Month: May 2023

Dutch Government to Hold 3M Liable for ‘Forever Chemicals’ Harm

The Dutch government said on Tuesday it would hold U.S. industrial group 3M Co. liable for polluting the Western Scheldt river with potentially harmful substances known as PFAS, or “forever chemicals.” 

3M said in a statement e-mailed to Reuters that it had received a letter from the Dutch government’s legal representative on Tuesday and was studying its contents. 

The Netherlands said it would hold the company responsible for pollution in the Dutch part of the river, allegedly caused by its nearby Belgian plant. 

Higher than acceptable pollutant levels have resulted in financial damages for the fishing fleet and the government, the Netherlands said. 

“I think polluters should pay … Holding 3M liable is in line with that basic position,” Dutch Infrastructure and Water Management Minister Mark Harbers said in a statement. 

3M said it had already invited the Dutch authorities to have a meeting about the PFAS situation in the Western Scheldt. 

“(We) welcome the opportunity for conversation with the Dutch government and the Ministry of Infrastructure and Water Management,” it said in its statement. 

3M’s website shows it has a plant that makes products that contain PFAS on the Belgian side of the Scheldt river, which originates in France. 

Last December 3M set itself a 2025 deadline to stop producing PFAS. The European Union is considering a ban on the chemicals. 

Perfluoralkyl and polyfluoroalkyl substances (PFAS) do not break down quickly and have in recent years been found in dangerous concentrations in drinking water, soils and foods. 

SEE ALSO: A related video by VOA’s Veronica Balderas Iglesias

The chemicals have been used in everything from cars to medical gear and nonstick pans due to their long-term resistance to extreme temperature and corrosion. 

But they have also been linked to health risks including cancer, hormonal dysfunction and a weakened immune system as well as environmental damage. 

The Dutch government said there would be an assessment of how much of the alleged PFAS damages 3M could be held liable for. 

$6 Million Raised to Preserve Nina Simone’s Childhood Home

An art auction and New York gala have raised nearly $6 million to preserve and restore the childhood home of soul music legend and civil rights activist Nina Simone, organizers said Tuesday.

The twin events brought in some $5.88 million — far more than the original $2 million organizers hoped to raise to restore the rural North Carolina abode.

“The new funding will meaningfully advance our project goals to complete the full restoration of the house and landscape,” said Brent Leggs, executive director of the African American Cultural Heritage Action Fund. “With this investment, we are well on our way to opening the doors to visitors in 2024.”

Four US artists — Julie Mehretu, Ellen Gallagher, Rashid Johnson and Adam Pendleton — bought the dilapidated rural home in 2017 for $95,000. They’ve since worked with Leggs’ organization, as well as tennis star Venus Williams, to raise money to turn the house into a cultural and historical site.

The online auction, with works donated by British painter Cecily Brown and American artist Sarah Sze, was organized by Pace and Sotheby’s.

Among the 11 works for sale, Mehretu’s ink-and-acrylic “New Dawn, Sing (for Nina)” fetched $1.6 million.

Simone, whose songs found renewed resonance during the Black Lives Matter protests of recent years, had a complex, often difficult relationship with the United States, where she was born in 1933, during the era of racial segregation.

Born Eunice Waymon, she spent the first years of her life in the three-room house in Tryon, in the rural southeastern state of North Carolina, with her parents and siblings, and began playing the piano at age 3.

But her dream of becoming a classical concert performer was shattered when she was rejected by Philadelphia’s prestigious Curtis Institute of Music, an ordeal she attributed to racism.

In the 1960s, Simone was active in the civil rights movement, including through rousing speeches and song.

Her “Mississippi Goddam,” was a response to a 1963 fire in an Alabama church started by members of the Ku Klux Klan. Three days after the assassination of Martin Luther King in 1968, she performed “Why? (The king of love is dead).”

Simone eventually left the United States and lived her last years in the south of France, where she died in 2003.

Increasing Health Emergencies Leave WHO ‘Overstretched’

A growing number of health emergencies around the world, from COVID-19 to cholera, have left the World Health Organization’s response “overstretched,” a senior advisor said on Tuesday.  

Speaking at the U.N. agency’s annual meeting, Professor Walid Ammar, chairman of a committee reviewing the WHO’s emergency response, said funding and staffing gaps were widening in the face of ever-increasing demands.  

“[The] program is overstretched as demands have only grown with the multiplicity and complexity of emergencies,” he said.  

As of March, the WHO was responding to 53 high-level emergencies, a report by the committee said. These included diseases like COVID-19, cholera and a Marburg outbreak in Equatorial Guinea and Tanzania, as well as humanitarian emergencies like the earthquake in Turkey and Syria and floods in Pakistan.  

The report also noted that climate change was increasing the frequency of events like floods and cyclones, all of which have health consequences.  

However, the emergency program’s core budget for 2022-2023 is only about 53% funded, the report found, calling for more stable financing.  

The WHO and member states are trying to reform how the agency — and countries — respond to health emergencies, as well as shoring up the WHO’s funding. On Monday, member states approved a new budget including a 20% hike in their mandatory fees. 

The report also called on the WHO to look for more efficiencies: for example, in Malawi, four different emergency teams were responding to cholera, COVID-19, polio, and flooding, in ways that may have overlapped, it said.  

Brazil Declares Health Emergency Amid Avian Flu Cases in Wild Birds

Brazil declared a state of animal health emergency for 180 days in response to the country’s first detection of the highly pathogenic avian influenza virus in wild birds, in a document signed Monday by Agriculture Minister Carlos Favaro.  

Infection by the H5N1 subtype of avian flu in wild birds does not trigger trade bans, based on guidelines of the World Organization for Animal Health. However, a case of bird flu on a farm usually results in the entire flock being killed and can trigger trade restrictions from importing countries. 

Brazil, the world’s biggest chicken meat exporter with $9.7 billion in sales last year, has so far confirmed eight cases of the H5N1 in wild birds, including seven in Espirito Santo state and one in Rio de Janeiro state.  

