YCLOAK

MINNEAPOLIS — A pair of iconic ruby slippers that were worn by Judy Garland in The Wizard of Oz and stolen from a museum nearly two decades ago fetched $28 million in an auction Saturday.

Heritage Auctions had estimated that they would fetch $3 million or more. Online bidding opened last month and by Friday had reached $1.55 million, or $1.91 million including the buyer’s premium, a commission that the buyer pays, said Robert Wilonsky, a vice president with the Dallas-based auction house. More than 800 people were tracking the slippers, and the company’s web page for the auction had hit nearly 43,000 page views by Thursday, he said.

As Rhys Thomas, author of the book, The Ruby Slippers of Oz, puts it, the sequined shoes from the beloved 1939 musical have seen “more twists and turns than the Yellow Brick Road.”

They were on display at the Judy Garland Museum in her hometown of Grand Rapids, Minnesota, in 2005 when Terry Jon Martin used a hammer to smash the glass of the museum’s door and display case.

Their whereabouts remained a mystery until the FBI recovered them in 2018. Martin, now 77, who lives near Grand Rapids in northern Minnesota, wasn’t publicly exposed as the thief until he was indicted in May 2023. He pleaded guilty in October 2023. He was in a wheelchair and on supplementary oxygen when he was sentenced last January to time served because of his poor health.

His attorney, Dane DeKrey, explained ahead of sentencing that Martin, who had a long history of burglary and receiving stolen property, was attempting to pull off “one last score” after an old associate with connections to the mob told him the shoes had to be adorned with real jewels to justify their $1 million insured value. But a fence — a person who buys stolen goods — later told him the rubies were just glass, DeKrey said. So Martin got rid of the slippers. The attorney didn’t specify how.

The alleged fence, Jerry Hal Saliterman, 77, of the Minneapolis suburb of Crystal, was indicted in March. He was also in a wheelchair and on oxygen when he made his first court appearance. He’s scheduled to go on trial in January and hasn’t entered a plea, though his attorney has said he’s not guilty.

The shoes were returned in February to memorabilia collector Michael Shaw, who had lent them to the museum. They were one of several pairs that Garland wore during the filming, but only four pairs are known to have survived. In the movie, to return from Oz to Kansas, Dorothy had to click her heels three times and repeat, “There’s no place like home.”

Among those bidding was the Judy Garland Museum. The city of Grand Rapids raised money for the slippers at its annual Judy Garland festival to supplement the $100,000 set aside this year by Minnesota lawmakers to help the museum purchase the slippers.

The Wizard of Oz story has gained new attention in recent weeks with the release of the movie Wicked, an adaptation of the megahit Broadway musical, a prequel of sorts that reimagines the character of the Wicked Witch of the West.

The auction also included other memorabilia from The Wizard of Oz, such as a hat worn by Margaret Hamilton, who played the original Wicked Witch of the West. 
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VATICAN CITY — Pope Francis was seen with a significant bruise on his chin Saturday, but he presided over a ceremony to install new cardinals without apparent problems.

A Vatican spokesperson said later Saturday that the bruise was caused by a contusion on Friday morning when Francis hit a nightstand with his chin.

The pontiff, who turns 88 later this month, appeared slightly fatigued but carried on as normal with the scheduled ceremony to create 21 new cardinals in St. Peter’s Basilica.

Francis has suffered several health problems in recent years and now uses a wheelchair due to knee and back pain.

In 2017, while on a trip to Colombia, Francis sported a black eye after he hit his head on a support bar when his popemobile stopped short.
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PARIS — Notre Dame will formally reopen Saturday, five years after the Paris cathedral was devastated by fire, with U.S. President-elect Donald Trump among world leaders there to celebrate its remarkably rapid restoration.

Held up as an example of French creativity and resilience by President Emmanuel Macron, Notre Dame’s renaissance so soon after a 2019 blaze that destroyed its roof and spire comes at a difficult time for the country.

The sense of national accomplishment in restoring a beloved symbol of Paris has been undercut by political turmoil that has left France without a proper government and in a budget crisis.

Macron is hoping that the first full service inside Notre Dame and the sight of around 40 world leaders in Paris might provide a fleeting sense of pride and unity — as the Paris Olympics did in July and August.

The re-opening “is the proof that we know how to do grand things, we know how to do the impossible and the whole world has admired us for it on two occasions this year,” Macron said during a televised address on Thursday, referring to the widely praised Olympics.

During a visit with TV cameras last week however, he somewhat undermined the suspense behind the reopening, revealing the cathedral’s freshly scrubbed limestone walls, new furniture and vaulted wooden roof cut from ancient oak trees selected from the finest forests of France.

The reconstruction effort has cost around $750 million, financed from donations, with the re-opening achieved within five years despite predictions it could take decades.

Workers had to overcome problems with lead pollution, the COVID-19 epidemic, and the general overseeing the project falling to his death while hiking in the Pyrenees last year.

Trump show?

While the reborn 12th-century architectural masterpiece will be the main focus of public attention on Saturday, TV cameras are also likely to linger on Trump who will be making his first overseas trip since winning reelection to the White House last month.

He accepted an invitation from Macron to attend earlier this week, saying the French leader had done “a wonderful job ensuring that Notre Dame has been restored to its full level of glory, and even more so.”

U.S. President Joe Biden will be represented by his wife Jill, while Britain’s Prince William and Ukrainian President Volodymyr Zelenskyy will also be present.

Zelenskyy is expected to seek his first face-to-face meeting with Trump who has vowed to force a peace agreement to end the war in Ukraine, possibly by withholding U.S. weapon supplies.

One surprising absentee will be Pope Francis, the head of the Catholic Church, who has decided against breaking off from a weekend trip to the French island of Corsica.

A message from Francis addressed to the French people will be read out to the congregation of VIPs, church figures and selected members of the public when the service begins on Saturday evening.

‘Universal sadness’

Parisians watched in horror in 2019 as flames ravaged Notre Dame, a landmark famed as the setting for Victor Hugo’s novel The Hunchback of Notre Dame and one of the world’s most-visited monuments.

The apocalyptic images were even seen by some as a sign of the demise of Western civilization, with the 850-year-old wonder saved from complete collapse only by the heroic intervention of firefighters.

The exact cause of the blaze has never been identified despite a forensic investigation by prosecutors, who believe an accident such as an electrical fault was the most likely reason.

“We felt a sense of universal sadness when Notre Dame burned,” said fashion designer Jean-Charles de Castelbajac, who has dreamed up colorful new priestly vestments that will be worn by senior clergy on Saturday.

“It was a moment of terrible emotions, like a premonition of our world in difficulty,” he told AFP recently.

The service will feature prayer, organ music and hymns from the cathedral’s choir, followed by a televised concert with performances by Chinese piano virtuoso Lang Lang, South African opera singer Pretty Yende and possibly American singer and fashion designer Pharrell Williams.

Harsh weather forced officials to move Macron’s planned speech indoors and pre-record the concert Friday night, with forecasts for winds of up to 80 kph as Storm Darragh put parts of France on red alert.

On Sunday, the first Mass with 170 bishops and more than 100 Paris priests will take place at 10:30 a.m. (0930 GMT) followed by a second service in the evening at 6:30 p.m. which will be open to the public. 
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LUQUE, PARAGUAY — Sake is perhaps more Japanese than the world-famous sushi. It’s brewed in centuries-old mountaintop warehouses, savored in the country’s pub-like izakayas, poured during weddings and served slightly chilled for special toasts.

The smooth rice wine that plays a crucial role in Japan’s culinary traditions was enshrined on Wednesday by UNESCO on its list of the “intangible cultural heritage of humanity.”

