YCLOAK

Bobby Charlton, an English soccer icon who survived a plane crash that decimated his Manchester United team and became the heartbeat of his country’s 1966 World Cup-winning team, has died. He was 86. 

A statement from Charlton’s family, released by United, said he died Saturday surrounded by his family. 

An extravagantly gifted midfielder with a ferocious shot, Charlton was the leading scorer for both United (249 goals) and England (49 goals) for more than 40 years until being overtaken by Wayne Rooney. 

“Sir Bobby was a hero to millions, not just in Manchester, or the United Kingdom, but wherever football is played around the world,” United said. 

“He was admired as much for his sportsmanship and integrity as he was for his outstanding qualities as a footballer; Sir Bobby will always be remembered as a giant of the game.” 

Alex Ferguson, who managed United from 1986-2013, said before Charlton’s death that he “is the greatest Manchester United player of all time — and that’s saying something.” 

“Bobby Charlton is absolutely without peer in the history of the English game,” Ferguson said. 

A humble man

Charlton was also renowned for his humility, discipline and sportsmanship. He never received a red card in 758 appearances for United from 1956-73 or 106 internationals for England from 1958-70. 

Charlton played with George Best and Denis Law in the so-called Trinity that led United to the 1968 European Cup after surviving the 1958 Munich crash that wiped out the celebrated “Busby Babes” team. He won three English league titles at United, and one FA Cup. 

“For a footballer, he offered an unparalleled combination of grace, power and precision,” said former United defender Bill Foulkes, another survivor of the Munich crash. 

“It added up to a greatness and something more — something I can only call beauty.” 

Charlton’s England scoring record stood for 45 years until Rooney scored his 50th goal for the national team in September 2015. Three of his England goals came in the World Cup in 1966, during which Charlton played every minute for the team and stood out especially in the semifinals when he scored twice against Portugal to lead England to a first major final. 

England beat West Germany 4-2 after extra time in the final. 

Although Ryan Giggs beat Charlton’s appearance record for United in 2008, his scoring record for the club lasted another nine years. It was only in 2017 — 44 years after Charlton last wore the famous red jersey of England’s most successful club — that Rooney scored his 250th goal for United. 

Player became coach

After retiring in 1973, Charlton went into coaching and founded a youth scheme that included United great David Beckham among its participants. 

Charlton returned to United in 1984 as a director and persuaded the board in 1986 to appoint Ferguson, who delivered 38 trophies during nearly 27 years in charge. 

Knighted in 1994 by Queen Elizabeth II, Charlton remains a mainstay at Old Trafford, featuring alongside Best and Law in a statue outside United’s stadium. 

In November 2020, it was announced that Charlton had been diagnosed with dementia, the same disease that afflicted his brother Jack — who died in 2020 at age 85 — and another World Cup winner, Nobby Stiles. 

Charlton’s death left Geoff Hurst, who scored a hat trick in the 1966 final, as the only surviving member of that England team. 

“We will never forget him and nor will all of football,” Hurst said of Charlton on X, formerly known as Twitter. “A great colleague and friend, he will be sorely missed by all of the country beyond sport alone.” 

Tragedy strikes

Robert Charlton was born Oct. 11, 1937, in the coal-mining town of Ashington, northeast England, and his talent was obvious from a young age. 

Charlton’s playing career began far from home in Manchester after leaving school at 15, making his United debut three years later in 1956. 

Within two years, tragedy struck the tight-knit group of United players. The team was celebrating winning at Red Star Belgrade to secure a place in the European Cup semifinals when their plane caught fire on its third attempt to take off in heavy snow after a refueling stop in Germany. 

Charlton miraculously emerged from the smoldering wreckage with only light head injuries and picked his way through the wreckage to help survivors. Spotting manager Matt Busby groaning on the smoke-shrouded runway, Charlton rushed to help the father-figure who had promoted him to the first team. 

But eight members of the “Busby Babes” team packed with bright prospects were among the 21 fatalities. They included Duncan Edwards, considered one of England’s most talented players at 21. 

“Sometimes it engulfs me with terrible anger and regret and sadness — and guilt that I walked away and found so much,” Charlton wrote in 2007. 

Charlton became driven by a lingering obligation to preserve the memories of the Munich dead, returning to action less than four weeks later and helping a hurriedly assembled team of survivors and stand-ins reach that season’s FA Cup final. 

Busby rebuilt his team around Charlton, adding the 1965 and 1967 English league titles to the championship they won in 1957. 

The biggest prize of his club career arrived in 1968 as United became the first English club to become champion of Europe. Charlton scored twice in a 4-1 extra-time win over a Benfica team containing Portugal great Eusebio. 

But Charlton is perhaps best known for being part of the England team that won the World Cup. It remains England’s only major title in men’s soccer. 

He is survived by his wife, Norma, whom he married in 1961, and his two daughters.
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The National Museum of Women in the Arts in Washington, D.C. reopened to the public on October 21 after a two-year and $70 million renovation. Karina Bafradzhian has the story. Camera: David Gogokhia  
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Those miracles of modern science, the Rolling Stones, celebrated the release of their first album of original music in 18 years with a Manhattan club gig on Thursday.

Before a celebrity-strewn audience of invited guests that included Christie Brinkley, Elvis Costello and Trevor Noah at Racket NYC, the Stones made a notable racket themselves over seven songs, four from the new “Hackney Diamonds” disc.

Mick Jagger alluded to past stunts the Stones had done in New York to tout new music over the years, including performing on a flatbed truck on Fifth Avenue.

He saluted the city by opening with the 1970s-era punkish tune, “Shattered,” with the lyric “my brain’s been splattered all over Manhattan.”

After performing the new single, “Angry,” Jagger noted to his bandmates, “There’s a first time for everything.”

With the death of drummer Charlie Watts in 2021, the Stones are down to a core trio of Jagger and guitarists Keith Richards and Ron Wood. They’re supplemented onstage with four other musicians.

“Hackney Diamonds,” coming at a time many fans wondered if the Rolling Stones would ever bother again with new music, has been well received by critics, with many noting the crisp energy the band displayed. It’s out on Friday.

That vigor was apparent at the performance in Manhattan’s Meatpacking district. 

Following an opening DJ set by Questlove, Jagger pranced and prowled a stage much smaller than he’s used to, one that a roadie prepared for him by sprinkling powder on the floor. Now 80, he moved like a man half his age. His tongue wagged slightly as he caught his breath after another punk-inspired tune, “Bite My Head Off.”

“You might be familiar with this one,” Jagger said before Richards began the opening riff to “Jumpin’ Jack Flash,” instantly trumping the thousands of bar band versions attempted in the 55 years since the song’s release.

This time, the bar band was the Rolling Stones.

Lady Gaga, dressed in a maroon sequined pantsuit, appeared to recreate her duet — duel, really — with Jagger on the new “Sweet Sounds of Heaven.”

“New York, the Rolling Stones!” she said before leaving, after exchanging kisses with Jagger and Richards.
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Russian President Vladimir Putin accused the International Olympic Committee of “ethnic discrimination” ahead of the 2024 Paris Games, from which Russian and Belarusian athletes are banned from competing under their national flags.

The IOC still has to make a final ruling on whether athletes from Russia and Belarus, a key ally for Moscow in its war with Ukraine, will be permitted to compete next summer.

“Thanks to some heads of the modern International Olympic Committee we found out that an invitation to the Games is not an unconditional right for the best athletes, but some kind of privilege and you can get it not on sports results but by some political gestures,” Putin said at a sports forum in the Urals city of Perm.