The country’s agriculture ministry said later Monday it has created an emergency operations center to coordinate, plan and evaluate “national actions related to avian influenza.”  

Though Brazil’s main meat producing states are in the south, the government is on alert after the confirmed cases, as avian flu in wild birds has been followed by transmission to commercial flocks in some countries. 

Over the weekend, the Health Ministry said samples of 33 suspected cases of avian influenza in humans in Espirito Santo, where Brazil confirmed the first cases in wild birds last week, came back negative for the H5N1 subtype.  

TikTok Sues to Stop Ban in US State of Montana

TikTok on Monday filed suit in U.S. federal court to stop the northern state of Montana from implementing an overall ban on the video-sharing app.

The unprecedented ban, set to start in 2024, violates the constitutionally protected right to free speech, TikTok argued in the suit.

“We believe our legal challenge will prevail based on an exceedingly strong set of precedents and facts,” a TikTok spokesperson told AFP.

Montana Governor Greg Gianforte signed the prohibition into law on May 17.

Gianforte said on Twitter that he endorsed the ban in order to “protect Montanans’ personal and private data from the Chinese Communist Party.”

“The state has enacted these extraordinary and unprecedented measures based on nothing more than unfounded speculation,” TikTok contended in its lawsuit.

Five TikTok users last week filed a suit of their own, calling on a federal court to overturn Montana’s ban on the app, arguing that it violates their free speech rights.

Both suits filed against Montana argue the state is trying to exercise national security power that only the federal government can wield and is violating free speech rights in the process.

TikTok called on the federal court to declare the Montana ban on its app unconstitutional and block the state from ever putting it into effect.

“Montana can no more ban its residents from viewing or posting to TikTok than it could ban the Wall Street Journal because of who owns it or the ideas it publishes,” the lawsuit filed by TikTok users contends.

The app is owned by Chinese firm ByteDance and is accused by a wide swath of U.S. politicians of being under the tutelage of the Chinese government and a tool of espionage by Beijing, something the company furiously denies.

Montana became the first U.S. state to ban TikTok, with the law set to take effect next year as debate escalates over the impact and security of the popular video app.

A matter of law

The prohibition will serve as a legal test for a national ban of the platform, something that lawmakers in Washington are increasingly calling for.

The Montana ban makes it a violation each time “a user accesses TikTok, is offered the ability to access TikTok, or is offered the ability to download TikTok.”

Each violation is punishable by a $10,000 fine every day it takes place.

Under the law, Apple and Google will have to remove TikTok from their app stores and companies will face possible daily fines.

The prohibition will take effect in 2024 but would be voided if TikTok is acquired by a company incorporated in a country not designated by the United States as a foreign adversary, the law reads.

The cases should move quickly in court, since they center on points of law that don’t require lots of evidence to be gathered, according to University of Richmond law professor Carl Tobias.

“There are very compelling constitutional arguments that favor the plaintiffs,” Tobias said.

“First is free speech, and second is if the ban is justified by national security, that is a matter for the federal government not any individual state.”

The law is the latest skirmish in duels between TikTok and many western governments, with the app already banned on government devices in the United States, Canada and several countries in Europe.

First Sudanese Director at Cannes ‘Heartbroken’ by New War

“The war never ends. Tomorrow it will start again,” remarks a character in “Goodbye Julia,” the first Sudanese film ever selected for Cannes.

It explores the racism fueling decades of conflict in the country, and director Mohamed Kordofani admitted to “contradictory feelings” about walking the glitzy red carpet of the Cannes Film Festival while his fellow Sudanese are cowering from bombs.

The irony is not lost on Kordofani, who did not expect his debut feature to coincide with the breakout of a new conflict in Sudan.

“Right now, I am stranded in Cannes,” he joked in an interview with AFP on a seaside terrace overlooking a flotilla of yachts, before adding on a serious note that he was “heartbroken” by the conflict and the fact he could not go home.

“The bombing needs to stop,” said the former aircraft engineer, who packed in his career to start a film production company.

“Goodbye Julia” is playing in the Un Certain Regard category in Cannes, a segment focusing on young, innovative talent.

The film starts in 2005 after the end of an earlier bout of fighting, between Khartoum and the separatist south, and ends as South Sudan gains independence in 2011.

It tells the story of how a covered-up murder brings a southern Sudanese woman, Julia, into contact with a northern Sudanese woman, Mona, and her overbearing conservative husband.

‘My own transformation’

The two women’s friendship is complex, and the racist undercurrent between Arabs and black Africans that stalks the Middle East and North Africa is on stark display.

Mona’s husband refers to the southerners as “slaves” and “savages,” and she is forced to confront her own ingrained racism, while gender roles are also explored.

Kordofani said he was inspired by how his own views had changed over the past decade.

“I started to review how I was behaving in my previous relationships. I reviewed my own racism.”

He said discrimination was so deeply ingrained in Sudan that “to this day, I don’t know if I’m completely not racist.”

While racism is not at the heart of Sudan’s current conflict, Kordifani said the film’s message was still relevant, as the country lurches from one broken cease-fire to the next, and residents hunker down with barely any food or supplies.

“I don’t think the war will end unless we change. We the people, not the government. We need to be equal, and we need to be inclusive, and we need to learn to coexist.”

Critics have warmly received “Goodbye Julia,” with Screen calling it “a gut-wrenching and emotionally rewarding tale.”

The Hollywood Reporter said it had “shades of a thriller” and praised Kordofani’s “fine direction.”

Ray Stevenson, of ‘Rome’ And ‘Thor’ Movies, Dies At 58

Ray Stevenson, who played the villainous British governor in “RRR,” an Asgardian warrior in the “Thor” films, and a member of the 13th Legion in HBO’s “Rome,” has died. He was 58.  

Representatives for Stevenson told The Associated Press that he died Sunday but had no other details to share Monday.  

Stevenson was born in Lisburn, Northern Ireland, in 1964. After attending the Bristol Old Vic Theatre School and years of working in British television, he made his film debut in Paul Greengrass’s 1998 film “The Theory of Flight.” In 2004, he appeared in Antoine Fuqua’s “King Arthur” as a knight of the round table and several years later played the lead in the pre-Disney Marvel adaptation “Punisher: War Zone.” 

