners had to show proof that they’re vaccinated or test negative for COVID-19. Organizers also re-engineered the start so runners in the recreational field of more than 18,000 weren’t waiting around in crowded corrals for their wave to begin; instead, once they get off the bus in Hopkinton they can go.

“I love that we’re back to races across the country and the world,” said Doug Flannery, a 56-year-old Illinois resident who was waiting to start his sixth Boston Marathon. “It gives people hope that things are starting to come back.”

Police were visible all along the course as authorities vowed to remain vigilant eight years after the bombings that killed three spectators and maimed hundreds of others on Boylston Street near the Back Bay finish line.

The race started about an hour earlier than usual, leading to smaller crowds in the first few towns. Wellesley College students had been told not to kiss the runners as they pass the school’s iconic “scream tunnel” near the halfway mark.
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It has been described as a “crash course in football club ownership” and the two Hollywood stars who bought a beleaguered team in English soccer’s fifth tier with the lofty aim of transforming it into a global force are certainly learning on the job. 

“I’m watching our PLAYERS MOP THE FIELD to continue the game,” read a tweet last week from Rob McElhenney, an American actor and director who was the creator of TV show “It’s Always Sunny in Philadelphia” and now makes up one half of the new ownership of Wrexham AFC. “I’ve never seen anything like it.” 

The residents of Wrexham have been rubbing their eyes in disbelief for a while. 

It’s nearly a year since McElhenney and Ryan Reynolds, the Canadian-born actor best known for starring in the “Deadpool” movies, completed their out-of-nowhere $2.5 million takeover of Wrexham, a 157-year-old club from Wales that has fallen on such hard times since the turn of the century that its supporters’ trust twice had to save the team from going out of business. 

Once the seed was planted by friends about buying a European soccer team, they sought out advisors to recommend a club that had history, was in a false position, and played a big role in the local community. Wrexham fitted the bill. 

After all, it’s the world’s third oldest professional club that used to attract attendances of 20,000 in the 1970s — and had some big wins in the FA Cup in the 1990s, including over then-English champion Arsenal — but has been languishing at non-league level, where some teams are semi-professional, since 2008. Located in an industrial town of about 65,000 people near the northwest English border, it is not too far from the soccer hotbeds of Liverpool and Manchester. 

To the amazement of everyone involved in English and Welsh soccer, the purchase went through and McElhenney and Reynolds immediately made some big promises: improvements to the stadium, playing squad and leadership structure; a major investment in the women’s team; and to “introduce the club to the world.” They’ve stayed true to their word, making Wrexham stand out at a time when many clubs below the lucrative English Premier League have plunged into financial turmoil because of the effects of the coronavirus pandemic. 

“I remember when it all first broke on the news, it seemed a bit surreal,” Wrexham manager Phil Parkinson told The Associated Press. “But since I’ve spoken to them, you understand how serious they are in terms of making a success of this club and leaving a legacy.” 

Walking through the tunnel and onto the field at the Racecourse Ground, it’s impossible to not notice the giant stand — known as “The Kop” — to the left that is being renovated and currently is covered in a huge red banner. On it are Wrexham’s new sponsors, TikTok, Aviation Gin and Expedia, globally recognized brands that typically have no place at this level of the game. 

Season-ticket sales have nearly trebled, from 2,000 to around 5,800, and attendances have been more than 8,000 for home games, better than many clubs get in the third and fourth tiers and a figure virtually unheard of at non-league level. 

For the first full season under Reynolds and McElhenney, the men’s squad has been enhanced — one player was signed for 200,000 pounds ($270,000), nearly a club record — and there’s a new coach and chief executive with decades of experience working in the English Football League, the three divisions below the Premier League. 

Behind the scenes, there are advisors acting as conduits between the board and the new owners who have held important leadership roles in British soccer: former Liverpool CEO Peter Moore, former Football Association technical director Les Reed and former English Football League CEO Shaun Harvey. 

Meanwhile, the push to put Wrexham “on the map” in world soccer is ongoing. 

It recently became the first non-league team to be included on the popular video game, FIFA. Reynolds (18 million) and McElhenney (700,000) use their large Twitter following to promote the club — and even to comment on the team’s games as an incredulous McElhenney did on Saturday when Wrexham’s match was abandoned because of a waterlogged pitch. 

And in what could perhaps be the biggest game-changer, Wrexham is the subject of an access-all-areas TV documentary charting its transformation under the new ownership. A two-season order of “Welcome to Wrexham” has been placed by American channel FX, with Reynolds and McElhenney the executive directors of what could prove to be something like a real-life version of Emmy Award-winning U.S. comedy “Ted Lasso.” 

FX has said the documentary will explore “the club, the town, and Rob and Ryan’s crash course in football club ownership.” Camera crews have been at the club for much of the past year. 

“Everywhere you go, there’s a camera,” Wrexham captain Luke Young said. “However, many times the crew say, ‘Be yourself and do what’s natural,’ you do to an extent but you then think, ‘Should I say this?’ But they’ve said they’re not going to hang you out to dry.” 

So, is Wrexham simply being used as a vehicle to produce a reality TV show, as some skeptics will say? The scale of the transformation and the money being spent by the new owners on all areas of the club suggests otherwise. 

How long Reynolds and McElhenney stick around is up for debate. But, for now, Wrexham — both the soccer team and the local area — has been given a lift by the presence of famous new owners and the exposure that is providing. Fleur Robinson, the recently appointed CEO, said the club has new members “from Los Angeles to New York” and especially from Philadelphia, the city where McElhenney is from and the inspiration for Wrexham’s new green away uniform. 

The owners have been on chat shows in the U.S., talking about their new project. 

“There hasn’t been a day gone by when the football club hasn’t been mentioned in some way on a national or global scale,” Robinson said. 

Reynolds and McElhenney have promised to come to Wrexham once pandemic-related travel restrictions are lifted and watch the team, which is currently halfway down the National League standings after nine games. 

That visit could be anytime now, and they could be in for quite the reception. 

“There is a such a buzz about town, so this is what everyone is waiting for, to see them,” Robinson said. “They’ve bought a club and not seen it for themselves. I’m sure they are just as excited as the people in Wrexham to come here.” 
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Paul McCartney has revisited the breakup of The Beatles, flatly disputing the suggestion that he was responsible for the group’s demise.

Speaking on an episode of BBC Radio 4’s “This Cultural Life” that is scheduled to air on Oct. 23, McCartney said it was John Lennon who wanted to disband The Beatles.

“I didn’t instigate the split,” McCartney said. “That was our Johnny.”

The band’s fans have long debated who was responsible for the breakup, with many blaming McCartney. But McCartney said Lennon’s desire to “break loose” was the main driver behind the split.

Confusion about the breakup was allowed to fester because their manager asked the band members to keep quiet until he concluded a number of business deals, McCartney said. 

The interview comes ahead of Peter Jackson’s six-hour documentary chronicling the final months of the band. “The Beatles: Get Back,” set for release in November on Disney+, is certain to revisit the breakup of the legendary band. McCartney’s comments were first reported by The Observer.

When asked by interviewer John Wilson about the decision to strike out on his own, McCartney retorted: “Stop right there. I am not the person who instigated the split. Oh no, no, no. John walked into a room one day and said, ‘I am leaving The Beatles.’ Is that instigating the split, or not?”

McCartney expressed sadness over the breakup, saying the group was still making “pretty good stuff.” 