“The Games themselves could be used as an instrument of political pressure towards those people who have nothing to do with politics, and as a gross — in reality — racist, ethnic discrimination.”

He added that: “Some sports officials have simply given themselves the right to determine who is covered by the Olympic Charter and who is not.”

The IOC last week suspended Russia’s national Olympic body for violating the territorial integrity of Ukraine’s membership by recognizing regional organizations in occupied Ukraine. 

Russia launched a full-scale offensive against Ukraine in February 2022, with its neighbor Belarus allowing Moscow’s troops to use its territory as a launchpad.
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TOKYO — Rickshaw puller Yuka Akimoto is one of a handful of women who have chosen to pull rickshaws in Tokyo, attracted to the male-dominated profession through social media, which in turn has given some of these female pullers a strong local and international following.

When the 45-minute tour comes to an end, the 21-year-old bows deeply to her clients and offers a blistered palm – covered with a clean cloth – to help the couple alight. Sweat pours down her flushed face.

Now, she says she loves her job and wants to work as long as she is physically able. A tag hanging on a cord around her neck reads: “I don’t want to give up.”

Wearing traditional tabi split-toed socks, Akimoto and her fellow rickshaw pullers walk or run an average of 20 km (12 miles) a day, no matter the weather.

Akimoto joined Tokyo Rickshaw two years ago after the pandemic dashed her plans to start a job at Tokyo Disneyland. The company, which mainly operates in the Asakusa tourist area, says about third of their 90 pullers are now women, and they are seeking more female recruits.

Rickshaw drivers Misato Otoshi is one of a handful of women who have chosen to pull rickshaws in Tokyo with less than 10 percent of all applicants getting a job offer. “Even though it’s considered to be men’s jobs, I thought it would be fun if I, a woman, could also do it,” she said. “I thought that being something out of the ordinary would be a strength for me.”

The pullers actively promote themselves on social media, winning repeat customers who request them personally.

And it was those social media posts that drew college student Yumeka Sakurai, 20, to join Tokyo Rickshaw.

After four months of training and overcoming opposition from friends and families, she is now proud to haul passengers in her rickshaw. “I’ve watched many videos of women training hard and becoming rickshaw drivers themselves. They gave me the confidence that I could do it too if I tried hard,” she said.

Pullers walk or run an average of 20 km (12 miles) a day and, in addition to being physically strong, they must have extensive knowledge of Tokyo and know how to engage with the tourists, who mostly hire them for sightseeing.

The most popular drivers make over 1 million yen ($6,730) a month, three times the national average, Tokyo Rickshaw said, adding that less than 10 percent of all applicants get offered a job. 

Tokyo Rickshaw President Ryuta Nishio said sometimes he gets complaints that women should not be doing such physically demanding work. Female pullers also occasionally face sexual harassment or have their knowledge challenged by male customers, he added.

“We treat both male and female pullers completely equally,” Nishio said. “The women say they want to be treated as same as the men, and in fact many of them are way tougher.”
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West African artist Amoaka Boafo has a new exhibit of portraits in the Western U.S. state of Colorado. VOA correspondent Scott Stearns has our story
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Since 2006, comic book fans have gathered at the legendary New York City Comic Con to dress up and shop. More recently, they have gathered to invest. Aron Ranen has the story from the Big Apple.
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Movie theaters turned into concert venues this weekend as Swifties brought their dance moves and friendship bracelets to multiplexes across the country. The unparalleled enthusiasm helped propel “Taylor Swift: The Eras Tour” to a massive, first place debut between $95 million and $97 million in North America, AMC Theatres said Sunday. 

It’s easily the biggest opening for a concert film of all time, and, not accounting for inflation, has made more than the $73 million “Justin Bieber: Never Say Never” earned in 2011. In today’s dollars, that would be around $102 million. And if it comes in on the higher end of projections when totals are released Monday, it could be the biggest October opening ever. The one to beat is “Joker,” which launched to $96.2 million in 2019. 

A unique experiment in distribution, premium pricing, star power and loose movie theater etiquette—more dancing and shouting than a Star Wars premiere—have made it an undeniable hit. Compiled from Swift’s summer shows at Southern California’s SoFi Stadium, the film opened in 3,855 North American locations starting with “surprise” Thursday evening previews. Those showtimes helped boost its opening day sum to $39 million – the second biggest ever for October, behind “Joker’s” $39.3 million. 

Internationally, it’s estimated to have earned somewhere between $31 to $33 million, bringing its global total in the range of $126 million to $130 million. 

“This is a phenomenal number,” said Paul Dergarabedian, the senior media analyst for Comscore. “To have a blockbuster style opening weekend for a concert film is unprecedented.” 

Swift, who produced the film, went around the Hollywood studio system to distribute the film, making a deal directly with AMC, the largest exhibition company in the United States. With her 274 million Instagram followers, Swift hardly needed a traditional marketing campaign to get the word out. 

Beyoncé made a similar deal with the exhibitor for ” Renaissance: A Film By Beyoncé, ” which will open on Dec. 1. The two superstars posed together at the premiere of “The Eras Tour” earlier this week in Los Angeles. It was a needed injection of star power with Hollywood actors over 90 days into a strike that has left most red carpets void of glamourous talent and resulted in several high-profile films being pushed to next year. 

“The Eras Tour,” directed by Sam Wrench, is not just playing on AMC screens either. The company, based in Leawood, Kansas, worked with sub-distribution partners Variance Films, Trafalgar Releasing, Cinepolis and Cineplex to show the film in more than 8,500 movie theatres globally in 100 countries. 

The spotlight on Swift has been especially intense lately as a result of her relationship with Kansas City Chiefs tight end Travis Kelce. The two made separate surprise appearances on “Saturday Night Live” this weekend and were also photographed holding hands in New York. 

It led to some hyperbolic projections going into the weekend, with some analysts predicting that “The Eras Tour” could make over $125 million. Dergarabedian said it’s common for outsized expectations to be attached to massive brands like Swift. There’s also no precedent for something like “The Eras Tour” and a celebrity of Swift’s stature. 

“The laws of gravity don’t apply to Taylor Swift,” Dergarabedian said. 

The film scored well with both critics and audiences, who gave it an A+ CinemaScore, a metric that typically signals a film will continue to do well after its first weekend. 

Elizabeth Frank, the executive vice president of worldwide programming and chief content officer for AMC Theatres, said in a statement that they are grateful to Taylor Swift. 

“Her spectacular performance delighted fans, who dressed up and danced through the film,” Frank said. “With tremendous recommendations and fans buying tickets to see this concert film several times, we anticipate ‘Taylor Swift: The Eras Tour’ concert film playing to big audiences for weeks to come.” 

The stadium tour, which continues internationally, famously crashed Ticketmaster’s site and re-sale prices became astronomical. Pollstar projects that it will earn some $1.4 billion. The concert film offered fans both better seats and a much more affordable way to see the show for the first or fifth time. Prices are higher than the national average, at $19.89, which references her birth year and 2014 album, and ran closer to $29 a pop for premium large format screens like IMAX. Even so, they are significantly less than seat at one of the stadium shows. 

Showtimes are also more limited than a standard Hollywood blockbuster, but AMC is guaranteeing at least four a day on Thursdays, Fridays, Saturdays, and Sundays at all AMC locations in the U.S. Many locations also specified that there are no refunds or exchanges. And fans will have to wait a while for “The Eras Tour” to be available on streaming — part of the AMC deal was a 13-week exclusive theatrical run. 

Michael O’Leary, CEO of the National Association of Theater Owners said in a statement the moment was, “Another landmark weekend for cinemas.” 