Though “Punisher” was not the best-reviewed film, he’d get another taste of Marvel in the first three “Thor” films, in which he played Volstagg. Other prominent film roles included the “Divergent” trilogy, “G.I. Joe: Retaliation” and “The Transporter: Refueled.” 

A looming presence at 6-foot-4, Stevenson, who played his share of soldiers past and present, once said in an interview, “I guess I’m an old warrior at heart.” 

On the small screen, he was the roguish Titus Pullo in “Rome,” a role that really got his career going in the United States and got him a SAG card, at the age of 44. The popular series ran from 2005 to 2007. 

“That was one of the major years of my life,” Stevenson said in an interview. “It made me sit down in my own skin and say, just do the job. The job’s enough.” 

In the Variety review of “Rome,” Brian Lowery wrote that “the imposing Stevenson certainly stands out as a brawling, whoring and none-too-bright warrior — a force of nature who, despite his excesses, somehow keeps landing on his feet.” 

He was Blackbeard in the Starz series “Black Sails,” Commander Jack Swinburne in the German television series “Das Boot,” and Othere in “Vikings.” 

Stevenson also did voice work in “Star Wars Rebels” and “The Clone Wars,” as Gar Saxon, and has a role in the upcoming Star Wars live-action series “Ahsoka,” in which he plays a bad guy, Baylan Skoll. The eight-episode season is expected on Disney+ in August. 

In an interview with Backstage in 2020, Stevenson said his acting idols were, “The likes of Lee Marvin (and) Gene Hackman.” 

“Never a bad performance, and brave and fearless within that caliber,” Stevenson said. “It was never the young, hot leading man; it was men who I could identify with.” 

Stevenson has three sons with Italian anthropologist Elisabetta Caraccia, who he met while working on “Rome.” 

Group of Western US States Reach Deal to Stave Off Crisis on Drought-Stricken Colorado River

Arizona, Nevada and California said Monday they’re willing to cut back on their use of the dwindling Colorado River in exchange for money from the federal government — and to avoid forced cuts as drought threatens the key water supply for the U.S. West.

The $1.2 billion plan, a potential breakthrough in a year-long stalemate, would conserve an additional 3 million acre-feet of water through 2026, when current guidelines for how the river is shared expire. About half the cuts would come by the end of 2024.

That’s less than what federal officials said last year would be needed to stave off crisis in the river but still marks a notable step in long and difficult negotiations between the three states.

The 2,334-kilometer river provides water to 40 million people in seven U.S. states, parts of Mexico and more than two dozen Native American tribes. It produces hydropower and supplies water to farms that grow most of the nation’s winter vegetables.

In exchange for temporarily using less water, cities, irrigation districts and Native American tribes in the three states will be paid. The federal government plans to spend $1.2 billion, said Lauren Wodarski, a spokesperson to U.S. Senator Catherine Cortez Masto, a Nevada Democrat.

Though adoption of the plan isn’t certain, U.S. Bureau of Reclamation Commissioner Camille Touton called it an “important step forward.” She said the bureau will pull back its proposal from last month that could have resulted in sidestepping the existing water priority system to force cuts while it analyzes the three-state plan. The bureau’s earlier proposal, if adopted, could have led to a messy legal battle.

“At least they’re still talking. But money helps you keep talking,” said Terry Fulp, former regional director of the U.S. Bureau of Reclamation’s Lower Colorado Basin region. He noted the agreement is a “short-term, three-year deal” and that because the Upper Basin states of Colorado, New Mexico, Utah and Wyoming didn’t face immediate cuts, they were not part of the pact.

The three Lower Basin states are entitled to 7.5 million acre-feet of water altogether from the river. An acre-foot of water is roughly enough to serve two to three U.S. households annually.

California gets the most, based on a century-old water rights priority system. Most of that goes to farmers in the Imperial Irrigation District, though some also goes to smaller water districts and cities across Southern California. Arizona and Nevada have already faced cuts in recent years as key reservoir levels dropped based on prior agreements. But California has been spared.

Under the new proposal, California would give up about 1.6 million acre-feet of water through 2026 — a little more than half of the total. That’s roughly the same amount the state first offered six months ago. It wasn’t clear why the other states agreed to a deal now when California didn’t offer further cuts. Leaders in Arizona and Nevada didn’t immediately say how they’d divide the other 1.4 million acre-feet.

The Imperial Irrigation District would account for more than half of California’s cuts. J.B. Hamby, chairman of the Colorado River Board of California, said the district has already taken measures to improve water efficiency and will need to do more. He said the district is working on a pilot summer idling program where farmers would sign up to turn off their water for 60 days for forage crops. During that time of year, yields are already down and more water is required, he said.

Bill Hasencamp, manager of Colorado River resources for the Metropolitan Water District of California, which supplies water to 19 million people in southern California, said the wet winter means the state simply needs less water. His district is planning on leaving 250,000 acre-feet this year in Lake Mead and won’t withdraw it until after 2026.

The district will also turn over to the federal government a program that pays farmers to fallow land that typically nets them about 130,000 acre-feet of water a year, he said.

The Colorado River has been in crisis for years due to a multi-decade drought in the West intensified by climate change, rising demand and overuse. Water levels at key reservoirs dipped to unprecedented lows, though they have rebounded somewhat thanks to heavy precipitation this winter.

In recent years, the federal government has cut some water allocations and offered billions of dollars to pay farmers, cities and others to cut back. But key water officials didn’t see those efforts as enough to prevent the system from collapsing.

Michael Cohen, a senior researcher at the Pacific Institute focused on the Colorado River, called the amount of cuts the three states have proposed a “huge, huge lift” and a significant step forward.

“It does buy us a little additional time,” he said. But if more dry years are ahead, “this agreement will not solve that problem.”

