YCLOAK

London — Prince Harry will return to Britain to celebrate the 10th anniversary of his Invictus Games in May, before joining his wife Meghan on a visit to Nigeria, his spokesperson said Sunday. 

Harry, the youngest son of King Charles, lives in the United States with Meghan and their two children after he gave up working as a member of the royal family in 2020. 

He has only returned to Britain on a few occasions since his departure from royal life, arriving for major events such as the funeral of Queen Elizabeth in 2022 and his father’s coronation in May 2023. 

His spokesperson said Harry would attend a service at St. Paul’s Cathedral in London on May 8 to celebrate the Invictus Games, the international sporting event that he founded for military personnel wounded in action. 

Harry served as a military helicopter pilot in Afghanistan and Invictus organizers said the service was designed to mark “a decade of changing lives and saving lives through sport.” 

It will include readings by Harry and the British actor Damian Lewis. Wounded veterans and members of the Invictus community will also attend. 

Harry will then be joined in Nigeria by Meghan, a former American actress who is known as the Duchess of Sussex. Harry’s spokesperson said the couple had been invited by the country’s chief of defense staff, its highest-ranking military official. 

No further details were given about the trip. 

Harry was last seen in Britain in February this year for a brief meeting with his father after the monarch announced that he had been diagnosed with cancer. 

The palace said Friday that Charles would return to public duties after he made good progress following treatment and a period of recuperation. 
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VENICE, Italy — Venice has always been a place of contrasts, of breathtaking beauty and devastating fragility, where history, religion, art and nature have collided over the centuries to produce an otherworldly gem of a city. But even for a place that prides itself on its culture of unusual encounters, Pope Francis’ visit Sunday stood out.

Francis traveled to the lagoon city to visit the Holy See’s pavilion at the Biennale contemporary art show and meet with the people who created it. But because the Vatican decided to mount its exhibit in Venice’s women’s prison, and invited inmates to collaborate with the artists, the whole project assumed a far more complex meaning, touching on Francis’ belief in the power of art to uplift and unite, and of the need to give hope and solidarity to society’s most marginalized.

Francis hit on both messages during his visit, which began in the courtyard of the Giudecca prison where he met with the women inmates one by one. As some of them wept, Francis urged them to use their time in prison as a chance for “moral and material rebirth.”

“Paradoxically, a stay in prison can mark the beginning of something new, through the rediscovery of the unsuspected beauty in us and in others, as symbolized by the artistic event you are hosting and the project to which you actively contribute,” Francis said.

Francis then met with Biennale artists in the prison chapel, decorated with an installation by Brazilian visual artist Sonia Gomes of objects dangling from the ceiling, meant to draw the viewer’s gaze upward. He urged the artists to embrace the Biennale’s theme this year “Strangers Everywhere,” to show solidarity with all those on the margins.

The Vatican exhibit has turned the Giudecca prison, a former convent for reformed prostitutes, into one of the must-see attractions of this year’s Biennale, even though to see it visitors must reserve in advance and go through a security check. It has become an unusual art world darling that greets visitors at the entrance with Maurizio Cattelan’s wall mural of two giant filthy feet, a work that recalls Caravaggio’s dirty feet or the feet that Francis washes each year in a Holy Thursday ritual that he routinely performs on prisoners.

The exhibit also includes a short film starring the inmates and Zoe Saldana, and prints in the prison coffee shop by onetime Catholic nun and American social activist Corita Kent.

Francis’ dizzying morning visit, which ended with Mass in St. Mark’s Square, represented an increasingly rare outing for the 87-year-old pontiff, who has been hobbled by health and mobility problems that have ruled out any foreign trips so far this year.

And Venice, with its 121 islands and 436 bridges, isn’t an easy place to negotiate. But Francis pulled it off, arriving by helicopter from Rome, crossing the Giudecca Canal in a water taxi and then arriving in St. Mark’s Square in a mini popemobile that traversed the Grand Canal via a pontoon bridge erected for the occasion.

During an encounter with young people at the iconic Santa Maria della Salute basilica, Francis acknowledged the miracle that is Venice, admiring its “enchanting beaty” and tradition as a place of East-West encounter, but warning that it is increasingly vulnerable to climate change and depopulation.

“Venice is at one with the waters upon which it sits,” Francis said. “Without the care and safeguarding of this natural environment, it might even cease to exist.”

Venice, sinking under rising sea levels and weighed down by the impact of overtourism, is in the opening days of an experiment to try to limit the sort of day trips that Francis undertook Sunday.

Venetian authorities last week launched a pilot program to charge day-trippers 5 euros ($5.35) apiece on peak travel days. The aim is to encourage them to stay longer or come at off-peak times, to cut down on crowds and make the city more livable for its dwindling number of residents.

For Venice’s Catholic patriarch, Archbishop Francesco Moraglia, the new tax program is a worthwhile experiment, a potential necessary evil to try to preserve Venice as a livable city for visitors and residents alike.

Moraglia said Francis’ visit — the first by a pope to the Biennale — was a welcome boost, especially for the women of the Giudecca prison who participated in the exhibit as tour guides and as protagonists in some of the artworks.

He acknowledged that Venice over the centuries has had a long, complicated, love-hate relationship with the papacy, despite its central importance to Christianity.

The relics of St. Mark — the top aide to St. Peter, the first pope — are held here in the basilica, which is one of the most important and spectacular in all of Christendom. Several popes have hailed from Venice — in the past century alone three pontiffs were elected after being Venice patriarchs. And Venice hosted the last conclave held outside the Vatican: the 1799-1800 vote that elected Pope Paul VII.

But for centuries before that, relations between the independent Venetian Republic and the Papal States were anything but cordial as the two sides dueled over control of the church. Popes in Rome issued interdicts against Venice that essentially excommunicated the entire territory. Venice flexed its muscles back by expelling entire religious orders, including Francis’ own Jesuits.

“It’s a history of contrasts because they were two competitors for so many centuries,” said Giovanni Maria Vian, a church historian and retired editor of the Vatican newspaper L’Osservatore Romano whose family hails from Venice. “The papacy wanted to control everything, and Venice jealously guarded its independence.”

Moraglia said that troubled history is long past and that Venice was welcoming Francis with open arms and gratitude, in keeping with its history as a bridge between cultures.