“This year has been marked by unprecedented experiences for movie lovers in theaters across this nation,” O’Leary continued in a statement. “The ‘Eras Tour’ debut proves, yet again, that fans are eager to share other experiences in a communal way, with theater owners working creatively to build memorable moments in their cinemas.” 

O’Leary said that a survey of 6,000 people by his organization and The Cinema Foundation found that 72% want to see more concert films on the big screen. 

“The Eras Tour” accounted for over 70% of the total weekend box office grosses. “The Exorcist: Believer” placed a very distant second in its second weekend with $11 million, followed by the “Paw Patrol” movie in third with $7 million. Rounding out the top five was “Saw X” with $5.7 million and “The Creator” with $4.3 million. 

“This is great news for theaters,” Dergarabedian said. “‘The Eras Tour’ wasn’t even on our radar in mid-August. You take this out of the equation and it would have been a totally different weekend.” 

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday. 

1. “Taylor Swift: The Eras Tour,” $95 to $97 million. 

2. “The Exorcist: Believer,” $11 million. 

3. “Paw Patrol: The Mighty Movie,” $7 million. 

4. “Saw X,” $5.7 million. 

5. “The Creator,” $4.3 million. 

6. “A Haunting in Venice,” $2.1 million. 

7. “The Blind,” $2 million. 

8. “The Nun II,” $1.6 million. 

9. “The Equalizer 3,” $960,000. 

10. “Dumb Money,” $920,000. 
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Suzanne Somers, the effervescent blonde actor known for playing Chrissy Snow on the television show “Three’s Company” as well as her business endeavors, has died. She was 76.

Somers had breast cancer for over 23 years and died Sunday morning, her family said in a statement provided by her longtime publicist, R. Couri Hay. Her husband Alan Hamel, her son Bruce and other immediate family were with her in Palm Springs, California.

“Her family was gathered to celebrate her 77th birthday on October 16th,” the statement read. “Instead, they will celebrate her extraordinary life, and want to thank her millions of fans and followers who loved her dearly.”

In July, Somers shared on Instagram that her breast cancer had returned.

“Like any cancer patient, when you get that dreaded, ‘It’s back’ you get a pit in your stomach. Then I put on my battle gear and go to war,” she told “Entertainment Tonight” at the time. “This is familiar battleground for me and I’m very tough.”

She was first diagnosed in 2000, and also had skin cancer. She faced some backlash for her reliance on what she described as a chemical-free and organic lifestyle to combat the cancers. She argued against the use of chemotherapy, in books and on platforms like “The Oprah Winfrey Show,” which drew criticism from the American Cancer Society.

Somers was born in 1946 in San Bruno, California, to a gardener father and a medical secretary mother. She began acting in the late 1960s, playing the blonde driving the white Thunderbird in George Lucas’s 1973 film “American Graffiti.” Her only line was mouthing the words “I love you” to Richard Dreyfuss’s character.

At her audition, Lucas just asked her if she could drive. She later said that moment “changed her life forever.”

Somers would later stage a one-woman Broadway show titled “The Blonde in the Thunderbird,” which drew largely scathing reviews.

She appeared in many television shows in the 1970s, including “The Rockford Files,” “Magnum Force” and “The Six Million Dollar Man,” but her most famous part came with “Three’s Company,” which aired on ABC from 1977 to 1984 — though her participation ended in 1981.

On “Three’s Company,” she was the ditzy blonde opposite John Ritter and Joyce DeWitt in the roommate comedy. In 1980, after four seasons, she asked for a raise from $30,000 an episode to $150,000 an episode, which would have been comparable to what Ritter was getting paid. Hamel, a former television producer, had encouraged the ask.

“The show’s response was, ‘Who do you think you are?’” Somers told People in 2020. “They said, ‘John Ritter is the star.’”

She was soon fired and her character replaced by two different roommates for the remaining years the show aired. It also led to a rift with her co-stars; They didn’t speak for many years. Somers did reconcile with Ritter before his death, and then with DeWitt on her online talk show.

But Somers took the break as an opportunity to pursue new avenues, including a Las Vegas act, writing books, hosting a talk show and becoming an entrepreneur. In the 1990s, she also became the spokesperson for the “Thighmaster.”

Somers returned to network television in the 1990s, most famously on “Step by Step,” which aired on ABC’s youth-targeted TGIF lineup. The network also aired a biopic of her life, starring her, called “Keeping Secrets.”
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Taylor Swift’s movie of her Eras Tour concert dominated theaters over the weekend with $95 million to $97 million in U.S. and Canadian ticket sales, according to estimates from distributor AMC Theatres AMC.N on Sunday.

The movie, called “Taylor Swift: The Eras Tour”, set the record for a concert film, easily surpassing the $29.5 million collected by “Justin Bieber: Never Say Never” over its first three days in 2011.

Final weekend results will be released on Monday. If current estimates hold, Swift’s film will fall short of the most bullish projections from box office analysts, who had forecast a domestic opening of $100 million to $140 million.

Still, for theater operators such as AMC and Cineworld CINE.D, the movie provided a major boost to what had looked like a lackluster autumn slate after strikes in Hollywood prompted delays to “Dune: Part Two” and other releases.

Swift said on Wednesday that she was adding extra showtimes and early screenings on Thursday to meet demand.

 
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With brushes and trowels, Indigenous Colombians are unearthing traces in the jungle of a tragic period in history when their ancestors were violently supplanted by colonists from Spain.

Working as amateur archeologists, they carefully brush away dirt to reveal pottery and other artifacts left behind by ancient inhabitants of what in 1510 became Santa Maria la Antigua del Darien — the first city built by the conquistadores in the Americas.

Watched over by archeologist Alberto Sarcina, an Italian with an Indiana Jones-like aura, what appears to be an ancient cobblestone road emerges from the patient tap, tap, tap of the workers’ tools.

At first it was “difficult” to persuade the local population of Unguia, a municipality in the middle of the Darien jungle, to get involved, said Sarcina, who works for the Colombian Institute of Anthropology and History, which is funding the project.

Many, he said, “didn’t want to know anything about the city that started the tragedy” of Indigenous annihilation.

But 10 years into the project, dozens now partake with gusto and pride. They are mainly of Indigenous and Afro descent. Most are women.

“I like to find things that we don’t even know how to make today. … They made their own clay and didn’t have to buy it. They were very resourceful,” 28-year-old Karen Suarez of the Embera Indigenous community told AFP after digging up a piece of pottery.

“A dramatic turn”

Christopher Columbus first arrived on the island of Hispaniola (now the Dominican Republic and Haiti) in 1492 on his ultimately unsuccessful quest to find India at a time that world maps were still being developed.

From there, he led expeditions to the mainland Americas.

Several temporary settlements were created along the way, but it was the founding of Santa Maria la Antigua del Darien that really marked the beginning of colonial entrenchment.

“It’s one of those moments in history where the story takes a dramatic turn — one of those moments with a before and an after,” said Sarcina, 55.

“The conquest of an entire continent began here, which means the Indigenous genocide began here.”

Researchers have estimated that European colonizers killed 55 million Indigenous people in the Americas.

The Colombian project seeks to glean more about this period from what the colonizers, and their victims, left behind in and around the 33-hectare (80-acre) city in the northwestern Choco department.

Santa Maria la Antigua del Darien lasted for only 14 years, until 1524, when the original inhabitants of the region killed the invaders and set fire to the settlement.

At its height, the city had some 5,000 inhabitants, but many had already left before its ultimate demise when the headquarters of the so-called Castilla de Oro Spanish territories moved to what is Panama today.

“The best thing”

The source of much historic misery is today helping to lighten the burden for a few descendants of those who survived the Spanish invasion.