At a meeting in Luque, Paraguay, members of UNESCO’s committee for safeguarding humanity’s cultural heritage voted to recognize 45 cultural practices and products around the world, including Brazilian white cheese, Caribbean cassava bread and Palestinian olive oil soap.

Unlike UNESCO’s World Heritage List, which includes sites considered important to humanity like the Pyramids of Giza in Egypt, the Intangible Cultural Heritage designation names products and practices of different cultures that are deserving of recognition.

A Japanese delegation welcomed the announcement in Luque.

“Sake is considered a divine gift and is essential for social and cultural events in Japan,” Kano Takehiro, the Japanese ambassador to UNESCO, told The Associated Press.

The basic ingredients of sake are few: rice, water, yeast and koji, a rice mold, which breaks down the starches into fermentable sugars like malting does in beer production. The whole two-month-long process of steaming, stirring, fermenting and pressing can be grueling.

The rice — which wields tremendous marketing power as part of Japan’s broader cultural identity — is key to the alcoholic brew.

For a product to be categorized Japanese sake, the rice must be Japanese.

The UNESCO recognition, the delegation said, captured more than the craft knowledge of making high-quality sake. It also honored a tradition dating back some 1,000 years — sake makes a cameo in Japan’s famous 11th century novel, The Tale of Genji, as the drink of choice in the refined Heian court.

Now, officials hope to restore sake’s image as Japan’s premier alcoholic drink even as the younger drinkers in the country switch to imported wine or domestic beer and whiskey.

“It means a lot to Japan and to the Japanese,” Takehiro said of the UNESCO designation. “This will help to renew interest in traditional sake elaboration.”

Also, Japanese breweries have expressed hope that the listing could give a little lift to the country’s export economy as the popularity of sake booms around the world and in the United States amid heightened interest in Japanese cuisine.

Sake exports, mostly to the U.S. and China, now rake in over $265 million a year, according to the Japan Sake and Shochu Makers Association, a trade group.

Japan’s delegation appeared ready to celebrate on Wednesday — in classic Japanese style.

After the announcement, Takehiro raised a cypress box full of sake to toast the alcoholic brew and cultural rite.
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PARIS — U.S. President-elect Donald Trump and U.S. first lady Jill Biden are among global dignitaries expected in Paris Saturday as the city’s iconic Notre Dame Cathedral reopens five years after a massive fire.

Trump’s visit to Paris is expected to be his first foreign trip since winning the election last month. U.S. President Joe Biden is not expected to attend.

It has taken five years, 2,000 artisans and workers, and hundreds of millions of dollars to restore the medieval Gothic masterpiece. It was nearly destroyed during a fire in April 2019.

French President Emmanuel Macron visited the restored cathedral Friday and said the reconstruction workers had participated in an unprecedented project.

Macron will join the archbishop of Paris, along with Catholic and other dignitaries, for official opening ceremonies Saturday. The cathedral will open its doors to the public on Sunday as part of weeklong reopening events.

Even covered with scaffolding and closed to visitors, Notre Dame has attracted hordes of tourists during the years of reconstruction. Manuele Monica, a visitor from Italy, said, “I can understand why people in the past created buildings such as this one, because it’s so huge. It’s really tall — like it’s going up in the sky.”

The event offers a short reprieve for France, which is facing pre-Christmas strikes, soaring debt and an uncertain political future.
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Bluesky, a decentralized social media platform, recently experienced significant growth, surpassing 22 million users. The surge is attributed to users migrating from X due to their dissatisfaction with changes under Elon Musk’s ownership. Andrei Dziarkach has the story, narrated by Anna Rice. Camera: David Gogokhia
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Notre Dame cathedral reopens this weekend (Dec 7/8) five years after a massive fire devastated the iconic Paris landmark. Political and religious leaders and ordinary visitors are expected to attend the events, which mark a bright spot in an otherwise turbulent year. Lisa Bryant reports from the French capital.
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New York — Christmas came early at the box office this year. “Moana 2” brought in a tidal wave of moviegoers over the Thanksgiving Day weekend, setting records with $221 million in ticket sales, according to studio estimates Sunday. That, combined with “Wicked” and “Gladiator II,” made for an unprecedented weekend in cinemas and a confluence of blockbusters more like what’s often found in late December.

Expectations were high for Walt Disney Co.’s “Moana 2,” but the film — originally planned as a series for Disney+ before it was redirected to the big screen — blew predictions out of the water. Its five-day opening set a new record for Thanksgiving moviegoing. (The previous best was $125 million for “Frozen 2” in its second week of release in 2019.) “Moana 2” added $165.3 million internationally; with $386 million worldwide, it’s the second-best global launch of the year.

At the same time, the sensation of “Wicked” showed no signs of slowing down. The Universal Pictures musical brought in $117.5 million over the five-day weekend, pushing its two-week global total to $359.2 million. Not accounting for inflation, “Wicked” is now the highest grossing Broadway adaptation over “Grease.” (That 1978 film grossed $190 million, but factoring in inflation would put it past $900 million.)

“Gladiator II,” meanwhile, also held well, dipping 44% from its opening weekend. Ridley Scott’s sequel to his Oscar-winning best picture original collected $44 million in its second weekend. While its steep price tag of $250 million will make profitability challenging, “Gladiator II” has swiftly gathered $320 million worldwide.

Those three films drove the overall box office to a record $420 million in overall Thanksgiving weekend ticket sales, according to Comscore — more than $100 million more than ever before. For an industry that has been battered in recent years by the pandemic, work stoppages and the upheaval caused by streaming, it was a triumphant weekend that showed the still-potent power of Hollywood’s blockbuster machine. Before “Wicked,” “Moana 2” and “Gladiator II” arrived in theaters, ticket sales were running about 25% behind pre-pandemic levels.

Michael O’Leary, president and chief executive of the National Association of Theater Owners, said the weekend showed what’s possible when “all the pieces of the puzzle come together” in compelling big-budget movies with marketing muscle.

“We’re very optimistic that this weekend is the start of what we believe is a full-on charge into the future,” he said. “The remaining quarter of this year looks very promising and then on into 2025 and 2026. We’re hoping next year is the first kind of normal year this industry has had in a long time.”

Like the last time such anticipated movies collided on the release calendar — 2023’s much-ballyhooed “Barbenheimer” — the movie industry again could see evidence of a rising moviegoing tide lifting all blockbusters. In recent years, studios have typically tried to space out most of their biggest releases. Earlier this fall, “Venom: The Last Dance,” for example, was the No. 1 film for three straight weeks, despite not being particularly successful.

“For a long, long time in Hollywood, there’s been a belief that you don’t put big blockbuster movies up against each other,” said O’Leary. “But the truth of the matter is that competition is good. It’s good for the movies. It’s good for the studios. It’s good for the theater owners. But it’s particularly good for the moviegoing public.”

“Moana 2” was the nexus of a strategy shift for Disney. When it first began development, it was fashioned as a series for streaming. But when Bob Iger returned as chief executive, he reconsidered the balance between theatrical and streaming. The original “Moana,” after all, was the most streamed movie on Disney+ in 2023, with the added benefit of $680 million in box office in 2016. Only in February this year did Iger announce the release of “Moana 2,” with Auli’i Cravalho and Dwayne Johnson returning as the voices of Moana and Maui.

“It just shows you that the big screen and small screen are not adversarial. They can be complementary and additive,” says Paul Dergarabedian, senior media analyst for Comscore. “Whoever made that decision to go big screen globally with ‘Moana 2,’ that was one of the greatest decisions ever.”