Aid Groups in Cameroon Urge Women With Obstetric Fistula to Seek Medical Treatment

As the International Day to End Obstetric Fistula approaches Tuesday, scores of women who have been treated for the medical condition are encouraging their peers in northern Cameroon to get help.

Many sufferers of obstetric fistula — characterized by urinary and fecal incontinence — believe the disease is a curse for wrongdoing. Now former patients and aid groups are telling families fistula can be treated.

The network of women who have been successfully operated on for obstetric fistula in Cameroon’s northern region say they are educating communities that it is a disease that can be treated.

Hospital workers say obstetric fistula is a hole between the birth canal and bladder or rectum, caused by prolonged, obstructed labor without access to timely, high-quality medical treatment. The disease leaves women and girls leaking urine, feces or both, and often leads to chronic medical problems, depression, social isolation and deepening poverty, medical staff members say.

Catherine Debong, 31, is the spokesperson for Women in Maroua, a group of women who have been operated on for obstetric fistula. Maroua is a town in Cameroon’s far north that shares a border with Chad and Nigeria. 

Debong said she is urging parents, husbands, clerics, community leaders and traditional rulers to educate others that obstetric fistula is not a curse or divine punishment for wrongdoing. She said she wants communities to encourage women who have gone into hiding due to the disease to seek treatment.

Debong said a Roman Catholic priest took her to the hospital in 2012 after she had lived with fistula for six years. She is now committed to saving the lives of other women with fistula whom she said are dying without medical help. 

Cameroon’s Ministry of Public Health says between 350 and 1,500 new cases of fistula are reported each year. Seventy-five percent of the cases are reported on Cameroon’s northern region, where more than 80% of civilians seek help from African traditional healers and seldom visit hospitals.

Cameroon reports that 60% of patients seeking help in hospitals have lived with obstetric fistula for more than 5 years. Eighty percent of patients have no formal education and 90% were teenagers when they had their first baby.

Many sufferers are accused of witchcraft and abandoned by their relatives.

The Cameron government is trying to end the stigma and discrimination attached to the condition through education programs.

Boyo Maurine is with the Cameroon Baptist Convention Health Services program, a nonprofit group that works with the United Nations Population Fund (UNFPA). The group educates communities about obstetric fistula and encourages women to seek treatment.

“Generally, the individuals perceive that people will not want to associate with them because of the odor that comes from them and from the embarrassment that will come from constantly being wet without any form of control,” Boyo said. “They already feel that they do not belong to society, and this leaves them sometimes with some negative emotions like sadness, depression, anger and aggression, which is as a result of this condition.”

In 2020, the U.N. launched a global commitment to fistula prevention and treatment, including surgical repair and social reintegration. The campaign hopes to end fistula by 2030, while transforming the lives of thousands of women and girls.

The International Day to End Obstetric Fistula draws attention to the condition, which affects tens of thousands of women globally. 

WHO Members Approve Nearly $7 Billion Budget

The World Health Organization on Monday won basic approval for a $6.83 billion budget over the next two years, including a 20% hike in mandatory membership fees.

As the U.N. health agency kicked off its annual decision-making assembly, member states in a key committee approved the budget without objection.

WHO chief Tedros Adhanom Ghebreyesus hailed the move as “historic and a big milestone.”

The budget still needs to be approved by all the member states at the end of the 10-day event, but the approval procedure is basically a formality.

The decision comes after last year’s assembly agreed to a dramatic overhaul of WHO funding.

Shaken by the COVID-19 pandemic, countries agreed on the need to provide more reliable and stable funding.

The WHO is largely financed by its 194 member states.

The portion of funding from mandatory membership fees — “assessed contributions” calculated according to wealth and population — had dwindled to below one-fifth, with the rest coming from “voluntary contributions.”

This left WHO with limited leeway to respond to crises such as COVID-19, the war in Ukraine and other health emergencies.

Last year’s assembly agreed to gradually increase the membership fee portion to 50% by the 2030-31 budget cycle at the latest.

The 2024-25 budget cycle marks the first incremental increase, with countries agreeing to hike their assessed contributions by 20% from the 2022-23 budget.

In return for the funding shift, WHO has begun implementing 96 reforms, including towards more transparency on its financing and hiring and broader accountability.

Tedros told the assembly earlier Monday that WHO so far had implemented 42 of the requested reforms “and 54 are ongoing.”

Early Warning Systems Send Disaster Deaths Plunging, UN Says

Weather-related disasters have surged over the past 50 years, causing swelling economic damage even as early warning systems have meant dramatically fewer deaths, the United Nations said Monday. 

Extreme weather, climate and water-related events caused 11,778 reported disasters between 1970 and 2021, new figures from the U.N.’s World Meteorological Organization (WMO) show. 

Those disasters killed just more than 2 million people and caused $4.3 trillion in economic losses. 

“The most vulnerable communities unfortunately bear the brunt of weather, climate and water-related hazards,” WMO chief Petteri Taalas said in a statement. 

The report found that more than 90% of reported deaths worldwide due to disasters in the 51-year period occurred in developing countries. 

But the agency also said improved early warning systems and coordinated disaster management had significantly reduced the human casualty toll. 

WMO pointed out in a report issued two years ago covering disaster-linked deaths and losses between 1970 and 2019, that at the beginning of the period the world was seeing more than 50,000 such deaths each year. 

By the 2010s, the disaster death toll had dropped below 20,000 annually. 

And in its update of that report, WMO said Monday that 22,608 disaster deaths were recorded globally in 2020 and 2021 combined. 

‘Early warnings save lives’ 

Cyclone Mocha, which wreaked havoc in Myanmar and Bangladesh last week, exemplifies this, Taalas said. 

Mocha “caused widespread devastation … impacting the poorest of the poor,” he said. 

But while Myanmar’s junta has put the death toll from the cyclone at 145, Taalas pointed out that during similar disasters in the past, “both Myanmar and Bangladesh suffered death tolls of tens and even hundreds of thousands of people.” 

“Thanks to early warnings and disaster management, these catastrophic mortality rates are now thankfully history. Early warnings save lives,” he added. 