The amateur archeologists at Santa Maria la Antigua del Darien receive payment for their efforts and can earn money from hosting tourists at their homes.

“We have felt good in this work, we benefit a little from the economy [generated] and from learning … about the history of the ancestors,” said participant Antonio Chamarra, 40.

Jeniffer Alvarez, 32, told AFP her job on the project was “a respite” from the machismo and violence in an area ravaged by the Gulf Clan drug cartel.

“This site has been the best thing” to happen in a society that tends to relegate women to housework, she said.

The site also hosts a museum — another income generator. After dark, the horseshoe-shaped museum becomes a cinema for the children of surrounding villages in a community with very basic access to services such as health and education.

The project also serves as a sort of open-air university.

It has inspired 16-year-old Hector Monterrosa from the nearby Tanela village to aspire to a career in archeology, like his idol Sarcina.

“Here, in general, it is very difficult to get an opportunity to go to university,” said the teen, who spends much of his free time after school at the dig site.

“There are very few who can go, and since my family’s finances are not so good, this would be a great opportunity for me to start preparing” for an academic career, he said.
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Billie Jean King is still globetrotting in support of more investment and equity in women’s sports. 

She attended the Women’s World Cup in Australia, kicked off the player draft for the new women’s professional hockey league in Toronto, and is opening an office in London for a tennis business venture involving the international Billie Jean King Cup. 

That’s all in the last three months for King, who turns 80 in November. 

“We’re kind of at a tipping point,” King said. “People are actually looking at women’s sports like a great investment.” 

She’s part of ownership groups involved with the Los Angeles Dodgers, the NWSL’s Angel City FC and the PWHL hockey league that starts in January. 

Her busy schedule is reminiscent of the summer of 1973, when a 29-year-old King established the WTA, won the Wimbledon triple crown in singles, doubles and mixed doubles, achieved equal pay at the U.S. Open and beat self-proclaimed chauvinist Bobby Riggs in the “Battle of the Sexes” match. 

On Thursday, King and about 60 athletes will celebrate the 50th anniversary of equal prize money at the U.S. Open and the King-Riggs match at her annual awards dinner for the Women’s Sports Foundation in New York. 

In August, former President Barack Obama and first lady Michelle Obama attended the U.S. Open at Arthur Ashe Stadium to mark the pay equity milestone. 

“Let us remember all of this is bigger than a champion’s paycheck,” Michelle Obama said during the ceremony on opening night. “This is about how women are seen and valued in this world.” 

King recently launched the production company “Pressure is a Privilege,” a phrase associated with the 39-time Grand Slam winner. She’s also an executive producer and host of “Groundbreakers,” a documentary about female athletes that airs on PBS on November 21. 

There’s an effort by members of Congress to award King the Congressional Gold Medal, one of the highest U.S. civilian honors given to individuals whose achievements have a lasting impact in their field. 

Here’s a Q&A with King, which has been edited for brevity and clarity. 

AP: It’s the 50th anniversary of so many accomplishments in 1973. Talk about that whirlwind. 

King: We started the WTA four days before Wimbledon. I won all three titles at Wimbledon, which for me was a big deal. Then equal prize money came into being, it started in 1972 with us saying we’re not coming back (to the U.S. Open in 1973). Then King-Riggs. That’s all in 3 months. I can appreciate it since being away from it so long. How the heck did we do that? 

AP: You’ve said the King-Riggs match was about social change, women standing up for themselves in all areas. 

King: It was really about men, too. Because men started to shift a little. Obama was 12 years old when he saw the King-Riggs match. He said it affected him a lot. Guys are much better thinking about their daughters than they used to be. All these things add up. 

AP: You’re part of ownership groups for pro sports. How did you get involved in women’s pro hockey, which will have teams in Boston, New York, Minnesota, Toronto, Ottawa and Montreal? 

King: The PWHL, it’s really exciting. It took five years. Plus, it took all those years of the other leagues, everyone trying. (U.S. Olympic gold medalist) Kendall Coyne said, “Can you help us?” We need to have a league where the very best players will play. We went to Toronto and I did an opening speech about trailblazers. It was amazing because the families were crying, the players were crying, they said “we’ve never been treated like this, it’s amazing, we feel like pros for the first time.” There were a lot of little kids there. Kids are going to have an amazing opportunity that the generations before them never had. All three of their networks had it on. It’s a religion up there. 

AP: How is investment in women’s sports changing? 

King: I’m asKing CEOs and everyone now — “Do you invest as much in women as you do in men?” Then it usually gets quiet. But I must say it’s better than it used to be. We’re really lucky to be with this investment group. The male allies we’ve had through the years have made such a difference. They have the money and the power. But we’re getting there, getting more and more women investors, particularly in soccer. Women’s sports, we’ve all been fighting for it. 

AP: What would you like to see in the future for women’s sports? 

King: More. And make sure we get girls early in life into sports. It’s really about the health issue, more than anything. More jobs, more everything. Women of color and diversity is really important. 

We only get 5% of the media. That’s where the money is. People always say, “Why doesn’t the WTA have as much money as the ATP?” I’m like, really? If you watch a show at night, a sports show, just count how many minutes are on men and how many minutes are on women. We’re at 5%. We’ve got to change that. 
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India’s Prime Minister Narendra Modi has confirmed the world’s most populous nation will bid to host the 2036 Olympic and Paralympic Games.

Speaking at the opening ceremony of the International Olympic Committee (IOC) session in Mumbai on Saturday, Modi said hosting the event is “the age-old dream” for India.

“Indians are not just sports lovers, but we also live it,” Modi said. “India will leave no stone unturned in the preparation for the successful organization of the Olympics in 2036 – this is the dream of the 140 crore (1.4 billion) Indians.”

“We want to realize this dream with your support. I am sure India will get constant support from IOC.”

A city or region wasn’t specified by Modi but Ahmedabad, which boasts the largest stadium in the world with a capacity of 132,000 and is named after the Indian Prime Minister, would be a likely contender as the main host city for the country’s bid.

Indonesia and Mexico have previously expressed official interest in hosting the 2036 Olympics, and last month Poland’s President Andrzej Duda told the IOC it wants to stage the Games.

No firm timeframe has been set by the IOC for when hosting rights for the 2036 Games will be awarded.

The 2036 Summer Games is the next available edition: Paris will host in 2024, Los Angeles in 2028 and Brisbane in 2032.

Modi also told the IOC that India would consider bidding to host the Youth Olympics in 2029.

“Sport is not just about winning medals but also winning hearts,” he said.
…

For 400 years, Indigenous North Americans flocked to a group of ceremonial sites in what is present-day Ohio to celebrate their culture and honor their dead. On Saturday, the sheer magnitude of the ancient Hopewell culture’s reach was lifted up as enticement to a new set of visitors from around the world.

“We stand upon the shoulders of geniuses, uncommon geniuses who have gone before us. That’s what we are here about today,” Chief Glenna Wallace, of the Eastern Shawnee Tribe of Oklahoma, told a crowd gathered at the Hopewell Culture National Historical Park to dedicate eight sites there and elsewhere in southern Ohio that became UNESCO World Heritage sites last month.

She said the honor means that the world now knows of the genius of the Native Americans, whom the 84-year-old grew up seeing histories, textbooks and popular media call “savages.”

Wallace commended the innumerable tribal figures, government officials and local advocates who made the designation possible, including late author, teacher and local park ranger Bruce Lombardo, who once said, “If Julius Caesar had brought a delegation to North America, they would have gone to Chillicothe.”