“This was my band, this was my job, this was my life. So, I wanted it to continue,” McCartney said.
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Ethiopia’s Seifu Tura Abdiwak won the Chicago men’s marathon on Sunday and Kenya’s Ruth Chepngetich the women’s race.

The 24-year-old Tura completed the 42-kilometer course in 2:06:12, beating out American Galen Rupp, who finished close behind with an official time of 02:06:35.

Chepngetich, 27, finished her race in 02:22:31, with Emma Bates of the United States coming in second at 02:24:20.

One of the best-known long-distance races, the Boston Marathon, is set for Monday in the northeastern U.S. city. The coronavirus pandemic caused the race, normally run in April, to be moved to Monday’s date.
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One player took off from the airport, while another jumped out of the window of his hotel room. In all, of the 24 members of Cuba’s national baseball team who arrived in Mexico for the under-23 World Cup, only about half came home.

This year, a record number of players have defected from the communist-run island nation, which is enduring its worst economic crisis in 30 years.

The mass defection is “unprecedented in the history of baseball,” Francys Romero, a sports journalist who has written a book on the phenomenon, told AFP.

The player who jumped from his hotel room window? He told Romero that he shimmied down a palm tree to get to a waiting getaway car.

Cuban baseball players leaving their homeland is not new. When professional sports were upended in the wake of the revolution led by Fidel Castro, many sought better opportunities abroad.

After a smattering of defections during the Cold War, the exodus picked up pace after the fall of the Soviet Union in the early 1990s.

Since Rene Arocha left the national team at the airport in Miami in 1991 for a career in the United States, about two or three players a year have deserted their country. Nine jumped ship in 1996. Those players are consistently regarded as traitors.

Some have left legally, an option that became possible with immigration reform in 2013, but which was starkly curtailed when flights were reduced because of the coronavirus pandemic.

A who’s who of players who became Major League Baseball stars have made the leap, including Orlando and Livan Hernandez, Jose Abreu, Aroldis Chapman, Yasiel Puig and current Tampa Bay Rays standout Randy Arozarena.

Younger, not always stars

Not only has the number of players seeking careers abroad exploded, but their profiles are different: they are younger and not always destined for major league stardom, according to Romero.

So why are they risking it?

“To change their lives. Sports comes after that,” he said.

Those who have left have faced criticism on social media, but many Cubans have simply wished them well; they are all too aware of how difficult life is in Cuba at the moment, with major shortages of food and medicine.

Earlier this year, when Cuba’s national team came to the United States to play Olympic qualifying games, top talent Cesar Prieto, two other players and the team psychologist defected.

Cuba, a three-time Olympic champion and 25-time Baseball World Cup winner, failed for the first time to qualify for the Summer Games in Tokyo.

For Luis Daniel del Risco, currently the highest-ranking official in the Cuban baseball federation, there is “a war” under way to “destroy Cuban baseball.”

He slammed what he called “a harassment campaign” by foreign recruiters, who attend most games that Cuba plays abroad.

‘Very complicated decision’

“I’ve often heard it said that the state of baseball in Cuba reflects the state of the country,” said Cuban novelist Leonardo Padura, a huge baseball fan who has dedicated a book to interviews with players.

“I think that what happened is a representation of what’s happening in the country, this mass exodus” that has also been seen in an uptick in the number of Cubans trying to reach the United States on rickety boats to Florida.

“It’s really a very complicated decision to make, as they are giving up a lot,” he added.

They leave “without their passports, which are held by the delegation,” Romero said. And all are barred from coming home to Cuba for eight years.

Del Risco says the players “did not fulfill their commitments to their teammates and to the country,” but admits it’s a “personal decision for each of them.”

Major League Baseball and the Cuban baseball federation had reached a deal in late 2018 that would have allowed Cubans to play in the United States without having to first defect, but former President Donald Trump scrapped it in 2019.
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French President Emmanuel Macron said Friday that his country will return 26 African artworks — royal thrones, ceremonial altars, revered statues — to Benin later this month, part of France’s long-promised plans to give back artwork taken from Africa during the colonial era.

Discussions have been under way for years on returning the artworks from the 19th century Dahomey Kingdom. Called the “Abomey Treasures,” they currently are held in the Quai Branly Museum in Paris. The museum, near the Eiffel Tower, holds thousands of works from former French colonies.

Macron said the 26 pieces will be given back at the end of October, “because to restitute these works to Africa is to give African young people access to their culture.” It remains unclear when exactly they will arrive in Benin.

“We need to be honest with ourselves. There was colonial pillage, it’s absolutely true,” Macron told a group of African cultural figures at an Africa-France gathering in the southern city of Montpellier. He noted other works already were returned to Senegal and Benin, and the restitution of art to Ivory Coast is planned.

Cameroon-born art curator Koyo Kouoh pressed Macron for more efforts to right past wrongs.

“Our imagination was violated,” she said.

“Africa has been married to France in a forced marriage for at least 500 years,” Kouoh said. “The work (on mending relations) that should have been done for decades wasn’t done…It’s not possible that we find ourselves here in 2021.”

A sweeping 2018 report commissioned by Macron recommended that French museums give back works that were taken without consent, estimating that up to 90% of African art is located outside the continent. Some other European countries are making similar efforts.

Three years later, few artworks have been returned. To facilitate the repatriation of the Abomey Treasures, France’s parliament passed a law in December 2020 allowing the state to hand the works over and giving it up to one year to do so.

The Africa-France meeting Friday was frank and occasionally heated. Macron, who is trying to craft a new French strategy for Africa. met with hundreds of African entrepreneurs, cultural leaders and young people. 

Speakers from Nigeria, Chad, Guinea and beyond had a long list of demands for France: reparations for colonial crimes, withdrawal of French troops, investment that bypasses corrupt governments and a tougher stance toward African dictatorships.

Macron defended France’s military presence in Mali and other countries in the Sahel region as necessary to keep terrorists at bay, and he refused to apologize for the past.

But he acknowledged that France has a “responsibility and duty” to Africa because of its role in the slave trade and other colonial-era wrongs. Noting that more than 7 million French people have a family link to Africa, Macron said France cannot build its future unless it “assumes its Africanness.”
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Jenny Chan strode through central London on a late summer Saturday afternoon, heading for the South Bank Lion statue opposite Big Ben.

There, by the River Thames, the 57-year-old mother and her two children joined a group of fellow Hong Kong expats who had gathered to sign a banner for Anson Lo, a 26-year-old singer with Hong Kong boy band Mirror.

About 200 people, most wearing clothes in Lo’s signature pink, wrote messages on the giant scroll. The banner had been hauled to the United Kingdom by Mirror fans, and its London stop on Sept. 25 was just one of many scheduled for outposts of the global Hong Kong diaspora. Its final destination is Hong Kong, where it will be presented to Lo himself.

The 12-member Hong Kong boy group Mirror originated in 2018 on the first season of King Maker, an elimination-style talent contest produced by Hong Kong’s ViuTV. The producers hand-picked contestants to form a boy band around the winner, Keung To. Mirror’s first release, roughly translated as One Moment in Time, debuted in November of that year.

Mirror’s trajectory — from its emergence before Hong Kong’s massive pro-democracy protests of 2019 to its superstar status in the Cantonese-speaking world — has made listening to the band “a type of resistance,” wrote Mary Hui on Quartz, as China cracks down almost daily on Hong Kong’s civil society.

Inspirational lyrics

Mirror members are identified more by their signature colors — Keung To’s is peach — than their politics. But it was widely reported via Facebook that former journalist and activist Gwyneth Ho, detained on a national security charge and facing the possibility of life imprisonment, cried upon hearing their song Warrior, which includes a line that translates to “I’d rather die / And I won’t retreat.”