And it helped lead a resurgence for Walt Disney Co., whose last two animated November releases — “Strange World” and “Wish” — fizzled in theaters. “Moana 2” may become the third $1 billion-grossing movie for the studio in 2024, along with “Inside Out 2” and “Deadpool & Wolverine.” Though reviews for “Moana 2″ have only been 65% “fresh” on Rotten Tomatoes, audiences gave it an “A-” CinemaScore.

“Moana 2” is also part of a major rebound for family moviegoing. According to David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment, family moviegoing in 2024 is going to account for approximately $6.8 billion in ticket sales, roughly the sums of 2022 and 2023, combined.

After such large debuts, “Moana 2” and “Wicked” are likely to continue to drive moviegoing through December. The only question will be if this year’s Christmas movies — historically a much bigger holiday period for theaters — can come anywhere near the Thanksgiving lineup. Among the movies aiming for that holiday corridor are Disney’s “Mufasa: The Lion King,” Paramount’s “Sonic the Hedgehog 3″ and Searchlight’s “A Complete Unknown,” with Timothee Chalamet as a young Bob Dylan.

Final domestic figures will be released Monday. Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

1. “Moana 2,” $135 million.

2. “Wicked,” $80 million.

3. “Gladiator II” $30.7 million.

4. “Red One,” $12.9 million.

5. “The Best Christmas Pageant Ever,” $3.3 million.

6. “Bonhoeffer: Pastor. Spy. Assassin,” $2.4 million.

7. “Venom: The Last Dance,” $2.2 million.

8. “Heretic,” $956,797.

9. “The Wild Robot,” $670,000.

10. “A Real Pain,” $665,000.
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BERLIN — The smells of mulled wine, roasted almonds and hot bratwurst are wafting through the air across the German capital again, as the city’s more than 100 Christmas markets are opening their doors this week. But the annual tradition that Germans have cherished since the Middle Ages — and successfully exported to much of the Western world — has become a pretty diverse affair, at least in Berlin.

The city of 3.8 million, which takes pride in its tolerance and diversity, offers Christmas markets for pretty much every taste these days. Nowadays, almost 40% of Berliners have immigrant roots, and the city’s LGBTQ+ community is considered one of the biggest in the country.

So it comes as no surprise that popular Christmas markets include a LGBTQ+ one offering rainbow pierogi and entertainment by drag queens, a Scandinavian market selling moose goulash and reindeer salami and a market tempting revelers with naughty gift ideas, along with a historical market that takes visitors back to medieval times.

“It’s a lovely atmosphere,” Paul Middleton said of the LGBTQ+ market Christmas Avenue, which is illuminated in the colors of the rainbow.

“It’s great to do something for the LGBTQ+ community and offer something positive in a safe environment where everyone’s welcome, no matter what background,” said Middleton, who moved to Berlin from London three years ago “for love.”

Middleton was busy selling gay-themed Christmas shirts next to stalls offering suggestive candles and soaps in neon colors.

The market also attracts heterosexual couples, neighborhood residents and groups of moms with baby strollers, said Sebastian Ahlefeld, a spokesperson for Christmas Avenue.

“You can meet lots of friends, relax, enjoy a mulled wine and simply kick off the Christmas season,” said Marco Klingberg, who visited the market with friends on Monday night.

Klingberg, a police officer and member of the LGBTQ+ police organization in Brandenburg, the state surrounding Berlin, pointed out that despite the city’s reputation as a gay-friendly city, attacks on members of the community are a concern, and it was great to have a protected environment for celebrating.

“First and foremost, it’s a safe space,” he said.

Security is an issue not only at the LGBTQ+ market, where all visitors undergo a bag check before entering. Groups of police officers were patrolling most markets on Monday night, as memories of a deadly terror attack on a Christmas market eight years ago are still fresh for many Berliners.

On December 19, 2016, an Islamist attacker plowed through a crowd of Christmas market-goers with a truck, killing 13 people and injuring dozens more in the German capital. The attacker was killed days later in a shootout in Italy.

Despite increased surveillance, visitors at the Scandinavian-themed Lucia market in Berlin’s Prenzlauer Berg neighborhood were hanging out in crowds on the compound of a former brewery. Kids enjoyed merry-go-rounds while their parents stood in line for Finnish honey and Icelandic mulled wine infused with hard liquor or chatted and warmed up at fire pits.

“I’ve been coming here every year since kindergarten times,” said Mathilda Schmidt, 21, pointing to kids cheering as they jumped on a trampoline. She was standing in line with her boyfriend for bratwurst and potato pancakes.

At Humboldt Forum Christmas market near the Spree river, vendors were offering more exotic dishes including jerk chicken with cooked bananas at a Jamaican food stand, Argentinian empanadas, French salamis and Hungarian langos, a deep-fried flatbread.

While the city’s biggest markets are open for weeks and usually close only the day before Christmas Eve, smaller markets often open for a weekend or a day.

They include the Kinky Christmas market in the Kreuzberg neighborhood that invites visitors on December 1 only, seeking those who may find traditional markets “too overwhelmingly contemplative and traditional.” More than 20 stalls will offer sexy “fashion, accessories, jewelry, toys and all kinds of naughty gift ideas,” the city of Berlin says on its website.

While Berliners seem to nonchalantly enjoy the variety of Christmas market offerings, they were fiercely united in their complaint about the increasing price of mulled wine — with one small cup now selling for up to seven euros ($7.36).
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NEW YORK — Likely most people have seen iconic footage of the Beatles performing on “The Ed Sullivan Show.” But how many have seen Paul McCartney during that same U.S. trip feeding seagulls off his hotel balcony?

That moment — as well as George Harrison and John Lennon goofing around by exchanging their jackets — are part of the Disney+ documentary “Beatles ’64,” an intimate look at the English band’s first trip to America that uses rare and newly restored footage. It streams Friday.

“It’s so fun to be the fly on the wall in those really intimate moments,” says Margaret Bodde, who produced alongside Martin Scorsese. “It’s just this incredible gift of time and technology to be able to see it now with the decades of time stripped away so that you really feel like you’re there.”

“Beatles ’64” leans into footage of the 14-day trip filmed by documentarians Albert and David Maysles, who left behind 11 hours of the Fab Four goofing around in New York’s Plaza hotel or traveling. It was restored by Park Road Post in New Zealand.

“It’s beautiful, although it’s black and white and it’s not widescreen,” says director David Tedeschi. “It’s like it was shot yesterday and it captures the youth of the four Beatles and the fans.”

The footage is augmented by interviews with the two surviving members of the band and people whose lives were impacted, including some of the women who as teens stood outside their hotel hoping to catch a glimpse of the Beatles.

“It was like a crazy love,” fan Vickie Brenna-Costa recalls in the documentary. “I can’t really understand it now. But then, it was natural.”

The film shows the four heartthrobs flirting and dancing at the Peppermint Lounge disco, Harrison noodling with a Woody Guthrie riff on his guitar and tells the story of Ronnie Spector sneaking the band out a hotel back exit and up to Harlem to eat barbeque.

The documentary coincides with the release of a box set of vinyl albums collecting the band’s seven U.S. albums released in ’64 and early ’65 — “Meet The Beatles!,” “The Beatles’ Second Album,” “A Hard Day’s Night” (the movie soundtrack), “Something New,” “The Beatles’ Story,” “Beatles ’65” and “The Early Beatles.” They had been out of print on vinyl since 1995.

The Beatles’ U.S. visit in 1964 also included concerts at Carnegie Hall, a gig at the Washington Coliseum in Washington, D.C., and a visit to Miami, where the band met Muhammad Ali. The documentary shows members of the band reading newspaper coverage of themselves.