“That means that this place was the center of North America, the center of culture, the center of happenings, the center for Native Americans, the center for religion, the center for spirituality, the center for love, the center for peace,” Wallace said. “Here, in Chillicothe. And that is what Chillicothe represents today.”

The massive Hopewell Ceremonial Earthworks — described as “part cathedral, part cemetery and part astronomical observatory” — comprise ancient sites spread across 150 kilometers south and east of Columbus, including one located on the grounds of a private golf course and country club. The designation puts the network of mounds and earthen structures in the same category as wonders of the world including Greece’s Acropolis, Peru’s Machu Picchu and the Great Wall of China.

The presence of materials such as obsidian, mica, seashells and shark teeth made clear to archaeologists that ceremonies held at the sites some 2,000 to 1,600 years ago attracted Indigenous peoples from across the continent.

The inscription ceremony took place against the backdrop of Mound City, a sacred gathering place and burial ground that sits just steps from the Scioto River. Four other sites within the historical park — Hopewell Mound Group, Seip Earthworks, Highbank Park Earthworks and Hopeton Earthworks — join Fort Ancient Earthworks & Nature Preserve in Oregonia and Great Circle Earthworks in Heath to comprise the network.

“My wish on this day is that the people who come here from all over the world, and from Ross County, all over Ohio, all the United States — wherever they come from — my wish is that they will be inspired, inspired by the genius that created these, and the perseverance and the long, long work that it took to create them,” Republican Ohio Gov. Mike DeWine said. “They’re awe-inspiring.”

Nita Battise, tribal council vice chair of the Alabama-Coushatta Tribe of Texas, said she worked at the Hopewell historical park 36 years ago — when they had to beg people to come visit. She said many battles have been won since then.

“Now is the time, and to have our traditional, our ancestral sites acknowledged on a world scale is phenomenal,” she said. “We always have to remember where we came from, because if you don’t remember, it reminds you.”

Kathy Hoagland, whose family has lived in nearby Frankfort, Ohio, since the 1950s, said the local community “needs this,” too.

“We need it culturally, we need it economically, we need it socially,” she said. “We need it in every way.”

Hoagland said having the eyes of the world on them will help local residents “make friends with our past,” boost their businesses and smooth over political divisions.

“It’s here. You can’t take this away, and so, therefore, it draws us all together in a very unique way,” she said. “So, that’s the beauty of it. Everyone lays all of that aside, and we come together.”

National Park Service Director Chuck Sams, the first Native American to hold that job, said holding up the accomplishments of the ancient Hopewells for a world audience will “help us tell the world the whole story of America and the remarkable diversity of our cultural heritage.”
…

Piper Laurie, the strong-willed, Oscar-nominated actor who performed in acclaimed roles despite at one point abandoning acting altogether in search of a “more meaningful” life, died early Saturday at her home in Los Angeles. She was 91.

Laurie died of old age, her manager, Marion Rosenberg, told The Associated Press via email, adding that she was “a superb talent and a wonderful human being.”

Laurie arrived in Hollywood in 1949 as Rosetta Jacobs and was quickly given a contract with Universal-International, a new name that she hated and a string of starring roles with Ronald Reagan, Rock Hudson and Tony Curtis, among others.

She went on to receive Academy Award nominations for three distinct films: The 1961 poolroom drama “The Hustler”; the film version of Stephen King’s horror classic “Carrie,” in 1976; and the romantic drama “Children of a Lesser God,” in 1986. She also appeared in several acclaimed roles on television and the stage, including in David Lynch’s “Twin Peaks” in the 1990s as the villainous Catherine Martell.

Laurie made her debut at 17 in “Louisa,” playing Reagan’s daughter, then appeared opposite Francis the talking mule in “Francis Goes to the Races.” She made several films with Curtis, whom she once dated, including “The Prince Who Was a Thief,” “No Room for the Groom,” “Son of Ali Baba” and “Johnny Dark.”

Fed up, she walked out on her $2,000-a-week contract in 1955, vowing she wouldn’t work again unless offered a decent part.

She moved to New York, where she found the roles she was seeking in theater and live television drama.

Performances in “Days of Wine and Roses,” “The Deaf Heart” and “The Road That Led After” brought her Emmy nominations and paved the way for a return to films, including in an acclaimed role as Paul Newman’s troubled girlfriend in “The Hustler.”

For many years after, Laurie turned her back on acting. She married film critic Joseph Morgenstern, welcomed a daughter, Ann Grace, and moved to a farmhouse in Woodstock, New York. She said later that the Civil Rights Movement and the Vietnam War had influenced her decision to make the change.

“I was disenchanted and looking for an existence more meaningful for me,” she recalled, adding the she never regretted the move.

“My life was full,” she said in 1990. “I always liked using my hands, and I always painted.”

Laurie also became noted as a baker, with her recipes appearing in The New York Times.

Her only performance during that time came when she joined a dozen musicians and actors in a tour of college campuses to support Sen. George McGovern’s 1972 presidential bid.

Laurie was finally ready to return to acting when director Brian De Palma called her about playing the deranged mother of Sissy Spacek in “Carrie.”

At first, she felt the script was junk, and then she decided she should play the role for laughs. Not until De Palma chided her for putting a comedic turn on a scene did she realize he meant the film to be a thriller.

“Carrie” became a box-office smash, launching a craze for movies about teenagers in jeopardy, and Spacek and Laurie were both nominated for Academy Awards.

Her desire to act rekindled, Laurie resumed a busy career that spanned decades. On television, she appeared in such series as “Matlock,” “Murder, She Wrote” and “Frasier” and played George Clooney’s mother on “ER.”
…

Even after long periods in Beijing, Manya Koetse still felt like an outsider. At parties and over hotpot, her Chinese friends discussed memes and other social media trends, but Koetse didn’t know what they were talking about.

“I just felt really left out,” the Dutch national told VOA, adding that she was missing a key way to relate to her friends and understand China more broadly.

That isolated feeling led Koetse in 2013 to start a news site, What’s on Weibo, named after one of China’s largest social media platforms.

Through it, she could track what was trending on Chinese social media and, more importantly, why items went viral. It all started purely out of curiosity, she said.

One decade later, her site has contended with Chinese censorship and harassment. But What’s on Weibo has continued to provide a rare window into Chinese social media — and relatively unfiltered insights into Chinese society.

The site’s coverage is wide ranging. Recent articles looked at everything from the Chinese female bodyguard assigned to the Syrian first lady on her trip to China, sand dune tourism, eco-anxiety and women’s rights, to online frustrations about youth unemployment and protests.

“What are people concerned about? What are people getting really angry about? What are people really rolling on the floor laughing about? That’s the kind of story that you want to convey to a non-Chinese audience to create this kind of bridge,” Koetse told VOA.

Koetse, who grew up in the Netherlands and spent some of her high school studies in Japan, moved to Beijing in 2008 — “the golden year,” she said.

She briefly worked at the beer company Heineken during the Summer Olympics and studied at Peking University.

She soon realized that the conversations and trends on platforms like Weibo were key to understanding China and its people.

Koetse, who is now in Amsterdam, says that for several years, she never prioritized making money from her media site. But, now that the site has become so big, she introduced its first premium subscription option in the hopes of making a full-time income from her work.

But the job comes with its challenges, including online harassment over what she publishes and censorship. “I’m still, even to this day, being accused of being both pro-China and being anti-China,” she said.

One of the biggest changes Koetse has documented at What’s on Weibo over the past 10 years has been the rise of censorship in China. “There’s more control on Chinese social media,” she said. “Censorship has professionalized.”