 

Such lyrics help explain why Mirror is now a common thread among those fleeing China’s repression in the once freewheeling former British colony. Today, wherever Hong Kongers gather, Mirror provides the soundtrack, with hits such as Ignited and Boss.

 

Howard Chan, 23, and his sister Maggie Chan, 16, were studying in the United Kingdom when Maggie discovered Mirror late in 2018 on a show streaming online. She was drawn by the Cantonese, the language spoken in Hong Kong. VOA is using pseudonyms to ensure the safety of Chan family members as China tracks people overseas under Hong Kong’s national security law.

Through the band, the younger Chans told VOA Cantonese, they have connected with old friends in Hong Kong and friends who had moved to Australia.

Maggie Chan, a high school student, said she persuaded her brother, a Ph.D. candidate in engineering at a U.K. university, to join her in binge-watching Mirror’s ViuTV shows.

Howard Chan became a Mirror fan.

Their mother, Jenny Chan, moved to London in August 2019 to take care of her children. She continued watching a daily sitcom on TVB, a Hong Kong station often labeled pro-China.

Her children pushed her to quit TVB, but she resisted until the COVID-19 lockdown, when she started watching ViuTV.

Jenny Chan became a Mirror fan in part because “they’re handsome.”

The U.K. Chans rely on Thomas Chan, a 60-year-old patriarch and an executive with an international company in Hong Kong, to collect Mirror-related material and send it to them.

When he visited in July, he pushed through jet lag by binge-watching Ossan’s Love HK, which features Mirror’s Edan Lui and Lo.

The 15-episode series is a remake of a Japanese “boys love” drama. ViuTV’s Cantonese version is the first of the genre to air in Hong Kong.

Thomas Chan became a Mirror fan.

 

Mom worries about band

Despite Mirror’s popularity, Jenny Chan worries about the band’s fate given China’s targeting of effeminate male celebrities.

Her favorite, Lo, is known for his androgynous style.

Described by her son as politically liberal and open to new ideas, she also worries that the band’s influence may upset authorities.

When hundreds of fans attended a Hong Kong birthday event for Lo in July, they ignored police orders to disperse, instead waiting for a pink double-decker bus proclaiming “Happy Birthday Anson Lo” on its side.

“I believe China would feel afraid, as a group of people gathered, and they were not scared (of the police). We were worried (about Mirror),” she told VOA Cantonese.

She is relieved the semiofficial Hong Kong Tourism Board recently invited Lo and fellow Mirror member Ian Chan to appear in a promotional advertisement.

The U.K. Chans attend fan-hosted events in the London area, the most recent on Oct. 3. Howard Chan told VOA Cantonese that the events help maintain a Hong Kong identity.

“We live in London and often see many Hong Kongers. But for some who live quite far away, there is barely any chance to speak Cantonese. These events are something where we can get together,” he said.

Howard Chan recalled attending London marches supporting Hong Kong’s pro-democracy movement with his sister before the pandemic. Those felt similar to Mirror fan events, he said, in that both attracted Cantonese-speaking people to a common activity.

“When I see someone with an Asian face, I don’t even have to think or ask in English whether they are Hong Kongers. I can just speak Cantonese,” he said of the marches and Mirror events.

Jenny Chan, who said she could tell her son felt heavy-hearted at the protests, likes seeing him relaxed at Mirror events. “It was like going to therapists, helping him to release his emotions and get happier.”
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This year’s Nobel Prize in Literature has been awarded to Tanzanian novelist Abdulrazak Gurnah for his body of work detailing the refugee experience and how colonialism shaped African culture.

At a news conference at the Swedish Academy’s headquarters in Stockholm, Permanent Secretary Mats Helm said Gurnah received the award for “for his uncompromising and compassionate penetration of the effects of colonialism and the fate of the refugee in the gulf between cultures and continents.”

Gurnah, born in 1948 and raised on the island of Zanzibar in the Indian Ocean, arrived in England as a refugee himself in the late 1960’s. He has published ten novels and a number of short stories.

In its statement, the academy said, “In Gurnah’s literary universe, everything is shifting – memories, names, identities. An unending exploration driven by intellectual passion is present in all his books.” The statement said that quality is as evident in his latest novel, 2020’s “Afterlives,” which he began writing as a 21-year-old refugee.

The academy went on to say Gurnah’s writing is “striking” for its dedication to truth and “his aversion to simplification. His novels recoil from stereotypical descriptions and open our gaze to a culturally diversified East Africa unfamiliar to many in other parts of the world.”

Gurnah will receive a $1.1 million cash prize, but for writers, the prize also adds prestige and publicity by exposing their work to much wider audience. 

The Nobel Prizes for medicine, physics and chemistry were awarded earlier this week, with the Peace Prize to be awarded Friday, and economics on Monday.

The awards will all be formally presented in December. Because of the ongoing COVID-19 pandemic, the academy announced this year’s ceremony will be a mixture of digital and physical events. Laureates will receive their Nobel Prize medals and diplomas in their home countries.

Some information in this report comes from Reuters. 
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COVID-19 has killed more Americans than the Spanish flu pandemic of 1918-1919. One artist is determined that the more than 700,000 lives lost will not be forgotten. VOA’s Amy Hybels has the story.

Camera: Amy Hybels

 
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The U.S. Justice Department has launched a fresh inquiry into the FBI’s botched handling of its sex abuse investigation into disgraced former USA Gymnastics doctor Larry Nassar, after previously declining to prosecute the agents involved, Deputy Attorney General Lisa Monaco said on Tuesday.

“The recently confirmed assistant attorney general for the Criminal Division is currently reviewing this matter, including new information that has come to light,” Monaco told the Senate Judiciary Committee on Tuesday, adding that she is “constrained” on what more she can say.

“I do want the committee and frankly, I want the survivors to understand how exceptionally seriously we take this issue,” she added.

In an emotional hearing last month famous gymnasts including Simone Biles and McKayla Maroney appeared before the same Senate panel, where they blasted the FBI for failing to properly investigate abuse they suffered under Nassar’s care.

The hearing was prompted by a scathing investigation by the Justice Department’s inspector general, which uncovered widespread and dire errors which allowed Nassar to continue to abuse at least 70 more victims before he was finally arrested.

Two former FBI agents were singled out in the report – the former Indianapolis field office Special Agent in Charge W. Jay Abbott and a former supervisory special agent who has since been identified as Michael Langeman.

The inspector general referred both former agents for prosecution, but the Justice Department declined to bring charges against them in September 2020.
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The crew of a Russian Soyuz spacecraft was welcomed aboard the International Space Station Tuesday, though a communications glitch during their final approach delayed their eventual boarding.

The Soyuz spacecraft was launched Tuesday from the Russian spaceport in Baikonur, Kazakhstan. The ship was carrying a history-making crew, as it included film director Klim Shipenko and actor Yulia Peresild, who will be filming a feature film during their stay at the station.

After the spacecraft orbited the earth twice and made a final approach to the ISS, mission control reported the Soyuz craft experienced some communication issues. Those issues resulted in the crew abandoning automated docking procedures. Veteran Cosmonaut Shkaplerov, the other crew member on the Soyuz craft, manually guided the spacecraft into place without a problem.

The manual docking set back the scheduled opening of the hatch between the spacecraft and the station by an hour.

Once they were welcomed on board the ISS, Shipenko and Peresild will spend the next 12 days filming segments of a new feature film called “Challenge” — the first to actually be shot in outer space.  