“The history of Venice, the DNA of Venice — beyond the language of beauty and culture that unifies — there’s this historic character that says that Venice has always been a place of encounter,” he said.

Francis said as much as he closed out Mass in St. Mark’s before an estimated 10,500 people.

“Venice, which has always been a place of encounter and cultural exchange, is called to be a sign of beauty available to all,” Francis said. “Starting with the least, a sign of fraternity and care for our common home.”
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KYIV, Ukraine — Even amid war, Ukraine finds time for the glittery, pop-filled Eurovision Song Contest. Perhaps now even more than ever.

Ukraine’s entrants in the pan-continental music competition — the female duo of rapper alyona alyona and singer Jerry Heil — set off from Kyiv for the competition Thursday. In wartime, that means a long train journey to Poland, from where they will travel on to next month’s competition in Malmö, Sweden.

“We need to be visible for the world,” Heil told The Associated Press at Kyiv train station before her departure. “We need to show that even now, during the war, our culture is developing, and that Ukrainian music is something waiting for the world” to discover.

“We have to spread it and share it and show people how strong (Ukrainian) women and men are in our country,” added alyona, who spells her name with all lowercase letters.

Ukraine has long used Eurovision as a form of cultural diplomacy, a way of showing the world the country’s unique sound and style. That mission became more urgent after Russia’s full-scale invasion in February 2022. Russian President Vladimir Putin has denied that Ukraine existed as a distinct country and people before Soviet times.

Ukrainian singer Jamala won the contest in 2016 — two years after Russia illegally seized the Crimean Peninsula — with a song about the expulsion of Crimea’s Tatars by Stalin in 1944. Folk-rap band Kalush Orchestra took the Eurovision title in 2022 with Stefania, a song about the frontman’s mother that became an anthem to the war-ravaged motherland, with a haunting refrain on a traditional Ukrainian wind instrument.

Alyona and Heil will perform Maria & Teresa, an anthemic ode to inspiring women. The title refers to Mother Theresa and the Virgin Mary, and the lyrics include the refrain, in English: “All the divas were born as the human beings” — people we regard as saints were once flawed and human like the rest of us.

Heil said the message is that “we all make mistakes, but your actions are what define you.”

And, alyona added: “with enough energy you can win the war, you can change the world.”

The song blends alyona’s punchy rap style with Heil’s soaring melody and distinctly Ukrainian vocal style.

“Alyona is a great rapper, she has this powerful energy,” Heil said. “And I’m more soft.”

“But great melodies,” alyona added. “So she creates all the melodies and I just jump in.”

Ukraine has been at the forefront of turning Eurovision from a contest dominated by English-language pop songs to a more diverse and multilingual event. Jamala sang part of her song in the Crimean Tatar language, while Kalush Orchestra sang and rapped in Ukrainian.

Ukraine’s Eurovision win in 2022 brought the country the right to host the following year, but because of the war the 2023 contest was held in the English city of Liverpool, which was bedecked in blue and yellow Ukrainian flags for the occasion — a celebration of Ukraine’s spirit and culture.

Thirty-seven countries from across Europe and beyond — including Israel and Australia — will compete in Malmö in two Eurovision semifinals May 7 and 9, followed by a May 11 final. Ukraine currently ranks among bookmakers’ top five favorites alongside the likes of singer Nemo from Switzerland and Croatian singer-songwriter Baby Lasagna.

Russia, a long-time Eurovision competitor, was kicked out of the contest over the invasion.

The Ukrainian duo caught a train after holding a news conference where they announced a fundraising drive for a school destroyed by a Russian strike.

The duo is joining with charity fundraising platform United 24 to raise 10 million hryvnia (about $250,000) to rebuild a school in the village of Velyka Kostromka in southern Ukraine that was destroyed by a Russian rocket in October 2022. The school’s 250 pupils have been unable to attend class since then, relying on online learning.

Teacher Liudmyla Taranovych, whose children and grandchildren went to the school, said its destruction brought feelings of “pain, despair, hopelessness.”

“My grandchildren hugged me and asked, ‘Grandma, will they rebuild our school? Will it be as beautiful, flourishing, and bright as it was?'” she said.

From the rubble, another teacher managed to rescue one of the school’s treasured possessions — a large wooden key traditionally presented to first grade students to symbolize that education is the key to their future. It has become a sign of hope for the school.

Alyona and Heil have also embraced the key as a symbol, wearing T-shirts covered in small metal housekeys.

“It’s a symbol of something which maybe some people in Ukraine won’t have, because so many people lost their homes,” Heil said. “But they’re holding these keys in their pockets, and they’re holding the hope.”
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Lausanne, Switzerland — The head of the International Olympic Committee, Thomas Bach, has backed the World Anti-Doping Agency in a row over its handling of positive drug tests by 23 Chinese swimmers.

“We have full confidence in WADA and the regulations and that WADA have followed their regulations,” Bach told AFP in an exclusive interview Friday at the committee’s headquarters in Lausanne, Switzerland.

WADA has faced criticism since media reports last weekend revealed that the Chinese swimmers tested positive for heart drug trimetazidine (TMZ) — which can enhance performance — ahead of the Tokyo Olympics in 2021.

The swimmers were not suspended or sanctioned after WADA accepted the explanation of Chinese authorities that the results were caused by food contamination at a hotel where they had stayed.

The head of the United States Anti-Doping Agency (USADA), Travis Tygart, has called the situation a “potential cover-up” with the positive tests never made public at the time.

Bach stressed that WADA was run independently, despite being funded by the International Olympic Committee (IOC), and he said he had learned of the positive tests via the media.

The IOC was awaiting the results of a new investigation ordered by WADA on Thursday, but Bach said the Chinese swimmers could compete at the Paris Olympics this year if cleared.

“If the procedures are followed, there is no reason for them not to be there,” the 70-year-old former German fencer added.

‘Iconic’ Paris

The Paris Games are set to be important to “revive the Olympic spirit” after the last COVID-affected edition in Tokyo in 2021 saw sport play out in empty stadiums, Bach said.

The hugely ambitious opening ceremony being planned by French organizers remains one of the biggest doubts, with infrastructure for the Games either already built or on track.

Instead of a traditional parade through the athletics stadium on the first night, teams are set to sail down the Seine on a flotilla of river boats in front of up to 500,000 spectators.