One example is trending lists. Years ago, trending lists on Weibo regularly included sensitive issues, Koetse said. “They would only be censored later down the road. You had a lot of time to take screenshots or to get everyone’s opinion before it finally vanished from the internet.”

But as censorship became more widespread, the trending lists became a less accurate marker, Koetse said.

Her reflections are backed by data. For nine consecutive years, Freedom House has ranked China the worst in the world in terms of internet freedom.

The rise of censorship in China has left its mark on What’s on Weibo, which has been blocked in China since 2018. Still, What’s on Weibo averages around 250,000 visitors per month — many of whom are viewers in China who use VPNs to access the site, according to Koetse.

Being blocked has given Koetse a sense of freedom. “I do feel more free in continuing just reporting whatever I feel is right to report,” she said, since she no longer has to worry about authorities blocking the site.

In a statement to VOA, Liu Pengyu, the spokesperson of China’s Washington embassy, said, “The Chinese government protects press freedom in accordance with law and gives full play to the role of media and citizens in supervising public opinion.”

Nearly 1.1 billion people — or about 76% of the population — use the internet in China, the government agency China Internet Network Information Center reported in August.

Most of their discourse doesn’t cross any red lines, What’s on Weibo’s assignment editor Miranda Barnes told VOA. “We can get a pretty good idea of what’s going on in the society,” said Barnes, who was born in China and now lives in London.

The site also provides a different perspective from other media coverage.

“We present what the ordinary people think, from the bottom. It is very easy to fall into the ideological narrative, just to bash China. And I find that helps nobody,” Barnes said.

Western media mainly focuses on political, economic and security issues, according to Yaqiu Wang, Freedom House’s China research director. While those are important, she said, “they are not all of China.”

“What’s On Weibo brings to the international audience another important aspect of China,” Wang said. “The China [that most] people are living and experiencing. It’s important for the international audience to see this aspect of China, so to understand the country in a holistic way, not just through the lens of geopolitics and human rights.”

In recent years, particularly during the COVID-19 pandemic, covering China has become an increasingly difficult story for foreign media to cover with fewer overseas reporters able to be based inside China.

The combination of fewer correspondents in the country and more people who are scared to talk to foreign media ultimately risks dehumanizing the country and its people, reporters have said.

Koetse, however, eschews the “journalist” label. “I see myself as a Sinologist who’s writing about China,” she said.

In a country whose population is increasingly afraid to talk to foreign news outlets, social media is one of the last remaining barometers to move past state propaganda and figure out what ordinary Chinese people are thinking, Koetse said.

“Foreign policy is one part of China. China can be very dangerous, and China can be powerful,” Koetse said. “But China can also be friendly, and China can also be fragile.”
…

The International Olympic Committee, or IOC, on Thursday banned the Russian Olympic Committee after the ROC recognized regional organizations from four annexed Ukrainian territories. The ban takes effect immediately.

On Oct. 5, the ROC recognized the regions of Luhansk, Donetsk, Kherson and Zaporizhzhia, which are under the authority of the National Olympic Committee of Ukraine. This move constituted a breach in the Olympic Charter, according to the IOC.

Ukraine and the West denounced Russia’s referendums in the four regions in 2022 as a sham and decried the annexation as illegal.

The ROC will be suspended until further notice, meaning that they will not receive any funding as “they will no longer be able to operate as an Olympic Committee,” according to an IOC statement.

Following Russia’s full-scale invasion of Ukraine in February 2022, the IOC banned from international competition athletes from Russia as well as Belarus.

However, as of March 2023, the IOC has held the position that Russian and Belarusian athletes would be allowed to compete in international events — with no flag, emblem or anthem — stating that athletes should not be punished for the actions of their governments.

The IOC’s decision on Thursday to suspend the ROC does not change their position on Russian or Belarusian athletes.

“The suspension of the ROC does not affect the participation of independent athletes,” IOC spokesperson Mark Adams said at a news conference.

Ukraine supported today’s IOC ruling. The head of Ukraine’s Presidential Office, Andriy Yermak, called the move “an important decision,” via the Telegram messaging app.

“We communicate with our partners that sports cannot be out of politics when a terrorist country commits genocide of Ukraine and uses athletes as propaganda,” Yermak said.

The Russian Olympic Committee condemned the action taken by the IOC, claiming the suspension to be politically charged.

“Today the IOC made another counterproductive decision with obvious political motivations,” the ROC said in a statement.

Some information in this report came from Reuters.
…

Three books that explore and celebrate the diversity of American culture were awarded Kirkus Prizes on Wednesday night, with each winner receiving $50,000.

James McBride’s The Heaven & Earth Grocery Store, a novel set in an eclectic Pennsylvania town in the 1930s, won in the fiction category. Héctor Tobar’s Our Migrant Souls: A Meditation on Race and the Meanings and Myths of ‘Latino’ received the nonfiction award, and Ariel Aberg-Riger’s America Redux: Visual Stories From Our Dynamic History won for young reader’s literature.

The awards were presented by the trade publication Kirkus Reviews.

“History and community emerged as central themes in the most outstanding works of literature published this year. We see these ideas come to life in wildly different ways in all three of this year’s winners, each one compelling from beginning to end, begging to be celebrated, discussed, and shared,” Meg Kuehn, publisher of Kirkus Reviews, said in a statement.

Previous winners of the Kirkus Prize, established in 2014, include Hanya Yanagihara’s A Little Life, Jason Reynolds’ As Brave as You and Susan Faludi’s In the Darkroom. 
…

It has been 25 years since the body of Matthew Shepard was discovered in Laramie, Wyoming. The gay college student had been tied to a fence post, tortured, and left to die. 

The murder drew national attention to violence against gay people, and attracted the interest of theater director Moises Kaufman, who turned the horror into art with “The Laramie Project.” 

This 25th anniversary has triggered deep sadness for Kaufman, founder and artistic director of the New York-based Tectonic Theater Project. He wonders about all the things Shepard could have become. 

“Every year around this time, it’s painful to remember, but this one has hit particularly hard,” Kaufman told Theh Associated Press.

After Shepard’s 1998 killing, Kaufman and members of Tectonic traveled to Laramie and wrote the play based on more than 200 interviews. “The Laramie Project” is a poignant mix of real news reports and actors portraying friends, family, police officers, killers and other Laramie residents. 

This week, Tectonic is marking the anniversary by gathering the original cast and creators, and some of the people represented in the piece for a staged reading and conversation as part of the 2023 Shepard Symposium at the University of Wyoming. 

“The Laramie Project,” one of the most frequently performed plays in high schools, has been performed in more than 20 countries and translated into more than 13 languages. It is among the top 10 most licensed plays in America. 

“Precisely because it wasn’t about Matthew Shepard, precisely because it was about the town of Laramie is why it continues to resonate,” said Kaufman. 

“We were hoping that it wouldn’t be relevant anymore. But it is every day more relevant. Hate crimes all over our nation are at much higher rates than they were when Matthew Shepard was killed.” 

He pointed to an increase in anti-Asian incidents since the pandemic began, and assaults on transgender and gender-nonconforming people. 

In 2009, Kaufman was on hand as the Matthew Shepard and James Byrd Jr. Hate Crimes Prevention Act was signed by then-President Barack Obama. The act expanded the 1969 federal hate-crime law to include crimes based on a victim’s sexual orientation, gender identity, or disability. 

“The Laramie Project” has consistently been the subject of pushback by some conservative school districts, and this year faces banishment from Florida stages due to what critics call the “Don’t Say Gay” law. 

Elsewhere, theater creators across the nation say school censorship is getting worse, particularly around material with LGBTQ+ themes. Cardinal High School in Middlefield, Ohio, canceled a production of “The 25th Annual Putnam County Spelling Bee” due to content issues. 