NASA says filming will begin almost immediately. Pereslid will play a doctor who is launched to the orbital outpost to save an ailing cosmonaut. Shkaplerov and two fellow cosmonauts already on board the ISS, Oleg Novitskiy and Pyotr Dubrov, will all have speaking roles in the film.

Shipenko and Pereslid will return to Earth on October 17 with Novitskiy.

The historic mission beats out a similar plan announced last year by Hollywood superstar actor Tom Cruise, the U.S. space agency NASA and Elon Musk’s privately-owned SpaceX company, which ferries crews and cargo to the ISS.  

Russian space officials are hoping the film will restore some luster to the program, which has fallen from its glory days of the 1950s and `60s, when it launched the first man-made satellite as well as the first man and woman, into orbit, but has been plagued by delays, accidents and corruption scandals in recent years.

Tuesday’s launch comes nearly a month after four Americans became the first all-civilian crew to orbit the Earth, spending three days in space aboard a SpaceX Crew Dragon capsule.

Some information for this report was provided by the Associated Press.
…

A woman walks alone past bombed-out windowless buildings in Gaza, black high heels on gray rubble. This image of life during conflict was one of several captured by a young Palestinian photojournalist in May. 

The striking set of images has earned Fatima Shbair the 2021 Anja Niedringhaus Courage in Photojournalism Award, bestowed by the International Women’s Media Foundation (IWMF).  

At 24, Shbair is the youngest journalist to be awarded the honor, which was named for a German Associated Press photographer who was killed in 2014 while on assignment in Afghanistan.

Shbair’s photos center on the Palestinian-Israeli conflict in May 2021. More than 200 people, including dozens of children, died during the 11 days of fighting. The United Nations said at the time that the Israeli airstrikes might constitute a war crime, and it also condemned tactics used by Hamas.

Shbair, who lives in Gaza City, said that when the airstrikes began, she picked up her camera and continued doing her job: documenting daily life.  

“As photojournalists, it’s our job to focus on the little details that might not be apparent for anyone outside the city,” she told VOA.  

Shbair documented everything she saw, including scenes of mourning and commutes across the city, in her poignant photo essay “11 Days of the Israeli-Palestinian Conflict.”

“Everything happening there deserved to be documented. It doesn’t matter how dangerous it is,” she told VOA. 

Judges praise work 

The body of work, shot under tough conditions, caught the attention of the IWMF judges. 

Members of the judging committee “were really impressed with how she captured these incredibly beautiful images among the wreckage of an ongoing bombardment that she was also living through herself,” Elisa Lees Muñoz, executive director of the IWMF, told VOA.  

“The fact that she was part of this conflict and really trying to survive as a civilian, in addition to trying to survive as a photojournalist, was pretty telling,” Muñoz said.  

Shbair studied journalism in college but taught herself photography while documenting what she calls “different” daily life in Gaza in 2019. By 2020, she was working as a freelancer and selling images to international agencies such as Getty Images. 

But the conflict this May presented new challenges.  

“I left my home and my family for 11 days. I went directly into the field, moving from one office to another,” she said. “I just stayed there in the streets, running toward what was happening. It was not easy, but in some way, I did it.”  

Inspiring images 

The IWMF’s annual award recognizes photography that inspires viewers or helps them better understand the world. Each awardee is given $20,000 and has her work showcased.

Honorable mentions this year were given to Kiana Hayeri, an Iranian Canadian photojournalist based in Afghanistan since 2013, and Adriana Zehbrauskas, a Brazilian documentary photojournalist who covers immigration and the drug trade across borders with Mexico. 

On Thursday, one day after she was named an awardee, Hayeri posted a humble thank you on Instagram, alongside a photo of an older Afghan woman taken in April. 

“As I’m posting this, I’m sitting at my gate, waiting to catch one last plane to go back to #Kabul with a chest filled with contrasting feelings,” Hayeri wrote. 

The award’s namesake, Niedringhaus, also extensively covered events in Afghanistan. She was the recipient of a separate IWMF Courage in Journalism Award in 2005, the same year her team won a Pulitzer Prize for coverage of the war in Iraq.  

“(Niedringhaus) is among us with her images,” 2021 awardee Shbair said. “Despite all difficulties, I hope that we will be efficient in continuing her journey to always highlight the truth.” 

 
…

Shang-Chi and the Legend of the Ten Rings, the latest Marvel film, is unique in that it features a largely Asian cast. The film has received a warm welcome by audiences in Asian countries. The film’s release, however, has been indefinitely postponed in China. VOA’s Penelope Poulou has more
…

The National Women’s Soccer League (NWSL) board of directors has fired commissioner Lisa Baird and general counsel Lisa Levine in the wake of a report detailing allegations of misconduct against former North Carolina Courage head coach Paul Riley, The Athletic reported Friday. 

NWSL did not immediately respond to a request for comment. 

The Athletic on Thursday outlined allegations of sexual coercion and misconduct by Riley, who led the Courage to back-to-back NWSL championships in 2018 and 2019, after speaking to more than a dozen players he coached since 2010. 

Riley was terminated by the Courage and the league. 

“I am so sorry for the pain so many are feeling. Recognizing that trauma, we have decided not to take the field this weekend to give everyone some space to reflect,” Baird said in a written statement hours earlier while announcing that the league was canceling its weekend slate of games. 

“Business as usual isn’t our concern right now. Our entire league has a great deal of healing to do, and our players deserve so much better.” 

The report sent shock waves through the sport, and the players’ association demanded sweeping changes across the league, as some of soccer’s most prominent figures — including two-time World Cup winners and NWSL players Megan Rapinoe and Alex Morgan — voiced their outrage. 

The Athletic report came days after another head coach in the league, Richie Burke of the Washington Spirit, was terminated with cause. He had previously been suspended following allegations of abuse detailed by The Washington Post.
…

When the COVID-19 pandemic took hold early last year, artists such as Patricia Boyer of Charlotte, North Carolina, were panic-stricken. Who would see — not to mention purchase — her creations when much of America was on lockdown? 

 

“It was really bad, because here you are with all this art, and you’re like ‘what am I going to do with it?’,” the 65-year-old painter told VOA. “And the anxiety level was through the roof.” 

 

Amid a severe economic downturn and restricted in-person interactions, artists were forced to get creative. Boyer, who specializes in acrylic on canvas, said she was able to display some of her art with the help of friends and colleagues. 

 

“I now have my inventory in three different spaces — one of my friends got me in her gallery. So, it’s a way for me to get my name out,” Boyer said.  

 

Artists have faced unprecedented challenges triggered by the pandemic. Data published by the National Endowment for the Arts show, from 2019 to 2020, unemployment rates more than tripled for fine artists like Boyer and surpassed 50% for many types of performing artists. 

 

Among major U.S. economic sectors, creative industries were among the hardest hit by the pandemic, second only to the hospitality sector. 

Arts scene reemerges in Charlotte 

After more than a year of gloom, artists recently had cause to rejoice. Last weekend saw the resumption of Festival in the Park, a showcase of artisans and artwork Charlotte has held every year since 1964 — except last year.

 

The event draws a wide variety of artists and entrepreneurs, including photographers, ceramists, jewelers, bakers, carpenters, tattoo artists and puppeteers. 

 

“I love coming out here and meeting so many people,” Boyer said between conversations with clients. “This is the best thing that’s happened in a long time for me. I look at all these people and I am just in awe that people are coming out to support us artists during COVID.” 