Worries about a terror attack have led to persistent speculation that the ceremony might need to be scrapped or scaled back dramatically.

“The very meticulous, very professional approach (from French authorities) gives us all the confidence that we can have this opening ceremony on the river Seine and that this opening ceremony will be iconic, will be unforgettable for the athletes, and everybody will be safe and secure,” Bach said.

Recent grumbling from Paris residents and negative media reports were typical of the run-up to any Olympics, he said, and also a symptom of broader anxiety.

“It’s part of our zeitgeist because we are living in uncertain times. And there are people who are skeptical. Some are even scared. Some are worried about their future,” the IOC president said.

Diplomatic tightrope

As with previous Olympics, international politics and diplomacy are set to intrude on the world’s biggest sporting event.

Bach reiterated his support for the IOC’s policy of excluding Russia from the Paris Games over the “blatant violation” of the Olympic charter when it annexed Ukrainian sporting organizations.

A small number of Russian athletes will be able to compete as neutrals in Paris, providing they have not declared public support for the invasion of Ukraine or are associated with the security forces.

Any Russian athlete that expressed political views on the field of play, including the “Z” sign that has come to symbolize Russian President Vladimir Putin’s war, could be excluded.

“Immediately a disciplinary procedure would be opened and the necessary measures and or sanctions be taken,” Bach said, adding: “This can go up to immediate exclusion from the Games.”

Addressing Israel’s military campaign in Gaza, he said between six and eight Palestinian athletes were expected to compete in Paris, with some set to be invited by the IOC even if they fail to qualify.

Bach dismissed any suggestion that the IOC had treated Russia differently over its invasion of Ukraine compared with Israel and its war in Gaza.

“The situation between Israel and Palestine is completely different,” he said.

He said he had been even-handed in his public statements on Ukraine, the Hamas attack on Israel on October 7 and the subsequent Israeli invasion of Gaza.

“From day one, we expressed how horrified we were, first on the seventh of October and then about the war and its horrifying consequences,” Bach said.

Palestinian militants from Hamas attacked Israel on October 7, resulting in the deaths of about 1,170 people, according to an AFP tally of Israeli official figures.

Israel’s retaliatory military campaign to destroy Hamas has killed 34,356 people, mostly women and children, according to the health ministry in Hamas-run Gaza.

Bach is in the last year of what should be a second and final four-year term according to IOC rules.

But some IOC members have suggested changing the organization’s statutes to enable him to stay at the helm — an issue he declined to address.

“The IOC Ethics Commission has given me the strict recommendation not to address this question before the end of (the) Paris (Olympics) and I think they have good reasons for this,” he said.
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Washington — Iran’s handing of a death sentence this week to dissident rapper Toomaj Salehi has drawn outrage from the Islamic republic’s domestic and international critics, including a German lawmaker who says Tehran risks fueling the backlash if it moves toward executing the artist.

In an interview for the Friday edition of VOA’s Flashpoint Global Crises program, German parliament member Ye-One Rhie said the Iranian government is using the death sentence to monitor who is still reacting to developments in Salehi’s case and how they are reacting. Rhie has been acting as a “political sponsor” or advocate for the 33-year-old Iranian singer since shortly after his initial arrest in October 2022.

“The Islamic Republic of Iran is testing the waters,” Rhie said, noting that Tehran did the same when it staged an unprecedented aerial assault on Israel earlier this month. Israeli forces largely thwarted the attack with military assistance from a coalition of Western allies and Arab neighbors.

Iranian state-approved newspaper Shargh first reported the death sentence against Salehi in an article published Wednesday, citing one of his lawyers who vowed to appeal it.

Salehi was charged upon arrest with “spreading corruption on earth,” an offense punishable by death. Days earlier, he had posted videos on Instagram, showing himself joining a nationwide protest movement against Iran’s Islamist government and releasing a music video denouncing the government for 44 years of “failure.”

The rapper was sentenced last July to six years in prison, but Iran’s Supreme Court reviewed the ruling and declared it flawed, enabling his release in November. He was re-arrested two weeks later, after posting another video online complaining of being tortured in custody.

Wednesday’s report of Salehi’s death sentence drew swift condemnations from other dissidents and artists in Iran and from Iranian teachers’ trade unions.

VOA’s Persian Service also received and vetted several videos that appeared to show protest actions inside Iran. VOA could not verify the videos independently because it is barred from reporting inside Iran.

One video shows a banner with Salehi’s image on a bridge over Tehran’s Modarres Expressway, as a woman filming the scene says the date is April 25.

Another clip shows a Persian slogan citing Salehi scrawled onto a building’s exterior wall in an unidentified location. The graffiti says: “We will return to the streets with strength.”

Criticism of Salehi’s death sentence also came quickly from the United States and U.N. human rights bodies. In a Wednesday post on the X platform, U.S. Deputy Special Envoy for Iran Abram Paley said the U.S. “strongly” condemns the move. U.N. rights experts issued a statement Thursday demanding that Iran release Salehi immediately and reverse the sentence.

As those calls were made, some Iranian state media appeared to downplay the possibility of Salehi being executed. In articles published Thursday, they cited Iran’s Judiciary Media Center as saying that even if the Supreme Court confirms Salehi’s death sentence upon appeal, a Pardon and Forgiveness Commission would review the case for possible commutation.

Rhie said her efforts to raise international awareness of Salehi’s plight for the past year-and-a-half have kept his case on the radar and agenda of Western media and governments.

“It is important for the Iranian regime to know that Salehi has a status that they cannot touch. I would warn them against doing anything to him, because they don’t want to know what the backlash would be,” Rhie said.

While Iran has signaled that Salehi’s death sentence could be reversed, the German lawmaker said she will keep up her fight. “I don’t think that there is anything that will stop us from our activism,” she said.