Viewers may learn that the Beatles — now revered — were often met with ridicule or rudeness from the older generation. At the British Embassy in New York, the four were treated as lower class, while renowned broadcaster Eric Sevareid, doing a piece for CBS, compared the reaction to the Beatles to the German measles.

“You’re nothing but four Elvis Presleys,” one reporter told them during a press conference, to which the boys good-naturedly started gyrating as Ringo Starr screamed “It’s not true!”

“Why the establishment was against them is sort of a mystery to me,” says Tedeschi. “I think older people believed that music would go back to the big bands.”

Musicians like Sananda Maitreya, Ron Isley and Smokey Robinson also discuss the Fab Four and what they took from Black music. There also are interviews with residents of Harlem, critic Joe Queennan and filmmaker David Lynch, who saw the Beatles play the Washington Coliseum.

“Beatles ’64” tries to explain why young people were so besotted by John, Paul, George and Ringo. Their visit came just months after the assassination of President John. F. Kennedy and Tedeschi argues Beatlemania was a salve for a nation in mourning.

“Part of it is I think that the light was just off. They were depressed. Everything was dark. And ‘I Want to Hold Your Hand’ lit them up,” says Tedeschi.

As McCartney says in the documentary: “Maybe America needed something like the Beatles to lift it out of mourning and just sort of say ‘Life goes on.'”
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NEW YORK — As she anticipates her estranged uncle’s return to the White House, Mary Trump isn’t expecting any future book to catch on like such first-term tell-alls as Michael Wolff’s million-selling Fire and Fury or her own blockbuster, Too Much and Never Enough.

“What else is there to learn?” she says. “And for people who don’t know, the books have been written. It’s all really out in the open now.”

For publishers, Donald Trump’s presidential years were a time of extraordinary sales in political books, helped in part by Trump’s legal threats and angered tweets. According to Circana, which tracks around 85% of the hardcover and paperback market, the genre’s sales nearly doubled from 2015 to 2020, from around 5 million copies to around 10 million.

Besides books by Wolff and Trump, other bestsellers included former FBI Director James Comey’s A Higher Loyalty, former national security adviser John Bolton’s The Room Where it Happened and Bob Woodward’s Fear. Meanwhile, sales for dystopian fiction also jumped, led by Margaret Atwood’s The Handmaid’s Tale, which was adapted into an award-winning Hulu series.

But interest has dropped back to 2015 levels since Trump left office, according to Circana, and publishers doubt it will again peak so highly. Readers not only showed little interest in books by or about President Joe Biden and his family — they even seemed less excited about Trump-related releases. Mary Trump’s Who Could Ever Love You and Woodward’s War were both popular this fall, but neither has matched the sales of their books written during the first Trump administration.

“We’ve been there many times, with all those books,” HarperCollins publisher Jonathan Burnham says of the various Trump tell-alls. He added that he still sees a market for at least some Trump books — perhaps analyzing the recent election — because “there’s a general, serious smart audience, not politically aligned in a hard way,” one that would welcome “an intelligent voice.”

“It’s like the reboot of any hit TV show,” says Eric Nelson, publisher and vice president of Broadside Books, a conservative imprint of HarperCollins that’s released books by Jared Kushner, Florida Gov. Ron DeSantis and Trump Cabinet nominees Pete Hegseth and Sen. Marco Rubio. “You’re not hoping for ratings like last time, just better ratings than the boring show it’s replacing.”

In the days following Trump’s victory, The Handmaid’s Tale and George Orwell’s 1984 returned to bestseller lists, along with more contemporary works such as Timothy Snyder’s On Tyranny, a 2017 bestseller that expanded upon a Facebook post Snyder wrote soon after Trump defeated Hillary Clinton. Books appealing to pro-Trump readers also surged, including those written by Cabinet picks — Robert F. Kennedy Jr.’s The Real Anthony Fauci and Hegseth’s The War on Warriors — and Vice President-elect J.D. Vance’s Hillbilly Elegy, his 2016 memoir that’s sold hundreds of thousands of copies since Trump selected him as his running mate.

First lady Melania Trump’s memoir, Melania, came out in October and has been high on Amazon.com bestseller lists for weeks, even as critics found it contained little newsworthy information. According to Circana, it has sold more than 200,000 copies, a figure that does not include books sold directly through her website.

“The Melania book has done extraordinarily well, better than we thought,” says Barnes & Noble CEO James Daunt. “After Election Day, we sold everything we had of it.”

Conservative books have sold steadily over the years, and several publishers — most recently Hachette Book Group — have imprints dedicated to those readers. Publishers expect at least some critical books to reach bestseller lists — if only because of the tradition of the publishing market favoring the party out of power. But the nature of what those books would look like is uncertain. Perhaps a onetime insider will have a falling out with Trump and write a memoir, like Bolton or former Trump attorney Michael Cohen, or maybe some of his planned initiatives, whether mass deportation or the prosecution of his political foes, will lead to investigative works.

A new Fire and Fury is doubtful, with the originally only possible because Wolff enjoyed extraordinary access, spending months around Trump and his White House staff. Members of the president-elect’s current team have already issued a statement saying they have refused to speak with Wolff, calling the author a “known peddler of fake news who routinely concocts situations, conversations, and conclusions that never happened.”

A publicist for Wolff declined to comment.

Woodward, who interviewed Trump at length for the 2020 bestseller Rage, told The Associated Press that he had written so much about Trump and other presidents that he wasn’t sure what he’d take on next. He doesn’t rule out another Trump book, but that will depend in part on the president-elect, how “out of control he gets,” Woodward said, and how far he is able to go.

“He wants to be the imperial president, where he gets to decide everything and no one’s going to get in his way,” Woodward said. “He’s run into some brick walls in the past and there may be more brick walls. I don’t know what will happen. I’ll be watching and doing some reporting, but I’m still undecided.”

5 bestselling Trump-related books, per Circana

Too Much and Never Enough, by Mary Trump: 1,248,212 copies
Fire and Fury, by Michael Wolff: 936,116 copies
Fear, by Bob Woodward: 872,014 copies
The Room Where It Happened, by John Bolton: 676,010 copies
Rage, by Bob Woodward: 549,685 copies

These figures represent total sales provided by Circana, which tracks about 85% of the print market and does not include e-book or audiobook sales.
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After more than five years of frenetic reconstruction work, Notre Dame Cathedral showed its new self to the world Friday, with rebuilt soaring ceilings and creamy good-as-new stonework erasing somber memories of its devastating fire in 2019.

Images broadcast live of a site visit by French President Emmanuel Macron showed the inside of the iconic cathedral as worshippers might have experienced it back in medieval times, its wide, open spaces filled with bright light on a crisp and sunny winter’s day that lit up the vibrant colors of the stained-glass windows.

Outside, the monument is still a construction site, with scaffolding and cranes. But the renovated interior — shown in its full glory Friday for the first time before the public is allowed back in on December 8 — proved to be breathtaking.

Stonemasons fixed the ripped-open ceilings

Gone are the gaping holes that the blaze tore into the vaulted ceilings, leaving charred piles of debris. New stonework has been carefully pieced together to repair and fill the wounds that had left the cathedral’s insides exposed to the elements. Delicate golden angels look on from the centerpiece of one of the rebuilt ceilings, soaring again above the transept.

The cathedral’s bright, cream-colored limestone walls look brand new, cleaned not only of dust from the fire but also of grime that had accumulated for centuries.

The cathedral attracted millions of worshippers and visitors annually before the April 15, 2019, fire forced its closure and turned the monument in the heart of Paris into a no-go zone except to artisans, architects and others mobilized for the reconstruction.

Macron entered via the cathedral’s giant and intricately carved front doors and stared up at the ceilings in wonder. He was accompanied by his wife, Brigitte, the archbishop of Paris and others.