 

Signs remain of the toll the pandemic has taken on artists. VOA spoke with Haydar Serezli, a jeweler based in Atlanta. He pointed to a drop in vendor attendance compared with pre-pandemic festivals. 

 

“It’s a little different this year,” said Serezli, who has been displaying work at Festival in the Park since 2011.“The amount of people coming, that’s stayed the same. But the vendors, many artists, we’ve known them for years, didn’t come.” 

 

The event drew 130 vendors this year, down from an average of 180 in previous years. 

 

“For us (Serezli and his wife), the pandemic didn’t affect us as badly. But for many artists around here, it wasn’t as easy for them. So, I hope some of them can come back around next year,” Haydari told VOA. 

Renewal after 2020 

“The biggest challenge was scaling it back,” said David Dalton, who has served on the festival’s board of directors for 30 years.

 

Even so, Dalton pointed to a sense of jubilation at the event. 

 

“Look at this crowd here,” Dalton remarked, gesturing at festivalgoers. “You can tell everyone’s been penned up.” 

Dalton added, “It’s an entirely outdoor event, but we’re still doing what we can for COVID (precautions).” 

 

Hand sanitizer stands dotted the grounds, and the Mecklenburg County Public Health Department staffed a booth to distribute pamphlets with tips for preventing coronavirus transmission. 

 

Signs were placed throughout the park urging mask-wearing, although relatively few attendees were seen with face coverings. 

Charlotte resident Jason Norvell said he has attended the past six festivals. 

 

“Personally, I’m vaccinated so I’m not really worried about being out in public. It’s great weather, so we thought, ‘hey let’s come out and have a nice evening,’” Norvell told VOA. “I think, frankly, so many people are kind of fed up with being cooped up, and so they want excuses to go to activities.” 

“It felt so nice to attend this year,” said Hayley Schnackenberg, who grew up in Charlotte and works remotely as a technology consultant.

 

“Some of the best memories I have as a kid” were from going to the festival, she added. “There’d be dancers from local schools or local theaters and those were some of the things that I felt were missing [this year].” 

 
…

Boxing legend Manny Pacquiao is officially hanging up his gloves.

The eight-division world champion and Philippine senator on Wednesday announced his retirement from the ring.

“I would like to thank the whole world, especially the Filipino people, for supporting Manny Pacquiao. Goodbye boxing,” the 42-year-old said in a video posted on his Facebook page. “It is difficult for me to accept that my time as a boxer is over. Today I am announcing my retirement.”

Pacquiao finished his 26-year, 72-fight career with 62 wins, eight losses and two draws. Of those 62 wins, 39 were by knockout and 23 by decision. He won 12 world titles and is the only fighter in history to win titles in eight different weight classes.

His retirement from boxing followed a disheartening defeat to Yordenis Ugas in Paradise, Nevada, on Aug. 21. The younger Cuban boxer beat Pacquiao by unanimous decision, retaining his WBA welterweight title. It was Pacquiao’s first fight in more than two years.

“Thank you for changing my life. When my family was desperate, you gave us hope, you gave me the chance to fight my way out of poverty,” Pacquiao said in the video. “Because of you, I was able to inspire people all over the world. Because of you I have been given the courage to change more lives.”

Pacquaio had hinted at retirement recently. It had also been expected because he is setting his sights on a bigger political battlefield. Earlier this month, he accepted his political party’s nomination and declared he will run for Philippines president in elections next May.

He has accused the administration of President Rodrigo Duterte, his former ally, of making corruption worse in the Philippines. He promised to fight poverty and warned corrupt politicians they will soon end up in jail.

Pacquiao’s rags-to-riches life story and legendary career brought honor to his Southeast Asian nation, where he is known by the monikers Pacman, People’s Champ and National Fist.

He left his impoverished home in the southern Philippines as a teenager and stowed away on a ship bound for Manila. He made his professional boxing debut as a junior flyweight in 1995 at the age of 16, fighting his way out of abject poverty to become one of the world’s highest-paid athletes.

Eddie Banaag, a 79-year-old retiree, said Pacquiao was his idol as a boxer and he watched almost all of his fights. But he believes the boxing icon should have retired earlier.

“He should have done that right after his victory over (Keith) Thurman,” Banaag said of Pacquiao’s win over Thurman on July 20, 2019, in Las Vegas, Pacquiao’s second-to-last fight. “It would have been better if he ended his boxing career with a win rather than a loss.”

Still, Pacquiao believes he will always be remembered as a winner. Hundreds of millions of dollars in career earnings and his record in the ring leave no doubt.

“I will never forget what I have done and accomplished in my life,” Pacquiao said Wednesday. “I just heard the final bell. The boxing is over.”
…

Two-time Paralympic athlete Tyler Carter may be a seasoned contender on the world stage, but the alpine skier says he is not sure what to expect as the clock ticks toward the Winter Olympic Games in Beijing next February. Carter wants to be prepared to race in Beijing but says he hasn’t had a chance to become acquainted with the terrain.

“We didn’t really get a test event,” said the 27-year-old Carter, who has skied since the age of 8, seven years after a foot was amputated due to a missing fibula in his right leg. “Because of COVID, everything was kind of postponed or cancelled, so I don’t really know what it’s going to be like there.” 

Test events are seen as dress rehearsals held in the host country, often a year before the actual Olympic Games, to not only help the athletes but also allow the hosts to test their readiness. 

“It’s kind of a mystery in a way, but that’s fine,” said Carter, now based in Colorado Springs, Colorado. “We train for all conditions, all different types of hills and racing venues,” said Carter, who took part in the Winter Games in 2014 and 2018. 

As Carter trains for his moment on the slopes, he says he is hoping politics won’t impact his ability to compete.

Beijing is facing calls for a boycott or cancellation of the Games over political issues. 

Pandemic preparations in Beijing 

Foreign pressure on China to cancel the Games, over politics, has not changed pandemic event planning. 

Beijing’s Games show early signs of taking place at a full scale, just minus live spectators. The Chinese government is energizing fans at home and ignoring calls for boycotts, while athletes such as Carter are doing whatever it takes to win medals for themselves and their countries. 

“Individuals will have their own opinions across the spectrum, but from a general perspective, I think athletes who are wanting to compete at the top level and take part in the Olympics are being pragmatic and understand that there are going to be politics, protocol, whatever,” said Mark Thomas, managing director of U.K.-based, China event-focused S2M Consulting firm.

Most athletes, he added, realize “it’s a new world” in terms of how they travel.

Beijing’s Olympic organizing committee did not reply to a request from VOA on pandemic-related measures for the Games, but Chinese media suggested this month, the rules are not yet fixed. Twelve test events and three international training weeks in Beijing from October to December will offer clues, the state-run CGTN news website said.

“As Beijing organizers have not revealed the full extent of the COVID-19 countermeasures yet, those test events could offer a sneak peek at the meticulous precautions they are expected to take against COVID-19,” the September 15 report said.

Chinese Vice Premier Han Zheng visited the National Ski Jumping Center, a snow park and Olympic villages in early September to learn about epidemic prevention work, the official Xinhua news agency said. “He also stressed sound plans to prevent and control the COVID-19 epidemic,” Xinhua said. China will hold the events at 12 venues in and around Beijing.

Chinese officials have involved 100 million people in domestic campaigns to promote the Games and more than 1.1 million people have signed up as volunteers, CGTN said.

The country squelched its major COVID-19 outbreak in early 2020 through some of the world’s strictest lockdowns in the central Chinese city Wuhan, where the outbreak was first reported. It has closed the border to foreign travel.