VOA’s Persian Service contributed to this report.
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Victorian dress was forcibly imposed on Namibia’s indigenous ǂNūkhoe women by German colonizers in the late 1800s. Despite the origins, these styles persist today as a symbol of resilience. Lee Garises reports from Windhoek, Namibia. Camera: Jesaya Abraham
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When a person dies, it often falls to their children, loved ones, lawyers or even friends to sort through the things they’ve left behind. Sometimes, those things are unfinished projects or hobbies, that’s where the group Loose Ends comes in. Nina Vishneva has the story, narrated by Anna Rice.
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Africa’s entertainment industry is another stage where global competition between China and the U.S. is playing out. African artists see it as an opportunity. Kate Bartlett has the details from Johannesburg. Camera and video editing by Zaheer Cassim.
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new york — Mary J. Blige,Cher, Foreigner, A Tribe Called Quest, Kool & The Gang and Ozzy Osbourne have been inducted into the Rock & Roll Hall of Fame, a class that also includes folk-rockers Dave Matthews Band and singer-guitarist Peter Frampton.

Alexis Korner, John Mayall and Big Mama Thornton earned the Musical Influence Award, while the late Jimmy Buffett, MC5, Dionne Warwick and Norman Whitfield will get the Musical Excellence Award. Pioneering music executive Suzanne de Passe won the Ahmet Ertegun Award.

“Rock ‘n’ roll is an ever-evolving amalgam of sounds that impacts culture and moves generations,” John Sykes, chairman of the Rock & Roll Hall of Fame Foundation, said in a statement. “This diverse group of inductees each broke down musical barriers and influenced countless artists that followed in their footsteps.”

The induction ceremony will be held October 19 at the Rocket Mortgage Fieldhouse in the city of Cleveland in the U.S. state of Ohio. It will stream live on Disney+ with an airing on ABC at a later date and available on Hulu the next day.

The music acts nominated this year but didn’t make the cut included Mariah Carey, Lenny Kravitz, the late Sinead O’Connor, soul-pop singer Sade, Britpoppers Oasis, hip-hop duo Eric B. & Rakim, and alt-rockers Jane’s Addiction.

There had been a starry push to get Foreigner — with the hits “Urgent” and Hot Blooded” — into the hall, with Mark Ronson, Jack Black, Slash, Dave Grohl and Paul McCartney all publicly backing the move. Ronson’s stepfather is Mick Jones, Foreigner’s founding member, songwriter and lead guitarist.

Osbourne, who led many parents in the 1980s to clutch their pearls with his devil imagery and sludgy music, goes in as a solo artist, having already been inducted into the hall with metal masters Black Sabbath.

Four of the eight nominees — Cher, Foreigner, Frampton and Kool & the Gang — were on the ballot for the first time.

Cher — the only artist to have a Number 1 song in each of the past six decades — and Blige, with eight multi-platinum albums and nine Grammy Awards, will help boost the number of women in the hall, which critics say is too low.

Artists must have released their first commercial recording at least 25 years before they’re eligible for induction.

Nominees were voted on by more than 1,000 artists, historians and music industry professionals. Fans voted online or in person at the museum, with the top five artists picked by the public making up a “fans’ ballot” that was tallied with the other professional ballots.

Last year, Missy Elliott, Willie Nelson, Sheryl Crow, Chaka Khan, “Soul Train” creator Don Cornelius, Kate Bush, and the late George Michael were some of the artists who got into the hall.
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A Ukrainian version of the Minecraft game features Canadian actress Katheryn Winnick, U.S. astronaut Scott Kelly, and other celebrities from around the globe. The new game, called Minesalt, is based on Ukraine’s famous Soledar salt mines. Anna Kosstutschenko reports. Camera: Pavel Suhodolskiy.
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New York — “Civil War,” Alex Garland’s ominous American dystopia, remained the top film in theaters in its second week of release, according to studio estimates Sunday.

The A24 election-year gamble, the indie studio’s biggest budgeted film yet, took in $11.1 million in ticket sales at 3,929 theaters over the weekend. The $50 million film, set in a near-future U.S. in which Texas and California have joined in rebellion against a fascist president, has grossed $44.9 million in two weeks.

Its provocative premise — and A24’s marketing, which included images of U.S. cities ravaged by war — helped keep “Civil War” top of mind for moviegoers.

But it was a painfully slow weekend in theaters — the kind sure to add to concern over what’s thus far been a down year for Hollywood at the box office.

Going into the weekend, Universal Pictures’ “Abigail,” a critically acclaimed R-rated horror film about the daughter of Dracula, had been expected to lead ticket sales. It came in second with $10.2 million in 3,384 theaters.

That was still a fair result for a film that cost a modest $28 million to make. “Abigail,” which remakes the 1936 monster film “Dracula’s Daughter,” is about a 12-year-old girl taken by kidnappers who soon realize they’ve made a poor choice of hostage. It’s directed by the duo Matt Bettinelli-Olpin and Tyler Gillett whose production company goes by the name Radio Silence.

More concerning was the overall tepid response for a handful of new wide releases — and the likelihood that there will be more similar weekends throughout 2024. Last year’s actors and writers’ strikes, which had a prolonged effect on the movie pipeline, exacerbated holes in Hollywood’s release schedule.

Horror films, in recent years among the most reliable cash cows in theaters, also haven’t thus far been doing the automatic business they previously did. According to David A. Gross, who runs the consulting firm Franchise Entertainment Research, horror releases accounted for $2 billion in worldwide sales in 2023.

Guy Ritchie’s “The Ministry of Ungentlemanly Warfare” debuted with $9 million in 2,845 theaters. In the based-on-a-true-story Lionsgate release, which reportedly cost $60 million to produce, Henry Cavill leads a World War II mission off the coast of West Africa.

Though Ritchie has been behind numerous box-office hits, including the live-action “Aladdin” and a pair of Sherlock Holmes films, his recent movies have struggled to find big audiences. The Lionsgate spy comedy “Operation Fortune: Ruse de Guerre” grossed $48 million against a $50 million budget, while MGM’s “The Covenant,” also released last year, made $21 million while costing $55 million to make.

A bright sign for “The Ministry of Ungentlemanly Warfare” — audiences liked it. The film earned an A-minus CinemaScore.

The anime “Spy x Family Code: White,” from Sony’s Crunchyroll, also struggled to stand out with audiences. Though the adaptation of the Tatsuya Endo manga TV series “Spy x Family” has already been a hit with international moviegoers, it debuted below expectations with $4.9 million in 2,009 U.S. theaters.

The mightiest film globally, though, continues to be “Godzilla x Kong: The New Empire.” The Warner Bros. monster movie has for the past month led worldwide ticket sales. It added another $9.5 million domestically and $21.6 million internationally to bring its four-week global total to $485.2 million.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Civil War,” $11.1 million.