Techniques new and old deployed

Powerful vacuum cleaners were used to first remove toxic dust released when the fire melted the cathedral’s lead roofs.

Fine layers of latex were then sprayed onto the surfaces and removed a few days later, taking dirt away with them. Cleaning gels were also used on some walls that had been painted, removing many years of accumulated dirt and revealing their bright colors once again.

Carpenters worked by hand like their medieval counterparts as they hewed giant oak beams to rebuild the roof and spire that collapsed like a flaming spear into the inferno. The beams show the marks of the carpenters’ handiwork, with dents made on the woodwork by their hand axes.

Some 2,000 oak trees were felled to rebuild roof frameworks so dense and intricate that they are nicknamed “the forest.”

Sneak peek ahead of reopening

Macron’s visit kicked off a series of events ushering in the reopening of the 12th-century Gothic masterpiece.

Macron will return on December 7 to deliver an address and attend the consecration of the new altar during a solemn Mass the following day.

Macron’s administration is hailing the reconstruction as a symbol of national unity and French can-do.
…

Some images from the 98th Macy’s Thanksgiving Day parade in New York.
…

Since 2004, former New York Times editor and now artist Sheryl Oring has been giving Americans a chance to speak their truth to the world. Dressed in 1950s secretary attire, she invites the public to speak their mind and records it on her vintage typewriter as part of a project called, “I Wish To Say.” Elena Wolf has the story, narrated by Anna Rice. Camera: Vladimir Badikov
…

November 27th marks the birthday of iconic American guitarist and songwriter Jimi Hendrix. In his hometown of Seattle, the Museum of Pop Culture, inspired by his groundbreaking music, celebrated his enduring legacy with family members, former colleagues, and fans. Natasha Mozgovaya has the story.
…

Alfonso Cuarón spoke with VOA at the 2024 Miami Film Festival, where the director won a lifetime achievement award from Miami Dade College for his contributions to cinema. He urged aspiring filmmakers to study the history of cinema and the development of film language.

See the full story here.    
…

New York — With a combined $270 million in worldwide ticket sales, “Wicked” and “Gladiator II” breathed fresh life into a box office that has struggled lately, leading to one of the busiest moviegoing weekends of the year. 

Jon M. Chu’s lavish big-budget musical “Wicked,” starring Ariana Grande and Cynthia Erivo, debuted with $114 million domestically and $164.2 million globally for Universal Pictures, according to studio estimates Sunday. That made it the third-biggest opening weekend of the year, behind only “Deadpool & Wolverine” and “Inside Out 2.” It’s also a record for a Broadway musical adaptation. 

Ridley Scott’s “Gladiator II,” a sequel to his 2000 best picture-winning original, launched with $55.5 million in ticket sales. With a price tag of around $250 million to produce it, “Gladiator II” was a big bet by Paramount Pictures to return to the Coliseum with a largely new cast, led by Denzel Washington and Paul Mescal. While it opened with a touch less than the $60 million predicted in domestic ticket sales, “Gladiator II” has performed well overseas. It added $50.5 million internationally. 

The collision of the two movies led to some echoes of the “Barbenheimer” effect of last year, when “Barbie” and “Oppenheimer” launched simultaneously. The nickname this time, “Glicked,” wasn’t quite as catchy and the cultural imprint was also notably less. Few people sought out a double feature this time. The domestic grosses in 2023 – $162 million for “Barbie” and $82 million for “Oppenheimer” – were also higher. 

“Glicked” falls short of “Barbenheimer” 

For Universal, which distributed “Oppenheimer” last year, the weekend was more a triumph of “Wicked” than it was of “Glicked.” 

“We saw an opportunity to dominate a weekend and get a very large running start into the Thanksgiving holiday,” said Jim Orr, distribution chief for Universal. “We’re very confident that it will play ridiculously well through the Christmas corridor and into the new year.” 

But the counter-programming effect was still potent for “Wicked” and “Gladiator II,” which likewise split broadly along gender lines. And it was again the female-leaning release – “Wicked,” like “Barbie” before it – that easily won the weekend. About 72% of ticket buyers for “Wicked” were female, while 61% of those seeing “Gladiator II” were male. 

“Standing on their own, each of these movies may have done pretty much what they did, but it’s hard to know,” said Paul Dergarabedian, senior media analyst for Comscore. “Raising awareness can indeed lead to an increase in box office. Let’s put it this way: They didn’t hurt each other at all.” 

Massive marketing campaigns paved the way for opening weekend 

While “Barbenheimer” benefitted enormously from meme-spread word-of-mouth, both “Wicked” and “Gladiator II” leaned on all-out marketing blitzes. 

The “Gladiator II” campaign featured everything from a much-debated Airbnb cross-promotion with the actual Colosseum in Rome to simultaneously running a one-minute trailer on more than 4,000 TV networks, radio station and digital platforms. 

The “Wicked” onslaught went even further, with pink and green themed “Wickedly Delicious” Starbucks drinks, Stanley mugs and Mattel dolls (some of which led to an awkward recall ). Its stars made appearances at the Met Gala and the Olympics. 

“We had roughly 400 global brand partners on ‘Wicked,’ so the campaign was inescapable, said Orr. “And our cast, led by Cynthia Erivo and Ariana Grande, worked so hard on this. They were everywhere. They did everything we asked them to do.” 

Going into the weekend, box office was down about 11% from last year and some 25% from pre-pandemic times. That meant this week’s two headline films led a much-needed resurgence for theaters. With “Moana 2” releasing Wednesday, Hollywood might be looking at historic sales over the Thanksgiving holiday. 

The two films boosted sluggish box office performance 

“This weekend’s two strong openers are invigorating a box office that fell apart after a good summer,” said David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment. 

Though “Wicked” will face some direct competition from “Moana 2,” it would seem better set up for a long and lucrative run in theaters than “Gladiator II.” Though some have dinged “Wicked” for running long, at 2 hours and 40 minutes, the film has had mostly stellar reviews. Audiences gave it an “A” on CinemaScore. The reception for “Wicked” has been strong enough that Oscar prognosticators expect it to be a contender for best picture at the Academy Awards, among other categories. 

Producers, perhaps sensing a hit, also took the step of splitting “Wicked” in two. Part two, already filmed, is due out next November. Each “Wicked” installation cost around $150 million to make. 

“Gladiator II” has also enjoyed good reviews, particularly for Washington’s charismatic performance. Audience scores, though, were weaker, with ticket buyers giving it a “B” on CinemaScore. The film will make up for some of that, however, with robust international sales. It launched in many overseas markets a week ago, and has already accrued $165.5 million internationally. 

Coming in a distant third place for the weekend was “Red One,” the Dwayne Johnson, Chris Evans holiday movie turned action film. In its second week of release, the Amazon MGM Studios release grossed $13.3 million to bring its two-week global haul to $117 million. At a cost of $250 million to make, “Red One” is the season’s biggest flop, though it could recoup some value for Amazon if it’s more popular once it begins streaming. 

Final domestic figures will be released Monday. Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 

1. “Wicked,” $114 million. 

2. “Gladiator II,” $55.5 million. 

3. “Red One,” $13.3 million. 

4. “Bonhoeffer: Pastor Spy Assassin,” $5.1 million. 

5. “Venom: The Last Dance,” $4 million. 

6. “The Best Christmas Pageant Ever,” $3.5 million. 

7. “Heretic,” $2.2 million. 

8. “The Wild Robot,” $2 million. 

9. “Smile 2,” $1.1 million. 