But observers said Beijing’s Olympics organizers will just adopt Tokyo’s precautions from the recent Summer Olympics. Tokyo barred spectators from most events and required athletes to operate in an Olympic venue-hotel bubble rather than mixing with the public.

The Tokyo Games drew 11,656 athletes to 339 events, roughly equal to the 11,238 athletes and 306 events of the Rio de Janeiro Olympics four years earlier. 

Geopolitical pressure 

Opposition from abroad to the 2022 Games arises from lack of trust in China following political decisions by Beijing over the past two years, said Stephen Nagy, senior associate professor of politics and international studies at International Christian University in Tokyo.

He points to the reduction of political freedoms in Hong Kong in 2020, growing military pressure against Taiwan and crackdowns against ethnic Uyghurs in China’s far northwest. Many people abroad still believe China should have done more to stop COVID-19 from expanding past its origin in Wuhan.

“The reticence about going to Beijing has to do with the political issues that have come to light over the past several years,” Nagy said. 

The European Parliament passed a resolution July 8 calling on “government representatives and diplomats” to boycott the Beijing Games, citing reasons that include “the rapid deterioration of the human rights situation in Hong Kong and more specifically the open attacks against freedom of speech and freedom of the press.”

International observers see the 2020 National Security Law implemented in Hong Kong by China as a crackdown on democratic freedoms in the territory.

China’s state-run People’s Daily said the new laws aim to “protect people’s rights” and make Hong Kong “safer” after months of demonstrations on the streets in protest of an extradition measure that has since been withdrawn. 

Scores of human rights groups have asked for full boycotts, meaning countries would send no athletes, and some want major broadcasters including the American network NBC to cancel plans to cover the Games.

In June and July, some U.S. lawmakers pushed for a diplomatic boycott of the Games, meaning no federal funds would be spent to support Olympics attendance by federal employees. The Chicago Council on Global Affairs, a research group, found in March that 49% of Americans backed a boycott. 

No teams have announced that they will pull out of the Games — although North Korea was banned this month after the International Olympic Committee suspended it for not showing up in Tokyo. North Korea and its allies skipped the Seoul Olympics in 1988, the most recent full boycott.

As Carter continues to perfect his skiing for the Olympics, he watches closely for the latest political developments to see if a 2022 U.S. boycott will take place. “I hope it doesn’t happen, but it isn’t in my control,” he said. “I’m focused on my training and preparation, and we’ll see what happens.”
…

R. Kelly, the R&B superstar known for his anthem “I Believe I Can Fly,” was convicted Monday in a sex-trafficking trial after decades of avoiding criminal responsibility for numerous allegations of misconduct with young women and children.

A jury of seven men and five women found Kelly guilty of racketeering on their second day of deliberations. Kelly remained motionless, eyes downcast as the verdict was read. 

The charges were based on an argument that the entourage of managers and aides who helped the singer meet girls — and keep them obedient and quiet — amounted to a criminal enterprise.

Several accusers testified in lurid detail during the trial, alleging that Kelly subjected them to perverse and sadistic whims when they were underage. 

Kelly was also convicted of criminal counts accusing him of violating the Mann Act, which makes it illegal to take anyone across state lines “for any immoral purpose.” 

Kelly lawyer Deveraux Cannick said he was disappointed by the verdict.

“I think I’m even more disappointed the government brought the case in the first place given all the inconsistencies,” Cannick said. 

For years, the public and news media seemed to be more amused than horrified by allegations of inappropriate relationships with minors, starting with Kelly’s illegal marriage to the R&B phenom Aaliyah in 1994 when she was just 15. 

His records and concert tickets kept selling. Other artists continued to record his songs, even after he was arrested in 2002 and accused of making a recording of himself sexually abusing and urinating on a 14-year-old girl. 

Widespread public condemnation didn’t come until a widely watched docuseries “Surviving R. Kelly” helped make his case a signifier of the #MeToo era, and gave voice to accusers who wondered if their stories were previously ignored because they were Black women. 

At the trial, several of Kelly’s accusers testified without using their real names to protect their privacy and prevent possible harassment by the singer’s fans. Jurors were shown homemade videos of Kelly engaging in sex acts that prosecutors said were not consensual. 

Assistant U.S. Attorney Maria Cruz Melendez argued that Kelly was a serial abuser who “maintained control over these victims using every trick in the predator handbook.” 

The defense labeled the accusers “groupies” and “stalkers.” 

Cannick questioned why the alleged victims stayed in relationships with Kelly if they thought they were being exploited. 

“You made a choice,” Cannick told one woman who testified, adding, “You participated of your own will.” 

Kelly, born Robert Sylvester Kelly, has been jailed without bail since 2019. The trial was delayed by the coronavirus pandemic and Kelly’s last-minute shakeup of his legal team. 

When it finally started on August 18, prosecutors painted the 54-year-old singer as a pampered man-child and control freak. His accusers said they were under orders to call him “Daddy,” expected to jump and kiss him anytime he walked into a room, and to cheer only for him when he played pickup basketball games in which they said he was a ball hog. 

The accusers alleged that they also were ordered to sign nondisclosure forms and were subjected to threats and punishments such as violent spankings if they broke what one referred to as “Rob’s rules.” Some said they believed the videotapes he shot of them having sex would be used against them if they exposed what was happening. 

Among the other more troubling tableaus: Kelly keeping a gun by his side while he berated one of his accusers as a prelude to forcing her to give him oral sex in a Los Angeles music studio; Kelly giving several alleged victims herpes without disclosing he had an STD; Kelly coercing a teen boy to join him for sex with a naked girl who emerged from underneath a boxing ring in his garage; and Kelly shooting a shaming video of one alleged victim showing her smearing feces on her face as punishment for breaking his rules. 

Some of the most harrowing testimony came from a woman who said Kelly took advantage of her in 2003 when she was an unsuspecting radio station intern. She testified he whisked her to his Chicago recording studio, where she was kept locked up and was drugged before he sexually assaulted her while she was passed out. 

When she realized she was trapped, “I was scared. I was ashamed. I was embarrassed,” she said. 

She said one of R. Kelly’s employees warned her to keep her mouth shut about what had happened. 

Other testimony focused on Kelly’s relationship with Aaliyah. One of the final witnesses described seeing him sexually abusing her around 1993, when Aaliyah was only 13 or 14.

Jurors also heard testimony about a fraudulent marriage scheme hatched to protect Kelly after he feared he had impregnated Aaliyah. Witnesses said they were married in matching jogging suits using a license falsely listing her age as 18; he was 27 at the time. 

Aaliyah, whose full name was Aaliyah Dana Haughton, worked with Kelly, who wrote and produced her 1994 debut album, “Age Ain’t Nothing But A Number.” She died in a plane crash in 2001 at age 22. 

In at least one instance, Kelly was accused of abusing a victim around the time he was under investigation in a child pornography case in Chicago. He was acquitted at trial in 2008. 

For the Brooklyn trial, U.S. District Judge Ann Donnelly barred people not directly involved in the case from the courtroom in what she called a coronavirus precaution. Reporters and other spectators had to watch on a video feed from another room in the same building. 

The New York case is only part of the legal peril facing the singer. He also has pleaded not guilty to sex-related charges in Illinois and Minnesota. Trial dates in those cases have yet to be set. 

 
…

“Moulin Rouge! The Musical,” a jukebox adaptation of Baz Luhrmann’s hyperactive 2001 movie, won the best new musical crown at the Tony Awards on a Sunday night when Broadway looked back to honor shows shuttered by COVID-19, mourn its fallen and also look forward to welcoming audiences again.