Kaufman is also alarmed that the Lansing Board of Education in Kansas voted to remove the script of “The Laramie Project” from the school curriculum. 

“There has always been — since the inception — a couple of theaters every year where the board of the school says no. All right. But this last year was the first time that the book itself was banned from a classroom.” 

Kaufman has always been cheered by the students who find a way to perform the play despite barriers, becoming what he calls artist-activists. “My belief is that the best art occurs at the intersection of the personal and the political,” he said.
…

President Recep Tayyip Erdogan on Sunday inaugurated the first church built with government backing in overwhelmingly Muslim Turkey’s 100-year history as a post-Ottoman state.

The Mor Ephrem Syriac Orthodox Church’s opening marks an important cultural and political moment for both Turkey and its powerful leader.

Erdogan drew widespread condemnation during his two-decade rule for converting ancient churches into mosques and making Islamic conservatism into a leading social force.

He has always countered that he was simply restoring the rights of pious Muslims in the staunchly secular republic founded by field marshal Mustafa Kemal Ataturk in 1923.

Erdogan laid the first stone for the church’s construction for Istanbul’s 17,000-strong Assyrian Christians in 2019.

“We are seeing big problems today across many parts of the world,” Erdogan told the faithful as all-out war raged between Israel and the Palestinian militant group Hamas in Gaza.

“But the solidarity shown here today — I find it very important,” Erdogan said.

“We always protect the oppressed against the oppressor. That is our duty.”

Assyrian Christianity traces its history to communities that lived in the first century AD in a region stretching from southeastern Turkey to Syria and Iraq.

Its main church moved from the Turkish city of Mardin to Damascus in 1932.

‘Love letter’

Some small Turkish churches have been quietly restored and re-opened in the past 100 years.

Erdogan said on Sunday that 20 existing churches had been repaired since his Islamic-rooted party came to power in 2002.

But the Mor Ephrem “is the first newly built church to open its doors since the founding of the Turkish Republic,” Assyrian community leader Sait Susin told AFP by telephone.

“We are very happy.”

Erdogan drew international indignation for converting Istanbul’s iconic Hagia Sophia —once the world’s largest cathedral —from a museum into a mosque in 2020.

The United Nations cultural body UNESCO expressed “grave concern” at the time.

Erdogan brushed the criticism aside and did exactly the same thing to Istanbul’s Byzantine-era Chora Church later that same year.

Greece called that conversion “yet another provocation against religious persons everywhere”.

Erdogan came under particularly strong attacks at home for unveiling a new mosque in 2021 on Taksim Square — an Istanbul gathering point built around a monument celebrating Ataturk’s foundation of the secular Turkish state.

The new Istanbul church can accommodate 750 worshippers.

Erdogan wavers in his speeches between robustly defending pious Muslims and embracing Turkey’s numerous communities.

He told supporters on the eve of the first round of May’s presidential election that he had written a “love letter” to Turkey.

“We have penned a love letter for every individual of our nation, without any distinction of origin or religion,” he told the crowd.

He ended that day by leading Muslim prayers at the Hagia Sophia mosque.

Erdogan edged out his secular rival in a runoff election two weeks later.
…

Tourists at the Acropolis this holiday season can witness the resolution of one of the world’s most heated debates on cultural heritage.

All they need is a smartphone.

Visitors can now pinch and zoom their way around the ancient Greek site, with a digital overlay showing how it once looked. That includes a collection of marble sculptures removed from the Parthenon more than 200 years ago that are now on display at the British Museum in London. Greece has demanded they be returned.

For now, an app supported by Greece’s Culture Ministry allows visitors to point their phones at the Parthenon temple, and the sculptures housed in London appear back on the monument as archaeologists believe they looked 2,500 years ago.

Other, less widely known features also appear: Many of the sculptures on the Acropolis were painted in striking colors. A statue of goddess Athena in the main chamber of the Parthenon also stood over a shallow pool of water.

“That’s really impressive … the only time I’ve seen that kind of technology before is at the dentist,” Shriya Parsotam Chitnavis, a tourist from London, said after checking out the app on a hot afternoon at the hilltop Acropolis, Greece’s most popular archaeological site.

“I didn’t know much about the (Acropolis), and I had to be convinced to come up here. Seeing this has made it more interesting — seeing it in color,” she said. “I’m more of a visual person, so this being interactive really helped me appreciate it.”

The virtual restoration works anywhere and could spare some visitors the crowded uphill walk and long wait to see the iconic monuments up close. It might also help the country’s campaign to make Greek cities year-round destinations.

Tourism, vital for the Greek economy, has roared back since the COVID-19 pandemic, even as wildfires chased visitors from the island of Rhodes and affected other areas this summer. The number of inbound visitors from January through July was up 21.9% to 16.2 million compared with a year ago, according to the Bank of Greece. Revenue was up just over 20%, to 10.3 billion euros ($10.8 billion).

The app, called Chronos after the mythological king of the Titans and Greek word for “time,” uses augmented reality to place the ancient impression of the site onto the screen, matching the real-world view as you walk around.

AR is reaching consumers after a long wait and is set to affect a huge range of professional and leisure activities.

Medical surgery, military training and specialized machine repair as well as retail and live event experiences are all in the sights of big tech companies betting on a lucrative future in immersive services. Tech giant like Meta and Apple are pushing into VR headsets that can cost thousands of dollars.

The high price tag will keep the cellphone as the main AR delivery platform to consumers for some time, said Maria Engberg, co-author of the book “Reality Media” on augmented and virtual reality.

She says services for travelers will soon offer a better integrated experience, allowing for more sharing options on tours and overlaying archive photos and videos.

“AR and VR have been lagging behind other kinds of things like games and movies that we’re consuming digitally,” said Engberg, an associate professor of computer science and media technology at Malmo University in Sweden.

“I think we will see really interesting customer experiences in the next few years as more content from museums and archives becomes digitized,” she said.

Greece’s Culture Ministry and national tourism authority are late but enthusiastic converts to technology. The popular video game Assassin’s Creed Odyssey, which allows players to roam ancient Athens, was used to attract young travelers from China to Greece with a state-organized photo contest.

Microsoft partnered with the Culture Ministry two years ago to launch an immersive digital tour at ancient Olympia, birthplace of the Olympic Games in southern Greece.

Culture Minister Lina Mendoni said the innovations would boost accessibility to Greece’s ancient monuments, supplementing the recent installation of ramps and anti-slip pathways.

“Accessibility is extending to the digital space,” Mendoni said at a preview launch event for the Chronos app in May. “Real visitors and virtual visitors anywhere around the world can share historical knowledge.”

Developed by Greek telecoms provider Cosmote, the free app’s designers say they hope to build on existing features that include an artificial intelligence-powered virtual guide, Clio.

“As technologies and networks advance, with better bandwidth and lower latencies, mobile devices will be able to download even higher-quality content,” said Panayiotis Gabrielides, a senior official at the telecom company involved in the project.

Virtual reconstructions using Chronos also cover three other monuments at the Acropolis, an adjacent Roman theater and parts of the Acropolis Museum built at the foot of the rock.
…

The Albuquerque International Balloon Fiesta has brought colorful displays to the New Mexico sky in an international event that attracts hundreds of thousands of spectators every year.

The event started Saturday with a drone light show before sunrise followed by a mass ascension of hot air balloons. Over nine days, local residents and visitors will be treated to a cavalcade of colorful and special-shaped balloons.