10. “A Real Pain,” $1.1 million.
    …

JOHANNESBURG — South African writer and poet Breyten Breytenbach, a staunch opponent of the former white-minority government’s apartheid policy of racial oppression, has died in Paris, his family announced on Sunday. He was 85. 

Breytenbach was a celebrated wordsmith, a leading voice in literature in Afrikaans — an offshoot of Dutch that was developed by white settlers — and a fierce critic of apartheid that was imposed against the country’s Black majority between 1948 and 1990. 

He moved to Paris but on a clandestine trip to his home country in 1975 he was arrested on allegations that he assisted Nelson Mandela’s then-outlawed African National Congress group in its sabotage campaign against the white-minority government. 

He was convicted of treason and served seven years in prison. French president Francois Mitterrand helped secure his release in 1982. 

Upon his release, Breytenbach based himself in Paris, becoming a French citizen, and continued his anti-apartheid activism.

Breytenbach is best known for “Confessions of an Albino Terrorist,” his account of his imprisonment and the events leading to it. 

His work addressed themes of exile, identity and justice, his family said in a statement on Sunday. 

“Known for his masterful poetry collections in Afrikaans, as well as autobiographical works such as ‘The True Confessions of an Albino Terrorist’ and ‘A Season in Paradise,’ he fearlessly addressed themes of exile, identity and justice,” his family said in a statement. 

Breytenbach was a poet, novelist, painter and activist whose work touched on and influenced literature and the arts both domestically and abroad, his family added. 

He was born in the Western Cape province in 1939 but spent much of his life abroad. 

He joined Okhela, an ideological wing of South Africa’s African National Congress, in exile, but remained deeply connected to his South African roots. 

He is survived by his wife, Yolande, daughter Daphnée and two grandsons. 

Some information for this report came from Agence France-Presse. 
…

BRISBANE, Australia — Australian Elvis Smylie shot a 4-under 67 to win the 54-hole Australian PGA on Sunday by two shots after a final round shootout with his compatriot and former mentor Cameron Smith.

Smylie finished on 14-under 199, two ahead of Smith who had a 2-under final round 69. Smith’s LIV tour teammate Mark Leishman and Australian Anthony Quayle shared third place on 11 under at the par-71 Royal Queensland.

Heavy rain showers and an unplayable course on Friday forced the second round to be abandoned and made the joint Australasian PGA and European Tour event a 54-hole tournament.

Five years ago Smylie, the son of former Australian tennis pro Liz Smylie. won the Cameron Smith Scholarship which allowed him to spend a week at Smith’s Florida home where he was able to learn to live and practice as a PGA Tour professional.

Now 22, Smylie started Sunday’s final round tied atop the leaderboard with Smith at 10 under par.

Smith was the 2022 British Open winner at St. Andrews and previously won the Australian PGA in 2017, 2018 and 2022. Smylie had a breakthrough win in last month’s West Australian Open.

The pair traded birdies until the sixth hole when there was a two-shot turnaround when Smylie birdied and Smith bogeyed. Smylie, who led after a first round 65, had four birdies in his first seven holes and played his outward nine in four-under 32, turning at 14 under.

He had good ups and downs under pressure at the par four 10th and 12th holes, using his three wood to bunt the ball onto the greens from close range.

With a bogey at the ninth hole, Smith turned in 35, having dropped back into a second place tie at 11-under with Quayle, Mark Leishman and Australia David Micheluzzi.

Smith had another bogey on the par-4 14th which dropped him back to 10 under while Quayle finished with an 8-under 63 to take an early clubhouse lead at 11-under.

Smylie was under pressure at the par-5 15th when he hit his second well to the left of the green. Again he scrambled to save par while Smith birdied to move back to 11-under, cutting the lead to three shots.

Smith trimmed Smylie’s lead to two when he holed out from off the green for birdie at the par-3 17th, winning a large cheer from the crowd on the tournament’s party hole. Smylie’s birdie putt from six feet slipped past.

Smylie held his nerve when he put his tee shot on the 18th into light rough with the broad trunk of a tree between him and the green 186 meters away. He curled his around the tree, but into a greenside bunker.

Smylie played a nerveless shot from the sand to three feet and holed out for par, finishing with 11 consecutive pars. He managed to get up and down from precarious positions six times on the back nine.

“It’s a dream come true,” Smylie said. “I won’t forget this day playing with Cam and [Leishman].

“My short game was great; I definitely saved myself.”

The Australian PGA is the first event of the 2025 European Tour season.

Next week, many of the same players will travel to Melbourne for the Australian Open, also on the European Tour. It is being played concurrently with the Women’s Australian Open at famed sandbelt courses Kingston Heath and Victoria.
…

JAYAPURA, Indonesia — On the southeastern coast of the city of Jayapura, Petronela Merauje walked from house to house in her floating village inviting women to join her the next morning in the surrounding mangrove forests.

Merauje and the women of her village, Enggros, practice the tradition of Tonotwiyat, which literally means “working in the forest.” For six generations, women from the 700-strong Papuan population there have worked among the mangroves collecting clams, fishing and gathering firewood.

“The customs and culture of Papuans, especially those of us in Enggros village, is that women are not given space and place to speak in traditional meetings, so the tribal elders provide the mangrove forest as our land,” Merauje said. It’s “a place to find food, a place for women to tell stories, and women are active every day and earn a living every day.”

The forest is a short 13 kilometers away from downtown Jayapura, the capital city of Papua, Indonesia’s easternmost province. It’s been known as the women’s forest since 2016, when Enggros’ leader officially changed its name. Long before that, it had already been a space just for women. But as pollution, development and biodiversity loss shrink the forest and stunt plant and animal life, those in the village fear an important part of their traditions and livelihoods will be lost. Efforts to shield it from devastation have begun but are still relatively small.

Women have their own space — but it’s shrinking

One early morning, Merauje and her 15-year-old daughter took a small motorboat toward the forest. Stepping off on Youtefa Bay, mangrove trees all around, they stood chest-deep in the water with buckets in hand, wiggling their feet in the mud to find bia noor, or soft-shell clams. The women collect these for food, along with other fish.

“The women’s forest is our kitchen,” said Berta Sanyi, another woman from Enggros village.

That morning, another woman joined the group looking for firewood, hauling dry logs onto her boat. And three other women joined on a rowboat.

Women from the next village, Tobati, also have a women’s forest nearby. The two Indigenous villages are only 2 kilometers apart, and they’re culturally similar, with Enggros growing out of Tobati’s population decades ago. In the safety of the forest, women of both villages talk about issues at home with one another and share grievances away from the ears of the rest of the village.

Alfred Drunyi, the leader of Drunyi tribe in Enggros, said that having dedicated spaces for women and men is a big part of the village’s culture. There are tribal fines if a man trespasses and enters the forest, and the amount is based on how guilty the community judges the person to be.

“They should pay it with our main treasure, the traditional beads, maybe with some money. But the fines should be given to the women,” Drunyi said.

But Sanyi, 65, who’s been working in the forest since she was just 17, notes that threats to the space come from elsewhere.

Development on the bay has turned acres of forest into large roads, including a 700-meter bridge into Jayapura that passes through Enggros’ pier. Jayapura’s population has exploded in recent decades, and around 400,000 people live in the city — the largest on the island.

In turn, the forest has shrunk. Nearly six decades ago, the mangrove forest in Youtefa Bay was about 514 hectares. Estimates say it’s now less than half that.

“I am so sad when I see the current situation of the forest,” Sanyi said, “because this is where we live.” She said many residents, including her own children, are turning to work in Jayapura instead of maintaining traditions.

Pollution puts traditions and health at risk

Youtefa Bay, where the sea’s brackish water and five rivers in Papua meet, serves as the gathering bowl for the waste that runs through the rivers as they cross through Jayapura.