The show about the goings-on in a turn-of-the-century Parisian nightclub, updated with tunes like “Single Ladies” and “Firework” alongside the big hit “Lady Marmalade,” won 10 Tonys. The record is 12, won by “The Producers.”

Producer Carmen Pavlovic struck a philosophical note in her acceptance speech, sharing the award with all the shows that struggled in the past 18-month shutdown.

“It feels a little odd to me to be talking about one show as best musical. I feel that every show of last season deserves to be thought of as the best musical,” she said. “The shows that opened, the shows that closed not to return, the shows that nearly opened. And of course, the shows that paused and are fortunate enough to be reborn — best musical is all of those shows.”

“The Inheritance” by Matthew Lopez was named the best new play and won three other awards, and Charles Fuller’s “A Soldier’s Play” won best play revival and an acting award. 

Lopez’s two-part, seven-hour epic uses “Howards End” as a starting point for a play that looks at gay life in the early 21st century. It also yielded wins for Andrew Burnap as best actor in a play, Stephen Daldry as best director, and Lois Smith as best performance by an actress in a featured role in a play. 

Thomas Kirdahy, a producer, dedicated the award to his late husband, the playwright Terrence McNally. Lopez, the first Latino writer to win in the category, urged more plays to be produced from the Latin community. “We have so many stories inside us aching to come out. Let us tell you our stories,” he said.

The pandemic-delayed telecast kicked off with an energetic performance of “You Can’t Stop the Beat” from original Broadway cast members of “Hairspray!” Ali Stroker sang “What I Did for Love” from “A Chorus Line.” Jennifer Holliday also took the stage to deliver an unforgettable rendition of “And I’m Telling You I’m Not Going” from the musical “Dreamgirls.”

The singers performed for a masked and appreciative audience at a packed Winter Garden Theatre. Host Audra McDonald got a standing ovation when she took the stage. “You can’t stop the beat. The heart of New York City!” she said.

“Moulin Rouge! The Musical” won for scenic design, costume, lighting, sound design, orchestrations and a featured acting Tony for Broadway favorite Danny Burstein. Sonya Tayeh won for choreography in her Broadway debut, and Alex Timbers won the trophy for best direction of a musical.

In a surprise to no one, Aaron Tveit won the award for best leading actor in a musical for “Moulin Rouge! The Musical.” That’s because he was the only person nominated in the category. He thanked a long list of people, including his parents, brother, agents, manager and the cast and crew. “We are so privileged to get to do this,” he said, tearing up. “Because what we do changes peoples’ lives.”

Burstein, who won for featured actor in a musical and had not won six previous times, thanked the Broadway community for supporting him after the death last year of his wife, Rebecca Luker. “You were there for us, whether you just sent a note or sent your love, sent your prayers — sent bagels — it meant the world to us, and it’s something I’ll never forget.”

David Alan Grier won featured actor in a play for his role in “A Soldier’s Play,” which dissects entrenched Black-white racism as well as internal divisions in the Black military community during World War II. “To my other nominees: Tough bananas, I won,” he said. On stage, the director, Kenny Leon recited the names Breonna Taylor and George Floyd, killed by police. “We will never, ever forget you.”

Adrienne Warren won the Tony for best leading actress in a musical for her electric turn as Tina Turner in “Tina — The Tina Turner Musical.” Warren was considered the front-runner thanks to becoming a one-woman fireball of energy and exhilaration. She dedicated the win to three family members she lost while playing Turner — and thanked Turner herself.

Mary-Louise Parker won her second best lead actress Tony Award, winning for playing a Yale professor who treasures great literature but has made no room in her life for someone to share that love with in “The Sound Inside.” She thanked her dog, whom she was walking in the rain when she bumped into Mandy Greenfield from the Williamstown Theatre Festival, who told her about the play.

Burnap made his Broadway debut in “The Inheritance.” He thanked his mom, and the University of Rhode Island and joked that he felt grateful because “I got to act for seven hours.”

The sobering musical “Jagged Little Pill,” which plumbs Alanis Morissette’s 1995 breakthrough album to tell a story of an American family spiraling out of control, came into the night with a leading 15 Tony nominations. It left with wins for best book, and Lauren Patten won the award for best featured actress in a musical.

“A Christmas Carol” cleaned up with five technical awards: scenic design of a play, costumes, lighting, sound design and score. But no one from the production was on hand to accept any of the awards. 

“Slave Play,” Jeremy O. Harris’ ground-breaking, bracing work that mixes race, sex, taboo desires and class, earned a dozen nominations, making it the most nominated play in Tony history. But it won nothing.

Sunday’s show was expanded from its typical three hours to four, with McDonald handing out Tonys for the first two hours and Leslie Odom Jr. hosting a “Broadway’s Back!” celebration for the second half with performances from the three top musicals.

The live special also included David Byrne and the cast of “American Utopia” playing “Burning Down the House” to a standing and clapping crowd. Byrne told them they might not remember how to dance after so long but they were welcome to try.

John Legend and the cast of “Ain’t Too Proud” performed “My Girl” and “Ain’t Too Proud to Beg” and Josh Groban and Odom Jr. sang “Beautiful City” from “Godspell,” dedicating it to educators. And Ben Platt and Anika Noni Rose sang “Move On” from “Sunday in the Park with George.” Idina Menzel and Kristin Chenoweth reunited for the “Wicked” song “For Good.”

Members of Broadway’s royalty — Norm Lewis, Kelli O’Hara and Brian Stokes Mitchell — mourned the list of those who have died, which included icons like McNally, Harold Prince and Larry Kramer.

This season’s nominations were pulled from just 18 eligible plays and musicals from the 2019-2020 season, a fraction of the 34 shows the previous season. During most years, there are 26 competitive categories. This year there are 25 with several depleted ones.

The last Tony Awards ceremony was held in 2019. The virus forced Broadway theaters to abruptly close on March 12, 2020, knocking out all shows and scrambling the spring season. Several have restarted, including the so-called big three of “Wicked,” “Hamilton” and “The Lion King.”
…

A new era of American golfers sent a message Sunday with a record-setting Ryder Cup blowout of Europe, their young, talented core players looking ready to dominate for years.

With eight under-30 players and six Ryder Cup rookies, the Americans completed a 19-9 rout of Europe at Whistling Straits that signaled a generational change to the world.

Farewell Tiger Woods and Phil Mickelson. Say hello to Tokyo Olympic champion Xander Schauffele, two-time major winner Collin Morikawa, U.S. PGA playoff champion Patrick Cantlay and Scottie Scheffler, 20-something stars.

“We have a lot of young guys, they’re going to be on teams for a long time and I wanted to send a message,” said Cantlay. “Everyone has that killer instinct and we’re going to bring that to future Cups.”

The most lopsided victory since the U.S.-Europe format began in 1979 served notice that a squad with nine of the world’s 11 top-ranked players was on a mission.

“This is a new era for USA golf,” U.S. captain Steve Stricker said. “They are young. They are motivated. They wanted it. They come with a lot of energy, a lot of passion, a lot of game. It’s exciting to see. This is a very special group of guys.”

Third-ranked Morikawa, 24, and fourth-ranked Cantlay, 29, each delivered 3.5 points. Fifth-ranked Schauffele, 27, had 3 points and world number 21 Scheffler, 25, had 2.5, the last in a singles win over world number one Jon Rahm of Spain.

And they were all rookies along with 11th-ranked Harris English, 32, and 16th-ranked Daniel Berger, 28.