2. “Abigail,” $10.2 million.

3. “Godzilla x Kong: The New Empire,” $9.5 million.

4. “The Ministry of Ungentlemanly Warfare,” $9 million.

5. “Spy x Family Code: White,” $4.9 million.

6. “Kung Fu Panda 4,” $4.6 million.

7. “Ghostbusters: Frozen Empire,” $4.4 million.

8. “Dune: Part Two,” $2.9 million.

9. “Monkey Man,” $2.2 million.

10. “The First Omen,” $1.7 million.
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TYBEE ISLAND, Georgia — Thousands of Black college students expected this weekend for an annual spring bash at the largest public beach in the U.S. state of Georgia will be greeted by dozens of extra police officers and barricades closing off neighborhood streets. While the beach will remain open, officials are blocking access to nearby parking.

Tybee Island east of Savannah has grappled with the April beach party known as Orange Crush since students at Savannah State University, a historically Black school, started it more than 30 years ago. Residents regularly groused about loud music, trash littering the sand and revelers urinating in yards.

Those complaints boiled over into fear and outrage a year ago when weekend crowds of up to 48,000 people daily overwhelmed the 4.8-kilometer island. That left a small police force scrambling to handle a flood of emergency calls reporting gunfire, drug overdoses, traffic jams and fistfights.

Mayor Brian West, elected last fall by Tybee Island’s 3,100 residents, said roadblocks and added police aren’t just for limiting crowds. He hopes the crackdown will drive Orange Crush away for good.

“This has to stop. We can’t have this crowd anymore,” West said. “My goal is to end it.”

Critics say local officials are overreacting and appear to be singling out Black visitors to a Southern beach that only white people could use until 1963. They note Tybee Island attracts vast crowds for the Fourth of July and other summer weekends when visitors are largely white, as are 92% of the island’s residents.

“Our weekends are packed with people all season, but when Orange Crush comes, they shut down the parking, bring extra police and act like they have to take charge,” said Julia Pearce, one of the island’s few Black residents and leader of a group called the Tybee MLK Human Rights Organization. She added: “They believe Black folks to be criminals.”

During the week, workers placed metal barricades to block off parking meters and residential streets along the main road parallel to the beach. Two large parking lots near a popular pier are being closed. And Tybee Island’s roughly two dozen police officers will be augmented by about 100 sheriff’s deputies, Georgia state troopers and other officers.

Security plans were influenced by tactics used last month to reduce crowds and violence at spring break in Miami Beach, which was observed by Tybee Island’s police chief.

Officials insist they’re acting to avoid a repeat of last year’s Orange Crush party, which they say became a public safety crisis with crowds at least double their typical size.

“To me, it has nothing to do with race,” said West, who believes city officials previously haven’t taken a stronger stand against Orange Crush because they feared being called racist. “We can’t let that be a reason to let our citizens be unsafe and so we’re not.”

Tybee Island police reported 26 total arrests during Orange Crush last year. Charges included one armed robbery with a firearm, four counts of fighting in public and five DUIs. Two officers reported being pelted with bottles, and two women told police they were beaten and robbed of a purse.

On a gridlocked highway about a mile off the island, someone fired a gun into a car and injured one person. Officials blamed the shooting on road rage.

Orange Crush’s supporters and detractors alike say it’s not college students causing the worst problems.

Joshua Miller, a 22-year-old Savannah State University senior who plans to attend this weekend, said he wouldn’t be surprised if the crackdown was at least partly motivated by race.

“I don’t know what they have in store,” Miller said. “I’m not going down there with any ill intent. I’m just going out there to have fun.”

Savannah Mayor Van Johnson was one of the Black students from Savannah State who helped launch Orange Crush in 1988. The university dropped involvement in the 1990s, and Johnson said that over time the celebration “got off the rails.” But he also told reporters he’s concerned about “over-representation of police” at the beach party.

At Nickie’s 1971 Bar & Grill near the beach, general manager Sean Ensign said many neighboring shops and eateries will close for Orange Crush though his will stay open, selling to-go food orders like last year. But with nearby parking spaces closed, Ensign said his profits might take a hit, “possibly a few thousand dollars.”

It’s not the first time Tybee Island has targeted the Black beach party. In 2017, the city council banned alcohol and amplified music on the beach only during Orange Crush weekend. A discrimination complaint to the U.S. Justice Department resulted in city officials signing a non-binding agreement to impose uniform rules for large events.

West says Orange Crush is different because it’s promoted on social media by people who haven’t obtained permits. A new state law lets local governments recoup public safety expenses from organizers of unpermitted events.

In February, Britain Wigfall was denied an permit for space on the island for food trucks during Orange Crush. The mayor said Wigfall has continued to promote events on the island.

Wigfall, 30, said he’s promoting a concert this weekend in Savannah, but nothing on Tybee Island involving Orange Crush.

“I don’t control it,” Wigfall said. “Nobody controls the date that people go down there.”
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JERUSALEM — Every year, Alon Gat’s mother led the family’s Passover celebration of the liberation of the ancient Israelites from Egypt thousands of years ago. But this year, Gat is struggling with how to reconcile a holiday commemorating freedom after his mother was slain and other family members abducted when Hamas attacked Israel.

Gat’s sister, Carmel, and wife, Yarden Roman-Gat, were taken hostage in the October 7 attack. His wife was freed in November, but his sister remains captive.

“We can’t celebrate our freedom because we don’t have this freedom. Our brothers and sisters and mothers and fathers are still in captivity and we need to release them,” Gat said.

On Monday, Jews around the world will begin celebrating the weeklong Passover holiday, recounting the biblical story of their exodus from Egypt after hundreds of years of slavery. But for many Israelis, it’s hard to fathom a celebration of freedom when friends and family are not free.

The Hamas attack killed some 1,200 people, while about 250 others were taken hostage. About half were released in a weeklong cease-fire in November, while the rest remain in Gaza, more than 30 of them believed to be dead.

For many Jews, Passover is a time to reunite with family and recount the exodus from Egypt at a meal known as the Seder. Observant Jews avoid grains, known as chametz, a reminder of the unleavened bread the Israelites ate when they fled Egypt quickly with no time for dough to rise.

But this year many families are torn about how — or even if — to celebrate.