Plastic bottles, tarpaulins and pieces of wood are seen stuck between the mangrove roots. The water around the mangrove forest is polluted and dark.

After dozens of years being able to feel the clams on the bay with her feet, Sanyi said she now often has to feel through trash first. And once she removes the trash and gets to the muddy ground where the clams live, there are many fewer than there used to be.

Paula Hamadi, 53, said that she never saw the mangrove forest as bad as it is now. For years, she’s been going to the forest almost every day during the low tide in the morning to search for clams.

“It used to be different,” Hamadi said. “From 8 a.m. to 8:30 in the morning, I could get one can. But now, I only get trash.”

The women used to be able to gather enough clams to sell some at the nearest village, but now their small hauls are reserved for eating with their families.

A study in 2020 found that high concentrations of lead from waste from homes and businesses were found at several points in the bay. Lead can be toxic to humans and aquatic organisms, and the study suggests it has contaminated several species that are often consumed by the people of Youtefa Bay.

Other studies also showed that populations of shellfish and crab in the bay were declining, said John Dominggus Kalor, a lecturer on fisheries and marine sciences at Cenderawasih University.

“The threats related to heavy metal contamination, microplastics, and public health are high,” Kalor said. “In the future, it will have an impact on health.”

Some are trying to save the land

Some of the mangrove areas have been destroyed for development, leading to degradation throughout the forest.

Mangroves can absorb the shocks of extreme weather events, like tsunamis, and provide ecosystems with the needed environment to thrive. They also serve social and cultural functions for the women, whose work is mostly done between the mangroves.

“In the future people will say that there used to be a women’s forest here” that disappeared because of development and pollution, said Kalor.

Various efforts to preserve it have been made, including the residents of Enggros village themselves. Merauje and other women from Enggros are trying to start mangrove tree nurseries and, where possible, plant new mangrove trees in the forest area.

“We plant new trees, replace the dead ones, and we also clean up the trash around Youtefa Bay,” Merauje said. “I do that with my friends to conserve, to maintain this forest.”

Beyond efforts to reforest it, Kalor said there also needs to be guarantees that more of the forest won’t be flattened for development in the future.

There is no regional regulation to protect Youtefa Bay and specifically the women’s forests, but Kalor thinks it would help prevent deforestation in the future.

“That should no longer be done in our bay,” he said. 
…

BUENOS AIRES, ARGENTINA — Argentina produces some of the best football players on the planet and has three World Cup titles to prove it.

Off the field, though, a major power struggle is transpiring between Argentina President Javier Milei and Argentine Football Association president Claudio Tapia.

Tapia opposes Milei’s effort to enable football clubs to become sports limited companies, inspired by the model of the English Premier League. He wants clubs to continue to belong to members — not to private shareholders.

The government threatened to intervene in AFA due to alleged irregularities in Tapia’s reelection to a third term.

Amid this struggle, FIFA and CONMEBOL warned that any government interference in the management of AFA will result in its disaffiliation, and its teams will be marginalized from all competitions.

What did Milei’s decree say?

Milei, a libertarian economist who has pushed economic deregulation, signed a decree last December enabling football clubs organized as civil associations to transform into public limited companies. The former do not pursue a commercial purpose, while PLCs seek profit.

The government also gave sports associations, federations and confederations a period of one year from August to modify their statutes and accept this new form of organization.

The new model is optional and clubs that want to transform into sports corporations will require the vote of two-thirds of their members present at an extraordinary assembly.

Milei said that the time has come to end “poor socialism” in football and predicted a windfall of investment.

What does the federation say?

AFA says its statutes prohibit the affiliation and participation in its tournaments of sports corporations. It won a court order blocking the decree. That ruling was appealed by the government and the Supreme Court will have the last word.

“The clubs need to fulfill the function they fulfill as the civil associations that they are,” Tapia said. “I am convinced that that is its essence. Most clubs have an established statute that civil associations are not to be changed.”

If a club decides to become a public limited company, it will be disaffiliated, AFA warned.

An imperfect model?

Argentina is a renowned producer of football talent — Lionel Messi and Diego Maradona start the list.

Despite the success developing young players, most clubs are forced to let them go earlier to be able to financially sustain not only their professional team, but also other sports and social activities in the club.

In Argentine football “we are 40 years behind,” said Guillermo Tofoni, a FIFA agent who is also an adviser in Milei’s government. “It is played any day, at any time, the tournaments (formats) change, the corruption of the referees. All this combination means that the television networks do not pay what they deserve, and a vicious and non-virtuous circle is generated.”

Argentine football receives less than $100 million a year for television rights, far below the billions of dollars shared by English Premier League clubs.

According to Tofoni, with genuine private capital investment “clubs can keep their players until they are 24, 25 years old, and sell them to the European market when it is convenient, not because they need to.”

Are clubs willing to try it?

So far, Estudiantes La Plata and Talleres de Córdoba are the only clubs publicly in favor of allowing private capital to enter football.

“I am pragmatic, I understand that soccer is a business. They leave us out of business, Argentina, Argentine football is out of business,” Estudiantes president Juan Sebastián Verón said. “Let us not be afraid of growth, of the new, which can take us to a very important place in the future.”

The former Argentina midfielder recently signed a pre-agreement with the American businessman Foster Gillett, who will invest $150 million in the club.

In turn, the American investor will benefit from future sales of players, the commercial exploitation of the stadium’s name and profits from competing in international tournaments. The agreement must be endorsed by the members of “Pincha” in an extraordinary assembly.

Tapia’s reelection bad news for Milei?

Amid the dispute, Tapia called an election of new AFA authorities a year early. As the only candidate, Tapia was reelected to a third term on October 17, thus ensuring he would continue in office until 2028 — a year after the end of Milei’s term.

“It looks like Venezuela with (President Nicolás) Maduro celebrated Christmas earlier,” said Milei, who a few days later signed a decree that took away social security benefits from AFA.

In turn, the General Inspection of Justice, a body dependent on the Ministry of Justice and in charge of regulating civil associations, challenged Tapia’s reelection and threatened to intervene in the AFA.

However, a civil appeals court upheld the October vote.

What does FIFA and CONMEBOL say?

Both entities are closely following the dispute. In official notes, they indicated that only the local federation can set the statutory framework of the clubs and warned that state interference is a cause for disaffiliation.

“The AFA, and only the AFA, is, in view of the legal framework of FIFA, the only entity competent to decide, through its legitimate associative governing bodies, aspects relating to the legal nature of the clubs affiliated to the same,” FIFA said.

FIFA president Gianni Infantino also congratulated Tapia on his reelection and thanked him for “all his efforts, work and important contribution to the development of our sport.”
…

NEW YORK — The brooding waltz was carefully composed on a sheet of music roughly the size of an index card. The brief, moody number also bore an intriguing name, written at the top in cursive: “Chopin.”

A previously unknown work of music penned by the European master Frederic Chopin appears to have been found at the Morgan Library & Museum in Manhattan.

The untitled and unsigned piece is on display this month at the opulently appointed institution, which had once been the private library of financier J. P. Morgan.

Robinson McClellan, the museum curator who uncovered the manuscript, said it’s the first new work associated with the Romantic era composer to be discovered in nearly a century.

But McClellan concedes that it may never be known whether it is an original Chopin work or merely one written in his hand.

The piece, set in the key of A minor, stands out for its “very stormy, brooding opening section” before transitioning to a melancholy melody more characteristic of Chopin, McClellan explained.

“This is his style. This is his essence,” he said during a recent visit to the museum. “It really feels like him.”