“We showed the world what we can do as a team and I think it’s the precedent for the future of American golf,” said US veteran Tony Finau.

Pals Cantlay and Schauffele figure to be a U.S. pairs powerhouse for years, and the clubhouse chemistry promises a tighter bond than prior eras.

“I think the young guys on this team get along really well,” Cantlay said. “We sent out rookies four out of the first five (singles) matches. That’s unheard of. Everybody gets along.”

Morikawa delivered the Cup clinching half-point in a tie with Norway’s Viktor Hovland, and Cantlay beat Ireland’s Shane Lowry, while Scheffler’s upset, and Bryson DeChambeau’s win over Sergio Garcia silenced Europe’s winningest players for the week when it mattered most.

Europe veteran Lee Westwood delivered high praise to the conquerors.

“It’s not just the strongest U.S. team I’ve seen, but they all played well, to a man,” he said. “Everybody performed and turned up this week. Looks like they are a team.”

At the next Ryder Cup in 2023 in Italy, the new-look Americans will try to win the trophy on foreign soil for the first time since 1993.

“We’ve lost a lot looking back at the past. But that’s the past. We’re hopefully what the future is going to be like,” Morikawa said. “Hopefully we can turn that tide in our favor for however many years I’m able to play this.”
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Macho men are in and effeminate male performers are out as Beijing expands its crackdown on China’s entertainment industry, blaming the rise of unmanly men on U.S. influence in Japan. 

Male celebrities, even top moneymakers, are changing their images seemingly overnight now that China’s National Radio and TV Administration and other government agencies have made it clear that men who can be described as “niang pao,” a derogatory term for effeminate men, are no longer suitable role models.

New government controls call for broadcasters to enforce a “correct beauty standard” and to stop booking male celebrities who fail to meet the manly criteria. 

Huang Zitao once belonged to the South Korean boy band Exo, which performs in Korean, Mandarin and Japanese. Now without eye makeup and earrings, the Chinese singer has posted shirtless “gym rat” selfies, showing off his muscles on social media.

And as for heartthrob Wang Yibo? Gone are his bleached blond locks, replaced by black hair. 

Jonathan Sullivan, a political science professor and director of China Programs at the University of Nottingham Asia Research Institute, called the latest development “sad.” 

“Personal style was one of the few areas that politics had retreated from, and Chinese young people were free to find individual expression,” he told VOA Mandarin in an email message. “If that freedom is also subject to circumscriptions from the state, I think that is quite a sad development.”

Ma, a Chinese cultural commentator who asked VOA Mandarin to use only his first name for his safety, said the latest campaign aims to ensure China has warriors ready for any future military action. 

“Promoting more gentle male characters has nothing to do with politics, but if a country is getting ready for a military conflict, enough manpower is key,” he said. “The one-child policy greatly reduced China’s combat readiness, so the authorities are attacking the sissy men culture now to make sure they have enough manly soldiers to prepare for possible wars in the future.” 

Sullivan said the outcry around the “crisis of masculinity” has been growing for several years.  

“To me, the focus on the way male celebrities dress and conduct themselves is a red herring. Another instance of ‘social engineering’ overreach, like football players being told to cover their tattoos,” he said. “I wouldn’t interpret this as wanting to increase the ‘readiness for conflict’ of Chinese men, but it is certainly in keeping with the ‘robust posture’ of the Xi era.” [[ https://www.youtube.com/watch?v=QWc31Szc4UU ]] 

Since ascending to power in 2012, President Xi Jinping has stressed that the Chinese Communist Party must lead all people — a position that extends its control, and his, over all aspects of life. The country’s powerful tech industry and the influential entertainment sector are his latest targets.  

Protecting youth 

China’s Cyberspace Administration launched a “qing lang” or “clear and bright campaign” in May with the goal of eliminating “harmful online problems damaging young people’s mental

On August 28, the China Internet Information Center, a state-run web portal, published photos of popular male celebrities in an article titled “We Must Stop the Niang Pao Culture.” The term “niang pao” comes from a 2007 Taiwan drama in which it was used to describe a male character considered “weak and emotional like a woman.”  

China’s netizens responded quickly to the article. “Don’t judge others’ beauty standards. Don’t force others to agree with your beauty standard,” said one.  

Another posted: “All forms of beauty should be respected. Girls don’t have to be feminine, and boys don’t have to be masculine.”  

On September 2, China’s TV regulator published new rules banning effeminate male celebrities. Broadcasters must “resolutely put an end to sissy men and other abnormal aesthetics” to “vigorously promote excellent Chinese traditional culture, revolutionary culture and advanced socialist culture.” 

This week, Chinese state media renewed their promotion of an idea first presented in 2019: The U.S. has pushed an effeminate image upon Japanese men to curtail aggression in the island nation it defeated in World War II.

China’s state media Global Times on Wednesday published an article, “Japan’s ‘Niang Pao’ Culture: A Big Chess Game by the U.S.?” It suggested that by influencing Japan’s postwar entertainment industry, the U.S. was behind Tokyo’s contemporary pop culture, which spread the ideal of male effeminacy to other East Asian countries. 

Shifting standards 

Most people in China’s entertainment industry believe that the effeminate male ideal originated in neighboring Japan and South Korea.

The trend began when Japanese superstar Takuya Kimura, then of SMAP, one of Asia’s best-selling boy bands, appeared in a 1996 TV commercial for Kanebo lipsticks. He emerged from a romantic tangle with colored lips and the tagline ”Attack me with super lips.” Kanebo sold more than 3 million lipsticks in two months.

In 2018, under the headline “Love Me, Love My Lipstick,” the China Daily, a state-controlled news outlet, wrote, “Of course you can’t have (Kimura), yet having a lipstick he used might just bring him a little closer to you.” 

The story referenced a lipstick campaign from the French company Guerlain, which featured Chinese actor Yang Yang, and cited many other male entertainers as the “faces” of Western cosmetic companies. 

Wang Hailin, the screenwriter vice president of China’s National Film Literature Association, has been a longtime critic of effeminate male celebrities.

“If the most popular actors in our country are those who look gender neutral, it will pose a threat to beauty standards in our country,” he said during a 2018 talk show appearance. 

In February, the Ministry of Education began promoting sports in Chinese schools by issuing The Proposal to Prevent the Feminization of Male Adolescents, a set of guidelines calling for “vigorously developing” activities, such as football, for “cultivating students’ masculinity.” 

Wang blasted boy bands earlier this month, saying, “If a man pays too much attention to his outfits and his makeup, it means that he is trying to avoid responsibility and our society is going backward. …If we have more sporty and manly men, it means that our society is moving forward and improving.” 

Ma, the cultural commentator, said the entertainment industry should discuss the government’s latest standard for male looks before enforcing them too strictly.

“Some like femininity and some like masculinity. We should allow different beauty standards to coexist and reach a balance point,” he said. “When the authorities intervene, it’s hard to reach a real balance.”  

VOA Mandarin Service reporter Lin Yang contributed to this report. 

 
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Showstoppers! – a bright and colorful exhibit of Broadway theatre has opened in New York City. Vladimir Lenski visited the exhibit which displays designs that are always in sight but seldom get the spotlight. Anna Rice narrates his story.
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An ancient tablet displaying parts of the Epic of Gilgamesh that was stolen from Iraq 30 years ago was returned to that country on Thursday. The handover ceremony took place in Washington. VOA’s Sirwan Kajjo has more in this story.

Camera:  Mohammed Warmzyar 

Produced by: Sirwan Kajjo
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