The annual gathering has become a major economic driver for the state’s biggest city. The Rio Grande and nearby mountains provide spectacular backdrops to the fiesta that began with a few pilots launching 13 balloons from an open lot near a shopping center on what was the edge of Albuquerque in 1972.

The fiesta has morphed into one of the most photographed events in the world, now based at Balloon Fiesta Park. Balloon designs have featured cartoon animals, Star Wars characters and even the polar bear found on Klondike bars.

“But they’re still all about the basics,” said fiesta director Sam Parks, who flies a globe-style balloon modeled after one flown by the fiesta’s late founder Sid Cutter. “You add heat to a big bag of air and you go up.”

Nearly 830,000 people from around the world attended last year’s event. Scheduled nighttime events include fireworks and balloon glows, in which hot air balloons are inflated and lit up from the ground.

The launch window opens Saturday evening for what is billed as one of the biggest events in aviation: the Gordon Bennett competition. The winner of the gas balloon race is the one who flies the farthest distance.

Some 550 balloon pilots are registered to fly this year, seeking to take advantage of a phenomenon known as the “Albuquerque box,” when the wind blows in opposite directions at different elevations, allowing skillful pilots to bring a balloon back to a spot near the point of takeoff.

Visitors to the event also can pay to go aloft for views of the Sandia Mountains to the west and New Mexico’s capital, Santa Fe, farther north.

“It has become part of the culture,” Parks said. “The thread, if you will, of those here.”

Elizabeth Wright-Smith, who is flying the Smokey Bear balloon this week, said she reunites with friends from all over the country at the fiesta that she would not see otherwise. As of early Saturday afternoon, she had already run into 30 people she had met from various balloon races, safety seminars and other events across the country.

“It’s a big reunion,” she said.

Her favorite part of the fiesta is watching and interacting with the thousands of spectators who flock to Balloon Fiesta Park, which grow smaller as she ascends in her balloon. The sky was clear Saturday – a contrast from last year, when off-and-on rain left parts of the fiesta soggy.

“Pictures don’t do it justice, videos don’t do it justice,” Wright-Smith said. “You’ve got to be standing there watching them to really get it.”
…

Human rights campaigners across the world welcomed the awarding of the 2023 Nobel Peace Prize to Narges Mohammadi, an Iranian women’s rights campaigner who is jailed in Tehran. Henry Ridgwell reports.
…

When the megaphone called out for the daily Islamic prayers, the nonbeliever grabbed his prayer beads and ambled through the streets to join others at the mosque in Kano, northern Nigeria’s largest city. Formerly a Muslim, he now identifies as an atheist but remains closeted, performing religious obligations only as a cover.

“To survive as an atheist, you cannot act like one,” said the man, who spoke to The Associated Press on condition of anonymity over fears for his safety. He said he narrowly escaped being killed by a mob in 2015 after some people found out he had forsaken Islam.

“If I ever come out in northern Nigeria to say I am an atheist, it will be an automatic death sentence,” said the man, a business owner in his 30s.

In parts of the world, the religiously unaffiliated are on the rise, and can safely and publicly be a “none” — someone who identifies as an atheist, agnostic or nothing in particular. In countries like Nigeria, the situation is starkly different.

Nonbelievers in Nigeria said they perennially have been treated as second-class citizens in the deeply religious country whose 210 million population is almost evenly divided between Christians dominant in the south and Muslims who are the majority in the north. While the south is relatively safe for nonbelievers, some say threats and attacks have worsened in the north since the leader of the Humanist Association of Nigeria, Mubarak Bala, was arrested and later jailed for blasphemy.

The Associated Press spoke to seven nonbelievers to document their experiences. Most spoke anonymously and in secret locations over concerns for their safety.

“Bala’s imprisonment rolled our movement underground,” Leo Igwe, a founder of the humanist association, said of the group’s leader, who in 2022 was jailed for 24 years. A court convicted him on an 18-count charge of blaspheming Islam and breach of public peace through his posts on Facebook.

Since Bala was prosecuted by the Kano state government, the humanist association — which has several hundred members — has gone underground, struggling with unprecedented threats to members who no longer hold meetings, Leo said.

Nigeria’s constitution provides for freedom of religion and expression, but activists say threats to religious freedom are common, especially in the north.

Almost half of the countries in Africa, including Nigeria, have statutes outlawing blasphemy. In most secular courts in Nigeria, the stiffest penalty for a blasphemy charge is two years in prison, while it carries a death penalty in the country’s Islamic courts, active in the majority Muslim north.

There are no records of any such executions in recent years. The most recent instance of a death sentence, issued in December against an Islamic cleric, Abduljabbar Nasiru Kabara, has not been carried out.

The Shariah law that operates in Islamic courts defines blasphemous acts as those committed by anyone who “intentionally abuses, insults, derogates, humiliates or seeks to incite contempt of the holy Prophet Muhammad.”

But what exactly constitutes actions that insult Islam is often open to interpretation by accusers, Igwe said. As a result, some alleged offenders have been attacked and killed before any trial.

At least three people have been killed for alleged blasphemy in northern Nigeria in the past year. The latest victim, killed in June, was a Muslim stoned to death after being accused of making comments that blasphemed Islam.

Authorities in Nigeria have failed to act to prevent such attacks, and prosecutions have been rare, said Isa Sanusi, director of Amnesty International in Nigeria.

“The alarming uptick in blasphemy killings and accusations underscores the urgency with which the authorities must wake up to Nigeria’s international legal obligations to respect and protect human rights,” Sanusi said.

Threats against the nonreligious in Nigeria are common on social media. On Facebook, a group named Anti-Atheist, users frequently posted messages that trolled or threatened atheists.

The atheist in Kano, in a dimly lit room, spoke with a mix of grit and fear about his experiences as a nonbeliever in a nation where about 98% of the population are Christians or Muslims, according to the Pew Research Center. A Facebook post from Bala in 2015, critiquing some Islamic teachings, influenced the man’s shift to atheism.

Once a Muslim, Bala was seen as an influential member of the humanist community; most of the nonbelievers who spoke to the AP credited him as a source of inspiration.

Life as a nonbeliever in Nigeria is also difficult for women, who already are severely underrepresented in government and other key sectors.

“Your achievements are reduced to nothing if you are irreligious,” said Abosuahi Nimatu, who dropped out of university in Katsina state in 2020 to escape being killed after her peers learned she was no longer a Muslim.

Nimatu was so close to Bala that his prolonged detention depressed her for a year, she said. She used her Facebook account to campaign for his release, prompting threats that reached her cellphone and email inbox. Her home address was shared among people threatening to attack her and her family.

Even at home, she is often reminded that no man would marry her.

“You are seen as a rebel and as a wayward person,” she said.

In 2020, Nigeria became the first secular democracy designated by the U.S. State Department as a “Country of Particular Concern” for engaging in or tolerating “systematic, ongoing, egregious violations of religious freedom.” It later was dropped from that list of countries, prompting criticism from the U.S. Commission on International Religious Freedom, which says Nigeria should be re-added. It is a different reality for the openly faithless in southern Nigeria; they even hold public meetings occasionally. The two atheists who spoke to AP in the commercial hub of Lagos said they had never been attacked or threatened.

Busayo Cole, a former Christian, said his family is indifferent about his religious status. Beyond his family, the worst consequences he faces are occasional snide remarks.

“People are more liberal about things like that down here,” said Cole.

At the Kuje prison in Abuja, Bala continues to serve his jail term, receiving visitors from time to time including his wife Amina Ahmed, also a humanist. She went to see him most recently with their 3-year-old son.

He is in good spirits, Ahmed said of her husband. But it has been difficult for her.

“I am trying to be strong (but) my strength sometimes fails me,” she said.
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