When Hamas attacked Kibbutz Be’eri, Gat, his wife, 3-year-old daughter, parents and sister hid for hours in their rocket-proof safe room. But fighters entered the house and killed or abducted everyone inside, except for his father who hid in the bathroom. His mother was dragged into the street and shot.

Gat, his arms and legs bound, was shoved into a car with his wife and daughter. During a brief stop, they managed to flee. Knowing he could run faster, Roman-Gat handed him their daughter. Gat escaped with her, hiding in a ditch for nearly nine hours. His wife was recaptured and held in Gaza for 54 days.

Passover this year will be more profound as freedom has taken on a new meaning, Roman-Gat told The Associated Press.

“To feel wind upon your face with your eyes closed. To shower. To go to the toilet without permission, and with the total privacy and privilege to take as long as I please with no one urging me, waiting for me at the other side to make sure I’m still theirs,” she said in a text message.

Still, Passover will be overshadowed by deep sorrow and worry for her sister-in-law and the other hostages, she said. The family will mark the holiday with a low-key dinner in a restaurant, without celebration.

As hard as it is in times of pain, Jews have always sought to observe holidays during persecution, such as in concentration camps during the Holocaust, said Rabbi Martin Lockshin, professor emeritus at Canada’s York University, who lives in Jerusalem.

“They couldn’t celebrate freedom but they could celebrate the hope of freedom,” he said.

The crisis affects more than the hostage families. The war, in which 260 soldiers have been killed, casts a shadow over a normally joyous holiday. The government has also scaled back festivities for Independence Day in May in light of the mood and fearing public protests.

Likewise, the Muslim holy month of Ramadan, capped by the three-day Eid al-Fitr feast, was a sad, low-key affair for Palestinians. Over 80% of Gaza’s 2.3 million people have been displaced by the fighting, and Hamas health officials say nearly 34,000 people have been killed in the Israeli offensive.

The scenes of suffering, devastation and hunger in Gaza have received little attention in Israel, where much of the public and national media remain heavily focused on the aftermath of the October 7 attack and ongoing war.

After several months of fits and starts, negotiations on a deal to release the remaining hostages appears at a standstill — making it unlikely they will be home for Passover.

The hostages’ pain has reverberated around the world, with some in the Jewish diaspora asking rabbis for prayers specifically for the hostages and Israel to be said at this year’s Seder. Others have created a new Haggadah, the book read during the Seder, to reflect the current reality.

Noam Zion, the author of the new Haggadah, has donated 6,000 copies to families impacted by the war.

“The Seder is supposed to help us to relive past slavery and liberation from Egypt and to learn its lessons, but in 2024 it must also ask contemporary questions about the confusing and traumatic present and most important, generate hope for the future,” said Zion, emeritus member of the faculty of Jewish studies at the Hartman Institute in Jerusalem.

The revised Haggadah includes excerpts from hostage families urging people not to hate despite their pain. It offers a guide for navigating the mixed feelings during the holiday, while posing existential questions about the Jews and the state of Israel.

Some families say it’s too painful to celebrate at all.

The girlfriend of Nirit Lavie Alon’s son was abducted from the Nova music festival. Two months later the family was informed by Israel’s military that Inbar Haiman, a 27-year-old graffiti artist, was dead, her body still in Gaza.

“It’s impossible to celebrate a freedom holiday,” said Alon. Instead of being with family this year, she’s going to spend a few days in the desert. There will be no closure until all of the hostages are back, including the remains of those who were killed, she said.

Ahead of Passover, some families are still holding out hope their relatives will be freed in time.

Shlomi Berger’s 19-year-old daughter, Agam, was abducted two days after the start of her army service along the border with Gaza.

Videos of her bloodied face emerged shortly after the Hamas attack, one showing an armed man pushing her into a truck, another showing her inside the vehicle with other hostages. The only proof of life he’s had since was a call from a released hostage, wishing him happy birthday from Agam, who she’d been with in the tunnels, he said.

Still, he refuses to give up hope.

“The Passover story says we come from slaves to free people, so this is a parallel story,” Berger said. “This is the only thing I believe that will happen. That Agam will get out from darkness to light. She and all of the other hostages.”
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Roller derby is a fast-paced, hard-hitting sport played on roller skates and dominated by women. VOA’s Genia Dulot takes us out to the skating rink with competitors from the Angel City Derby league in Los Angeles.
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santa fe, new mexico — A movie weapons supervisor was sentenced to 18 months in prison in the fatal shooting of a cinematographer by Alec Baldwin on the set of the Western film “Rust,” during a hearing Monday in which tearful family members and friends gave testimonials that included calls for justice and a punishment that would instill greater accountability for safety on film sets.

Movie armorer Hannah Gutierrez-Reed was convicted in March by a jury on a charge of involuntary manslaughter in the death of cinematographer Halyna Hutchins and has been held for more than a month at a county jail on the outskirts of Santa Fe.

Prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of “Rust” where it was expressly prohibited and for failing to follow basic gun safety protocols.

Gutierrez-Reed was unsuccessful in her plea for a lesser sentencing, telling the judge she was not the monster that people have made her out to be and that she had tried to do her best on the set despite not having “proper time, resources and staffing.”

Baldwin, the lead actor and co-producer for “Rust,” was pointing a gun at Hutchins during a rehearsal on a movie set outside Santa Fe in October 2021 when the revolver went off, killing Hutchins and wounding director Joel Souza.

Baldwin has pleaded not guilty to a charge of involuntary manslaughter. He is scheduled for trial in July at a courthouse in Santa Fe.

The sentence against Gutierrez-Reed was delivered by New Mexico Judge Mary Marlowe Summer, who is overseeing proceedings against Baldwin. The judge said anything less than the maximum sentence would not be appropriate given that Gutierrez-Reed’s recklessness amounted to a serious violent offense.

“You were the armorer, the one that stood between a safe weapon and a weapon that could kill someone,” the judge told Gutierrez-Reed. “You alone turned a safe weapon into a lethal weapon. But for you, Ms. Hutchins would be alive, a husband would have his partner and a little boy would have his mother.”

Gutierrez-Reed teared up as Hutchins’ agent, Craig Mizrahi, spoke about the cinematographer’s creativity and described her as a rising star in Hollywood. He said it was a chain of events that led to Hutchins’ death and that had the armorer been doing her job, that chain would have been broken.