The U.N. has launched a plan to ensure all nations are covered by disaster early warning systems by the end of 2027. 

Endorsing that plan figures among the top strategic priorities during a meeting of WMO’s decision-making body, the World Meteorological Congress, which opens Monday. 

To date, only half of countries have such systems in place. 

Surging economic losses 

WMO meanwhile warned that while deaths have plunged, the economic losses incurred when weather, climate and water extremes hit have soared. 

The agency previously recorded economic losses that increased sevenfold between 1970 and 2019, rising from $49 million per day during the first decade to $383 million per day in the final one. 

Wealthy countries have been hardest hit by far in monetary terms.  

The United States alone incurred $1.7 trillion in losses, or 39% of the economic losses globally from disasters since 1970. 

But while the dollar figures on losses suffered in poorer nations were not particularly high, they were far higher in relation to the size of their economies, WMO noted. 

Developed nations accounted for more than 60% of losses from weather, climate and water disasters, but in more than four-fifths of cases, the economic losses were equivalent to less than 0.1% of gross domestic product (GDP). 

And no disasters saw reported economic losses greater than 3.5% of the respective GDPs. 

By comparison, in 7% of the disasters that hit the world’s least developed countries, losses equivalent to more than 5% of their GDP were reported, with several disasters causing losses equivalent to nearly a third of GDP. 

And for small island developing states, one-fifth of disasters saw economic losses of more than 5% of GDP, with some causing economic losses of 100 percent. 

SpaceX Sends Saudi Astronauts, Including Nation’s 1st Woman in Space, to International Space Station

Saudi Arabia’s first astronauts in decades rocketed toward the International Space Station on a chartered multimillion-dollar flight Sunday. 

SpaceX launched the ticket-holding crew, led by a retired NASA astronaut now working for the company that arranged the trip from Kennedy Space Center. Also on board: a U.S. businessman who now owns a sports car racing team. 

The four should reach the space station in their capsule Monday morning; they’ll spend just more than a week there before returning home with a splashdown off the Florida coast. 

Sponsored by the Saudi Arabian government, Rayyanah Barnawi, a stem cell researcher, became the first woman from the kingdom to go to space. She was joined by Ali al-Qarni, a fighter pilot with the Royal Saudi Air Force. 

They’re the first from their country to ride a rocket since a Saudi prince launched aboard shuttle Discovery in 1985. In a quirk of timing, they’ll be greeted at the station by an astronaut from the United Arab Emirates. 

“Hello from outer space! It feels amazing to be viewing Earth from this capsule,” Barnawi said after settling into orbit. 

Added al-Qarni: “As I look outside into space, I can’t help but think this is just the beginning of a great journey for all of us.” 

Rounding out the visiting crew: Knoxville, Tennessee’s John Shoffner, former driver and owner of a sports car racing team that competes in Europe, and chaperone Peggy Whitson, the station’s first female commander who holds the U.S. record for most accumulated time in space: 665 days and counting. 

“It was a phenomenal ride,” Whitson said after reaching orbit. Her crewmates clapped their hands in joy. 

It’s the second private flight to the space station organized by Houston-based Axiom Space. The first was last year by three businessmen, with another retired NASA astronaut. The company plans to start adding its own rooms to the station in another few years, eventually removing them to form a stand-alone outpost available for hire. 

Axiom won’t say how much Shoffner and Saudi Arabia are paying for the planned 10-day mission. The company had previously cited a ticket price of $55 million each. 

NASA’s latest price list shows per-person, per-day charges of $2,000 for food and up to $1,500 for sleeping bags and other gear. Need to get your stuff to the space station in advance? Figure roughly $10,000 per pound ($20,000 per kilogram), the same fee for trashing it afterward. Need your items back intact? Double the price. 

At least the email and video links are free. 

The guests will have access to most of the station as they conduct experiments, photograph Earth and chat with schoolchildren back home, demonstrating how kites fly in space when attached to a fan. 

After decades of shunning space tourism, NASA now embraces it with two private missions planned a year. The Russian Space Agency has been doing it, off and on, for decades. 

“Our job is to expand what we do in low-Earth orbit across the globe,” said NASA’s space station program manager Joel Montalbano. 

SpaceX’s first-stage booster landed back at Cape Canaveral eight minutes after liftoff — a special treat for the launch day crowd, which included about 60 Saudis. 

“It was a very, very exciting day,” said Axiom’s Matt Ondler. 

First-Time Filmmaker Competes at Cannes with Senegalese Drama

Most filmmakers in the Cannes Film Festival’s top-rung competition are well-known directors who have been around for decades. One dramatic exception this year is Ramata-Toulaye Sy, a French-Senegalese filmmaker whose first film, “Banel & Adama,” landed among the 21 films competing for the Palme d’Or. 

“It’s only now that I realize that being in competition means being in a competition,” Sy said, laughing, in an interview shortly after “Banel & Adama” premiered in Cannes. “Now that we’re really in the middle of it, I realize there’s a lot of passion going around.” 

Sy, 36, is the sole first-timer in Cannes’ main lineup this year. She is also only the second Black female director to ever compete for the Palme, following Mati Diop, also a French-Senegalese filmmaker, whose “Atlantics” debuted in 2019. For the Paris-raised Sy, it’s not a distinction of significance. 

“I’m a filmmaker and I really wish we stopped being counted as women, as Black or Arab or Asian,” she said. 

In “Banel & Adama,” also the only Africa-set film competing for the Palme this year, Sy crafts a radiant and languorous fable tinged with myth and tragedy. 

Banel (Khady Mane) and Adama (Mamadou Diallo) are a deeply in love married couple living in a small village in northern Senegal. In their intimate romantic idyll, they wish to pull away from the local traditions. Adama is set to become village chief but is uninterested in doing so. Banel dreams of living outside the village, in a home buried under a mountain of sand. 

While Banel and Adama slowly work to sweep away the sand, their yearning to live on their own causes angst in the village, especially when a drought arrives that some take as a curse for their independence. Though often opaque, the film stays largely with the psychology of Banel, whose single-mindedness grows increasingly dark. 