Curator finds composition in collection

McClellan said he came across the work in May as he was going through a collection from the late Arthur Satz, a former president of the New York School of Interior Design. Satz had acquired it from A. Sherrill Whiton Jr., an avid autograph collector who had been director of the school.

McClellan then worked with experts to verify its authenticity.

The paper was found to be consistent with what Chopin favored for manuscripts, and the ink matched a kind typical in the early 19th century when Chopin lived, according to the museum. But a handwriting analysis determined the name “Chopin” written at the top of the sheet was penned by someone else.

Born in Poland, Chopin was considered a musical genius from an early age. He lived in Warsaw and Vienna before settling in Paris, where he died in 1849 at the age of 39, likely of tuberculosis.

He’s buried among a pantheon of artists at the city’s famed Pere Lachaise Cemetery, but his heart, pickled in a jar of alcohol, is housed in a church in Warsaw, in keeping with his deathbed wish for the organ to return to his homeland.

Artur Szklener, director of the Fryderyk Chopin Institute in Warsaw, the Polish capital city where the composer grew up, agreed that the document is consistent with the kinds of ink and paper Chopin used during his early years in Paris.

Chopin expert calls piece ‘little gem’

Musically, the piece evokes the “brilliant style” that made Chopin a luminary in his time, but it also has features unusual for his compositions, Szklener said.

“First of all, it is not a complete work, but rather a certain musical gesture, a theme laced with rather simple piano tricks alluding to a virtuoso style,” Szklener explained in a lengthy statement released after the document was revealed last month.

He and other experts conjecture the piece could have been a work in progress. It may have also been a copy of another’s work, or even co-written with someone else, perhaps a student for a musical exercise.

Jeffrey Kallberg, a University of Pennsylvania music professor and Chopin expert who helped authenticate the document, called the piece a “little gem” that Chopin likely intended as a gift for a friend or wealthy acquaintance.

“Many of the pieces that he gave as gifts were short – kind of like ‘appetizers’ to a full-blown work,” Kallberg said in an email. “And we don’t know for sure whether he intended the piece to see the light of day because he often wrote out the same waltz more than once as a gift.”

David Ludwig, dean of music at The Juilliard School, a performing arts conservatory in Manhattan, agreed the piece has many of the hallmarks of the composer’s style.

“It has the Chopin character of something very lyrical and it has a little bit of darkness as well,” said Ludwig, who was not involved in authenticating the document.

But Ludwig noted that, if it’s authentic, the tightly composed score would be one of Chopin’s shortest known pieces. The waltz clocks in at under a minute long when played on piano, as many of Chopin’s works were intended.

“In terms of the authenticity of it, in a way it doesn’t matter because it sparks our imaginations,” Ludwig said. “A discovery like this highlights the fact that classical music is very much a living art form.”

The Chopin reveal comes after the Leipzig Municipal Libraries in Germany announced in September that it had uncovered a previously unknown piece likely composed by a young Wolfgang Amadeus Mozart in its collections.
…

NEW YORK — Alice Brock, whose Massachusetts-based eatery helped inspire Arlo Guthrie’s deadpan Thanksgiving standard, Alice’s Restaurant Massacree, has died at age 83.

Her death, just a week before Thanksgiving, was announced Friday by Guthrie on the Facebook page of his own Rising Son Records. Guthrie wrote that she died in Provincetown, Massachusetts, her residence for some 40 years, and referred to her being in failing health. Other details were not immediately available.

“This coming Thanksgiving will be the first without her,” Guthrie wrote. “Alice and I spoke by phone a couple of weeks ago, and she sounded like her old self. We joked around and had a couple of good laughs even though we knew we’d never have another chance to talk together.”

Born Alice May Pelkey in New York City, Brock was a lifelong rebel who was a member of Students for a Democratic Society among other organizations. In the early 1960s, she dropped out of Sarah Lawrence College, moved to Greenwich Village and married Ray Brock, a woodworker who encouraged her to leave New York and resettle in Massachusetts.

Guthrie, son of the celebrated folk musician Woody Guthrie, first met Brock around 1962 when he was attending the Stockbridge School in Massachusetts and she was the librarian. They became friends and stayed in touch after he left school, when he would stay with her and her husband at the converted Stockbridge church that became the Brocks’ main residence.

On Thanksgiving Day, 1965, a simple chore led to Guthrie’s arrest, his eventual avoidance of military service during the Vietnam War and a song that has endured as a protest classic and holiday favorite. Guthrie and his friend Richard Robbins were helping the Brocks throw out trash but ended up tossing it down a hill because they couldn’t find an open dumpster. Police charged them with illegal dumping, briefly jailed them and fined them $50, a seemingly minor offense with major repercussions.

By 1966, Alice Brock was running The Back Room restaurant in Stockbridge, Guthrie was a rising star and his breakout song was an 18-minute talking blues that recounted his arrest and how it made him ineligible for the draft. The chorus was a tribute to Alice — whose restaurant, Guthrie pointed out, was not actually called Alice’s Restaurant — that countless fans have since memorized:

You can get anything you want at Alice’s Restaurant / You can get anything you want at Alice’s Restaurant / Walk right in it’s around the back / Just a half a mile from the railroad track / You can get anything you want at Alice’s Restaurant.

Guthrie assumed his song was too long to catch on commercially, but it soon became a radio perennial and part of the popular culture. Alice’s Restaurant was the title of his million-selling debut album, and the basis of a movie and cookbook of the same name. Alice Brock would write a memoir, My Life as a Restaurant, and collaborate with Guthrie on a children’s book, Mooses Come Walking. At the time of her death, they had been discussing an exhibit dedicated to her at her former Stockton home, now the Guthrie Center, which serves free dinners every Thanksgiving. 

Brock ran three different restaurants at various times, although she would later acknowledge she initially didn’t care much for cooking or for business. She would also cite her professional life as a cause of her marriage breaking up, while disputing rumors that she had been unfaithful to her husband. Her honor was immortalized by Guthrie, who late in Alice’s Restaurant advised: “You can get anything you want” at Alice’s Restaurant, “excepting Alice.”
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A piece of art that is little more than a banana duct-taped to a wall sold at auction for $6.2 million on Wednesday to cryptocurrency entrepreneur Justin Sun, Sotheby’s said, furthering the universal conversation about what constitutes art. 

“Comedian,” by Italian artist Maurizio Cattelan, first rocked the art world upon its debut at Miami’s Art Basel in 2019, drawing such large crowds that the exhibit had to be taken down for public safety and to protect other works on display. 

At Sotheby’s in New York on Wednesday, it went from a starting price of $800,000 to $5.2 million when the hammer fell about five minutes later, plus a buyer’s premium, or fee. 

Bidding soared past the pre-sale high estimate of $1.5 million, Sotheby’s said, with bidders in the room, on the phone and online. 

Sun, the Chinese collector and founder of the cryptocurrency Tron, placed the winning bid over the phone. He paid in crypto and it will be the buyer’s responsibility to replace the banana as it rots, according to Artnet.com. 

“This is not just an artwork,” Sun said in a statement to Sotheby’s. “It represents a cultural phenomenon that bridges the worlds of art, memes, and the cryptocurrency community. I believe this piece will inspire more thought and discussion in the future and will become a part of history.” 

Sun said he would eat the banana, as at least two spectators have done in other galleries on the piece’s trip around the world. 

Cattelan is known for other bold works such as a golden toilet and a sculpture of the pope struck down by a meteorite. 

Art experts said in a Sotheby’s video about the work that it was funny, absurd and a symbol of the excess of the art market, likening it to the Banksy work “Girl with Balloon” that shredded itself during a Sotheby’s auction in London in 2018. 
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