Los Angeles-based attorney Gloria Allred read a statement by Hutchins’ mother, Olga Solovey, who said her life had been split in two and that time didn’t heal, rather it only prolonged her pain and suffering. A video of a tearful Solovey, who lives in Ukraine, also was played for the court.

“It’s the hardest thing to lose a child. There’s no words to describe,” Solovey said in her native language.

Defense attorneys for Gutierrez-Reed requested leniency in sentencing — including a possible conditional discharge that would avoid further jail time and leave an adjudication of guilt off her record if certain conditions are met.

Gutierrez-Reed was acquitted at trial of allegations she tampered with evidence in the “Rust” investigation. She also has pleaded not guilty to a separate felony charge that she allegedly carried a gun into a bar in Santa Fe where firearms are prohibited.

Defense attorneys have highlighted Gutierrez-Reed’s relatively young age “and the devastating effect a felony will have on her life going forward.”

They said the 26-year-old will forever be affected negatively by intense publicity associated with her prosecution in parallel with an A-list actor, and has suffered from anxiety, fear and depression as a result.

Special prosecutor Kari Morrissey urged the judge to impose the maximum prison sentence and designate Gutierrez-Reed as a “serious violent offender” to limit her eligibility for a sentence reduction later, describing the defendant’s behavior on the set of “Rust” as exceptionally reckless.

Defense attorneys argued Monday that Gutierrez-Reed was remorseful and had breakdowns over Hutchins’ death. They also pointed to systemic problems that led to the shooting.

“Rust” assistant director and safety coordinator Dave Halls last year pleaded no contest to negligent handling of a firearm and completed a sentence of six months unsupervised probation. “Rust” props master Sarah Zachry, who shared some responsibilities over firearms on the set of “Rust,” signed an agreement with prosecutors to avoid prosecution in return with her cooperation.
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ANCIENT OLYMPIA, Greece — No one knows what music in ancient Greece sounded like or how dancers once moved.

Every two years, a new interpretation of the ancient performance gets a global audience. It takes place in southern Greece at a site many still consider sacred: the birthplace of the Olympic Games.

Forty-eight performers, chosen in part for their resemblance to youths in antiquity as seen in statues and other surviving artwork, will take part Tuesday in the flame-lighting ceremony for the Paris Olympics. 

Details of the 30-minute performance are fine-tuned — and kept secret — right up until a public rehearsal Monday.

The Associated Press got rare access to rehearsals that took place during weekends, mostly at an Olympic indoor cycling track in Athens. 

As riders whiz around them on the banked cycling oval, the all-volunteer Olympic performers snatch poses from ancient vases. Sequences are repeated and re-repeated under the direction of the hyper-focused head choreographer Artemis Ignatiou.

“In ancient times there was no Olympic flame ceremony,” Ignatiou said during a recent practice session.

“My inspiration comes from temple pediments, from images on vases, because there is nothing that has been preserved — no movement, no dance — from antiquity,” she said. “So basically, what we are doing is joining up those images. Everything in between comes from us.”

Ceremonies take place at Olympia every two years for the Winter and Summer Games, with the sun’s rays focused on the inside of a parabolic mirror to produce the Olympic flame and start the torch relay to the host city.

Women dressed as priestesses are at the heart of the ceremony, first held for the 1936 Olympics in Berlin. Leading the group is an actress who performs the role of high priestess and makes a dramatic appeal to Apollo, the ancient god of the sun, for assistance moments before the torch is lit.

Over the decades, new ingredients have been progressively added: music, choreography, new colors for the costumes, male performers known as “kouroi” and subtle style inclusions to give a nod to the culture of the Olympic host nation.

Adding complexity also has introduced controversy, inevitably amplified by social media. Criticism this year has centered on the dresses and tunics to be worn by the performers, styled to resemble ancient Greek columns. Faultfinders have called it a rude departure from the ceremony’s customary elegance.

Organizers hope the attire will create a more positive impression when witnessed at the ruins of ancient Olympia.

Counting out the sequences, Ignatiou controls the music with taps on her cell phone while keeping track of the male dancers at the velodrome working on a stop motion-like routine and women who glide past them like a slowly uncoiling spring.

Ignatiou has been involved with the ceremony for 36 years, as priestess, high priestess, assistant and then head choreographer since 2008. She takes in the criticism with composure.

She’s still moved to tears when describing the flame lighting, but defers to her dancers to describe their experience of the five-month participation at practices.

Most in their early twenties, the performers are selected from dance and drama academies with an eye on maintaining an athletic look and classic Greek aesthetic, the women with hair pulled back in neat double-braids.

Christiana Katsimpraki, a 23-year-old drama school student who is taking part at Olympia for the first time, said she wants to repay the kindness shown to her by older performers.

“Before I go to bed, when I close my eyes, I go through the whole choreography — a run through — to make sure I have all the steps memorized and that they’re in the right order,” she said. “It’s so that the next time I can come to the rehearsal, it all goes correctly and no one gets tired.”

The ceremony is performed to sparse music, and final routine modifications are made at Olympia, in part to cope with the pockmarked and uneven ground at the site.

Dancers describe the fun they have in messaging groups, the good-natured pranks played on newcomers and fun they have on the four-hour bus ride to the ancient site in southern Greece — but also the significance of the moment and the pull of the past.

“I’m in awe that we’re going there and that I’m going to be part of this whole team,” 23-year-old performer Kallia Vouidaski said. “I’m going to have this entire experience that I watched when I was little on TV. I would say, ’Oh! How cool would it be if I could do this at some point.’ And I did it.”

The flame-lighting ceremony will start at 0830 GMT Tuesday. A separate flame-handover ceremony to the Paris 2024 organizing committee will be held in Athens on April 26. 
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Indio, USA — Coachella day two was heavy on alt-rock throwbacks including a highly anticipated No Doubt reunion, but it was Taylor Swift — who wasn’t on the lineup and didn’t perform — creating buzz on Saturday.

Her mere presence at the mammoth festival in the California desert set the internet alight, after she made a much-speculated appearance… as a fan, canoodling and dancing with beau Travis Kelce as Bleachers performed a rollicking set.

The rock band Bleachers is fronted by Jack Antonoff, Swift’s friend and longtime producer.