“I was quite reluctant at the start to acknowledge that Banel is me,” Sy said. “Now I have to confess that it’s definitely me. I see myself, my questions, my struggle in her journey. How to become an individual inside a community is really my own question.” 

Sy began writing “Banel & Adama” in 2014 as a student at La Fémis, the French film school. Sy, the daughter of Senegalese immigrants, says she was first drawn to literature. Novels like Toni Morrison’s “Sula” and Elena Frenate’s “My Brilliant Friend” inspired “Banel & Adama.” 

“The love story was a pretext for to deal with myth,” she says. “I wanted to have this kind of mythological female character that you find in Greek tragedy.” 

Sy co-wrote Atiq Rahimi’s “Our Lady of the Nile” and Çagla Zencirci and Guillaume Giovanetti’s “Sibel” — both of which played at international festivals. Her first short film, “Astel,” was well-received. 

But little prepared her for the stresses of shooting in rural Senegal. Along with heat, sandstorms and bouts of illness among the crew, Sy struggled to find her Banel. In the end, she found Mane while walking around. 

“We had all the cast except for her. We started five months before shooting and one month before shooting we still didn’t have her. One day I was walking down the street and my eyes locked on this girl,” Sy said. “It was the way that she looked at me. Her gaze had something a bit wise and a bit crazy.” 

Jennifer Lawrence-Produced Afghan Documentary Premieres at Cannes

While the world watched Kabul fall and the Taliban surge back to power in 2021 following the withdrawal of U.S. troops, actor Jennifer Lawrence and producer Justine Ciarrocchi were asking themselves what they could do to support women’s rights. 

“Jen’s first response was to find an Afghan filmmaker and give them a platform,” Ciarrocchi told The Hollywood Reporter. 

They eventually found director Sahra Mani, whose 2019 documentary “A Thousand Girls Like Me” looked at a sexually abused woman’s quest for justice. 

On Sunday, “Bread and Roses,” Mani’s documentary about the daily lives of three women after the Taliban’s resurgence, premiered at the Cannes Film Festival in a special screening. 

“This film has a message from women in Afghanistan, a soft message; please be their voice who are voiceless under Taliban dictatorship,” said Mani at the premiere. 

The director said in an interview on the Cannes website that she wanted to show the reality of how drastically life has changed under the Taliban for women, even if filming was difficult. “Now that women can no longer leave the house without the veil, I thought we should tell their stories,” she said. 

The safety of the camera crews and the people filmed was of top priority, said Mani, who currently lives in France. 

“The way in which their lives have changed under the Taliban is an everyday reality for us, it’s life under a dictatorship, a cruel reality we cannot ignore.” 

‘Fast X’ Speeds to No. 1; Knocks ‘Guardians 3’ to 2nd

The 10th installment of the “Fast and Furious” franchise was off to the races this weekend, knocking “Guardians of the Galaxy Vol. 3” out of first place and easily claiming the No. 1 spot at the box office. “Fast X” earned $67.5 million in ticket sales from 4,046 North American theaters, according to estimates from Universal Pictures on Sunday.

It’s on the lower end of openings for the series which peaked with “Furious 7’s” $142.2 million launch, the sole movie in the series to surpass $100 million out of the gates. “Fast X’s” domestic debut only ranks above the first three. The last movie, “F9,” opened to $70 million in 2021.

But this is also a series that has usually made the bulk of its money internationally, often over 70%. True to form, overseas it’s on turbo drive. “Fast X” opened in 84 markets internationally, playing in over 24,000 theaters, where it earned an estimated $251.4 million. The top market was China with $78.3 million, followed by Mexico with $16.7 million. And it adds up to a $319 million global debut — the third biggest of the franchise.

“It’s a global franchise with a very broad audience,” said Jim Orr, Universal’s head of domestic distribution. “The themes resonate across the world.”

Directed by Louis Leterrier (who took over from Justin Lin during production), “Fast X” brings back the familiar crew including Vin Diesel, Michelle Rodriguez, Tyrese Gibson and Jordana Brewster and adds several newcomers, like Brie Larson, Rita Moreno and a villain played by Jason Momoa. The ever-expanding cast includes Jason Statham, Charlize Theron, Scott Eastwood and Helen Mirren.

Reports say the movie cost $340 million to produce, not including marketing.

Reviews were mixed for “Fast X,” the beginning of the end for the $6 billion franchise, which currently has a 54% on Rotten Tomatoes. AP’s Mark Kennedy wrote in his review that, “It has become almost camp, as if it breathed in too much of its own fumes” and that it’s also “monstrously silly and stupidly entertaining.”

According to exit polls, audiences were 29% Caucasian, 29% Hispanic and 21% Black, and 58% were between the ages of 18 and 34. They gave the film a B+ CinemaScore.

In its third weekend, Disney and Marvel’s ” Guardians of the Galaxy Vol. 3 ” made an estimated $32 million in North America to take second place. It’s now made $266.5 million domestically and $659.1 million globally.

Third place went to another Universal juggernaut, “The Super Mario Bros. Movie,” which is now in its seventh weekend and available to rent on VOD. Nevertheless, it earned an additional $9.8 million in North America, bringing its domestic total to $549.3 million.

“Book Club: The Next Chapter ” added $3 million in its second weekend to take fourth place, while “Evil Dead Rise” rounded out the top five in its fifth weekend with $2.4 million.

“Mario” and “Fast X” are just the latest success stories for Universal, following hits like “Cocaine Bear” and “M3GAN.” And later this summer, on July 21, they’ll release Christopher Nolan’s ” Oppenheimer.”

“Universal as a studio is just on a roll like no other by having this incredible slate of films from all different types of genres,” said Paul Dergarabedian, the senior media analyst for Comscore. “They’ve created a release strategy that’s really picture perfect so far.”