Kelce’s blocking skills came in handy as the 6’5″ (1.96 meters) NFL tight end did well to obscure his wildly famous girlfriend from view, as the couple enjoyed the show from just offstage.

Still, an AFP journalist saw the lovebirds twirling and singing along during the performance of Antonoff, who’s co-written and produced several of Swift’s albums.

Fan videos quickly started circulating online. Swift’s cameo comes less than a week before her forthcoming album, “The Tortured Poets Department,” drops on April 19.

Shortly after the Bleachers set Swift and Kelce were caught by fan cameras as they stood in the VIP section for a blazing performance from Ice Spice, the Bronx rapper who collaborated on a remix of Swift’s “Karma.”

The crowd went berserk when Ice Spice shouted out her megastar pal — but the rapper performed “Karma” on her own with a backing track, giving Swift the chance to watch a rendition of her own song from the vantage point of the crowd.

The 34-year-old billionaire is currently on break from her blockbuster Eras tour.

Some fans had speculated Swift might join friend and fellow Antonoff associate Lana Del Rey, who headlined Friday’s opening night.

There’s always next weekend, which is essentially a repeat of the first three days of the festival but usually includes a few shakeups.

Tyler, the Creator was the top-billed act Saturday, bursting onto the stage in flames from inside a camper van that was parked in a set mimicking a desert mountain scene.

The eccentric performer — who sported both Palestinian and Congolese flag pins — invited a number of special guests including Kali Uchis, Childish Gambino and A$AP Rocky.

Doja Cat is on deck to headline Sunday.

Alt-rock roots and Paris Hilton

Coachella started as a rock festival but in recent years it’s leaned increasingly into pop, rap and the Latino megastars who rule the streaming charts.

But Saturday’s lineup offered a portrait of nostalgia: No Doubt — the group fronted by Gwen Stefani — played together for the first time in 15 years.

Stefani, 54, bounded across the stage boasting the vocals of her youth, leading the crowd in singalongs of the group’s classics including “Just A Girl” and “Don’t Speak.”

English rockers Blur also took the stage, while stoner reggae rock group Sublime — the 1990s act beloved for hits including “Santeria” — drew throngs of fans to the main stage for a sunset performance featuring the late frontman Brad Nowell’s son Jakob leading the way.

Vampire Weekend made a last-minute return to the desert, having last performed there more than a decade ago.

The veteran indie rockers whose hits including “Cape Cod Kwassa Kwassa” were brought in just last week, and frontman Ezra Koenig, who sported a striped Pogues sweatshirt, told cheering fans he’d been leaning back sipping ranch water — a cocktail of seltzer, tequila and lime — in Texas when he got a text asking if they’d come on board.

The group just released their fifth album, “Only God Was Above Us,” and played a mix of fan favorites and new work, including a 15-minute honky tonk mash-up.

They also randomly brought Paris Hilton onstage to play a quick round of cornhole — a popular North American bean bag-based lawn game — as part of a giveaway of chocolate for front-row fans.

“I haven’t played this game since ‘The Simple Life,'” the cowboy-hat wearing socialite and reality TV icon quipped, a referencing to the cult mid-2000s series she starred in with Nicole Richie.

“Make some noise for ‘The Simple Life!'” yelled Koenig to laughs and applause.

 
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Foumban, Cameroon — To enter the Museum of the Bamoun Kings in western Cameroon, you have to pass under the fangs of a gigantic two-headed snake — the highlight of an imposing coat of arms of one of the oldest kingdoms in sub-Saharan Africa.

Thousands of Cameroonians gathered in the royal palace square in Foumban on Saturday to celebrate the opening of the Museum of the Bamoun Kings.

Sultan King Mouhammad Nabil Mforifoum Mbombo Njoya welcomed 2,000 guests to the opening of the museum located in Foumban — the historic capital of the Bamoun Kings.

The royal family, descendants of a monarchy that dates back six centuries, attended the event dressed in traditional ceremonial attire with colorful boubous and matching fezzes.

Griot narrators in multicolored boubous played drums and long traditional flutes while palace riflemen fired shots to punctuate the arrival of distinguished guests which included ministers and diplomats.

Then, princes and princesses from the Bamoun chieftaincies performed the ritual Ndjah dance in yellow robes and animal masks.

For Cameroon, such a museum dedicated to the history of a kingdom is “unique in its scope”, Armand Kpoumie Nchare, author of a book about the Bamoun kingdom, told AFP.

“This is one of the rare kingdoms to have managed to exist and remain authentic, despite the presence of missionaries, merchants and colonial administrators,” he said.

The Bamoun kingdom, founded in 1384, is one of the oldest in sub-Saharan Africa.

To honor the Bamoun, the museum was built in the shape of the kingdom’s coat of arms.

A spider, which is over 5,000 square meters (54,000 square feet), sits atop the building while the entrances represent the two-headed serpent.

“This is a festival for the Bamoun people. We’ve come from all over to experience this unique moment,” 50-year-old spectator Ben Oumar said.

“It’s a proud feeling to attend this event. We’ve been waiting for it for a long time,” civil servant Mahamet Jules Pepore said.

The museum contains 12,500 pieces including weapons, pipes and musical instruments — only a few of which were previously displayed in the royal palace.

“It reflects the rich, multi-century creativity of these people, both in terms of craftsmanship and art — Bamoun drawings — as well as the technological innovations of the peasants at various periods: Mills, wine presses etc.,” Nchare said.

Also on display are items from the life of the most famous Bamoun King, Ibrahim Njoya, who reigned from 1889 to 1933 and created Bamoune Script, a writing system that contains over 500 syllabic signs.

The museum exhibits his manuscripts and a corn-grinding machine he invented.

“We pay tribute to a king who was simultaneously a guardian and a pioneer… a way for us to be proud of our past in order to build the future” and “show that Africa is not an importer of thoughts,” Njoya’s great-grandson, the 30-year-old Sultan King Mouhammad said.

To commemorate his grandfather’s work, former Sultan King Ibrahim Mbombo Njoya launched the construction of the museum in 2013 after realizing the palace rooms were too cramped.

The opening of the museum comes months after the Nguon of the Bamoun people, a set of rituals celebrated in a popular annual festival, joined UNESCO’s List of the Intangible Cultural Heritage of Humanity.

 
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