“Fast X” doesn’t have an entirely open runway though. Next weekend there will be sizable competition in Disney’s live-action “The Little Mermaid,” in addition to a slew of crowd-pleasers hoping to catch a Memorial Day weekend audience, including Julia Louis-Dreyfus in “You Hurt My Feelings” and the broad comedy “About My Father,” with Sebastian Maniscalco and Robert De Niro.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

  1. “Fast X,” $67.5 million.

  2. “Guardians of the Galaxy Vol. 3,” $32 million.

  3. “The Super Mario Bros. Movie,” $9.8 million.

  4. “Book Club: The Next Chapter,” $3 million.

  5. “Evil Dead Rise,” $2.4 million.

  6. “John Wick: Chapter 4,” $1.3 million.

  7. “Are You There God? It’s Me, Margaret,” $1.3 million.

  8. “Hypnotic,” $825,000.

  9. “MET Opera: Don Giovanni,” $701,025.

  10. “BlackBerry,” $525,000.

SpaceX Launching Saudi Astronauts on Private Flight to Space Station

SpaceX’s next private flight to the International Space Station awaited takeoff Sunday, weather and rocket permitting.

The passengers include Saudi Arabia’s first astronauts in decades, as well as a Tennessee businessman who started his own sports car racing team. They’ll be led by a retired NASA astronaut who now works for the company that arranged the 10-day trip.

It’s the second charter flight organized by Houston-based Axiom Space. The company would not say how much the latest tickets cost; it previously cited per-seat prices of $55 million.

With its Falcon rocket already on the pad, SpaceX targeted a liftoff late Sunday afternoon from NASA’s Kennedy Space Center. It’s the same spot where Saudi Arabia’s first astronaut, a prince, soared in 1985.

Representing the Saudi Arabian government this time are Rayyanah Barnawi, a stem cell researcher set to become the kingdom’s first woman in space, and Royal Saudi Air Force fighter pilot Ali al-Qarni.

Rounding out the crew: John Shoffner, the racecar buff; and Peggy Whitson, who holds the U.S. record for the most accumulated time in space at 665 days.

China Tells Tech Manufacturers: Stop Using US-Made Micron Chips

Stepping up a feud with Washington over technology and security, China’s government Sunday told users of computer equipment deemed sensitive to stop buying products from the biggest U.S. memory chipmaker, Micron Technology Inc. 

Micron products have unspecified “serious network security risks” that pose hazards to China’s information infrastructure and affect national security, the Cyberspace Administration of China said on its website. Its six-sentence statement gave no details. 

“Operators of critical information infrastructure in China should stop purchasing products from Micron Co.,” the agency said. 

The United States, Europe and Japan are reducing Chinese access to advanced chipmaking and other technology they say might be used in weapons at a time when President Xi Jinping’s government has threatened to attack Taiwan and is increasingly assertive toward Japan and other neighbors. 

Chinese officials have warned of unspecified consequences but appear to be struggling to find ways to retaliate without hurting China’s smartphone producers and other industries and efforts to develop its own processor chip suppliers. 

An official review of Micron under China’s increasingly stringent information security laws was announced April 4, hours after Japan joined Washington in imposing restrictions on Chinese access to technology to make processor chips on security grounds. 

Foreign companies have been rattled by police raids on two consulting firms, Bain & Co. and Capvision, and a due diligence firm, Mintz Group. Chinese authorities have declined to explain the raids but said foreign companies are obliged to obey the law. 

Business groups and the U.S. government have appealed to authorities to explain newly expanded legal restrictions on information and how they will be enforced. 

Sunday’s announcement appeared to try to reassure foreign companies. 

“China firmly promotes high-level opening up to the outside world and, as long as it complies with Chinese laws and regulations, welcomes enterprises and various platform products and services from various countries to enter the Chinese market,” the cyberspace agency said. 

Xi accused Washington in March of trying to block China’s development. He called on the public to “dare to fight.” 

Despite that, Beijing has been slow to retaliate, possibly to avoid disrupting Chinese industries that assemble most of the world’s smartphones, tablet computers and other consumer electronics. They import more than $300 billion worth of foreign chips every year. 

Beijing is pouring billions of dollars into trying to accelerate chip development and reduce the need for foreign technology. Chinese foundries can supply low-end chips used in autos and home appliances but can’t support smartphones, artificial intelligence and other advanced applications. 

The conflict has prompted warnings the world might decouple or split into separate spheres with incompatible technology standards that mean computers, smartphones and other products from one region wouldn’t work in others. That would raise costs and might slow innovation. 

U.S.-Chinese relations are at their lowest level in decades due to disputes over security, Beijing’s treatment of Hong Kong and Muslim ethnic minorities, territorial disputes and China’s multibillion-dollar trade surpluses. 

Cholera Outbreak Claims Ten More Lives in South Africa 

The provincial health department in the South African province of Gauteng on Sunday announced 19 new cases of Cholera in Hammanskraal, including 10 deaths.

South Africa reported its first cholera death in February, after the virus arrived in the country from Malawi.

It was unclear how many cholera cases there was nationally as of Sunday, but the most populous province of Gauteng, where Johannesburg and Pretoria are situated, has been hardest hit.

Cholera can cause acute diarrhea, vomiting and weakness and is mainly spread by contaminated food or water. It can kill within hours if untreated.

The last outbreak in South Africa was in 2008/2009 when about 12,000 cases were reported following an outbreak in neighboring Zimbabwe, which led to a surge of imported cases and subsequent local transmission.

Mexico Keeps Close Eye on Volcano That Threatens 22 Million

Mexico’s Popocatepetl volcano rumbled to life again this week, belching out towering clouds of ash that forced 11 villages to cancel school sessions.

The residents weren’t the only ones keeping a close eye on the towering peak. Every time there is a sigh, tic or heave in Popocatepetl, there are dozens of scientists, a network of sensors and cameras, and a roomful of powerful equipment watching its every move.

The 5,426-meter volcano, known affectionately as “El Popo,” has been spewing toxic fumes, ash and lumps of incandescent rock persistently for almost 30 years, since it awakened from a long slumber in 1994.

The volcano is 72 kilometers southeast of Mexico City, but looms much closer to the eastern fringes of the metropolitan area of 22 million people. The city also faces threats from earthquakes and sinking soil, but the volcano is the most visible potential danger — and the most closely watched. A severe eruption could cut off air traffic, or smother the city in clouds of choking ash.

Ringed around its summit are six cameras, a thermal imaging device and 12 seismological monitoring stations that operate 24 hours a day, all reporting back to an equipment-filled command center in Mexico City.

A total of 13 scientists from a multidisciplinary team take turns staffing the command center around the clock. Being able to warn of an impending ash cloud is key, because people can take precautions. Unlike earthquakes, warning times can be longer for the volcano and in general the peak is more predictable.

On a recent day, researcher Paulino Alonso made the rounds, checking the readings at the command center run by Mexico’s National Disaster Prevention Center, known by its initials as Cenapred. It is a complex task that involves seismographs that measure the volcano’s internal trembling, which could indicate hot rock and gas moving up the vents in the peak.

Monitoring gases in nearby springs and at the peak — and wind patterns that help determine where the ash could be blown — also play a role.

The forces inside are so great that they can temporarily deform the peak, so cameras and sensors must monitor the very shape of the volcano.

How do you explain all of this to 25 million non-experts living within a 62-mile (100-kilometer) radius who have grown so used to living near the volcano?

Authorities came up with the simple idea of a volcano “stoplight” with three colors: green for safety, yellow for alert and red for danger.

For most of the years since the stoplight was introduced, it has been stuck at some stage of “yellow.” The mountain sometimes quiets down, but not for long. It seldom shoots up molten lava: instead it’s more the “explosive” type, showering out hot rocks that tumble down its flanks and emitting bursts of gas and ash.

The center also has monitors in other states; Mexico is a country all too familiar with natural disasters.

For example, Mexico’s earthquake early alert system is also based at the command center. Because the city’s soil is so soft — it was built on a former lake bed — a quake hundreds of miles away on the Pacific coast can cause huge destruction in the capital, as happened in 1985 and 2017.

A system of seismic monitors along the coast sends messages that race faster than the quake’s shock waves. Once the sirens start blaring, it can give Mexico City residents up to half a minute to get to safety, usually on the streets outside.

‘Bone-Chilling’ Auschwitz Drama Is Early Cannes Favorite

A powerful Auschwitz-set psychological horror film, The Zone of Interest, is emerging as the hot ticket at the Cannes Film Festival, with reviews Saturday were near-unanimous in their praise.

British director Jonathan Glazer’s film focuses on the family of Rudolf Hoess, the longest-serving commandant of the Auschwitz camp, who lived a stone’s throw from the incinerators.

While the screams and gunshots are audible from their beautiful garden, the family carries on as though nothing was amiss.

The horror “is just bearing down on every pixel of every shot, in sound and how we interpret that sound… It affects everything but them,” Glazer told AFP.

“Everything had to be very carefully calibrated to feel that it was always there, this ever-present, monstrous machinery,” he said.

The 58-year-old Glazer, who is Jewish, focused on the banality of daily lives around the death camp, viewing Hoess’s family not as obvious monsters but as terrifyingly ordinary.

“The things that drive these people are familiar. Nice house, nice garden, healthy kids,” he said.

“How like them are we? How terrifying it would be to acknowledge? What is it that we’re so frightened of understanding?”

“Would it be possible to sleep? Could you sleep? What happens if you close the curtains and you wear earplugs, could you do that?”

The film is all the more uncomfortable as it is shot in a realist style, with natural lighting and none of the frills that are typical of a period drama.

It has garnered gushing praise so far from critics at the French Riviera festival.

A “bone-chilling Holocaust drama like no other,” The Hollywood Reporter said of the “audacious film,” concluding that Glazer “is incapable of making a movie that’s anything less than bracingly original.”

Variety said that Glazer had “delivered the first instant sensation of the festival,” describing it as “profound, meditative and immersive, a movie that holds human darkness up to the light and examines it as if under a microscope.”

‘I cogitate a lot’

Glazer is known for taking his time — it has been a decade since his last film, the acclaimed, deeply strange sci-fi Under the Skin starring Scarlett Johansson.

He made his name with music videos for Radiohead, Blur and Massive Attack in the 1990s before moving into films with Sexy Beast (2000) and Birth (2004).

“I cogitate a lot. I think a lot about what I’m going to make, good or bad,” he said.

“This particular subject obviously is a vast, profound topic and deeply sensitive for many reasons and I couldn’t just approach it casually.”

A novel of the same title by Martin Amis was one catalyst for bringing him to this project.

It provided “a key that unlocked some space for me… the enormous discomfort of being in the room with the perpetrator.”

He spent two years reading other books and accounts on the subject before beginning to map out the film with collaborators.

Glazer’s film is one of 21 in competition for the Palme d’Or, the top prize at Cannes, which runs until May 27.

French reviewers were equally impressed by Glazer’s film, with Le Figaro calling it “a chilling film with dizzying impact” and Liberation saying it could well take home the Palme.

National Treasure Wins Preakness Stakes

National Treasure won the Preakness Stakes at Pimlico Race Course in Baltimore on Saturday, giving Hall of Fame trainer Bob Baffert a record-breaking eighth win in the middle jewel of U.S. thoroughbred racing’s Triple Crown.

With John Velazquez aboard, National Treasure held off a late charge from Blazing Sevens. Kentucky Derby winner Mage finished third, meaning the chestnut colt will not have a shot at becoming U.S. thoroughbred racing’s 13th Triple Crown winner.

The win capped an emotional day for Baffert, whose colt Havnameltdown was euthanized on the track earlier on Saturday after going down with an injury during a race at Pimlico.

“Losing that horse today really hurt but I am happy for Johnny, he got the win,” Baffert said fighting back tears, referring to the jockey. “It’s been a very emotional day.”

For Baffert, one of the sport’s best-known figures, the Preakness marked his first Triple Crown race in two years due to a lengthy suspension after one of his horses, Medina Spirit, tested positive for a banned substance and was stripped of the Kentucky Derby title in 2021.